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CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\, Elizabeth X-BEDEWORK-COST:Free CREATED:20190805T172246Z DESCRIPTION:Karen Desmond is Associate Professor of Music at Brandeis Univ ersity. Her monograph "Music and the moderni\, 1300-1350: The ars nova in Theory and Practice" (Cambridge University Press\, 2018) challenges prev ailing accounts of the ars nova. She has been the recipient an NEH Resear ch Fellowship (2014)\, an SSHRC Banting Fellowship (2014-16)\, and an NEH Digital Humanities Advancement Grant (2019-20). She has begun writing he r second monograph\, tentatively titled "Torso: Understanding the Polypho ny of Late Medieval England from its Fragmentary Remains." This lecture i s co-sponsored by the Duke University Center for Medieval and Renaissance Studies. DURATION:PT1H DTSTAMP:20190805T172246Z DTSTART;TZID=America/New_York:20190927T160000 LAST-MODIFIED:20190805T172246Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Music Lecture: Karen Desmond (Brandeis): "Torso: Piecing together the Fragmentary Remains of English Music from the late Middle Ages" UID:CAL-2c918082-6c5c1a99-016c-62ce0bbf-000036afdemobedework@mysite.edu URL:http://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp__Artsan dSciences_MedievalandRenaissanceStudies,":Medieval and Renaissance Studie s X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:27 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:380.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Karen Desmond X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Karen_Desmond_20190805012246PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Karen_Desmond_20190805012246PM-thumb .png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\, Elizabeth X-BEDEWORK-COST:Free CREATED:20190806T155040Z DESCRIPTION:This talk focuses on gospel singer Mahalia Jackson's positioni ng in relation to two African American vocalists that she cited as influe nces but who are not often thought of in conjunction with each other: blu es singer Bessie Smith and contralto Marian Anderson. Listeners were fond of noting similarities that they heard between the voices of Smith and J ackson\, but for many\, including\, Jackson\, Anderson remained a benchma rk as well\, if in more complicated ways. The triangulation of discourse on the voices of these three women\, and in particular the representation of their voices through the reception of Mahalia Jackson\, invites to co nsider how we imagine and racialize "encultured" and "natural" voices\, w hile raising questions about ways black women's voices are heard\, unders tood\, and generate meaning. If\, as Nina Eidsheim\, argues\, "voice" is best understood as an active verb\, not a noun\, and bodies that are cons idered different are habitually heard as different\, how do we hear and m ake sense of black women's bodies who "voice" differently? Mark Burford i s Associate Professor of Music at Reed College\, where he is also chair o f the American Studies program. His research and teaching focuses on late eighteenth- and nineteenth-century Austro-German concert music and twent ieth-century popular music in the United States\, with particular focus o n African American music after World War II. He is the author of "Mahalia Jackson and the Black Gospel Field" (2019\, OUP). DURATION:PT1H DTSTAMP:20190811T163220Z DTSTART;TZID=America/New_York:20191018T160000 LAST-MODIFIED:20190811T163220Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Music Lecture: Mark Burford (Reed College): "Mahalia Jackson\, Bes sie Smith\, Marian Anderson\, and the Legibility of Black Women's Voices" UID:CAL-2c918082-6c5c1a99-016c-67a01640-00001503demobedework@mysite.edu URL:http://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:945 X-BEDEWORK-IMAGE-Y2:630 X-BEDEWORK-IMAGE-CROP-WIDTH:945 X-BEDEWORK-IMAGE-CROP-HEIGHT:630 X-BEDEWORK-IMAGE-ALT-TEXT:Mark Burford X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/burford-books_20190806115040AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/burford-books_20190806115040AM-thumb .png END:VEVENT BEGIN:VEVENT CATEGORIES:Africa focus CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\, Elizabeth X-BEDEWORK-COST:Free CREATED:20190806T162947Z DESCRIPTION:Scott Linford is Assistant Professor of Ethnomusicology at the University of Cincinnati\, College-Conservatory of Music. A scholar\, fi lmmaker and performing musician\, Linford has conducted fieldwork in West Africa\, Central America and the United States