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BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Technology
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20180907T181808Z
DESCRIPTION:This event has been canceled.  We hope to reschedule at a futu
 re date TBD.
DURATION:PT1H
DTSTAMP:20180928T134838Z
DTSTART;TZID=America/New_York:20180928T160000
LAST-MODIFIED:20180928T134838Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CANCELLED
SUMMARY:CANCELED: Lauren Flood: "AI and the Ethnography of Musical Futures
 "
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URL:http://music.duke.edu
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 anklinHumanitiesInstitute,":Franklin Humanities Institute (FHI)
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X-BEDEWORK-DUKE-SERIES:Ethnomusicology Lecture Series
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X-BEDEWORK-IMAGE-ALT-TEXT:Lauren Flood
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20180913T153233Z
DESCRIPTION:In this presentation\, Schweig listens to rap songs about hist
 orical events in Taiwan as synergetic efforts to imagine new forms of pos
 t-authoritarian sociality. She suggests ways of understanding how musical
  sound sets rap apart as a medium\, in addition to film and literature\, 
 for speeding the recovery from multigenerational legacies of trauma.\n\nM
 eredith Schweig completed her MA (2009) and PhD (2013) in ethnomusicology
  at Harvard University\, where she also received her BA (2003) in Music a
 nd East Asian Studies. Her research explores twentieth- and twenty-first-
 century musics of East Asia\, with a particular emphasis on popular song\
 , narrativity\, and cultural politics in Taiwan and China. An assistant p
 rofessor of ethnomusicology at Emory\, she is currently working on a book
  about Taiwan's hip-hop scene. A second project in development refracts q
 uestions about music\, memory\, and transmedia storytelling through a stu
 dy of global pop icon Teresa Teng. She maintains additional research inte
 rests in sound studies\, sensory studies\, translation studies\, kinetic 
 sound sculpture\, and the museology/musicology nexus.
DURATION:PT1H
DTSTAMP:20181008T140121Z
DTSTART;TZID=America/New_York:20181012T160000
LAST-MODIFIED:20181008T140121Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Meredith Schweig (Emory University):  "Rap Music and the Politics 
 of Historical Storytelling in Taiwan"
UID:CAL-2c918085-65bcc17e-0165-d38ffd91-000018c0demobedework@mysite.edu
URL:http://music.duke.edu
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 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Meredith Schweig
X-BEDEWORK-DUKE-SERIES:Ethnomusicology Lecture Series
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X-BEDEWORK-IMAGE-ALT-TEXT:Meredith Schweig
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Humanities
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20180829T161319Z
DESCRIPTION:Emily Wilbourne (Queens College and the Graduate Center\, CUNY
 ) is a musicologist specializing in theatrical music and sound in sevente
 enth-century Italy. Her work engages with questions of gender\, performan
 ce\, and sexuality and with repertories of the commedia dell'arte and Ita
 lian opera. Read more about Professor Wilbourne at the More Event Informa
 tion link.
DURATION:PT1H
DTSTAMP:20181018T174457Z
DTSTART;TZID=America/New_York:20181026T160000
LAST-MODIFIED:20181018T174457Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Little Black Giovanni's Dream: Dwarves\, Slaves\, Infidels\, and M
 usical Performance at the Medici Court
UID:CAL-2c918085-65748a7f-0165-8675ebbd-0000320edemobedework@mysite.edu
URL:https://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initi
 atives/Doctoral-Programs/Music-(Ph-D-D-M-A-)/Faculty-Bios/Emily-Wilbourne
 
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user
 /Topics/Humanities
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp__Artsan
 dSciences_Music,":Music
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=duke-music@duke.edu:Dept
 . of Music
X-BEDEWORK-SPEAKER:Emily Wilbourne
X-BEDEWORK-DUKE-SERIES:Duke Musicology Lecture
X-BEDEWORK-SUBMITTEDBY:jmems for Medieval and Renaissance Studies (agrp__A
 rtsandSciences_MedievalandRenaissanceStudies)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Europe focus
CATEGORIES:Humanities
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20180803T144122Z
DESCRIPTION:"Little Black Giovanni's Dream: Dwarves\, Slaves\, Infidels\, 
 and Musical Performance at the Medici Court." Emily Wilbourne is Associat
 e Professor of Musicology at Queens College and the Graduate Center\, CUN
 Y. She is the author of "Seventeenth-Century Opera and the Sound of the C
 ommedia dell'Arte" (Chicago University Press\, 2016). In 2015\, she guest
  edited a special issue of "Women & Music" in honour of Suzanne G. Cusick
 . Wilbourne has published on the commedia dell'arte and seventeenth-centu
 ry music in the "Journal of the American Musicological Society\," "Women 
 & Music\," "Recercare\," "Teatro e storia" and "Italian Studies."
