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DTSTART:19450814T190000
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BEGIN:VEVENT

CATEGORIES:Asia focus
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20260818T135703Z
DESCRIPTION:What if Indigeneity is sound? This talk introduces Tamura's bo
 ok project\, Vibration of Others: Indigeneity as Sound and Sensation\, in
  which she explores Ainu Indigeneity as sound and corporeal sensation.\n\
 nThe Ainu are Indigenous people of Japan. This simple statement took deca
 des of activism to materialize: Japan officially acknowledged the Ainu as
  Indigenous people in 2019. Much of the success of Ainu activism is owing
  to the sounds and sensations they generated in the form of music perform
 ance. Ainu musicians and performance activists made their claims audible 
 internationally\, and in the process\, they also produced a particular Ai
 nu sonic philosophy on Indigeneity\, covibrancy\, and corporeal ethics.\n
 \nThis project articulates an Indigenous agent ontology specific to conte
 mporary Ainu sounds and argues that Ainu sonic practices allow the Ainu t
 o define Indigeneity in their own terms\, contest Japanese ethnonationali
 sm\, and extend their ethical philosophy beyond their own politics of sov
 ereignty toward a sensorial onto-ethics of co-survival.\n\nCo-sponsored b
 y the Sound\, Music\, and Gender Graduate Working Group and the Voice/Noi
 se faculty collaborative group.\n\nThis event is free and open to the pub
 lic. All are welcome.
DURATION:PT1H30M
DTSTAMP:20260904T160247Z
DTSTART;TZID=America/New_York:20260918T160000
LAST-MODIFIED:20260904T160247Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle Mu
 sic Building\, 104
STATUS:CONFIRMED
SUMMARY:Ethnomusicology Lecture: Yurika Tamura\, UNC Chapel Hill
UID:CAL-8a002cbd-9fb2e569-01a0-15294c27-0000313ddemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user
 /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo
 cus
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand
 Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute (
 APSI)
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=dyllan.ladd@duke.edu:Dyl
 lan Ladd
X-BEDEWORK-SUBMITTEDBY:dpw34 for Music (agrp__ArtsandSciences_Music)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20260714T172120Z
DESCRIPTION:"Remembering Your Wounds: Sensing Jesus's Body in Membra Jesu 
 nostri (1680)"\n\nDieterich Buxtehude's Membra Jesu nostri (1680) compris
 es a cycle of seven Passion cantatas\, each addressing an isolated body p
 art of the crucified Jesus. The manuscript source\, one of few to survive
  in Buxtehude's hand\, exists not in typical staff notation but in German
  organ tablature: a specialized graphic system that functions as a "map" 
 for the body\, eschewing visual melodic contours in favor of physical key
 s to be touched by human fingers. Responding to Buxtehude's embodied nota
 tion system\, this talk probes his musical craft to reveal a rhetoric of 
 "sweet" wounds\, blood\, and milk-for example\, in his strategic deployme
 nt of the arcane harmonic technique Fauxbourdon in this and other works-t
 hat has evaded scholarly scrutiny. The cycle's "dismembered" dispositio i
 nto individual body parts meanwhile evokes tracts by 17th-c. scientist-my
 stics whose discourses employ unconventional bodies as symbols of resurre
 ction: the androgynous Adam and hermaphroditic "REBIS" achieve perfection
  in the alchemical flask through dismemberment-a trope then (re-)applied 
 to images of Jesus in contemporary emblems. When placed in conversation w
 ith such artifacts to which it textually alludes\, Membra Jesu nostri cha
 llenges us to reattune our modern eyes and ears to earlier understandings
  of music\, meaning\, and the bodies that make both.\n\nSpeaker Bio:\nMul
 ti-Instrumentalist Malachai Komanoff Bandy is Assistant Professor of Musi
 c at Pomona College and 2025 winner of Pomona's Wig Distinguished Profess
 or Award for excellence in teaching. He holds a Ph.D. in historical music
 ology from the University of Southern California. As a performer on histo
 rical strings and winds\, Malachai is founder and director of Artifex Con
 sort (Los Angeles) and has recently appeared with ensembles such as Bach 
 Collegium San Diego\, Tesserae\, Voices of Music\, The Gesualdo Six\, and
  as a soloist with the Los Angeles Opera. As a recording artist\, he is f
 eatured in the scores to Outlander\, The Rings of Power\, Foundation\, an
 d many more. Malachai's written work primarily concerns symbolism\, rheto
 ric\, and Christian mysticism in the German Baroque and has won the Socie
 ty for Seventeenth-Century Music's Irene Alm Memorial Prize\, the Ingolf 
 Dahl Award in Musicology\, a Paul Oskar Kristeller Fellowship from the Re
 naissance Society of America\, a long-term fellowship from the Newberry L
 ibrary\, and others.