around themes of particip ation and musical experience\, ethnicity\, gender and politics. Raised in the San Francisco Bay Area\, he holds an MA and PhD in Ethnomusicology f rom UCLA and most recently served as Assistant Professor of Liberal Arts (Music History) at the Berklee College of Music. This lecture is co-spons ored by the Duke University Department of Music and the International Com parative Studies Program. DURATION:PT1H DTSTAMP:20191003T194119Z DTSTART;TZID=America/New_York:20191025T160000 LAST-MODIFIED:20191003T194119Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Ethnomusicology Lecture: Scott Linford (CCM): "Exploiting Musical Resources: From Traditional to Popular Music in Southern Senegal" UID:CAL-2c918082-6c5c1a99-016c-67c3e625-000017e0demobedework@mysite.edu URL:https://music.duke.edu/events/musicology-lectures X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Africa focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Afric a focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_AfricaI nitiative,/principals/users/agrp_JHFC_InternationalComparativeStudies,":A frica Initiative\,International Comparative Studies (ICS) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Scott Linford X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Scott_Linford_for_web_20190806122947PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Scott_Linford_for_web_20190806122947 PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Concert/Music CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\, Elizabeth X-BEDEWORK-COST:Free CREATED:20200113T200654Z DESCRIPTION:Join Duke Musicology alumni Candace Bailey (Ph.D. 1992) and Gi useppe Gerbino (Ph.D. 2001)\, National Humanities Center Fellows 2019-202 0\, as they discuss their research. Candace Bailey is Professor of Music at North Carolina Central University. Her NHC project is the monograph "W omen\, Music\, and the Performance of Culture in the Mid-Nineteenth Centu ry South." Among her many fellowships and grants\, Professor Bailey was a 2016-17 Fellow in the Franklin Humanities Institute's Digital Humanities Lab at Duke. Giuseppe Gerbino is Professor of Music at Columbia Universi ty. His NHC project is "Music and Mind in Renaissance Italy" (Birkelund Fellowship). His book\, "Music and the Myth of Arcadia in Renaissance Ita ly" (Cambridge\, 2009)\, won the 2010 Lewis Lockwood Award from the Ameri can Musicological Society. A reception will follow the talk. DURATION:PT1H DTSTAMP:20200128T162351Z DTSTART;TZID=America/New_York:20200207T160000 LAST-MODIFIED:20200128T162351Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Music Research Talk with National Humanities Center Fellows Candac e Bailey and Giuseppe Gerbino UID:CAL-2c918085-6f9d50ab-016f-a0843048-00001fafdemobedework@mysite.edu URL:http://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Concert_Music:/user/public-u ser/Arts/Concert_Music X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Candace Bailey and Giuseppe Gerbino X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Bailey_Gerbino_web_revised_20200128111958A M.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Bailey_Gerbino_web_revised_202001281 11958AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Human Rights CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\, Elizabeth X-BEDEWORK-COST:Free CREATED:20221212T200548Z DESCRIPTION:This lecture is free and open to the public. \n\nSiv B. Lie is interested in relationships between cultural production\, race and polit ics. Her research in ethnomusicology and linguistic anthropology examines how Romani (also known as "Gypsy") groups use music and language to adva nce their own sociopolitical and economic interests. Her book\, "Django G enerations: Hearing Ethnorace\, Citizenship\, and Jazz Manouche in France " (University of Chicago Press\, 2021)\, shows how music and language sha pe ethnoracial and national belonging among French Manouche populations. Through ethnographic\, performance-based and archival research methods\, her work takes an interdisciplinary approach to exploring the politics of expressive practices and the commodification of culture. \n\nShe has pub lished in Ethnomusicology\, The Journal of the American Musicological Soc iety\, The Journal of Linguistic Anthropology\, French Cultural Studies\, Popular Music and Society\, Ethnic and Racial Studies and Jazz and Cultu re. Lie is co-founder and principal coordinator of the Initiative for Rom ani Music at New York University\, an organization that brings