A Double-Edged Knife: Circumcision and Hypocrisy in Later Medieval Christian Thought
Visitor parking in PGIV (Bryan Center Garage); pick up your parking voucher during the seminar.
Sara Lipton, Professor of History at Stony Brook University, works on religious identity and experience, Jewish-Christian relations, and art and culture in the high and later Middle Ages (11th-15th centuries). She is interested in the relationship between formal knowledge and lived experience, particularly as manifested in the interplay of text and image, and as mediated through the figure of the Jew. She recently completed a book called Dark Mirror: The Medieval Origins of Anti-Semitic Iconography (Metropolitan Books, 2014). Dark Mirror examines how changes in Christian devotion, thought, and politics affected the visual representation of the Jew. It explains the emergence of the iconographically identifiable Jew around the year 1080 and brings theoretical coherence to the dizzying proliferation of images of Jews in subsequent centuries. Her current project, "The Vulgate of Experience: Art and Preaching in the High Middle Ages (1180-1300)," explores why and to what effect Christendom invested so much in worshiping the ineffable Word through the material thing.