DURATION:PT2H
DTSTAMP:20260716T134417Z
DTSTART;TZID=America/New_York:20260925T160000
LAST-MODIFIED:20260716T134417Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle Mu
 sic Building\, 104
STATUS:CONFIRMED
SUMMARY:Musicology Lecture: Malachai Bandy\, Pomona College
UID:CAL-8a002ad8-9f611855-019f-61a5c036-0000104bdemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=dyllan.ladd@duke.edu:Dyl
 lan Ladd
X-BEDEWORK-SUBMITTEDBY:dpw34 for Music (agrp__ArtsandSciences_Music)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20260923T140817Z
DESCRIPTION:This event includes a presentation by ethnomusicologist Allie 
 Martin and a discussant's remarks from composer Brittany Green. \n\nSampl
 ing for Black Life: The ethics of music sampling\, often limited to copyr
 ight law and intellectual property\, raise concerns about how Black voice
 s and sounds have been tried on\, used\, and discarded in commercial and 
 archival work. When it comes to sampling\, what is owed to the voices and
  soundscapes on archival recordings of Black life\, which were often obta
 ined under questionable circumstances? Drawing on materials sampled durin
 g a residency at the Library of Congress\, I introduce a practice of "sam
 pling with critical intention" that engages these materials with rigorous
  care. This talk offers an artistic intervention aimed toward liberatory 
 amplification\, insisting that sampling has the potential to disrupt anti
 -Black violence both in and out of the archive.\n\nThis event is free and
  open to the public. All are welcome!
DURATION:PT1H30M
DTSTAMP:20261009T122558Z
DTSTART;TZID=America/New_York:20261016T160000
LAST-MODIFIED:20261009T122558Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle Mu
 sic Building\, 104
STATUS:CONFIRMED
SUMMARY:Allie Martin and Brittany Green: Sampling for Black Life
UID:CAL-8a002cbd-9fb2e569-01a0-ce988894-00006ffddemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=dyllan.ladd@duke.edu:Dyl
 lan Ladd
X-BEDEWORK-LOCATION:Northstar Church of the Arts
X-BEDEWORK-SUBMITTEDBY:dpw34 for Music (agrp__ArtsandSciences_Music)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20260714T174152Z
DESCRIPTION:"Pressing Pause At Lunch (ca. 1955): An Estranged Listening to
  Food and Tape"\n\nA fisherman croons opera into a restaurant's mic in Ma
 rseilles\, France\; a Black domestic worker sings after serving lunch to 
 white visitors at a summer estate in Virginia\; in rural Poland a group o
 f women is at work harvesting potatoes while a neighbor sings in the adja
 cent field. The scenes of music history (and music in history) I read clo
 sely here are not patently connected\, except that each occurred in the m
 id-1950s\, each links the practices of making/consuming food with musicki
 ng\, and each was recorded on magnetic tape. I wonder what\, bearing in m
 ind our present moments' critical concern with global media's transnation
 al corporate entanglements and extractive infrastructures\, we might lear
 n from sitting with and connecting these moments that\, in my analysis\, 
 show the limits of (tape) recording.\n\nIn the 1950s\, tape was imbued wi
 th the expectation of increasing access to music\, knowledge\, and citize
 nship\, as it brought new material formations to sound's relationship to 
 history. Magnetic recording\, characterized by its vastly increased stora
 ge capacity and design for emplaced information gathering\, was imagined 
 as a powerful tool to collect and study human intimacies. Following Aleja
 ndro L. Madrid's suggestion\, I seek out techniques to "estrange historic
 al sound archives to more productively engage the information they store"