together s cholars\, artists and community members to raise awareness about Romani m usics and cultures. She is also a curator of the music section of RomArch ive\, the first digital archive of Romani arts and cultures led in large part by Roma. \n\nSiv B. Lie earned her Ph.D. from the Department of Musi c at New York University and is also a violinist\, violist and vocalist i n a variety of genres. DTSTAMP:20221212T200548Z DTSTART;TZID=America/New_York:20230203T160000 LAST-MODIFIED:20221212T200548Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Siv Lie (Univ. of Maryland): "The Ends of Silence: Romani Artists and Problems of Genocide Commemoration" UID:CAL-8a0183a7-83184018-0185-07f18ce7-0000720fdemobedework@mysite.edu URL:https://music.duke.edu/musicology-lectures X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_CulturalAnthropology,":Cultural Anthropology X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:-0.3333333333333144 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Headshot of Siv Lie X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/SOM_Headshot_SivLie_20221212080548PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/SOM_Headshot_SivLie_20221212080548PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free CREATED:20221215T163032Z DESCRIPTION:This talk is free and open to the public. \n\nAbstract: While anthropology and cultural studies has long been interested in the role of dreams within capitalism\, this scholarship has grappled with a tension between framing dreams as a form of escapist fantasy or as a site of utop ian potential. Building on recent South Asian scholarship on dreaming as a social practice\, this talk examines Bollywood songs as crucial mediums of what I call dreamwork\, the musical and discursive labor of articulat ing\, imagining\, and striving for desired selves and futures. Drawing on ethnographic fieldwork\, interviews\, and media analysis\, I trace the e fficacy of Bollywood songs in catalyzing dreamwork by focusing on their a ffectively laden sound\, the embodied vocal production that they require\ , and the shared social and political histories they invoke for listeners . Across a range of sites\, I ask: How does song practice generate experi ences of and attachment to futures? Ultimately\, this talk contends that we must explore music's role in enabling situations of precarity and expl oitation while taking seriously the musically-mediated dreams that make l ives worth living. \n\nAnaar Desai-Stephens is an Assistant Professor of Ethnomusicology at the Eastman School of Music\, University of Rochester\ , where she also holds an affiliate appointment in the Susan B. Anthony I nstitute for Women's and Gender Studies. She received her Ph.D. in Ethnom usicology from Cornell University in 2017\, where she received the annual Donald J. Grout award for best dissertation in music. Her work focuses o n popular music\, media economies\, and embodied subjectivity in South As ia and has been supported by sources including the American Musicological Society's Howard Mayer Brown Fellowship and the American Association for University Women's Post-Doctoral Research Fellowship. Anaar is currently working on her first monograph\, "Voicing Aspiration: Bollywood Songs an d the Dreamwork of Contemporary India\," which explores the role of popul ar music as a medium for aspirational self-making in neoliberalizing Indi a. She is also the co-editor of "Musical Feelings and Affective Politics\ ," a special double issue of Culture Theory Critique\, and recently publi shed an article on YouTube\, infrastructure and aesthetics in India. Trai ned as a violinist\, Anaar continues to be an active performer across a r ange of styles. DTSTAMP:20230303T163422Z DTSTART;TZID=America/New_York:20230324T160000 LAST-MODIFIED:20230303T163422Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Anaar Desai-Stephens (Eastman): “Bollywood Songs and the Dreamwork of Aspirational India” UID:CAL-8a0183a7-83184018-0185-169f8bcc-000071d8demobedework@mysite.edu URL:https://music.duke.edu/musicology-lectures X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_CulturalAnthropology,":Cultural Anthropology X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Anaar Desai-Stephens headshot against a black ba ckground X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Desai_Stephens_web_20230303043422PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Desai_Stephens_web_20230303043422PM- thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b31c518-011b-409d2df7-00000085:Thompson\, Elizabeth