BEGIN:VCALENDAR PRODID:BedeWork V3.5 VERSION:2.0 METHOD:PUBLISH BEGIN:VTIMEZONE TZID:America/New_York X-LIC-LOCATION:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20070311T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20071104T020000 RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU END:STANDARD BEGIN:STANDARD TZOFFSETFROM:-045602 TZOFFSETTO:-0500 TZNAME:EST DTSTART:18831118T120358 RDATE:18831118T120358 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:19180331T020000 RDATE:19180331T020000 RDATE:19190330T020000 RDATE:19200328T020000 RDATE:19210424T020000 RDATE:19220430T020000 RDATE:19230429T020000 RDATE:19240427T020000 RDATE:19250426T020000 RDATE:19260425T020000 RDATE:19270424T020000 RDATE:19280429T020000 RDATE:19290428T020000 RDATE:19300427T020000 RDATE:19310426T020000 RDATE:19320424T020000 RDATE:19330430T020000 RDATE:19340429T020000 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CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None CREATED:20241009T180659Z DESCRIPTION:"I am the writing on the wall\, the whisper in the classroom.. .come with me" - Candyman\n\n"Horror films may be good to think with\, bu t they point beyond thinking" - Diane Nelson\n\nRubenstein Arts Center\nO ctober 31\, 2024\n7:00PM\n\nIn loving memory of Diane Nelson\, the Depart ment of Cultural Anthropology is screening one of her favorite horror fil ms - CANDYMAN (1992) - on Halloween Night.\nThe projection is a digital t ransfer of Diane's personal VHS copy - see what Diane watched as she elab orated her "horror film theory of memory."\nThe screening includes SPECIA L '90s EXTRAS and opening remarks from PhD Candidate Joseph Hiller. DTEND;TZID=America/New_York:20241031T220000 DTSTAMP:20241015T153750Z DTSTART;TZID=America/New_York:20241031T190000 LAST-MODIFIED:20241015T153750Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Film Screaming: Candyman UID:CAL-8a00048d-91324965-0192-72767877-00001017demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=joseph.hiller@duke.edu:J oe Hiller X-BEDEWORK-SPEAKER:Joe Hiller X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Human eye and honeybee X-BEDEWORK-SUBMITTEDBY:pbodager for Cultural Anthropology (agrp_ArtsandSci ences_CulturalAnthropology) X-BEDEWORK-IMAGE:/public/Images/Candyman Event_20241009060659PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Candyman Event_20241009060659PM-thum b.png END:VEVENT BEGIN:VEVENT CATEGORIES:Law CATEGORIES:Asia focus CATEGORIES:Ethics CATEGORIES:Human Rights CATEGORIES:Civic Engagement/Social Action CATEGORIES:Global CATEGORIES:Politics CATEGORIES:Social Sciences CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Panel/Seminar/Colloquium CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0290b4-860465b2-0186-debfba9d-00003c8d:Asian Paci fic Studies Institute (APSI) CREATED:20240927T172656Z DESCRIPTION:​Together with the department of Asian & Middle Eastern Studie s\, APSI is hosting a screening of "Invisible Nation" (看不見的國家)\, a 2024 d ocumentary from award-winning filmmaker Vanessa Hope that shines an urgen t spotlight on Taiwan as it fights for autonomy and freedom from fear.\n\ nAbout the film:\nWith unprecedented access to Taiwan's sitting head of s tate\, director Vanessa Hope investigates the election and tenure of Tsai Ing-wen\, the first female president of Taiwan. Thorough\, incisive and bristling with tension\, Invisible Nation is a living account of Tsai's t ightrope walk as she balances the hopes and dreams of her nation between the colossal geopolitical forces of the U.S. and China.\n\nHope's restrai ned observational style captures Tsai at work in her country's vibrant de mocracy at home\, while seeking full international recognition of Taiwan' s right to exist. At a time when Russia's invasion of Ukraine has demonst rated the ever-present threat of authoritarian aggression\, Invisible Nat ion brings punctual focus to the struggle of Taiwan as it fights for auto nomy and freedom from fear.\n\nAbout the panelists:\nCarlos Rojas (modera tor) is a Professor of Chinese Cultural Studies in the department of Asia n & Middle Eastern Studies\; Gender\, Sexuality\, and Feminist Studies\; and Arts of the Moving Image. His research focuses on issues of gender an d visuality\, corporeality and infection\, and nationalism and diaspora s tudies.\n\nEileen Cheng-yin Chow 周成蔭 is Associate Professor of the Practi ce in Chinese and Japanese Cultural Studies at Duke University\, and one of the founding directors of Story Lab at Duke. She is currently the Dire ctor of Graduate Studies for Duke Asian Pacific Studies Institute's East Asian Studies graduate program\, and a founding/core faculty member of Du ke Asian American and Diaspora Studies.\n\nGuo-Juin Hong\, Associate Prof essor of Asian and Middle Eastern Studies\, specializes in film historiog raphy\, film theory\, sound studies\, postcolonial theory and theories of culture and globalization\; film and other media of Taiwan\, Hong Kong a nd China.\n\nGareth Price\, a Visiting Assistant Professor in the Linguis tics Program\, is a sociolinguist and political sociologist who completed a jointly-supervised PhD at the University of Essex. At Duke\, his teach ing includes the core course Introduction to Linguistics\, as well as cou rses in language policy\, language and culture\, language and migration\, language and media\, and critical discourse analysis. DURATION:PT2H30M DTSTAMP:20240927T181151Z DTSTART;TZID=America/New_York:20241104T190000 LAST-MODIFIED:20240927T181151Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Film Screening: "Invisible Nation" (Vanessa Hope\, 2024) + panel d iscussion UID:CAL-8a00048d-91324965-0192-34857efa-0000604edemobedework@mysite.edu URL:https://asianpacific.duke.edu/event/film-screening-invisible-nation-va nessa-hope-2024-panel-discussion/ X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Panel_Seminar_Colloquium:/us er/public-user/Lectures_Conferences/Panel_Seminar_Colloquium X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Global:/user/public-user/Top ic of Event Focused on a Country or Continent (if applicable)/Global X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti on:/user/public-user/Topics/Civic Engagement_Social Action X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Law:/user/public-user/Topics /Law X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Politics:/user/public-user/T opics/Politics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Social Sciences:/user/public -user/Topics/Social Sciences X-BEDEWORK-SPEAKER:Carlos Rojas\, Eileen Chengyin Chow\, Guo-Juin Hong\, G areth Price X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1059 X-BEDEWORK-IMAGE-Y2:706 X-BEDEWORK-IMAGE-CROP-WIDTH:1059 X-BEDEWORK-IMAGE-CROP-HEIGHT:706 X-BEDEWORK-SUBMITTEDBY:rmk33 for Asian Pacific Studies Institute (APSI) (a grp_ArtsandSciences_AsianPacificStudiesInstitute) X-BEDEWORK-IMAGE:/public/Images/241104_InvisibleNation_cal_20240927052656P M.png X-BEDEWORK-THUMB-IMAGE:/public/Images/241104_InvisibleNation_cal_202409270 52656PM-thumb.png X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,":Asian &\;amp\; Middle Eastern Studies (AMES) X-BEDEWORK-IMAGE-ALT-TEXT:Portrait photo of Tsai-Ing Wen in a gray jacket with raised hands\; background: blooming orchids and two Taiwanese flags\ ; text: &\;quot\;Invisible Nation&\;quot\; (看不見的國家) END:VEVENT BEGIN:VEVENT CATEGORIES:Medicine CATEGORIES:Israel focus CATEGORIES:Ethics CATEGORIES:Human Rights CATEGORIES:Diversity/Inclusion CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Health/Wellness CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a08708a-3336bd69-0133-925217ab-00007269:Bazemore\, Serena CREATED:20241010T132807Z DESCRIPTION:Israeli Doc Series Presents: Strange Birds\nDirected by: Shakk ed Auerbach\n(Israel 2024\, 65 min\, Hebrew\, English subtitles)\n\nSyno psis: A phone call wakes me up early in the morning. My older brother got into trouble. Again. After another entanglement\, I realize that I can n o longer ignore the problems that follow him around\, and which seem to b e taking over my life. I use the camera to get answers from my family and a wall of silence melts away. Through a mix of amusing\, intense\, and e ye-opening encounters\, I begin to understand how relations in my family\ , especially with my mother\, were influenced by an unspoken expression. Strange Birds is an intimate film that reveals an unspoken story about sp ecial parenting and the children who grow up in its shadow. DURATION:PT1H30M DTSTAMP:20241010T132807Z DTSTART;TZID=America/New_York:20241105T190000 LAST-MODIFIED:20241010T132807Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Israeli Doc Series Presents: Strange Birds UID:CAL-8a00048d-91324965-0192-769d86b8-0000465bdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Israel focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Israe l focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Diversity/Inclusion:/user/pu blic-user/Topics/Diversity_Inclusion X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Health_Wellness:/user/public -user/Topics/Health_Wellness X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Medicine:/user/public-user/T opics/Medicine X-BEDEWORK-DUKE-SERIES:Israeli Documentary Series X-BEDEWORK-IMAGE-X1:329 X-BEDEWORK-IMAGE-Y1:87 X-BEDEWORK-IMAGE-X2:329 X-BEDEWORK-IMAGE-Y2:87 X-BEDEWORK-IMAGE-CROP-WIDTH:0 X-BEDEWORK-IMAGE-CROP-HEIGHT:0 X-BEDEWORK-IMAGE-ALT-TEXT:Strange Birds X-BEDEWORK-SUBMITTEDBY:se59 for Center for Jewish Studies (agrp_CenterforJ ewishStudies) X-BEDEWORK-IMAGE:/public/Images/strange_birds_still_20241010012807PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/strange_birds_still_20241010012807PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank CREATED:20241017T191958Z DESCRIPTION:Director Guy Maddin presents a talk on the topic of centennial s. \n\nGuy Maddin has directed thirteen feature-length movies\, most rece ntly RUMOURS (2024)\, starring Cate Blanchett and Alicia Vikander\; as we ll as THE FORBIDDEN ROOM(2015)\, MY WINNIPEG (2007)\, and THE SADDEST MUS IC IN THE WORLD (2003). He has also mounted over seventy performances of his films around the world featuring live elements - orchestra\, sound ef fects\, singing and narration - most recently\, THE GREEN FOG (2017)\, wh ich was accompanied live by the Kronos Quartet. His screenplay collaborat ors include Nobel Laureate Kazuo Ishiguro and poet John Ashbery. His movi es ARCHANGEL (1990) & THE HEART OF THE WORLD (2000) both won National Soc iety of Film Critics Awards for Best Experimental Film.\n\nA screening of Guy Maddin's RUMOURS (2024) (link opens in a new window/tab) will take p lace in the Rubenstein Film Theater the following day (Nov 8th) at 7PM. DTSTAMP:20241017T192239Z DTSTART;TZID=America/New_York:20241107T190000 LAST-MODIFIED:20241017T192239Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--Man on a Ledge – Filmmaking above the Cinematic Ab yss | Public Talk by Guy Maddin UID:CAL-8a00048d-91324965-0192-9bec29bd-00005283demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/man-ledge-film making-above-cinematic-abyss-public-talk-guy-maddin X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Guy Maddin X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE-X1:674 X-BEDEWORK-IMAGE-Y1:13 X-BEDEWORK-IMAGE-X2:2014 X-BEDEWORK-IMAGE-Y2:906.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:1340 X-BEDEWORK-IMAGE-CROP-HEIGHT:893.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:IMAGE X-BEDEWORK-IMAGE:/public/Images/guy maddin at Centre Georges Pompidou 2012 _20241017072239PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/guy maddin at Centre Georges Pompido u 2012_20241017072239PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank CREATED:20241017T191152Z DESCRIPTION:RUMOURS\n\n(Guy Maddin\, Evan Johnson\, and Galen Johnson\, 20 24\, 103 min\, Canada\, English\, DCP)\n\nRicocheting between comedy\, ap ocalyptic horror\, and swooning soap opera\, RUMOURS follows the seven le aders of the world's wealthiest democracies at the annual G7 summit\, whe re they attempt to draft a provisional statement regarding a global crisi s. With unexpected\, uproarious performances from a brilliant ensemble ca st that includes Cate Blanchett\, Alicia Vikander\, and Charles Dance\, t hese so-called leaders become spectacles of incompetence\, contending wit h increasingly surreal obstacles in the misty woods as night falls and th ey realize they are suddenly alone. A genre-hopping satire of political i neptitude\, the latest film from incomparable directors Guy Maddin\, Evan Johnson and Galen Johnson is a journey into the absurd heart of power an d institutional failure in a slowly burning world.