  (2025). Though the tape recordists who captured these scenes made elisio
 ns that kept the music\, food\, and sociality in archives\, tape's materi
 alities provide sonic clues to animate what Edward Said theorized as "sen
 suous particularity\," a worldliness for these minor moments that connect
  ecosystems of food consumption and listening. As tape illuminates the co
 nstellations of relationships that brought food to the table\, I mobilize
  a skepticism toward the media ideology of the early Cold War to think ab
 out the intersections of music\, sustenance\, and sustainability.\n\nSpea
 ker Bio:\nAn associate professor of music at the UNC-Chapel Hill\, Andrea
  Bohlman studies the cultural mobilities of sound/music with a focus on h
 istories of the everyday. Her current book\, provisionally titled Rewind:
  Tape Recording\, Sound Knowledge\, and the Threads of History\, 2020-193
 6\, is in many senses a backwards history of tape recording\, unspooling 
 a constellation of sound archives to query histories of unstable listenin
 g.
DURATION:PT2H
DTSTAMP:20260716T134505Z
DTSTART;TZID=America/New_York:20261030T160000
LAST-MODIFIED:20260716T134505Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle Mu
 sic Building\, 104
STATUS:CONFIRMED
SUMMARY:Musicology Lecture: Andrea Bohlman\, UNC-Chapel Hill
UID:CAL-8a002ad8-9f611855-019f-61b88c05-000010b4demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=dyllan.ladd@duke.edu:Dyl
 lan Ladd
X-BEDEWORK-SUBMITTEDBY:dpw34 for Music (agrp__ArtsandSciences_Music)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20260714T175106Z
DESCRIPTION:Speed Meets Speed: IShowSpeed's Musical Encounters in the Cari
 bbean\n\nIn spring 2026\, Darren Watkins\, the 21-year-old streamer known
  as IShowSpeed\, livestreamed his way through fifteen Caribbean countries
  in under a month\, backflipping\, racing\, eating\, and musicking at the
  pace of a speedrun\, the gaming genre built on completing a game as quic
 kly as possible. In Island Time (2024)\, I argued that in the small-islan
 d Eastern Caribbean\, speed is how change registers\, as a felt shock. Wa
 tkins\, whose brand is that he never tires\, offered the region a mirror 
 of its own speedy aesthetics\, while locals in the chat and on the road c
 ommented and guided in real time. For all the polish of the corporate-spo
 nsored tour\, some encounters felt more frictional than others\, often be
 cause of mishearings on both sides of the camera. Listening to these mome
 nts\, especially musical ones\, I ask how speed and "irl streaming" (fast
  tempos\, surface engagements\, misrecognitions) produce the feeling of a
  shared moment\, often without shared meaning. What can Caribbean music\,
  as its island hosts presented it\, and a Black body branded as tireless 
 tell us about encounters that are brief\, loud\, and widely broadcast?\n\
 nThis event is free and open to the public. All are welcome.
DURATION:PT1H30M
DTSTAMP:20260924T154157Z
DTSTART;TZID=America/New_York:20261113T160000
LAST-MODIFIED:20260924T154157Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d7193c-0000001a:Biddle Mu
 sic Building\, 104
STATUS:CONFIRMED
SUMMARY:Ethnomusicology Lecture: Jessica Baker\, University of Chicago
UID:CAL-8a002ad8-9f611855-019f-61c10010-0000111cdemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand
 Sciences_AfricanandAfricanAmericanStudies,":African and African American 
 Studies (AAAS)
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=dyllan.ladd@duke.edu:Dyl
 lan Ladd
X-BEDEWORK-SUBMITTEDBY:dpw34 for Music (agrp__ArtsandSciences_Music)
END:VEVENT
END:VCALENDAR