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CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
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CREATED:20231220T231337Z
DESCRIPTION:Free and open to the public. \n\nThe cliché "music saved my li
 fe" seems readymade for critique and dismissal\, but this presentation ta
 kes it seriously as a commentary on perilousness and insecurity. After al
 l\, if someone pins their hopes on music to provide a livable future\, th
 eir prospects must be very bad and their faith in music very strong. At a
 n afterschool program in New Orleans\, Black students discuss their music
 al pursuits as a kind of wager: perhaps playing in band can mitigate the 
 hazards of poverty\, violence\, policing\, incarceration\, and "apartheid
  schools" that reinforce racial hierarchies. Because the stakes of the wa
 ger are very high\, a matter of life and death\, this micro-level study o
 f musical activity (rehearsals\, performances\, etc.) becomes an entry po
 int for evaluating macro-level structures of inequality. Music is not pre
 sented as the primary "object" of study within secondary social\, cultura
 l\, or political settings ("contexts")\, but as a symptom that can assist
  in diagnosing the causes of social ills ("conditions"). \n\nMatt Sakakee
 ny is Associate Professor of Music/Ethnomusicology at Tulane University. 
 His work relates music and sound to structures of inequality\, especially
  anti-Black racism in New Orleans. In his book\, "Roll With It: Brass Ban
 ds in the Streets of New Orleans\," Sakakeeny follows brass band musician
 s as they march off the streets and into nightclubs\, festival grounds\, 
 and recording studios. Most recently\, he received a grant from the Spenc
 er Foundation for his next book on marching band education in the New Orl
 eans school system. \n\nSakakeeny's research brings an ethnomusicological
  perspective to sound studies. Along with David Novak\, he edited the ref
 erence work "Keywords in Sound\," a collection of twenty entries on sound
  written by leading scholars in the field of sound studies.\n\nCo-sponsor
 ed by the Department of Cultural Anthropology.
DTSTAMP:20231220T231337Z
DTSTART;TZID=America/New_York:20240301T160000
LAST-MODIFIED:20231220T231337Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu
 sic Building 101
STATUS:CONFIRMED
SUMMARY:Matt Sakakeeny: “’Music Saves Lives’: Implausible Wager/Social Fac
 t”
UID:CAL-8a018ccf-8b87f80e-018c-89818b72-00001ef9demobedework@mysite.edu
URL:https://music.duke.edu
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Masterclass
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
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CREATED:20231221T144922Z
DESCRIPTION:Masterclasses are free and open to the public. \n\nHailed "Que
 en of the flute" by New York Magazine\, flutist Carol Wincenc was first p
 rize winner of the (sole) Naumburg Solo Flute Competition\, as well as th
 e recipient of the Lifetime Achievement Award from the National Flute Ass
 ociation\, the National Society of Arts and Letters Gold Medal for Lifeti
 me Achievement in Music\, and Distinguished Alumni Award from the Brevard
  Festival and Music Center and Manhattan School of Music. During the 2019
 -22 seasons she celebrated a half century as an international\, concertiz
 ing artist at The Morgan Library and Museum\, Merkin Concert Hall and the
  Staller Center for the Arts. \n\nFor her 50th Golden Anniversary Legacy 
 Series she commissioned five new works by Jake Heggie\, Pierre Jalbert\, 
 Robert Sirota\, Larry Alan Smith and Sato Matsui. As part of this grand c
 elebration is the release of the all-Yuko Uebayashi album on Azica Record
 s with the Escher String Quartet. Recently as part of the Naumburg Looks 
 Back Series she performed at Carnegie's Weill Hall with her collaborator/
 pianist Bryan Wagorn of the Metropolitan Opera. During this season she al
 so did the world premieres of Gabriela Lena Frank's Five Andean Improvisa
 tions and Valerie Coleman's Amazonia. \n\nShe has appeared as soloist wit
 h such ensembles as the Chicago\, San Francisco\, Pittsburgh\, Detroit\, 
 and London symphonies\, the BBC\, Warsaw\, and Buffalo Philharmonics\, as
  well as the Los Angeles\, Stuttgart\, and Saint Paul Chamber Orchestras.