X-BEDEWORK-COST:Free CREATED:20221215T170624Z DESCRIPTION:This talk is free and open to the public. \n\nEmily Zazulia is Associate Professor in the Department of Music at UC-Berkeley. Her resea rch focuses on Medieval and Renaissance music-in particular\, the interse ction of musical style\, complex notation\, and intellectual history. Her first book\, "Where Sight Meets Sound: The Poetics of Late-Medieval Musi c Writing" (Oxford\, 2021)\, is a wide-ranging study of notational aesthe tics in polyphonic music\, ca. 1340-1510. For fifteenth-century composers \, musical notation assumed a significance that would not be matched unti l the 20th century. In telling this story\, she accounts for changes in t hinking about music theory that made possible later modes of composition so invested in music's written form. By reconsidering the role of notatio n\, she engages with questions of performance\, transmission\, ontology\, and a late-medieval aesthetics that includes sight as well as sound. \n\ nSome of her current projects include the nature and meaning of difficult y in fifteenth-century music\, repertories that cross the boundaries of t he "sacred" and "secular"\, "courtly" and "popular"\, and in particular t he ways they unsettle those categories. Her past publications publication s have focused on the role of obscenity in 15th-century song\, the L'homm e armé tradition\, the history of music theory\, and Du Fay's Nuper rosar um flores.\n\nIn addition to teaching in the music department\, Zazulia s erves on the advisory board of Berkeley's program in Medieval Studies and is affiliated with the program in Renaissance and Early Modern Studies. Before joining the faculty at UC Berkeley in 2016\, she taught at the Uni versity of Pittsburgh\, the University of Pennsylvania\, and Haverford Co llege. DTSTAMP:20221215T170624Z DTSTART;TZID=America/New_York:20230331T160000 LAST-MODIFIED:20221215T170624Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Emily Zazulia (UC Berkeley): “The Fifteenth-Century Song-Mass: Pro s and Cons” UID:CAL-8a0183a7-83184018-0185-16c061b3-00000ce1demobedework@mysite.edu URL:https://music.duke.edu/musicology-lectures X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp__Artsan dSciences_MedievalandRenaissanceStudies,":Medieval and Renaissance Studie s X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:-0.3333333333333144 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Headshot of Emily Zazulia X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Emily_Zazulia_web_20221215050624PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Emily_Zazulia_web_20221215050624PM-t humb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free CREATED:20231220T165320Z DESCRIPTION:This presentation explores the relationships and networks that created new archives of sound recordings and other documentary records r elated to Indigenous cultures in the middle of the twentieth century. Ada pting Antoinette Burton's notion of "archive stories" for a critical proj ect of Indigenous recuperation\, I argue that examining the relationships around archives is just as important as the records they contain. The pr esentation will draw on several case studies emerging from inter-American networks\, with special attention to Mexican recording projects under th e auspices of the Inter-American Indian Institute. \n\nAmanda Minks is As sociate Professor of Anthropology and Ethnomusicology at the University o f Oklahoma. Her research has focused on the social and aesthetic practice s of communication across cultures. Dr. Minks conducted long-term ethnogr aphic and sociolinguistic research for her first book\, "Voices of Play: Miskitu Children's Speech and Song on the Atlantic Coast of Nicaragua" (U niversity of Arizona Press\, 2013). Studying vocal play revealed how Indi genous children used creative forms\, multilingualism\, and media to stak e claims of belonging in a multiethnic community on the fringes of the na tion-state. Dr. Minks' second book is entitled "Indigenous Audibilities: Music\, Heritage\, and Collections in the Americas" (Oxford University Pr ess\, December 2023). This historical work reconstructs the social relati ons and institutions that led to collections of Indigenous music and folk lore in the middle decades of the twentieth century. Dr. Minks is also en gaged in a collaborative\, public-facing digital project\, the Indigenous Media Portal\, which will help make Indigenous collections at OU