\n\n"The ineffectivenes s of rhetorical politics and symbolic diplomacy is kookily but ruthlessly skewered in RUMOURS\, a wildly entertaining shaggy-dog satire." - Variet y\n\n"Effortlessly hilarious and deceptively thought-provoking." - Robert Daniels DTSTAMP:20241105T231813Z DTSTART;TZID=America/New_York:20241108T190000 LAST-MODIFIED:20241105T231813Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Rumours" (Guy Maddin\, Evan Johnson\, Galen Johns on\, 2024) UID:CAL-8a00048d-91324965-0192-9be4be38-00004f82demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/rumours-guy-ma ddin-evan-johnson-galen-johnson-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:439 X-BEDEWORK-IMAGE-Y1:192 X-BEDEWORK-IMAGE-X2:1263 X-BEDEWORK-IMAGE-Y2:741.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:824 X-BEDEWORK-IMAGE-CROP-HEIGHT:549.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:IMAGE X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/RUMOURS-Still-1_20241017071152PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/RUMOURS-Still-1_20241017071152PM-thu mb.png X-BEDEWORK-SPEAKER:Q&A to follow with director Guy Maddin END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241021T212821Z DESCRIPTION:CHARADE\n(Stanley Donen\, 1963\, 113 min\, USA\, English\, 35m m)\n\nSpecial 35mm Screening!\n\nAfter her estranged husband's murder\, j et-setter Regina (Audrey Hepburn) is pursued by three crooks who want the money her husband stole from them. With her life in jeopardy\, she turns to charming stranger Peter (Cary Grant) for help\, but soon discovers he isn't who he claims to be\, and that his own agenda is far from clear. A Hitchcockian confection from producer-director Stanley Donen\, CHARADE ( 1963) stands apart in an era of spy films resplendent with macho-driven e roticism (the James Bond series)\, cynicism (Michael Caine's Harry Palmer series)\, and farcical irreverence (Casino Royale\; the Flint movies\, w ith CHARADE costar James Coburn)\, by placing a woman at its center.\n\n" Shot by Charles Lang\, one of the greatest American cinematographers to e ver live\, CHARADE is some sort of miraculous entertainment\, self-aware and self-parodying yet never distancing or detached. Hepburn is the audie nce's funny and flighty proxy\, allowing us the great pleasure of being s educed by Grant's unpredictable charmer." - Chris Cabin\, Slant \n\n"CHAR ADE presents us with a temporary entry into that brighter place\, into th e possibility of adventure\, the vicarious possession of beauty. Acted by two Europeans in a mythic\, dangerous\, beguiling Paris\, it remains a q uintessential Hollywood film." - Michael Newton\, The Guardian DTSTAMP:20241021T212821Z DTSTART;TZID=America/New_York:20241109T160000 LAST-MODIFIED:20241021T212821Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Charade" (Stanley Donen\, 1963) UID:CAL-8a00048d-91324965-0192-b0fb23be-00001022demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/charade-stanle y-donen-1963 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:30 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1380 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:Audrey Hepburn (right) holds a chocolate ice cre am cone and walks down the Paris streets alongside Cary Grant in a still from Charade. X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/charade 1_20241021092821PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/charade 1_20241021092821PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241021T215541Z DESCRIPTION:In partnership with the Duke Experimental Film Society\, Scree n/Society presents an evening of shorts by experimental filmmaker Charlot te Pryce.\n\nCONCERNING FLIGHT: Five Illuminations in Miniature (2004\, 8 min\, sound\, 16mm)\nDISCOVERIES ON THE FOREST FLOOR 1-3 (2007\, 4 min\, silent\, 16mm)\nTHE PARABLE OF THE TULIP PAINTER AND THE FLY (2008\, 4 m in\, silent\, 16mm)\nA STUDY IN NATURAL MAGIC (2013\, 3 min\, silent\, 16 mm)\nPRIMA MATERIA (2015\, 3 min\, silent\, 16mm)\nOF THIS BEGUILING MEMB RANE (2020\, 4 min\, sound\, digital)\nAND SO IT CAME ABOUT (A TALE OF CO NSEQUENTIAL DORMANCY) (2023\, 13 min\, sound\, digital)\n\nCharlotte Pryc e has been making films and optical objects since 1986 and her works have screened throughout the world. She has taught experimental film at the S chool of the Art Institute of Chicago\, the San Francisco Art Institute\, the Academy of Art (San Francisco)\, Kent Institute of Design (Canterbur y\, England)\, and is currently a faculty member at the California Instit ute of the Arts (Los Angeles). She is a graduate of the Slade School of A rt\, University College London (BFA) and the School of the Art Institute of Chicago (MFA). In 2013 the Los Angeles Film Critics Association honore d her with the Douglass Edwards Award for best experimental cinema achiev ement. In 2019\, she was honored with career retrospectives at the Rotter dam International Film Festival\, Bozar (Brussels)\, Centre Pompidou (Par is) and the [S8] Mostra de Cinema Periferico.\n\n"Brief glimpses of natur e assembled into a beautiful\, rhythmic montage of illusions that vanish like a dream" -- Doug Cummings\, LA Weekly\n\n"These brief illuminations do more than simply bring us closer to the natural world\; they invite us to experience the world differently... they invite us into a space of re flection and re-imagining\, uprooting fixities and challenging traditiona l ways of seeing." -- Kim Knowles DTSTAMP:20241021T215636Z DTSTART;TZID=America/New_York:20241112T190000 LAST-MODIFIED:20241021T215636Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--Charlotte Pryce: Select Shorts | Duke Experimental Film Society UID:CAL-8a00048d-91324965-0192-b1142b78-00001024demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/charlotte-pryc e-select-shorts-duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:63 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1917 X-BEDEWORK-IMAGE-Y2:1236 X-BEDEWORK-IMAGE-CROP-WIDTH:1854 X-BEDEWORK-IMAGE-CROP-HEIGHT:1236 X-BEDEWORK-IMAGE-ALT-TEXT:A still from A Study in Natural Magic X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/pryce_20241021095541PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/pryce_20241021095541PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241104T150328Z DESCRIPTION:Film Screening:\n\n"LYD"\n(Rami Younis and Sarah Emma Friedlan d\, 2023\, 79 min\, Palestine\, Arabic and Hebrew with English subtitles\ , DCP)\n\nLYD (the Arabic name of Lod\, a city now in Israel) is about a 5\,000-year-old bustling Palestinian town that was taken over when Israel was established in 1948. An exploration of what it once was\, and what i t is now\, in the context of the continuing conflicts and the war in Gaza \, LYD's excavation of one community's complex history offers us not only lessons\, but possible futures.\n\nMade by a Palestinian from Lyd and a Jewish American\, LYD provides much-needed context for this moment\, as i t goes deep into the history of the Nakba from the perspective of Palesti nians who survived. The film imagines an alternate reality where Palestin e was never occupied and Palestinians of all religions (Muslims\, Christi ans\, and Jews) live in a liberated Palestine. Narrated by Palestinian ac tress Maisa Abd Elhadi who personifies the city\, the viewer is guided th rough the lifespan of a five-thousand-year-old city and its residents.\n\ n"The story of LYD is the story of Palestine. The film that bears its nam e confronts the horrors of what is\, without losing sight of what could b e-a vital exercise in political imagination." - Arielle Angel\, Editor-in -chief of Jewish Currents\n\n"A poignant\, compellingly speculative film. .. LYD offers a deep political education through eyewitness accounts\, an d personal stories\, and an unwavering look into the heart of empire and the ongoing project of settler colonization. A must-see." - Autumn Brown\ , Co-Host\, How to Survive the End of the World DTSTAMP:20241105T225234Z DTSTART;TZID=America/New_York:20241114T190000 LAST-MODIFIED:20241105T225234Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Lyd" (Rami Younis and Sarah Emma Friedland\, 2023 ) UID:CAL-8a000483-92c3adf6-0192-f7b3cfb1-00003e83demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/lyd-rami-youni s-and-sarah-emma-friedland-2023 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_MiddleE astStudiesCenter,":Duke University Middle East Studies Center X-BEDEWORK-IMAGE-X1:238 X-BEDEWORK-IMAGE-Y1:92 X-BEDEWORK-IMAGE-X2:1444 X-BEDEWORK-IMAGE-Y2:896 X-BEDEWORK-IMAGE-CROP-WIDTH:1206 X-BEDEWORK-IMAGE-CROP-HEIGHT:804 X-BEDEWORK-IMAGE-ALT-TEXT:lyd X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/lyd2(1)_20241104030329PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/lyd2(1)_20241104030329PM-thumb.png X-BEDEWORK-SPEAKER:Introduced by Hareth Yousef (Art\, Art History\, and Vi sual Studies)\; discussion to follow. END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241104T150737Z DESCRIPTION:LONE STAR\n(John Sayles\, 1996\, 135 min\, USA\, DCP)\n\nNew 4 K Restoration\n\nA keen observer of America's social fabric\, writer-dire ctor John Sayles uncovers the haunted past buried beneath a small Texas b order town in this sprawling neowestern mystery. When a skeleton is disco vered in the desert\, lawman Sam Deeds (Chris Cooper)\, son of a legendar y local sheriff\, begins an investigation that will have profound implica tions both for him personally and for all of Rio County\, a place still r eckoning with its history of racial violence. Sayles's masterful film-nov elistic in its intricacy and featuring a brilliant ensemble cast\, includ ing Joe Morton\, Elizabeth Peña\, and Kris Kristofferson-quietly subverts national mythmaking and lays bare the fault lines of life at the border. \n\n"Sayles is able to touch on the humanity of each [character] and the details of the region -- the heat\, the beautiful but often unforgiving l andscape\, and especially the pride of the residents -- are vivid and tru e." - Austin Chronicle\n\n"John Sayles' LONE STAR contains so many riches \, it humbles ordinary movies. And yet they aren't thrown before us\, to dazzle and impress: It is only later\, thinking about the film\, that we appreciate the full reach of its material." - Roger Ebert DTSTAMP:20241104T150737Z DTSTART;TZID=America/New_York:20241115T190000 LAST-MODIFIED:20241104T150737Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Lone Star" (John Sayles\, 1996) UID:CAL-8a000483-92c3adf6-0192-f7b79981-00003fa4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/lone-star-john -sayles-1996 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:392 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1742 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:lone star X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Lone.Star.3(1)_20241104030737PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Lone.Star.3(1)_20241104030737PM-thum b.