DURATION:PT1H
DTSTAMP:20180815T165948Z
DTSTART;TZID=America/New_York:20181026T160000
LAST-MODIFIED:20180815T165948Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Music Lecture: Emily Wilbourne (Queens College and the Graduate Ce
 nter\, CUNY)
UID:CAL-2c918083-64eec28a-0165-003c6698-00001dfademobedework@mysite.edu
URL:http://music.duke.edu
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 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us
 er/Topic of Event Focused on a Country or Continent (if applicable)/Europ
 e focus
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user
 /Topics/Humanities
X-BEDEWORK-DUKE-SERIES:Lecture Series in Musicology
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X-BEDEWORK-IMAGE-ALT-TEXT:Emily Wilbourne by Gregory Costanzo
X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music)
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Technology
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20180907T181808Z
DESCRIPTION:"AI and the Ethnography of Musical Futures: Prototype\, Update
 \, Real-Time\, and DeepDream."  Lauren Flood is a postdoctoral fellow at 
 the Wolf Humanities Center\, University of Pennsylvania. In this talk\, s
 he considers the intersections between the Maker Movement (the practice o
 f building do-it-yourself (DIY) projects) and growing trends in artificia
 l intelligence (AI)\, particularly machine learning. Drawing on fieldwork
  in Berlin\, she shows how Makers working with machine learning are const
 antly engaged in a tug-of-war between past\, present\, and future. Words 
 that capture this struggle-prototype\, update\, real-time\, and DeepDream
  (the latter of which describes hallucinatory computer-manipulated art)-p
 articularly dominate how Makers build musical machines and instruments.
DURATION:PT1H
DTSTAMP:20181017T200352Z
DTSTART;TZID=America/New_York:20181109T160000
LAST-MODIFIED:20181017T200352Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Lauren Flood: "AI and the Ethnography of Musical Futures"
UID:CAL-2c918083-666bc169-0166-839dfee7-00002daademobedework@mysite.edu
URL:http://music.duke.edu
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 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Technology:/user/public-user
 /Topics/Technology
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_JHFC_Fr
 anklinHumanitiesInstitute,":Franklin Humanities Institute (FHI)
X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music)
X-BEDEWORK-DUKE-SERIES:Ethnomusicology Lecture Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:181
X-BEDEWORK-IMAGE-X2:912
X-BEDEWORK-IMAGE-Y2:789
X-BEDEWORK-IMAGE-CROP-WIDTH:912
X-BEDEWORK-IMAGE-CROP-HEIGHT:608
X-BEDEWORK-IMAGE-ALT-TEXT:Lauren Flood
X-BEDEWORK-IMAGE:/public/Images/Lauren Flood_web_20180907021808PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/Lauren Flood_web_20180907021808PM-th
 umb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Featured
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Concert/Music
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20181213T184456Z
DESCRIPTION:"Musical Salons of the Enlightenment: Women and the Circulatio
 n of Taste" presents the sounds of salons of late eighteenth-century Euro
 pe\, bringing together rare examples of musical works composed by salon h
 ostesses and other pieces composed by the professional musicians in their
  circles. Featuring Duke Music alumna Sophie Caplin\, soprano. Musicologi