more ac cessible to heritage communities and others. DTSTAMP:20231220T165320Z DTSTART;TZID=America/New_York:20240202T160000 LAST-MODIFIED:20231220T165320Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Amanda Minks: "Indigenous Audibilities: Re-thinking Records and Re cordings through Inter-American Archive Stories" UID:CAL-8a018ccf-8b87f80e-018c-88256305-000012ffdemobedework@mysite.edu URL:https://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_JHFC_Ce nterforLatinAmericanandCaribbeanStudies,/principals/users/agrp_ArtsandSci ences_CulturalAnthropology,/principals/users/agrp_Native American Studies Initiative (NASI),":Center for Latin American and Caribbean Studies (CLA CS)\,Cultural Anthropology\,Native American Studies Initiative (NASI) X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=duke-music@duke.edu:Duke Music X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:-0.3333333333333144 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Headshot of Amanda Minks X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Amanda Minks for online calendar_202312200 45320PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Amanda Minks for online calendar_202 31220045320PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free CREATED:20231220T224345Z DESCRIPTION:Free and open to the public. \n\nBrigid Cohen is Associate Pro fessor at New York University. She is a historical musicologist who speci alizes in the historiography of musics and musicians in migration. Her re search and teaching examine the mass dislocation of peoples over the last two centuries\, addressing conditions of empire\, globalization\, genoci de\, exile\, and minoritized citizenship. This intellectual program stems from her conviction that music assumes special value under the pressure of conditions of uprooting. Music serves as a mode of self-fashioning\, s ecures new (and old) community bonds\, and brings individuals together in listening\, speech\, and action. It also interacts in variegated ways wi th the silences that emerge from troubled sites of memory. \n\nCohen has published extensively on the politics of 20th-century avant-gardes\, arch ive theory\, histories of cosmopolitanism\, postcolonial studies\, 20th-c entury German-Jewish diasporic thought\, and intersections of music\, lit erature\, and the visual arts. Her most recent book\, Musical Migration a nd Imperial New York: Early Cold War Scenes (University of Chicago Press\ , 2022)\, explores questions of displacement and citizenship through a st udy of New York concert avant-gardes\, jazz\, electronic music\, and perf ormance art in the 1950s and 1960s. This book trains its focus on the cul tural-political dilemmas navigated by uprooted creators in New York as a capital of empire during the Cold War. The book addresses well-known but little understood figures (e.g.\, Charles Mingus\, Yoko Ono\, George Maci unas)\, alongside less well-known composers (e. g.\, Halim El-Dabh\, Mich iko Toyama\, Vladimir Ussachevsky). Cohen's emphasis on displacement bega n with her first book\, Stefan Wolpe and the Avant-Garde Diaspora (Cambri dge University Press\, 2012). This book is both a study of the German-Jew ish émigré composer Stefan Wolpe (1902-1972) and a history of modernism t hat focuses on experiences of migration and cross-cultural encounter- fro m the Bauhaus to Black Mountain College. The monograph won the Lewis Lock wood Prize of the American Musicological Society for best monograph of th e year by a scholar at an early career stage. DTSTAMP:20231220T224345Z DTSTART;TZID=America/New_York:20240223T160000 LAST-MODIFIED:20231220T224345Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Brigid Cohen: "The Musical Vocation of Yoko Ono" UID:CAL-8a018ccf-8b87f80e-018c-8966346d-00001df4demobedework@mysite.edu URL:https://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=duke-music@duke.edu:Duke Music X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:-0.3333333333333144 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Headshot of Brigid Cohen standing in front of a door X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Brigid Cohen 2021 for online calendar_2023 1220104345PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Brigid Cohen 2021 for online calenda r_20231220104345PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free CREATED:20231220T231337Z DESCRIPTION:Free and open to the public. \n\nThe cliché "music saved my li fe" seems readymade for critique and dismissal\, but this presentation ta kes