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20240930T051611Z DESCRIPTION:Cinematic Arts is thrilled to present "At Ground Zero: 'To obs erve is not to see...'" - a talk by our new Assistant Professor of the Pr actice\, Jenny Lion. \n\nThe presentation will introduce members of the D uke community\, students and faculty alike\, to the range of her research interests and her current body of video work\, which explores sites of h istoric resonance in the U.S. West. Shot at military\, settler\, indigeno us\, nuclear\, and industrial sites\, it has recently garnered her a 2021 Creative Capital Award\, a 2022 Guggenheim Fellowship and a 2023 McKnigh t Media Art Fellowship. Originally a dancer and activist\, Lion's video w ork is conceived for cinematic\, participatory\, tactical\, and gallery c ontexts. She frequently collaborates\, in groups and with individuals\, a nd over long periods of time. Her moving-image and curatorial work has sc reened internationally\, and her book on Canadian artists' video work was published by the University of Minnesota Press. She has been a resident at the Wexner Center for the Arts Film/Video Studio Program and the Cente r for Land-Use Interpretation. \n\nLion's presentation will be followed b y a short Q&A moderated by Cinematic Arts Associate Professor of the Prac tice\, Josh Gibson. DTSTAMP:20240930T052109Z DTSTART;TZID=America/New_York:20241119T190000 LAST-MODIFIED:20240930T052109Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Cinematic Arts lecture--At Ground Zero: “To observe is not to see… ” by Prof. Jenny Lion UID:CAL-8a00048d-91324965-0192-415b8b0b-00002452demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Jenny Lion\, moderated by Prof . Josh Gibson X-BEDEWORK-SUBMITTEDBY:hokazak for Cinematic Arts (agrp_ArtsandSciences_Fi lmVideoDigitalProgram) X-BEDEWORK-IMAGE-X1:149 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1769 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:Film still showing basketball pickup game during down-time between workers wearing full protective suits for hazardous co nditions X-BEDEWORK-IMAGE:/public/Images/Basketball-FINAL_threeloop_ProRes-SquarePi xel.mov.00_09_26_15.Still017_20240930052000AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Basketball-FINAL_threeloop_ProRes-Sq uarePixel.mov.00_09_26_15.Still017_20240930052000AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Law CATEGORIES:Israel focus CATEGORIES:Europe focus CATEGORIES:Ethics CATEGORIES:Human Rights CATEGORIES:Humanities CATEGORIES:Politics CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a08708a-3336bd69-0133-925217ab-00007269:Bazemore\, Serena CREATED:20241010T133120Z DESCRIPTION:Israeli Doc Series Presents: Black Notebooks (Cahiers Noir: Vi viane)\n\nDirected by: Shlomi Eskabetz\n(Israel 100 min\, 2021\; Hebrew\, English subtitles)\n\n\nIn a Parisian taxi\, a man learns from a Morocca n fortune-teller that his sister is about to die. In an attempt to alter the prediction\, the brother embarks on a fictional journey between Moroc co\, Israel and Paris. Based on family archives and excerpts from the tri logy created by Ronit and Shlomi Elkabetz - CAHIERS NOIRS: VIVIANE and CA HIERS NOIRS: RONIT (not being shown at this time)\, invite us into the in timacy of a Jewish-Arab family\, a family of uprooted exiles\, in an imag inary story where a brother and sister revisit the past and the present t o defy an implacable future. But the prophecy still shadows them\, as in life\, so in cinema. DURATION:PT2H DTSTAMP:20241118T162231Z DTSTART;TZID=America/New_York:20241119T190000 LAST-MODIFIED:20241118T162231Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Israeli Doc Series Presents: Black Notebooks UID:CAL-8a00048d-91324965-0192-76a0794b-0000477cdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Israel focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Israe l focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user /Topics/Humanities X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Law:/user/public-user/Topics /Law X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Politics:/user/public-user/T opics/Politics X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,":Asian &\;amp\;amp\;amp\; Middl e Eastern Studies (AMES) X-BEDEWORK-DUKE-SERIES:Israeli Documentary Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1464 X-BEDEWORK-IMAGE-Y2:976 X-BEDEWORK-IMAGE-CROP-WIDTH:1464 X-BEDEWORK-IMAGE-CROP-HEIGHT:976 X-BEDEWORK-IMAGE-ALT-TEXT:Black Notebooks X-BEDEWORK-SUBMITTEDBY:se59 for Center for Jewish Studies (agrp_CenterforJ ewishStudies) X-BEDEWORK-IMAGE:/public/Images/Black Notebooks_20241028122259PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Black Notebooks_20241028122259PM-thu mb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241104T151314Z DESCRIPTION:Film Screening:\n\n"THE COW"\n(Dariush Mehrjui\, 1969\, 104 mi n\, Iran\, Farsi with English subtitles\, Digital)\n\nOne of the defining works of the Iranian New Wave\, THE COW (1969) follows a farmer named Ha ssan\, whose only source of joy and livelihood is his cow. When the cow i s mysteriously killed one night\, a metamorphosis ensues. Based on short stories by psychiatrist Gholam-Hossein Sa'edi\, Mehruji's landmark featur e melds neorealism\, surrealism\, and mysticism in a deeply moving explor ation of solitude\, obsession\, and grief. The Cow was funded by the Iran ian government\, yet was immediately banned after completion due to its n egative portrayal of rural Iranian poverty. The film was smuggled to the Venice Film Festival in 1971 where it won the FIPRESCI or critics' prize\ , rapidly gaining international recognition as a masterpiece thereafter. Poignantly wrapped in layers of religion and leftist politics (two major forces of the 1979 revolution)\, THE COW charted a new future for Iranian cinema.\n\nCannes Film Festival\, Director's Fortnight\, 1971\nFIPRESCI Prize\, Venice Film Festival\, 1971\nOCIC Award - Recommendation\, Berli n International Film Festival\, 1972\n\n"More than a mellifluous flow\, T HE COW lingers in the mind as a collection of intrusions and interruption s: images of hands emerging comically out of darkened windows to serve af ternoon tea\; a group of village elders peering pensively into a barn win dow\, crammed into a symmetric\, planimetric frame within a frame\; the w rinkled faces of the elderly women (presumably non-actors) who carry out a ritual mourning\, and then later prepare for the celebratory wedding ri tes. There's a tactility to such images\, to say nothing of the unexpecte dly open narrative that contains it\, all creating the distinct impressio n of a filmmaker exploring a set of expressive\, expansive possibilities. " - Lawrence Garcia\, MUBI DTSTAMP:20241105T232236Z DTSTART;TZID=America/New_York:20241121T190000 LAST-MODIFIED:20241105T232236Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Cow" (Dariush Mehrjui\, 1969) UID:CAL-8a000483-92c3adf6-0192-f7bcbd38-00004005demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/cow-dariush-me hrjui-1969 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Student Organizations_GPSC,/principals/users/agrp_GraduateStudentsAssociationofIr anians,":Graduate and Professional Student Council (GPSC)\,Graduate Stude nts Association of Iranians at Duke X-BEDEWORK-IMAGE-X1:131 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1313 X-BEDEWORK-IMAGE-Y2:788 X-BEDEWORK-IMAGE-CROP-WIDTH:1182 X-BEDEWORK-IMAGE-CROP-HEIGHT:788 X-BEDEWORK-IMAGE-ALT-TEXT:COW X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/the.cow(1)_20241104031314PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/the.cow(1)_20241104031314PM-thumb.pn g X-BEDEWORK-SPEAKER:Introduced by Bahman Maghsoudlou\, director of "Dariush Mehrjui: Making THE COW" END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241104T151558Z DESCRIPTION:DARIUSH MEHRJUI: MAKING THE COW\n(Bahman Maghsoudlou\, 2022\, 85 min\, Iran/USA\, Farsi and English w/ English subtitles\, DCP)\n\nThis feature documentary examines the making of THE COW (1968)\, which was sm uggled to Venice and won the FIPRESCI Prize (1971)\, how it became one of the major films of the Iranian New Wave\, and its impact on both Iranian films before and after the 1979 revolution and the larger global cinemat ic landscape.\n\nFeaturing members of the film crew of THE COW: Dariush M ehrjui (director)\, Ezzatollah Entezami\, Ali Nassirian\, Jamshid Mashaye khi\, Jafar Vali\, Ezzatollah Ramezanifar\, Reza Fazeli\, (Actors)\, Zari Khalaj (Editor)\, Hormoz Farhat (Composer)\; and film critics: Pierre-He nri Deleau (France)\, Callisto Cosulich (Italy)\, Godfrey Cheshire and Ri chard Pena (USA)\, Mohammad Haghighat\, Fereydoun Hoveyda\, Esmail Nooria la and Amir Taheri (Iran).\n\n"An incisive\, illuminating look at THE COW \, arguably the most important and influential film in the history of Ira nian cinema." - Godfrey Cheshire\n\n"Director Bahman Maghsoudlou creates an informative and remarkable film\, featuring unique interviews with the maestro himself\, along with his group of veteran actors\, film crew\, a nd notable scholars\, all of whom offer valuable insight into this master piece of the Iranian New Wave Cinema." - Mehrnaz Saeedvafa\, Film profess or and Programmer DTSTAMP:20241111T090951Z DTSTART;TZID=America/New_York:20241122T190000 LAST-MODIFIED:20241111T090951Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Dariush Mehrjui: Making The Cow" (Bahman Maghsoud lou\, 2022) UID:CAL-8a000483-92c3adf6-0192-f7bf3f1c-00004006demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/dariush-mehrju i-making-cow-bahman-maghsoudlou-2022 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Student Organizations_GPSC,/principals/users/agrp_GraduateStudentsAssociationofIr anians,":Graduate and Professional Student Council (GPSC)\,Graduate Stude nts Association of Iranians at Duke X-BEDEWORK-IMAGE-X1:103 X-BEDEWORK-IMAGE-Y1:125 X-BEDEWORK-IMAGE-X2:1535.5 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1432.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:955 X-BEDEWORK-IMAGE-ALT-TEXT:cow X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/MAKING OF THE COW_20241104031558PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/MAKING OF THE COW_20241104031558PM-t humb.png X-BEDEWORK-SPEAKER:Q&A to follow with director Bahman Maghsoudlou END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241104T152124Z DESCRIPTION:Duke Experimental Film Society & Screen/Society present a rare special screening of:\n\nÀ L'OMBRE DE LA CANAILLE BLEUE ("In the Shadow of the Blue Rascal")\n(Pierre Clementi\, 1986\, 84 min\, France\, French with English subtitles\, DCP)\n\n"Pierre Clémenti's sole feature as a dir ector is a dystopian crime story\, inspired by William S. Burroughs\, set in the underbelly of "Nécrocity." In this fictionalized Paris\, fueled b y heroin and paranoia\, an insurgent group (played by Clémenti's inner ci rcle) tries to keep one step ahead of the grip of state power\, whose mas termind is a villainous military leader played by Clémenti himself ... Dr enched in neon lights and leather\, In the Shadow of the Blue Rascal evok es the New York No Wave scene while giving "the most punk\, the most urba n\, and the most willingly chaotic portrait of Paris in the late 1970s" ( Philippe Azoury)." - MoMA\n\n"In Necrocity\, 300 kilos of heroin are miss ing\, the police jump to action. Here\, the state is merely a means to ef ficiently impose cruel police brutality and arbitrary violence\, and an u nderground of club-goers indulge in drugs\, parties\, and sex. A murderer is on the loose in this dystopian future city\, and crime is about to ri se to a fever pitch." - Clinton Street Theater\n\n"A harsh icy descent in to the depths of hell." - Close-Up Film Centre\n\nCourtesy of the Cinémat hèque française and Balthazar Clementi. DTSTAMP:20241127T152934Z DTSTART;TZID=America/New_York:20241203T190000 LAST-MODIFIED:20241127T152934Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"À l'ombre de la canaille bleue" (Pierre Clementi\ , 1986) | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0192-f7c4396c-000042a0demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/lombre-de-la-c anaille-bleue-pierre-clementi-1986-duke-experimental-film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_JHFC_Ce nterforFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandScience s_Literature,":Center for French and Francophone Studies\,Literature X-BEDEWORK-IMAGE-X1:198 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1818 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:alttext X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/in the shadow of the blue rascal_202411040 32124PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/in the shadow of the blue rascal_202 41104032124PM-thumb.png X-BEDEWORK-SPEAKER:Introduced by Prof. Benjamin Crais (Fordham University) X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241021T213216Z DESCRIPTION:ANORA\n(Sean Baker\, 2024\, 139 min\, USA\, English\, DCP)\n\n In a thrilling\, star-making performance\, Mikey Madison plays Ani\, a to ugh-as-nails exotic dancer from Brighton Beach suddenly thrust into the l ap of luxury when she's whisked away on a whirlwind romance with Ivan (Ma rk Eydelshteyn)\, an obscenely wealthy young customer at her strip club. However\, Ivan turns out to be the spoiled scion of Russian oligarchs\, a nd Ani's wild ride is anything but your average rags-to-riches story. Bak er always takes a good-natured\, sociological approach to his subject mat ter and milieu\, and here he has created an authentic 21st-century screwb all comedy that tackles sex\, love\, class\, and money with matter-of-fac t directness.\n\n-- Winner of the Palme d'Or at the 2024 Cannes Film Fest ival\n\n"...a pure shot of frenetic pleasure\, a New York odyssey that is the most immersive and accomplished comic adventure yet from American or iginal Sean Baker." - Film at Lincoln Center\n\n"In focusing on a broad s wath of sex workers and their hardscrabble realities [...] Baker has made the case\, in movie after movie\, that there is no tougher\, more resour ceful\, and more cruelly stigmatized labor force under the sun." - Justin Chang\, The New Yorker DTSTAMP:20241127T152945Z DTSTART;TZID=America/New_York:20241205T190000 LAST-MODIFIED:20241127T152945Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Anora" (Sean Baker\, 2024) UID:CAL-8a00048d-91324965-0192-b0febafb-00001023demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/anora-sean-bak er-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:51 X-BEDEWORK-IMAGE-X2:1040 X-BEDEWORK-IMAGE-Y2:744.