  She has performed in countless festivals such as Mostly Mozart\, Aldebur
 gh\, Budapest\, Frankfurt\, Santa Fe\, Spoleto\, Music at Menlo\, Aspen\,
  Yale/Norfolk\, Sarasota\, Banff\, and Marlboro. A Grammy nominee\, she h
 as received a Diapason d'Or Award for her recording of the Rouse Flute Co
 ncerto with\nthe Houston Symphony\, a Recording of Special Merit Award wi
 th pianist András Schiff\, and Gramophone magazine's "Pick of the Month" 
 with the Buffalo Philharmonic. She is a member of the New York Woodwind Q
 uintet and a founding member of both Les Amies with New York Philharmonic
  Principals\, harpist Nancy Allen and violist Cynthia Phelps and the Goss
 amer Trio with Nancy Allen and Claire Marie Solomon\, cellist. For over a
  half century combined\, Ms. Wincenc continues to teach on the faculties 
 of The Juilliard School and Stony Brook University. She is renowned for h
 er popular series with Lauren Keiser Music Publishers\, the Carol Wincenc
  21st Century Flute.
DTSTAMP:20231221T150419Z
DTSTART;TZID=America/New_York:20240408T180000
LAST-MODIFIED:20231221T150419Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu
 sic Building 101
STATUS:CONFIRMED
SUMMARY:Chamber Music Masterclass with Carol Wincenc\, flutist
UID:CAL-8a018ccf-8b87f80e-018c-8cda4291-00003be6demobedework@mysite.edu
URL:https://music.duke.edu
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
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CREATED:20231221T153101Z
DESCRIPTION:Free and open to the public. \n\nMichael Gallope teaches Cultu
 ral Studies & Comparative Literature at the University of Minnesota. His 
 research focuses on the ways music is linked to modern philosophical\, sp
 iritual\, social\, and economic practices. In his first two books\, he in
 vestigates historical responses to the disorienting impact of musical sou
 nd\, an impact that is perennially difficult to describe. In Western musi
 cal aesthetics\, the ineffability of music was traditionally associated w
 ith autonomous\, abstract\, and non-semantic conceptions of music. Gallop
 e's first book\, "Deep Refrains: Music\, Philosophy\, and the Ineffable" 
 (University of Chicago Press\, 2017) challenges these conservative associ
 ations by showing how music's ineffability spurred an array of modern Eur
 opean philosophers (principally\, Bloch\, Adorno\, Jankélévitch\, and Del
 euze) to address ethically engaged questions and problems that reside at 
 the limits of conceptual reasoning. \n\nGallope's second book\, "The Musi
 cian as Philosopher: New York's Vernacular Avant-Garde 1958-78" (Universi
 ty of Chicago Press\, Forthcoming 2024)\, turns to the philosophical thin
 king of musicians themselves. Through the prism of five case histories dr
 awn from the postwar avant-garde in New York-David Tudor\, Ornette Colema
 n\, the Velvet Underground\, Alice Coltrane\, a single chapter on Patti S
 mith and Richard Hell- the book explores the ways musicians exploited and
  amplified music's ineffable properties in light of various mystical and 
 ecstatic metaphysical beliefs. In the process\, "The Musician as Philosop
 her" contends that these musicians- all of whom are understudied\, and no
 ne of whom are traditionally taken to be composers- not only challenged t
 he rules by which music is written and practiced\, but also confounded an
 d reconfigured gendered and racialized expectations for what critics and 
 audiences took to be legitimate forms of musical sound.
DTSTAMP:20240104T194112Z
DTSTART;TZID=America/New_York:20240412T160000
LAST-MODIFIED:20240104T194112Z
LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu
 sic Building 101
STATUS:CONFIRMED
SUMMARY:Michael Gallope: "Ornette Coleman's Utopian Intentionalities\, c. 
 1966"
UID:CAL-8a018ccf-8b87f80e-018c-8d00651b-00003e69demobedework@mysite.edu
URL:https://music.duke.edu
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END:VEVENT
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