 st & historical keyboardist Rebecca Cypess is an associate professor of m
 usic at the Mason Gross School of the Arts\, Rutgers University. A specia
 list in the history\, performance practices\, and meanings of music in th
 e 17th and 18th centuries\, she is the author of "Curious and Modern Inve
 ntions: Instrumental Music as Discovery in Galileo's Italy" (University o
 f Chicago Press\, 2016) and co-editor of "Sara Levy's World: Gender\, Jud
 aism\, and the Bach Tradition in Enlightenment Berlin" (University of Roc
 hester Press\, 2018)\, as well as many articles and chapters on the histo
 ry and practices of music in the seventeenth and eighteenth centuries. Sh
 e is the founder of the Raritan Players\, whose first recording\, "In Sar
 a Levy's Salon" (Acis Productions\, 2017)\, has garnered praise as "simpl
 y mesmerising" (Early Music America) and "a fascinating concept\, brillia
 ntly realised" (Classical Music\, 5 stars). She received the 2018 Noah Gr
 eenberg Award from the American Musicological Society for her next record
 ed project\, with fortepianist Yi-heng Yang\, "Sisters\, Face-to-Face: Th
 e Bach Legacy in Women's Hands (Acis Productions\, forthcoming 2019).
DURATION:PT1H
DTSTAMP:20190118T134130Z
DTSTART;TZID=America/New_York:20190123T190000
LAST-MODIFIED:20190118T134130Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Rare Music Lecture/Recital: Rebecca Cypess (Rutgers University)\, 
 harpsichord and fortepiano
UID:CAL-2c918084-678c683a-0167-a8e2d410-00007a93demobedework@mysite.edu
URL:http://music.duke.edu
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Concert_Music:/user/public-u
 ser/Arts/Concert_Music
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
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X-BEDEWORK-IMAGE-ALT-TEXT:Rebecca Cypess
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 g
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U
 tilities/Featured
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Africa focus
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20181213T191516Z
DESCRIPTION:In this lecture\, ethnomusicologist Ryan Skinner (Associate Pr
 ofessor\, Ohio State University) presents a set of provisional answers fr
 om his experiences as an observer of Mali and student of its music over t
 he past two decades. These answers are neither exhaustive nor mutually ex
 clusive\, but they do give a sense of the crucial complexity that Malian 
 artists playfully\, critically\, and artfully negotiate when they make (a
 nd we hear) their music-what Skinner calls in his book\, "Bamako Sounds" 
 (Minnesota\, 2015)\, "the Afropolitan ethics of Malian music." The talk w
 ill also explore the way these case studies inform methodological approac
 hes to and theoretical concerns for a more musical anthropology\, and con
 nect this disciplinary perspective to Skinner's current research on an em
 ergent\, and currently effervescent Afro-Swedish public culture. Ryan Ski
 nner is a musical anthropologist who studies the expressive cultures and 
 social worlds of contemporary Africa and its European diaspora\, with ext
 ensive fieldwork conducted in Mali and Sweden. Specializing in the analyt
 ic methods of cultural anthropology and ethnomusicology\, Skinner's resea
 rch focuses on issues of popular culture\, ethics and aesthetics\, public
  piety\, cultural policy\, intellectual property\, racial identity and po
 litics\, and new social movements in the African world.