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:1040 X-BEDEWORK-IMAGE-CROP-HEIGHT:693.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:A woman bathed in blue\, purple\, and pink light dances in a club in a red sequined dress in a still from Sean Baker'\ ;s Anora. X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/anora 1_20241021093216PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/anora 1_20241021093216PM-thumb.png X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T210536Z DESCRIPTION:HOW TO MAKE MILLIONS BEFORE GRANDMA DIES\n(Pat Boonnitipat\, 2 024\, 125 min\, Thailand\, Thai w/ English subtitles\, DCP)\n\n-- Introdu ced by Prof. Ara Wilson (Gender\, Sexuality & Feminist Studies/Cultural A nthropology)\n\nM\, a university dropout low on money and luck\, voluntee rs to take care of his terminally ill grandmother\, in the hope of pocket ing an inheritance. This deeply affecting portrait offers an honest look at a family grappling with clashing values and dynamics as they face the impending loss of their matriarch.\n\n"[T]he movie's sunny\, gracious por trait of family life will still likely have you thinking of your own fami ly long before the credits roll." - rogerebert.com\n\n"[HOW TO MAKE MILLI ONS] is designed to play on the heartstrings\; but when a film is plucked with such dexterity\, warmth\, and tenderness it is a sweet symphony fil ling the soul instead of jangling noise hoping for a reaction." - Nadine Whitney\, Alliance of Women Film Journalists DTSTAMP:20250114T211006Z DTSTART;TZID=America/New_York:20250116T190000 LAST-MODIFIED:20250114T211006Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"How to Make Millions Before Grandma Dies" (Pat Bo onnitipat\, 2024) UID:CAL-8a000483-92c3adf6-0194-66a2de14-00003ae4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/how-make-milli ons-grandma-dies-pat-boonnitipat-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:43 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:847 X-BEDEWORK-IMAGE-Y2:536 X-BEDEWORK-IMAGE-CROP-WIDTH:804 X-BEDEWORK-IMAGE-CROP-HEIGHT:536 X-BEDEWORK-IMAGE-ALT-TEXT:still from how to make millions before grandma d ies X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/howtomakemillionsbeforegrandmadies_111486_ 20250114090537PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/howtomakemillionsbeforegrandmadies_1 11486_20250114090537PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T210934Z DESCRIPTION:GOOD ONE\n(India Donaldson\, 2024\, 90 min\, USA\, English\, D CP)\n\n"A seemingly small incident has monumental implications in the ext raordinary feature debut of India Donaldson\, a film of expertly harnesse d naturalism and restrained emotional intensity. Seventeen-year-old high school senior Sam (a revelatory Lily Collias) has agreed to join her fath er Chris (James Le Gros) and his longtime buddy Matt (Danny McCarthy) on a camping trip in the Catskills\, though she'd rather be hanging with her friends for the weekend. Affable and wise\, Sam at first seems to enjoy the intergenerational bonding experience with the two divorced dads\, yet the men's own festering\, middle-aged resentments begin to change the em otional tenor of the trip-until something happens that alters Sam's perce ption of the men and her place in their orbit. Amidst the lush beauty and contemplative forest atmosphere in upstate New York\, GOOD ONE asks prov ocative questions about the dynamics of family\, friendship\, and what it means to engage in or avoid conflict." - Film at Lincoln Center\n\n"GOOD ONE is a quiet movie\, not because it has little to say but because it w ants you to listen\, to pay as much attention to what's left unsaid as to its meticulously crafted dialogue\, and to the way silence can be a powe r as well as a punishment." - Slate\n\n"Subtly dark\, humorous\, and wise \, GOOD ONE leans into its wilderness backdrop in all of its liberating ( and\, sometimes\, paradoxically claustrophobic) properties." - Harper's B azaar DTSTAMP:20250114T211018Z DTSTART;TZID=America/New_York:20250117T190000 LAST-MODIFIED:20250114T211018Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Good One" (India Donaldson\, 2024) UID:CAL-8a000483-92c3adf6-0194-66a67d77-00003ae5demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/good-one-india -donaldson-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:21 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:949.5 X-BEDEWORK-IMAGE-Y2:619 X-BEDEWORK-IMAGE-CROP-WIDTH:928.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:619 X-BEDEWORK-IMAGE-ALT-TEXT:A girl with shoulder length brown hair peers thr ough the branches of a tree in a still from the film Good One. X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/good.one_20250114090934PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/good.one_20250114090934PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T211400Z DESCRIPTION:**CANCELED DUE TO WEATHER**\n(we will try to reschedule this e vent - updates will be posted on this calendar)\n\n==\n-- Presented by Du ke Experimental Film Society and Screen/Society\n-- Introduced by Jonas K ilga (Program in Literature)\n\nA program of shorts by Rainer Kohlberger\ , an Austrian born visual artist living in Berlin. His work is primarily based on algorithmically generated graphics that are exposed in live perf ormances\, experimental films and installations. \n\nProgram: \nnot even nothing can be free of ghosts (2016\, 11min) \nit has to be lived once a nd dreamed twice (2019\, 28 min) \nkeep that dream burning (2017\, 8 min ) \nThere must be some kind of way out of here (2020\, 13 min) DTSTAMP:20250122T172841Z DTSTART;TZID=America/New_York:20250122T190000 LAST-MODIFIED:20250122T172841Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CANCELLED SUMMARY:Screen/Society--Rainer Kohlberger | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0194-66aa8f01-00003ba8demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/rainer-kohlber ger-duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:943.5 X-BEDEWORK-IMAGE-Y2:629 X-BEDEWORK-IMAGE-CROP-WIDTH:943.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:629 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from There must be some kind of way out of here by Rainer Kohlberger X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/somewhere-out_still1_20250114091401PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/somewhere-out_still1_20250114091401P M-thumb.png X-BEDEWORK-SPEAKER:**CANCELED DUE TO WEATHER** (we will try to reschedule) END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T211735Z DESCRIPTION:ONCE UPON A TIME IN CHINA\n(Tsui Hark\, 1991\, 135 min\, Hong Kong\, Cantonese w/ English subtitles\, DCP)\n\n-- Introduction by Prof. Eileen Cheng-yin Chow (Asian & Middle Eastern Studies)\n\nOne of the pinn acles of Hong Kong cinema's 1990s golden age\, Tsui Hark's riotously ente rtaining epic was a blockbuster hit that cemented Jet Li's status as the greatest martial-arts superstar of his generation. Li displays his stunni ng\, fast-and-fluid fighting style as the legendary martial-arts teacher and doctor Wong Fei-hung\, who\, with a band of disciples\, battles a hos t of nefarious forces-foreign and local-who are threatening Chinese sover eignty as British and American imperialists encroach upon the Mainland. O NCE UPON A TIME IN CHINA's breathtaking blend of kung fu\, comedy\, roman ce\, and melodrama climaxes in a whirlwind guns-vs-fists finale that is a lso a thrilling affirmation of Chinese cultural identity.\n\n"Tsui Hark i s the John Ford of Chinese cinema\, and ONCE UPON A TIME IN CHINA is his Stagecoach. Not only does it redefine a genre on the cusp of its rebirth (in this case the period martial arts film\, which had lain dormant throu gh the late 80s much as the Western had been relegated to cheap serials t hrough the 1930s)\, but it expresses a total historical vision entirely t hrough archetypes\, which are by turns deepened and confounded." - Sean G ilman DTSTAMP:20250114T211809Z DTSTART;TZID=America/New_York:20250123T190000 LAST-MODIFIED:20250114T211809Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Once Upon a Time in China" (Tsui Hark\, 1991) UID:CAL-8a000483-92c3adf6-0194-66add473-00003c0ademobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/once-upon-time -china-tsui-hark-1991-0 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:250 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1600 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:Jet Li in Once Upon a Time in China X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/once upon a time 1_20250114091735PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/once upon a time 1_20250114091735PM- thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T212127Z DESCRIPTION:TWILIGHT OF THE WARRIORS: WALLED IN\n(Soi Cheang\, 126 min\, H ong Kong\, Cantonese w/ English subtitles\, DCP)\n\n"A runaway hit in Hon g Kong\, where it became the second-highest grossing domestic picture of all time\, Cheang's inspired mash-up of martial arts movie and neo-noir c rime thriller takes a headlong dive into the cramped\, lawless Kowloon Wa lled City-a decommissioned 19th-century military fort\, since demolished\ , here recreated by a miracle of mangy production design-in the dirty\, d esperate old days of the crime-plagued 1980s. New in town\, illegal immig rant Raymond Lam finds himself smack in the middle of an all-out war betw een local vigilantes\, led by Louis Koo\, and triad capos\, including an blinged-up Sammo Hung and sidekick Philip Ng\, their savage decapitation- and defenestration-filled clashes choreographed for maximum bone-crunchi ng impact by Kenji Tanigaki." - Metrograph\n\n"Unbound by physics or any sense of psychological realism\, TWILIGHT OF THE WARRIORS: WALLED IN is a lso probably the best comic book adaptation you'll see this year\, featur ing a murderer's row of Hong Kong stars like Louis Koo\, Aaron Kwok and S ammo Hung\, and featuring the sort of intricate maximalist production des ign that puts most other blockbusters to shame." - Simon Abrams\, rogereb ert.com DTSTAMP:20250114T212127Z DTSTART;TZID=America/New_York:20250124T190000 LAST-MODIFIED:20250114T212127Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Twilight of the Warriors: Walled In" (Soi Cheang\ , 2024) UID:CAL-8a000483-92c3adf6-0194-66b15fda-00003c6fdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/twilight-warri ors-walled-soi-cheang-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:2048 X-BEDEWORK-IMAGE-Y2:1365.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:2048 X-BEDEWORK-IMAGE-CROP-HEIGHT:1365.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Still from Twilight of the Warriors: Walled In X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/twilight of the warriors_20250114092127PM. jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/twilight of the warriors_20250114092 127PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T211400Z DESCRIPTION:**RESCHEDULED SCREENING**\n(This event was originally planned to take place on January 22nd\, but had to be rescheduled due to weather. )\n\n==\n\n-- Presented by Duke Experimental Film Society and Screen/Soci ety\n-- Introduced by Jonas Kilga (Program in Literature)\n\nA program of shorts by Rainer Kohlberger\, an Austrian born visual artist living in B erlin. His work is primarily based on algorithmically generated graphics that are exposed in live performances\, experimental films and installati ons. \n\nProgram: \nnot even nothing can be free of ghosts (2016\, 11min) \nit has to be lived once and dreamed twice (2019\, 28 min) \nkeep tha t dream burning (2017\, 8 min) \nThere must be some kind of way out of he re (2020\, 13 min) DTSTAMP:20250124T180150Z DTSTART;TZID=America/New_York:20250129T190000 LAST-MODIFIED:20250124T180150Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--Rainer Kohlberger | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0194-997a3597-00002057demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/rainer-kohlber ger-duke-experimental-film-society-rescheduled X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:943.5 X-BEDEWORK-IMAGE-Y2:629 X-BEDEWORK-IMAGE-CROP-WIDTH:943.