it seriously as a commentary on perilousness and insecurity. After al l\, if someone pins their hopes on music to provide a livable future\, th eir prospects must be very bad and their faith in music very strong. At a n afterschool program in New Orleans\, Black students discuss their music al pursuits as a kind of wager: perhaps playing in band can mitigate the hazards of poverty\, violence\, policing\, incarceration\, and "apartheid schools" that reinforce racial hierarchies. Because the stakes of the wa ger are very high\, a matter of life and death\, this micro-level study o f musical activity (rehearsals\, performances\, etc.) becomes an entry po int for evaluating macro-level structures of inequality. Music is not pre sented as the primary "object" of study within secondary social\, cultura l\, or political settings ("contexts")\, but as a symptom that can assist in diagnosing the causes of social ills ("conditions"). \n\nMatt Sakakee ny is Associate Professor of Music/Ethnomusicology at Tulane University. His work relates music and sound to structures of inequality\, especially anti-Black racism in New Orleans. In his book\, "Roll With It: Brass Ban ds in the Streets of New Orleans\," Sakakeeny follows brass band musician s as they march off the streets and into nightclubs\, festival grounds\, and recording studios. Most recently\, he received a grant from the Spenc er Foundation for his next book on marching band education in the New Orl eans school system. \n\nSakakeeny's research brings an ethnomusicological perspective to sound studies. Along with David Novak\, he edited the ref erence work "Keywords in Sound\," a collection of twenty entries on sound written by leading scholars in the field of sound studies.\n\nCo-sponsor ed by the Department of Cultural Anthropology. DTSTAMP:20231220T231337Z DTSTART;TZID=America/New_York:20240301T160000 LAST-MODIFIED:20231220T231337Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Matt Sakakeeny: “’Music Saves Lives’: Implausible Wager/Social Fac t” UID:CAL-8a018ccf-8b87f80e-018c-89818b72-00001ef9demobedework@mysite.edu URL:https://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_CulturalAnthropology,":Cultural Anthropology X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=duke-music@duke.edu:Duke Music X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:-0.3333333333333144 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Headshot of Matt Sakakeeny in front of a wall of guitars X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Sakakeeny2_2022 for online calendar_202312 20111337PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Sakakeeny2_2022 for online calendar_ 20231220111337PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Masterclass CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free CREATED:20231221T144922Z DESCRIPTION:Masterclasses are free and open to the public. \n\nHailed "Que en of the flute" by New York Magazine\, flutist Carol Wincenc was first p rize winner of the (sole) Naumburg Solo Flute Competition\, as well as th e recipient of the Lifetime Achievement Award from the National Flute Ass ociation\, the National Society of Arts and Letters Gold Medal for Lifeti me Achievement in Music\, and Distinguished Alumni Award from the Brevard Festival and Music Center and Manhattan School of Music. During the 2019 -22 seasons she celebrated a half century as an international\, concertiz ing artist at The Morgan Library and Museum\, Merkin Concert Hall and the Staller Center for the Arts. \n\nFor her 50th Golden Anniversary Legacy Series she commissioned five new works by Jake Heggie\, Pierre Jalbert\, Robert Sirota\, Larry Alan Smith and Sato Matsui. As part of this grand c elebration is the release of the all-Yuko Uebayashi album on Azica Record s with the Escher String Quartet. Recently as part of the Naumburg Looks Back Series she performed at Carnegie's Weill Hall with her collaborator/ pianist Bryan Wagorn of the Metropolitan Opera. During this season she al so did the world premieres of Gabriela Lena Frank's Five Andean Improvisa tions and Valerie Coleman's Amazonia. \n\nShe has appeared as soloist wit h such ensembles as the Chicago\, San Francisco\, Pittsburgh\, Detroit\, and London symphonies\, the BBC\, Warsaw\, and Buffalo Philharmonics\, as well as the Los Angeles\, Stuttgart\, and Saint Paul Chamber Orchestras. She has performed in countless festivals such as Mostly Mozart\, Aldebur gh\, Budapest\, Frankfurt\, Santa Fe\, Spoleto\, Music at