DURATION:PT1H
DTSTAMP:20190110T214237Z
DTSTART;TZID=America/New_York:20190125T160000
LAST-MODIFIED:20190110T214237Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Lecture: Ryan Skinner (Ohio State): "What is 'Malian Music?': Seve
 n Partial Truths from a Musical Anthropology"
UID:CAL-2c918084-678c683a-0167-a8fe98a6-00007af3demobedework@mysite.edu
URL:http://music.duke.edu
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20190125T203402Z
DESCRIPTION:Jean-Paul C. Montagnier studied at the Conservatoire National 
 Supérieur de Musique de Paris\, before completing a Ph.D. at Duke Univers
 ity (1994) where he specialized in the music of the French baroque. He is
  currently Professor of musicology at the University of Lorraine (Nancy\,
  France)\, and Associate Member at the Institut de Recherche en Musicolog
 ie (IReMus\, CNRS). He served as Adjunct Professor at McGill University f
 rom 2007 to 2017\, and has recently been nominated a Robert M. Trotter Vi
 siting Distinguished Professor at the University of Oregon School of Musi
 c and Dance for the 2018-2019 academic year. He serves on the editorial b
 oard of the Collected Works of Jean-Baptiste Lully published by Olms (Ger
 many). His last publications include "The Polyphonic Mass in France\, 160
 0-1780: The Evidence of the Printed Choirbooks" (Cambridge: CUP\, 2017)\,
  and "The War of Austrian Succession and the Masses by Henry Madin (1740-
 1748)" which will be published in Music & Letters.
DURATION:PT1H
DTSTAMP:20190125T203402Z
DTSTART;TZID=America/New_York:20190219T120000
LAST-MODIFIED:20190125T203402Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Jean-Paul C. Montagnier: "The War of Austrian Succession and the M
 asses by Henry Madin (1740-1748)"
UID:CAL-2c918083-686fcb75-0168-86b828a6-00001cf6demobedework@mysite.edu
URL:http://music.duke.edu
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20181214T155138Z
DESCRIPTION:"Return to Sender: Channeling Recursion in Schubert's Die schö
 ne Müllerin." Roger Moseley's recent research focuses on intersections be
 tween keyboard music\, digital games\, and the diverse ways in which they
  can be played. In 2017\, his first book\, "Keys to Play: Music as a Ludi
 c Medium from Apollo to Nintendo\," received the American Musicological S
 ociety's Otto Kinkeldey Award\, which recognizes "a musicological book of
  exceptional merit by a scholar beyond the early stages of his or her car
 eer." Moseley is currently working on his second book\, "Romantic Artifac
 ts: The Technological Disclosure of Nineteenth-Century Music\," which sub
 jects the songs of Schubert\, the piano music of Chopin\, the chamber mus
 ic of Fauré\, and the orchestral music of Brahms to media-theoretical and
  music-analytical scrutiny. Roger Moseley is Associate Professor in the D
 epartment of Music at Cornell University.
DURATION:PT1H
DTSTAMP:20181214T155138Z
DTSTART;TZID=America/New_York:20190301T160000
LAST-MODIFIED:20181214T155138Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Lecture Series In Musicology: Roger Moseley (Cornell University)
UID:CAL-2c918084-678c683a-0167-ad6a86c2-00002059demobedework@mysite.edu
URL:http://music.duke.edu
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20181214T173402Z
DESCRIPTION:The twentieth century was witness to an ethical discourse abou
 t the scope of the human that took its cues from a discussion of how peop
 le should sound. The tones and timbres of vocal and instrumental music be
 came key reference points in a dialogue about how to maintain a human exi
 stence under the conditions of modern urban industrial capital. Three int
 erlocked musical movements-historical performance\, folk revivalism and w
 orld music-represent overlapping attempts to retrieve an ethical humanity
  within the contexts of the perceived dehumanizing processes of industria
 l modernity. The three share common arguments about the human body and th
 e value of social participation as important locations in which to find c
 ontinued expressions of humanity in the contemporary world. David Samuels
  is Associate Professor and Chair of the Department of Music at New York 
 University. A linguistic anthropologist\, folklorist\, and ethnomusicolog
 ist\, he has published extensively on the confluence of affective symbols
  in the context of vernacular modernities. His articles have been publish
 ed in The Annual Review of Anthropology\, Semiotica\, The Journal of Ling
 uistic Anthropology\, Language and Communication\, and American Ethnologi
 st.