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:629 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from There must be some kind of way out of here by Rainer Kohlberger X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/somewhere-out_still1_20250114091401PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/somewhere-out_still1_20250114091401P M-thumb.png X-BEDEWORK-SPEAKER:**RESCHEDULED SCREENING** END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T212614Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nANATOMY OF A FALL\n(Justine Triet\, 2023\, 151 min\, Fran ce\, French w/ English subtitles and English\, DCP)\n\n-- Winner of the P alme d'Or at the 2023 Cannes Film Festival\n\nJustine Triet's drama is a riveting procedural and a delicate inquiry into the impossibility of an u ltimate truth in human relationships. When the husband of famous novelist Sandra Voyter (played by Toni Erdmann's Sandra Hüller) is found dead on the ground outside their chalet in the French Alps\, authorities suspect that she might have been responsible\, as the impact and position of his body suggest a push rather than a fall. Triet's fiercely intelligent\, em otionally devastating film dissects the ways we create subjective narrati ves for ourselves and others and questions the insufficiency of language to describe the essential mysteries each of us possesses. At its core is the brilliant Hüller\, whose Sandra is articulate\, open\, and utterly in scrutable.\n\n"An intricately layered\, surgically controlled drama that operates as both a courtroom thriller and an investigation of the mysteri ous recesses of domestic life." - The Hollywood Reporter\n\n"[A] Hitchcoc kian thriller for today." - New Statesman DTSTAMP:20250121T213232Z DTSTART;TZID=America/New_York:20250130T190000 LAST-MODIFIED:20250121T213232Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Anatomy of a Fall" (Justine Triet\, 2023) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66b5c1c1-00003cd3demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/anatomy-fall-j ustine-triet-2023-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\; Visual Studies\,Center for F rench and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:250 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3490 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from Anatomy of a Fall X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Anatomy Of A Fall - Still 2_20250114092614 PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/Anatomy Of A Fall - Still 2_20250114 092614PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Anne-Gaëlle Saliot (Romance St udies) and Barbara Halla (Romance Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Diversity/Inclusion CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T213317Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nORLANDO\, MY POLITICAL BIOGRAPHY\n(Paul B. Preciado\, 202 3\, 103 min\, France\, French w/ English subtitles\, DCP)\n\n-- Introduce d by Prof. Eric Disbro (Romance Studies)\n\n"Come\, come! I'm sick to dea th of this particular self. I want another." Taking Virginia Woolf's nove l "Orlando: A Biography" as its starting point\, academic virtuoso turned filmmaker Paul B. Preciado has fashioned the documentary\, ORLANDO\, MY POLITICAL BIOGRAPHY\, as a personal essay\, historical analysis\, and soc ial manifesto which premiered and took home four prizes at the 2023 Berli n Film Festival. For almost a century\, Woolf's eponymous hero/heroine ha s inspired readers for their gender fluidity across physical and spiritua l metamorphoses over a 300-year lifetime. Preciado casts a diverse cross- section of more than twenty trans and non-binary individuals in the role of Orlando as they perform interpretations of scenes from the novel\, wea ving into Woolf's narrative their own stories of identity and transition. Not content to simply update a seminal work\, Preciado interrogates the relevance of Orlando in the continuing struggle against anti-trans ideolo gies and in the fight for global trans rights. Fleet and visually inventi ve\, Preciado's film is a robust polemical inquiry into contemporary tran s personhood and political disenfranchisement that points the way toward a possible utopia.\n\n"[S]parklingly intelligent\, Godard-puckish and mov ing\, capable of deadpan wit and the most intimate swirl of ideas and emo tions." - Los Angeles Times\n\n"ORLANDO\, MY POLITICAL BIOGRAPHY is a div e into the collective trans consciousness\, a discussion between Orlandos across time and place\, an attempt to discover new ways to understand an d express ourselves." - Little White Lies DTSTAMP:20250121T213340Z DTSTART;TZID=America/New_York:20250131T190000 LAST-MODIFIED:20250121T213340Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Orlando\, My Political Biography" (Paul B. Precia do\, 2023) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66bc36b0-00003df7demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/orlando-my-pol itical-biography-paul-b-preciado-2023-2025-french-film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Diversity/Inclusion:/user/pu blic-user/Topics/Diversity_Inclusion X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\; Visual Studies\,Center for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:77 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1427 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from Orlando\, My Political Biograph y X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Orlando1_20250114093318PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Orlando1_20250114093318PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Eric Disbro (Romance Studies) and Maya Kronfeld (Literature) END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T213742Z DESCRIPTION:THE ANIMAL KINGDOM (LE RÈGNE ANIMAL)\n(Thomas Cailley\, 2023\, 128 min\, France/Belgium\, French w/English subtitles\, DCP)\n\nWith his long-awaited follow-up to LOVE AT FIRST FIGHT (2014)\, Thomas Cailley\, who most recently won Best Director at the 29th Lumière Awards in France\ , envisions a mysterious infection that selectively mutates the bodies of ordinary people into animal hybrids at unpredictable speeds. Nominated f or 12 César Awards including Best Director and Best Film\, this chilling scenario\, conjured with vivid specificity and immediacy via dazzling\, i mpeccably deployed special effects\, serves as a relentlessly compelling backdrop to the central performances of Romain Duris (THE THREE MUSKETEER S)\, Paul Kircher (the breakout star of Christophe Honoré's WINTER BOY)\, and Adèle Exarchopoulos (BLUE IS THE WARMEST COLOR\, PASSAGES\, PLANET B ). Together\, the trio of actors breathe life into this darkly imaginativ e exploration of a human ecosystem undergoing inexplicable-but potentiall y liberating-transformation.\n\n"A light but meaty piece of magical-reali sm that threads the needle between Cronenbergian body horror and Miyazaki -like fantasy to create a modern parable that evokes any number of identi fiable emergencies - deforestation\, the AIDS epidemic\, the global migra tion crisis and its attendant xenophobia\, etc. - in the service of a sto ry that refuses to be reduced into a clear metaphor for any one of them." - David Ehrlich\, IndieWire DTSTAMP:20250201T052719Z DTSTART;TZID=America/New_York:20250201T160000 LAST-MODIFIED:20250201T052719Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Animal Kingdom" (Thomas Cailley\, 2023) | 202 5 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66c03ea6-00003ebademobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/animal-kingdom -thomas-cailley-2023-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\;amp\; Visual Studies\,Ce nter for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1024 X-BEDEWORK-IMAGE-Y2:682.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:1024 X-BEDEWORK-IMAGE-CROP-HEIGHT:682.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:A boy stands in a forest surrounded by ferns in a still image from The Animal Kingdom X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/animal kingdom 4_20250114093742PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/animal kingdom 4_20250114093742PM-th umb.png X-BEDEWORK-SPEAKER:Q&A to follow with Mathilde Savard-Corbeil (Romance Stu dies) & Abby Shepherd (Romance Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T214119Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nTHE NIGHT OF THE 12TH\n(Dominic Moll\, 2022\, 115 min\, F rance\, French w/ English subtitles\, DCP)\n\n-- Q&A to follow with Prof. Anne-Gaëlle Saliot (Romance Studies) and Mathilde Savard-Corbeil (Romanc e Studies)\n\nEvery police precinct has a case that defies explanation an d evades solution. Recently promoted Captain Yohan Vivès (Bastien Bouillo n) faces such an elusive mystery when he investigates the gruesome murder of a young woman named Clara in the French town of Grenoble. It is clear that the attack was premeditated\, and the violent nature of the crime s uggests revenge. All the evidence points towards a scorned ex-lover\, but which one? Vivés' team methodically digs through the details of Clara's life\, uncovering her secrets while striving to weed out the killer.\n\n- - Winner of 6 César Awards in 2023\, including Best Film\, Best Direction \, and Best Adaptation\n\n"[THE NIGHT OF THE 12TH] assumes the perspectiv e of the police without exempting them from its damning canvas\; their co ol investigative professionalism (and\, in a sense\, the film's) register s as its own kind of complicity in a wretched\, man's-world status quo." - Sight & Sound\n\n"Somewhere beneath its enthralling depiction of obsess ive police work is a cry from the heart against a broken system." - Time Out DTSTAMP:20250204T220902Z DTSTART;TZID=America/New_York:20250206T190000 LAST-MODIFIED:20250204T220902Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Night of the 12th" (Dominic Moll\, 2022) | 20 25 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66c38e1d-00003ebbdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/night-12th-dom inic-moll-2022-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\;amp\; Visual Studies\,Ce nter for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:133 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1794 X-BEDEWORK-IMAGE-Y2:1107.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:1661 X-BEDEWORK-IMAGE-CROP-HEIGHT:1107.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Two men stand on a street illuminated by street lamps in a still image from The Night of the 12th X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/18night-of-the-12th-review-hjqp-superJumbo _20250114094119PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/18night-of-the-12th-review-hjqp-supe rJumbo_20250114094119PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Anne-Gaëlle Saliot (Romance St udies) and Mathilde Savard-Corbeil (Romance Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Africa focus CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T214500Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nBANEL & ADAMA\n(Ramata-Toulaye Sy\, 2023\, 87 min\, Franc e/Senegal\, Mali\, Pulaar w/English subtitles\, DCP) \n\n-- Q&A to follo w with Prof. Samba Camara (African\, African American\, and Diaspora Stud ies\, UNC-CH)\n\nIn a rural village in Senegal\, Banel (Khady Mane) is ha ppily married to Adama (Mamadou Diallo)\, the younger brother of her dece ased first husband. Though their love is passionate\, the relationship is tested by pressures from the community\, which expects Banel to assume t raditionally feminine domestic responsibilities\, while her husband is me ant to inherit the role of village chief from his late brother. Both youn g adults resist the mandate to fill these assigned duties\, incurring dis approval from those around them-and possibly triggering supernatural repe rcussions. In her Palme d'Or nominated feature debut\, Senegalese-French writer-director Ramata-Toulaye Sy conjures lyrical imagery reminiscent of Terrence Malick's DAYS OF HEAVEN\, placing two memorable young lovers ag ainst a landscape as beautiful as it is inscrutable.\n\n"A dreamlike debu t... a lyrical\, languid fable." - Jessica Kiang\, Variety\n\n"A promisin g debut for Sy\, who combines an eye for arrestingly apocalyptic images.. .with skillful work with her non-professional cast...