Menlo\, Aspen\, Yale/Norfolk\, Sarasota\, Banff\, and Marlboro. A Grammy nominee\, she h as received a Diapason d'Or Award for her recording of the Rouse Flute Co ncerto with\nthe Houston Symphony\, a Recording of Special Merit Award wi th pianist András Schiff\, and Gramophone magazine's "Pick of the Month" with the Buffalo Philharmonic. She is a member of the New York Woodwind Q uintet and a founding member of both Les Amies with New York Philharmonic Principals\, harpist Nancy Allen and violist Cynthia Phelps and the Goss amer Trio with Nancy Allen and Claire Marie Solomon\, cellist. For over a half century combined\, Ms. Wincenc continues to teach on the faculties of The Juilliard School and Stony Brook University. She is renowned for h er popular series with Lauren Keiser Music Publishers\, the Carol Wincenc 21st Century Flute. DTSTAMP:20231221T150419Z DTSTART;TZID=America/New_York:20240408T180000 LAST-MODIFIED:20231221T150419Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Chamber Music Masterclass with Carol Wincenc\, flutist UID:CAL-8a018ccf-8b87f80e-018c-8cda4291-00003be6demobedework@mysite.edu URL:https://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Masterclass:/user/public-use r/Arts/Masterclass X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=duke-music@duke.edu:Duke Music X-BEDEWORK-DUKE-SERIES:Music Masterclass X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Headshot of Carol Wincenc X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Carol Wincenc chamber music for online cal endar_20231221024923PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Carol Wincenc chamber music for onli ne calendar_20231221024923PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free CREATED:20231221T153101Z DESCRIPTION:Free and open to the public. \n\nMichael Gallope teaches Cultu ral Studies & Comparative Literature at the University of Minnesota. His research focuses on the ways music is linked to modern philosophical\, sp iritual\, social\, and economic practices. In his first two books\, he in vestigates historical responses to the disorienting impact of musical sou nd\, an impact that is perennially difficult to describe. In Western musi cal aesthetics\, the ineffability of music was traditionally associated w ith autonomous\, abstract\, and non-semantic conceptions of music. Gallop e's first book\, "Deep Refrains: Music\, Philosophy\, and the Ineffable" (University of Chicago Press\, 2017) challenges these conservative associ ations by showing how music's ineffability spurred an array of modern Eur opean philosophers (principally\, Bloch\, Adorno\, Jankélévitch\, and Del euze) to address ethically engaged questions and problems that reside at the limits of conceptual reasoning. \n\nGallope's second book\, "The Musi cian as Philosopher: New York's Vernacular Avant-Garde 1958-78" (Universi ty of Chicago Press\, Forthcoming 2024)\, turns to the philosophical thin king of musicians themselves. Through the prism of five case histories dr awn from the postwar avant-garde in New York-David Tudor\, Ornette Colema n\, the Velvet Underground\, Alice Coltrane\, a single chapter on Patti S mith and Richard Hell- the book explores the ways musicians exploited and amplified music's ineffable properties in light of various mystical and ecstatic metaphysical beliefs. In the process\, "The Musician as Philosop her" contends that these musicians- all of whom are understudied\, and no ne of whom are traditionally taken to be composers- not only challenged t he rules by which music is written and practiced\, but also confounded an d reconfigured gendered and racialized expectations for what critics and audiences took to be legitimate forms of musical sound. DTSTAMP:20240104T194112Z DTSTART;TZID=America/New_York:20240412T160000 LAST-MODIFIED:20240104T194112Z LOCATION;X-BEDEWORK-UID=18832edc-1b23ba5b-011b-27d6de9e-00000018:Biddle Mu sic Building 101 STATUS:CONFIRMED SUMMARY:Michael Gallope: "Ornette Coleman's Utopian Intentionalities\, c. 1966" UID:CAL-8a018ccf-8b87f80e-018c-8d00651b-00003e69demobedework@mysite.edu URL:https://music.duke.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=duke-music@duke.edu:Duke Music X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Headshot of Michael Gallope X-BEDEWORK-SUBMITTEDBY:ethomps for Music (agrp__ArtsandSciences_Music) X-BEDEWORK-IMAGE:/public/Images/Gallope for online calendar_20231221033102 PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Gallope for online calendar_20231221 033102PM-thumb.png END:VEVENT END:VCALENDAR