DURATION:PT1H
DTSTAMP:20190307T214124Z
DTSTART;TZID=America/New_York:20190322T160000
LAST-MODIFIED:20190307T214124Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Ethnomusicology Lecture: David Samuels (NYU): "Early Folk World: S
 earching for Ethical Humanity in 20th Century Industrial Modernity"
UID:CAL-2c918084-678c683a-0167-adc845a6-00002ae1demobedework@mysite.edu
URL:http://music.duke.edu
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 Sciences_CulturalAnthropology,":Cultural Anthropology
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20181214T190758Z
DESCRIPTION:Associate Professor of Music and the Humanities\, Seth Brodsky
  is the author of "From 1989\, or European Music & the Modernist Unconsci
 ous" (University of California Press\, Jan. 2017). His scholarly and crit
 ical work pursues a number of related lines of inquiry focusing on music 
 of the 20th and 21st centuries\, including the field of "composerly produ
 ction\;" the role of unconscious processes\, particularly as figured in p
 sychoanalytic discourse\, in the making and experiencing of music\; and r
 epetition (in particular\, thinking about aesthetic modernism less as a p
 roverbial "search for the new" then as a larger project in resisting or "
 breaking" repetition\, whether it be the repetition of forms\, laws\, and
  languages\, of genres and styles\, or of themes\, patterns\, motives\, e
 tc.)
DURATION:PT1H
DTSTAMP:20190129T221929Z
DTSTART;TZID=America/New_York:20190405T160000
LAST-MODIFIED:20190129T221929Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Lecture Series In Musicology: Seth Brodsky (University of Chicago)
 : "Interregnum Music"
UID:CAL-2c918084-678c683a-0167-ae1e43c5-000030b2demobedework@mysite.edu
URL:http://music.duke.edu
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
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X-BEDEWORK-IMAGE-ALT-TEXT:Seth Brodsky
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 -thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\,
  Elizabeth
X-BEDEWORK-COST:Free
CREATED:20190129T222832Z
DESCRIPTION:Berlioz's essay "Le chef d'orchestre\, théorie de son art" (18
 55) was among the first and most widely disseminated attempts to describe
  the art of modern conducting. Drawing together technical with literary a
 nd scientific language\, it aimed to capture the relationship between lea
 ders and players and\, more broadly\, the modes of discipline\, persuasio
 n\, and animation that underpinned romantic orchestral performance. Centr
 al to the essay are notions of electricity-artificial\, animal\, and 'inv
 isible.' Orchestral leaders were at once electricians\, mesmerists\, comm
 anders\, and magicians\, figures whose power relied in large part on the 
 perceived mystery of electrical transmission. Here\, I tease out that ide
 a\, drawing conductors into conversation with imperial telegraphers\, spi
 ritualists\, conjurors\, and inventors. Francesca Brittan is a scholar of
  nineteenth-century music and aesthetics at Case Western Reserve Universi
 ty.  Her interests include music and histories of magic\, intersections b
 etween sound and romantic science\, nineteenth-century orchestral and con
 ducting cultures\, and sonic histories of mind. She is the author of the 
 monograph "Music and Fantasy in the Age of Berlioz" (Cambridge UP\, 2017)
 \, the editor of Jean-Etienne-Joseph Soubre's "Sinfonie fantastique" (A-R
  Editions\, 2017)\, and a contributor to the forthcoming Cambridge Berlio
 z Encyclopedia (CUP).
DURATION:PT1H
DTSTAMP:20190405T154924Z
DTSTART;TZID=America/New_York:20190412T160000
LAST-MODIFIED:20190405T154924Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle 10
 4
STATUS:CONFIRMED
SUMMARY:Lecture Series in Musicology: Francesca Brittan: "The Electrician\
 , the Magician\, and the Nervous Conductor"
UID:CAL-2c918083-68982e51-0168-9bba6e44-000071d6demobedework@mysite.edu
URL:http://music.duke.edu
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END:VEVENT
END:VCALENDAR