[including] a remark able performance from [lead actress Khady] Mane\, who conveys the mutinou s\, deluded anger in a young woman who would bend the world around her to her will if she could." - Wendy Ide\, Screen Daily DTSTAMP:20250204T220925Z DTSTART;TZID=America/New_York:20250207T190000 LAST-MODIFIED:20250204T220925Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Banel & Adama" (Ramata-Toulaye Sy\, 2023) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66c6f4c9-00003ebcdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/banel-adama-ra mata-toulaye-sy-2023-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Africa focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Afric a focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\; Visual Studies\,Center for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:142 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3382 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:A woman wearing a yellow tunic smiles in a field of grass in a still image from Banel &\;amp\;amp\; Adama X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/1_20250114094501PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/1_20250114094501PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Samba Camara (African\, Africa n American\, and Diaspora Studies\, UNC-CH) END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T214925Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nNO FEAR\, NO DIE\n(Claire Denis\, 1990\, 97 min\, France\ , French w/ English subtitles\, DCP)\n\n-- Q&A to follow with Prof. Ranja na Khanna (English/Gender\, Sexuality & Feminist Studies/Literature) and Prof. Cybelle McFadden (French and Francophone Studies\, UNCG)\n\nClaire Denis's rarely screened second feature is a radically physical cinematic journey into the shadowy (under)world of illegal cockfighting. Isaach De Bankole and Alex Descas star as Dah and Jocelyn\, two immigrants (from Be nin and French Antilles\, respectively) living on the outskirts of Paris who earn money from cockfights. The escalating violence of the bouts-at t he encouragement of the white owner of the restaurant (Jean-Claude Brialy ) in whose basement the fights are held-takes its toll on the pair\, and Jocelyn dreams of a life outside the brutal environment of feathered pugi lism. Drawing inspiration from the writings of Frantz Fanon\, the ruggedl y unsentimental and psychologically evocative NO FEAR\, NO DIE is a force ful examination of the lives of immigrants in France and of the psychic t oll of the violence imposed by colonizers upon the colonized.\n\n"Denis's first masterwork." - Richard Brody\n\n"[A] clear-eyed portrait of a worl d of violence and exploitation." - Slant Magazine DTSTAMP:20250204T220951Z DTSTART;TZID=America/New_York:20250208T190000 LAST-MODIFIED:20250204T220951Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"No Fear\, No Die" (Claire Denis\, 1990) | 2025 Fr ench Film Festival UID:CAL-8a000483-92c3adf6-0194-66cafb76-00003f1edemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/no-fear-no-die -claire-denis-1990-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\; Visual Studies\,Center for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:274 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3514 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:Two men hold a chicken in a still image from No Fear\, No Die X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/NOFEARNODIE_20250114094925PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/NOFEARNODIE_20250114094925PM-thumb.p ng X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Ranjana Khanna (English/Gender \, Sexuality & Feminist Studies/Literature) and Prof. Cybelle McFadden (F rench and Francophone Studies\, UNCG) END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T220638Z DESCRIPTION:-- Presented by Duke Experimental Film Society and Screen/Soci ety\n\n"Lyrical and uncompromising\, the films of Jocelyne Saab (1948-201 9) are at once landmark works of Lebanese cinema and masterpieces of the essay film form. The poetic voiceovers of her movies recall Chris Marker\ , and her fragmented\, diaristic images are reminiscent of Jonas Mekas. B ut Saab's poetic vision\, and her intimate interactions with the displace d\, the exiled\, and the voiceless\, mark her films as uniquely her own. Trained as a radio and television journalist\, Saab turned her attention to nonfiction films in the wake of the Lebanese Civil War. Her epic\, imp ressionistic trilogy of documentaries about Beirut that followed captures a city at once wounded\, mournful\, and bristling with life and energy\, chronicling a moment at which "a kind of bitter poetry has replaced the carelessness of the past." - Film at Lincoln Center\n\nProgram: \n"Beirut \, Never Again" (Beyrouth Jamais Plus) (1976\, 35min) \n"Beirut\, My Cit y" (Beyrouth Ma Ville) (1982\, 38 min) DTSTAMP:20250128T220638Z DTSTART;TZID=America/New_York:20250212T190000 LAST-MODIFIED:20250128T220638Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--Jocelyne Saab | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0194-aef3c463-00001db4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/jocelyne-saab- duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:42 X-BEDEWORK-IMAGE-X2:1432 X-BEDEWORK-IMAGE-Y2:996.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:1432 X-BEDEWORK-IMAGE-CROP-HEIGHT:954.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:A collapsed building in a still from Jocelyne Sa ab's Beirut Trilogy X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/saab.beyrouth_20250128100638PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/saab.beyrouth_20250128100638PM-thumb .png END:VEVENT BEGIN:VEVENT CATEGORIES:Caribbean focus CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T215720Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nTHE BALLAD OF SUZANNE CÉSAIRE\n(Madeleine Hunt-Ehrlich\, 2024\, 75 min\, USA\, English and French w/English subtitles\, DCP)\n\n-- Q&A to follow with Prof. Franklin Cason\, Jr. (Art\, Art History & Visua l Studies)\n\n"We are making a film about an artist who didn't want to be remembered\," says Zita Hanrot\, the actress playing an actress grapplin g with the legacy of the real-life figure she's supposed to be playing: t he Martinique writer Suzanne Césaire. Overshadowed by her husband\, the p oet and politician Aimé Césaire\, Suzanne was a feminist activist as well as a member of the Négritude movement in Paris in the 1930s. For her bol d project of reclamation\, filmmaker Madeleine Hunt-Ehrlich has taken a m etacinematic and mesmerizing approach\, using voice-over and direct addre ss to evoke her writing\, as well as meditative\, immersive 16mm images o f forests in Martinique to burrow to the complex truths about a woman\, a rtist\, and mother forgotten to history. Uniting Hunt-Ehrlich's elegant n arrative and visual strands is the presence of Hanrot\, herself a new mot her going through her own reckoning.\n\n"Hunt-Ehlich's lovely\, questing\ , curious art film cannot singlehandedly redress Césaire's omission from the annals. But it does suggest that if posterity has forgotten her\, it' s only with its conscious mind\, where THE BALLAD OF SUZANNE CÉSAIRE is p iped in from the collective unconscious. Perhaps\, when history sleeps on those who shaped it\, this is what it dreams." - Jessica Kiang\, Variety DTSTAMP:20250205T210644Z DTSTART;TZID=America/New_York:20250213T190000 LAST-MODIFIED:20250205T210644Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Ballad of Suzanne Césaire" (Madeleine Hunt-Eh rlich\, 2024) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66d23a37-00003fe1demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/ballad-suzanne -cesaire-madeleine-hunt-ehrlich-2024-2025-french-film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Caribbean focus:/user/public -user/Topic of Event Focused on a Country or Continent (if applicable)/Ca ribbean focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AfricanandAfricanAmericanStudies,/principals/users/agrp_ArtsandS ciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_ArtsandScien ces,/principals/users/agrp_Black Archival Imagination Lab,/principals/use rs/agrp_JHFC_CenterforFrenchandFrancophoneStudies,/principals/users/agrp_ _ArtsandSciences_RomanceStudies,":African and African American Studies (A AAS)\,Art\, Art History & Visual Studies\,Arts & Sciences (A&S)\,Black Ar chival Imagination Lab\,Center for French and Francophone Studies\,Romanc e Studies X-BEDEWORK-IMAGE-X1:74 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1424 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:A man and woman examine a note in a still from T he Ballad of Suzanne Césaire X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/ballad-of-suzanne_20250114095720PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/ballad-of-suzanne_20250114095720PM-t humb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Franklin Cason\, Jr. (Art\, Ar t History & Visual Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T221134Z DESCRIPTION:IN THE MOOD FOR LOVE\n(Wong Kar-wai\, 2000\, 98 min\, Hong Kon g\, Cantonese\, Shanghainese\, French\, and Spanish w/English subtitles\, DCP) \n\n-- The event features a pre-screening introduction and post-scr eening Q&A by Professor Giorgio Biancorosso (Music\, University of Hong K ong\; 2024-25 Luce East Asia Fellow in Musicology\, National Humanities C enter)\, who will present a talk on "Remixing Wong Kar-wai: Music\, Brico lage\, and the Aesthetics of Oblivion" on February 20th at 3:00PM.\n\nHon g Kong\, 1962: Chow Mo-Wan (Tony Leung) and Su Li-Zhen (Maggie Cheung) mo ve into neighboring apartments on the same day. Their encounters are form al and polite - until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant\ , IN THE MOOD FOR LOVE is a masterful evocation of romantic yearning and its fleeting moments. With its aching soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping Bing\, this film h as been a major stylistic influence on the past decade of cinema\, and is a milestone in Wong's redoubtable career.\n\n-- Ranked 5th in Sight & So und's Greatest Films of All Time critics' poll (2022)\n\n"Wong's porous\, often headily non-verbal filmmaking trusts us to feel the lovers' ennui and melancholy - and further\, to identify it within ourselves - via its sheer accumulation of sounds\, images and sense memories: be it the damp wraiths of steam swirling from an opened noodle container\, the warm\, vi nyl-roughened croon of Nat King Cole on the soundtrack or the impossible lobby-card beauty of Tony Leung and Maggie Cheung\, both preserved here i n their ravishing prime\, and somehow convincing as ordinary mortals made movie-star beautiful by love." - Guy Lodge\, BFI DTSTAMP:20250204T220810Z DTSTART;TZID=America/New_York:20250214T190000 LAST-MODIFIED:20250204T220810Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"In the Mood for Love" (Wong Kar-wai\, 2000) UID:CAL-8a000483-92c3adf6-0194-aef849c0-00001db5demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/mood-love-wong -kar-wai-2000 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1620 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:A woman (Maggie Cheung) is framed in close-up wi th an out of focus man (Tony Leung) gazing at her from the right side of the frame. X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/in the mood for love 1_20250128101134PM.jp g X-BEDEWORK-THUMB-IMAGE:/public/Images/in the mood for love 1_2025012810113 4PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Giorgio Biancorosso\, Professor of M usic at the University of Hong Kong and author of "Remixing Wong Kar-wai: Music\, Bricolage\, and the Aesthetics of Oblivion" END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Global CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250204T200413Z DESCRIPTION:**CANCELED DUE TO WINTER WEATHER**\n(We are hoping to reschedu le next week - watch this space for updates!)\n\n==\nRIGHTS! CAMERA! ACTI ON! film series presents:\n\nNO OTHER LAND\n(Basel Adra\, Hamdan Ballal\, Yuval Abraham\, Rachel Szor\, 2024 95 min\, Palestine\, Arabic\, English \, and Hebrew w/English subtitles\, DCP)\n\n==\nRegistration required for this event: https://tickets.duke.edu/Online/article/nootherland |Sorry - all available tickets have been claimed as of 2/14/25!|\n\nParking Info: Free visitor parking is available in the Campus Drive lot\, located at t he corner of Campus Drive and Anderson Street\, directly across the stree t from the Arts Center.\n==\n\nThis eye-opening\, vérité-style documentar y\, made by a Palestinian-Israeli collective of four directors over the c ourse of five years\, provides a harrowing account of the systematic onsl aught of destruction experienced by Masafer Yatta\, a group of Palestinia n villages in the southern West Bank\, at the hands of the Israeli milita ry. Headed by Palestinian activist Basel Adra and Israeli journalist Yuva l Abraham (also two of the film's directors)\, the collective commits its elf to filming and protesting the demolitions of homes and schools and th e resulting displacement of their inhabitants\, which were carried out to make way for Israeli military training ground. In addition to the indeli ble footage of destruction and expulsion captured by its undaunted witnes ses\, NO OTHER LAND serves as a moving portrait of friendship between Adr a and Abraham\, who form a philosophical and political alliance despite t he drastic differences in their abilities to exist freely in this world.\ n\n-- 2025 Academy Award nominee for Best Documentary Feature\n-- Winner of the Panorama Audience Award for Best Documentary Film at the 2024 Berl in International Film Festival\n\n"NO OTHER LAND\, while maintaining a ti ght focus on the fate of one village and on the bond between two men on e ither side of the Israel-Palestine divide\, also situates these intimate stories within a wider context of history\, world politics\, and media re presentations\, elements that Adra sums up in one word: "power." - Richar d Brody\, The New Yorker DTSTAMP:20250220T152742Z DTSTART;TZID=America/New_York:20250220T190000 LAST-MODIFIED:20250220T152742Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CANCELLED SUMMARY:Screen/Society--"No Other Land" (B. Adra\, H. Ballal\, Y. Abraham\ , R. Szor\, 2024) {**Canceled - to be rescheduled} UID:CAL-8a000483-92c3adf6-0194-d29036fa-00004f1fdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/no-other-land- b-adra-h-ballal-y-abraham-r-szor-2024-registration-required X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Global:/user/public-user/Top ic of Event Focused on a Country or Continent (if applicable)/Global X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_DHRCatFHI,/p rincipals/users/agrp_MiddleEastStudiesCenter,/principals/users/agrp_JHFC_ FranklinHumanitiesInstitute,/principals/users/agrp_ProvostsOffice,/princi pals/users/agrp_StudentAffairs,":Asian &\;amp\;amp\;amp\;amp\;amp\; Mi ddle Eastern Studies (AMES)\,Duke Human Rights Center at the Franklin Hum anities Institute (DHRC@FHI)\,Duke University Middle East Studies Center\ ,Franklin Humanities Institute (FHI)\,Provost&\;amp\;amp\;amp\;amp\;#3 9\;s Office\,Student Affairs X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1650 X-BEDEWORK-IMAGE-Y2:1100 X-BEDEWORK-IMAGE-CROP-WIDTH:1650 X-BEDEWORK-IMAGE-CROP-HEIGHT:1100 X-BEDEWORK-IMAGE-ALT-TEXT:sdf X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502040804 13PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502 04080413PM-thumb.png X-BEDEWORK-SPEAKER:Panel Discussion to follow with Palestinian filmmaker/D uke instructor Hareth Yousef and Prof. Rebecca Stein (Cultural Anthropolo gy) END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T221652Z DESCRIPTION:THE SEED OF THE SACRED FIG\n(Mohammad Rasoulof\, 2024\, 166 mi n\, Germany/Iran/France\, Farsi w/English subtitles\, DCP)\n\nA target of Iran's hardline conservative government for his films' criticism of the state\, director Mohammad Rasoulof fled his home country to avoid an eigh t-year prison sentence\, though he hadn't finished editing his latest fil m yet. His searing drama THE SEED OF THE SACRED FIG is every bit as urgen t and gripping as its real-life backstory would portend: Investigating ju dge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes\, he suspects his wife and daughters\, imposing draconian m easures that strain family ties as societal rules crumble. Both paranoia thriller and domestic drama\, THE SEED OF THE SACRED FIG is above all an epic of anti-patriarchal political conviction.\n\n- Winner of the Prix Sp écial and FIPRESCI prize at the 2024 Cannes Film Festival\n\n"Rasoulof cr afts an extraordinarily gripping allegory about the corrupting costs of p ower and the suppression of women under a religious patriarchy that crush es the very people it claims to protect." - Ryan Lattanzio\, IndieWire\n\ n"THE SEED OF THE SACRED FIG asks us to enter a family's story\, but also to acknowledge that we are part of it. We're extras in the background\, no matter how far away we are. For Rasoulof\, the world he's created is f ar from theoretical. The consequences have been\, too." - Alissa Wilkinso n\, The New York Times DTSTAMP:20250219T225643Z DTSTART;TZID=America/New_York:20250221T190000 LAST-MODIFIED:20250219T225643Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Seed of the Sacred Fig" (Mohammad Rasoulof\, 2024) UID:CAL-8a000483-92c3adf6-0194-aefd22dc-00001e17demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/seed-sacred-fi g-mohammad-rasoulof-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:2560 X-BEDEWORK-IMAGE-Y2:1706.6666666666667 X-BEDEWORK-IMAGE-CROP-WIDTH:2560 X-BEDEWORK-IMAGE-CROP-HEIGHT:1706.6666666666667 X-BEDEWORK-IMAGE-ALT-TEXT:Three women in muted pink clothing stand in a ro w in a still from The Seed of the Sacred Fig X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/the seed of the sacred fig_20250128101652P M.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/the seed of the sacred fig_202501281 01652PM-thumb.png X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Graduat eStudentsAssociationofIranians,":Graduate Students Association of Iranian s at Duke END:VEVENT BEGIN:VEVENT CATEGORIES:Climate CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank CREATED:20250128T222224Z DESCRIPTION:FLOW\n(Gints Zilbalodis\, 2024\, 85 min\, Latvia/Belgium/Franc e\, No dialogue\, DCP)\n\nA wondrous journey through realms natural and m ystical\, FLOW follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara\, a lemur\, a bird\, and a dog t o navigate a boat in search of dry land\, they must rely on trust\, coura ge\, and wits to survive the perils of a newly aquatic planet. Rendered on the free and open-source software Blender and containing no dialogue\, FLOW had its world premiere at the Un Certain Regard section of the 2024 Cannes Film Festival\, where it received critical acclaim. \n\n-- Nomina ted for Best International Feature Film and Best Animated Feature at the 97th Academy Awards\n\n"Zilbalodis' film [is] a rich visual blend of adve nture tale and ecological parable that will enchant and enthrall viewers no matter what their age or animal preference." - Jason Anderson\, TIFF\n \n"As we confront our imminent climate crisis and the many other cataclys ms that plague our reality\, we'll only have each other to make it throug h. FLOW boasts a hopeful outlook\; it suggests these storms won't be perm anent and that the deer will freely run through the forest again. Life\, in all its splendor and blameless tragedy\, will\, indeed\, flow." - Carl os Aguilar\, RogerEbert.com DTSTAMP:20250128T222224Z DTSTART;TZID=America/New_York:20250222T160000 LAST-MODIFIED:20250128T222224Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Flow" (Gints Zilbalodis\, 2024) UID:CAL-8a000483-92c3adf6-0194-af02352c-00001edademobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Climate:/user/public-user/To pics/Climate X-BEDEWORK-IMAGE-X1:756 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3828 X-BEDEWORK-IMAGE-Y2:2048 X-BEDEWORK-IMAGE-CROP-WIDTH:3072 X-BEDEWORK-IMAGE-CROP-HEIGHT:2048 X-BEDEWORK-IMAGE-ALT-TEXT:A gray black animated cat sits in a boat in a st ill from Flow X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/flow2_20250128102224PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/flow2_20250128102224PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Climate CATEGORIES:Sustainability CATEGORIES:Asia focus CATEGORIES:Ethics CATEGORIES:Civic Engagement/Social Action CATEGORIES:Humanities CATEGORIES:Natural Sciences CATEGORIES:Social Sciences CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Research CATEGORIES:Charity/Fundraising CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0290b4-860465b2-0186-debfba9d-00003c8d:Asian Paci fic Studies Institute (APSI) CREATED:20250206T221119Z DESCRIPTION:**Directed by MinCheol Wang\, 2022\, 120 min\, South Korea\, i n Korean w/English subtitles**\n\nAbout the film:\nKim Jeong-ho\, head ve terinarian in Cheongju Zoo\, dreams of turning his zoo into the nation's first animal sanctuary. The zoo hires animal welfare activist Choi Tae-ky u in hopes of establishing a bear sanctuary for rescued farm bears. Meanw hile\, employees at neighboring Chungnam Wildlife Rescue Center support t he idea of sanctuary as they unwillingly euthanize rescued animals that a re unable to return to the wild. The film poignantly highlights the moral dilemmas and relentless efforts to provide animals with a second chance at life.\n\nDirector's Statement:\n"I witnessed so many animals died as I made a documentary about zoos. Yet\, for several reasons\, I couldn't in clude all of their stories. So I wanted to make a story about the death o f the animals. I saw many animals. I also saw many people working for tho se animals. And I saw the death of many animals. However\, there are stil l many deaths that are not included in the film. I hope all those deaths change the lives of the living animals."\n\nAbout the Director:\nMincheol Wang was born in 1975 in Seoul\, Korea. He is a cinematographer and dire ctor\, known for "Garden\, zoological" (2019)\, "Sanctuary" (2022) and "M ondscheinsonate" [Moonlight Sonata] (2009). {information from IMDB}\n\nA wards:\n2022 Busan International Film Festival\n2022 Seoul Animal Film Fe stival\n50th Seoul Independent Film Festival (2024) DURATION:PT2H10M DTSTAMP:20250221T194147Z DTSTART;TZID=America/New_York:20250226T183000 LAST-MODIFIED:20250221T194147Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Film Screening: “Sanctuary” (MinCheol Wang\, 2022) UID:CAL-8a000483-92c3adf6-0194-dd514b0a-00002893demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Climate:/user/public-user/To pics/Climate X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti on:/user/public-user/Topics/Civic Engagement_Social Action X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Charity_Fundraising:/user/pu blic-user/Topics/Charity_Fundraising X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Natural Sciences:/user/publi c-user/Topics/Natural Sciences X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Research:/user/public-user/T opics/Research X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Social Sciences:/user/public -user/Topics/Social Sciences X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Sustainability:/user/public- user/Topics/Sustainability X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user /Topics/Humanities X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1059 X-BEDEWORK-IMAGE-Y2:706 X-BEDEWORK-IMAGE-CROP-WIDTH:1059 X-BEDEWORK-IMAGE-CROP-HEIGHT:706 X-BEDEWORK-IMAGE-ALT-TEXT:Photos of veterinarians taking care of animals\; photos of animals in a sanctuary\; text: “Sanctuary” (director\, year\, language\; screening date\, time\, location\, coordinator) X-BEDEWORK-SUBMITTEDBY:rmk33 for Asian Pacific Studies Institute (APSI) (a grp_ArtsandSciences_AsianPacificStudiesInstitute) X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,":Asian &\;amp\;amp\;amp\;amp\;a mp\; Middle Eastern Studies (AMES) X-BEDEWORK-IMAGE:/public/Images/250226_Sanctuary_cal_20250221074147PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/250226_Sanctuary_cal_20250221074147P M-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:United States Focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Dance Performance CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250211T202419Z DESCRIPTION:WITHIN THESE WALLS\n(Lenora Lee & Tatsu Aoki\, 2024\, 76 min\, USA\, English\, Digital)\n\nIn association with Lenora Lee Dance\, Lenor a Lee Productions\, Innocent Eyes and Lenses Films\, and Asian Improv aRt s\, Asian Improv aRts Midwest\, powered by Asian Improv Nation. [Photo cr edit: Yi-Ting (Gama) Hsu photo by Hoa Huynh & Tien Nguyen]\n\nInspired by experiences of those detained\, interrogated and processed at the U.S. I mmigration Station\, Angel Island State Park in San Francisco Bay\, WITHI N THESE WALLS is a film in which dance\, memory\, music\, and poetry serv e as a meditation on healing\, resilience\, and compassion. This U.S. Imm igration Station is an International Site of Conscience\, site of remembr ance transformed and animated as part of a community-wide commemoration o f the 1882 Chinese Exclusion Act\, speaking to the power of individuals a nd communities to transcend.\n\nLenora Lee has been a dancer\, choreograp her\, producer and artistic director for the past 27 years. For the last 17 years she\, along with her company Lenora Lee Dance (LLD)\, has pushed the envelope of intimate and large-scale multimedia\, immersive dance pe rformance connecting various styles of movement/dance\, film\, text\, res earch and music to culture\, history\, and human rights issues. Lenora's works are set in both public and private spaces\, inspired by individual stories as well as community strength. From the proscenium\, to underwate r\, to an historic cargo ship\, to the immigration station on Angel Islan d\, her pieces are site-responsive\, immersive\, and interactive\, callin g audiences into deep engagement with the work and environment. Lenora's work has grown to encompass the creation\, presentation and screening of films\, museum and gallery installations\, civic engagement\, and educati onal programming signifying the power of art as a movement for change.\n\ nTatsu Aoki is a prolific artist\, a filmmaker\, composer\, musician\, ed ucator\, and a consummate bassist and shamisen lute player. Based in Chic ago\, Aoki works in a wide range of musical genres\, ranging from traditi onal Japanese music\, jazz\, experimental\, and creative music and produc ing experimental films. DTSTAMP:20250218T192418Z DTSTART;TZID=America/New_York:20250227T190000 LAST-MODIFIED:20250218T192418Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Within These Walls" (Lenora Lee & Tatsu Aoki\, 20 24) + Q&A w/the filmmakers UID:CAL-8a000483-92c3adf6-0194-f6af235d-00007aeademobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/within-these-w alls-lenora-lee-tatsu-aoki-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Dance Performance:/user/publ ic-user/Arts/Dance Performance X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=United States Focus:/user/pu blic-user/Topic of Event Focused on a Country or Continent (if applicable )/United States Focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_AsianAm ericanStudies,/principals/users/agrp_ArtsandSciences_AsianPacificStudiesI nstitute,/principals/users/agrp_ArtsandSciences_DanceProgram,/principals/ users/agrp_JHFC_FranklinHumanitiesInstitute,":Asian American and Diaspora Studies\,Asian Pacific Studies Institute (APSI)\,Dance Program\,Franklin Humanities Institute (FHI) X-BEDEWORK-IMAGE-X1:110 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1730 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:A woman stands with her hands above her head aga inst a two-tone wall in a still from Within These Walls X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/within these walls_20250211082420PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/within these walls_20250211082420PM- thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Lenora Lee (producer\, choreography director) and Tatsu Aoki (director)\; moderated by Prof. Jingqiu Guan (Du ke University Dance Program) END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Global CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250204T200413Z DESCRIPTION:**RESCHEDULED SCREENING**\n(This event was originally planned to take place on February 20th\, but had to be rescheduled due to weather . Note the earlier 4pm start time.)\n\n==\nRIGHTS! CAMERA! ACTION! film s eries presents:\n\nNO OTHER LAND\n(B. Adra\, H. Ballal\, Y. Abraham\, R. Szor\, 2024\, 95min\, Palestine\, DCP)\n\n==\nRegistration required - see :\nhttps://tickets.duke.edu/online/article/nootherland\n\nAny tickets hel d for the original screening\, which was canceled due to severe weather l ast week\, will be valid for this new date & time. For any ticket-holder who is able attend\, no action is needed on your part. Seating will open at 3:30pm.\n\nIf you are holding a ticket but can no longer attend\, plea se release your ticket by sending an email to tickets@duke.edu.\n\nReleas ed tickets will be made available to claim on the registration page (see link above) at 11:00am on Wed Feb 26\, while supplies last.\n\nParking In fo: Free visitor parking is available in the Campus Drive lot\, located a t the corner of Campus Drive & Anderson Street\, directly across the stre et from the Arts Center.\n==\n\nThis eye-opening\, vérité-style documenta ry\, made by a Palestinian-Israeli collective of four directors over the course of five years\, provides a harrowing account of the systematic ons laught of destruction experienced by Masafer Yatta\, a group of Palestini an villages in the southern West Bank\, at the hands of the Israeli milit ary. Headed by Palestinian activist Basel Adra and Israeli journalist Yuv al Abraham (also two of the film's directors)\, the collective commits it self to filming and protesting the demolitions of homes and schools and t he resulting displacement of their inhabitants\, which were carried out t o make way for Israeli military training ground. In addition to the indel ible footage of destruction and expulsion captured by its undaunted witne sses\, NO OTHER LAND serves as a moving portrait of friendship between Ad ra and Abraham\, who form a philosophical and political alliance despite the drastic differences in their abilities to exist freely in this world. \n\n-- 2025 Academy Award nominee for Best Documentary Feature\n\n"NO OTH ER LAND\, while maintaining a tight focus on the fate of one village and on the bond between two men on either side of the Israel-Palestine divide \, also situates these intimate stories within a wider context of history \, world politics\, and media representations\, elements that Adra sums u p in one word: 'power'." - Richard Brody\, THE NEW YORKER DTSTAMP:20250225T165510Z DTSTART;TZID=America/New_York:20250228T160000 LAST-MODIFIED:20250225T165510Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"No Other Land" (B. Adra\, H. Ballal\, Y. Abraham\ , R. Szor\, 2024) {*RESCHEDULED*} UID:CAL-8a000483-92c3adf6-0195-3e08abb5-00006493demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/no-other-land- b-adra-h-ballal-y-abraham-r-szor-2024-rescheduled X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Global:/user/public-user/Top ic of Event Focused on a Country or Continent (if applicable)/Global X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1650 X-BEDEWORK-IMAGE-Y2:1100 X-BEDEWORK-IMAGE-CROP-WIDTH:1650 X-BEDEWORK-IMAGE-CROP-HEIGHT:1100 X-BEDEWORK-IMAGE-ALT-TEXT:sdf X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502040804 13PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502 04080413PM-thumb.png X-BEDEWORK-SPEAKER:Panel Discussion to follow with Palestinian filmmaker/D uke instructor Hareth Yousef and Prof. Rebecca Stein (Cultural Anthropolo gy) X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_DHRCatFHI,/p rincipals/users/agrp_MiddleEastStudiesCenter,/principals/users/agrp_JHFC_ FranklinHumanitiesInstitute,/principals/users/agrp_ProvostsOffice,/princi pals/users/agrp_StudentAffairs,":Asian &\;amp\;amp\;amp\;amp\;amp\;amp \;amp\; Middle Eastern Studies (AMES)\,Duke Human Rights Center at the Fr anklin Humanities Institute (DHRC@FHI)\,Duke University Middle East Studi es Center\,Franklin Humanities Institute (FHI)\,Provost&\;amp\;amp\;am p\;amp\;amp\;amp\;#39\;s Office\,Student Affairs END:VEVENT BEGIN:VEVENT CATEGORIES:Israel focus CATEGORIES:Middle East focus CATEGORIES:Human Rights CATEGORIES:Civic Engagement/Social Action CATEGORIES:Humanities CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Panel/Seminar/Colloquium CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free with registration (goes live at 11 am on Wednesday\, February 26) CREATED:20250212T192102Z DESCRIPTION:POSTPONED TO FEBRUARY 28--ALL ISSUED TICKETS WILL BE HONORED\n \nIf you can no longer attend\, please write tickets@duke.edu to release your ticket.\n\nBasel Adra\, a Palestinian activist from Masafer Yatta in the West Bank\, has been fighting the mass expulsion by Israel's occupat ion since childhood. He documents the slow-motion eradication of the vill ages in his home region\, where soldiers deployed by the Israeli governme nt are gradually demolishing houses and driving out their residents. Even tually\, he meets Yuval\, an Israeli journalist\, who supports him in his efforts. An unlikely alliance develops. However\, the relationship betwe en the two is strained by the enormous inequality between them: Basel liv es under military occupation\, while Yuval lives without restrictions. \n \nA Palestinian-Israeli collective made this Academy Award-nominated film \, an act of creative resistance on the path to greater justice. \n\nTher e will be a post-screening panel with Palestinian filmmaker Hareth Yousef and Prof. Rebecca Stein. \n\nThe screening is free but registration is r equired. The link is under MORE EVENT INFORMATION and will be live after 11 am on Wednesday\, February 26). DURATION:PT2H30M DTSTAMP:20250225T162112Z DTSTART;TZID=America/New_York:20250228T160000 LAST-MODIFIED:20250225T162112Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:"No Other Land" documentary film UID:CAL-8a000483-92c3adf6-0194-fb9b8ca3-00003572demobedework@mysite.edu URL:https://tickets.duke.edu/online/article/nootherland X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Panel_Seminar_Colloquium:/us er/public-user/Lectures_Conferences/Panel_Seminar_Colloquium X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Israel focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Israe l focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user /Topics/Humanities X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti on:/user/public-user/Topics/Civic Engagement_Social Action X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=rights@duke.edu:Robin Ki rk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien ces_FilmVideoDigitalProgram,/principals/users/agrp_DHRC,/principals/users /agrp_MiddleEastStudiesCenter,/principals/users/agrp_JHFC_FranklinHumanit iesInstitute,/principals/users/agrp_ProvostsOffice,/principals/users/agrp _StudentAffairs_Staff,":Asian &\;amp\; Middle Eastern Studies (AMES)\, Cinematic Arts\,Duke Human Rights Coalition (DHRC)\,Duke University Middl e East Studies Center\,Franklin Humanities Institute (FHI)\,Provost&\; #39\;s Office\,Student Affairs Staff X-BEDEWORK-SPEAKER:Hareth Yousef and Rebecca Stein X-BEDEWORK-DUKE-SERIES:Rights! Camera! Action! human rights film series X-BEDEWORK-IMAGE-X1:198 X-BEDEWORK-IMAGE-Y1:122 X-BEDEWORK-IMAGE-X2:728 X-BEDEWORK-IMAGE-Y2:475.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Man in field X-BEDEWORK-SUBMITTEDBY:rights for Duke Human Rights Center at the Franklin Humanities Institute (DHRC@FHI) (agrp_DHRCatFHI) X-BEDEWORK-IMAGE:/public/Images/Still from film_20250212072532PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/Still from film_20250212072532PM-thu mb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Law CATEGORIES:China focus CATEGORIES:Asia focus CATEGORIES:Ethics CATEGORIES:Human Rights CATEGORIES:Civic Engagement/Social Action CATEGORIES:Politics CATEGORIES:Social Sciences CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Technology CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0290b4-860465b2-0186-debfba9d-00003c8d:Asian Paci fic Studies Institute (APSI) CREATED:20250213T211820Z DESCRIPTION:Directed by Hu Sanshou\, 2024\, 115 min\, China\, in Chinese d ialects w/ Chinese & English subtitles\n\nFollowing the screening\, stay for Q&A with director Hu Sanshou\, moderated by Professor Guo-Juin Hong ( AMES).\n\nAbout the film:\nIn 2022\, a new highway project was about to c ut across my hometown\, serving as a symbol of modernization itself. The deceased resting beneath were facing displacement. I documented the unear thing of graves and interviewed villagers about their memories of the dea d.\n\nThrough the narratives of villagers\, I pieced together the lives o f the deceased and recreated a picture of the past appearance of our home town. By imagining the circumstances of those who had passed on\, I was a ble to draw a portrait of the deceased. This contemplation of the past le ads to a question: where will our future lead us?\n\nAwards\n-2024 TIDF " Salute! Chinese independent Documentaries" (shortlisted)\n\nDirector's St atement:\n\n"The highway surged into my hometown with relentless momentum \, beyond my power to oppose or obstruct. Thus photography becomes a form of rebellion and silent testimony. With each click of the shutter\, the questions raised by this rapid construction grow more profound and more e lusive. \n\nThe highway hastens the comings and goings of people. I canno t dictate the starting point of my journey through life\, but I can choos e where to return. For me\, returning to my hometown is a life action\, b ecause hometown is an eternal mystery."\n\nAbout the Director:\n\nHu Sans hou was born in Shaanxi province. He studied cinematography at Xi'an Acad emy of Fine Arts and graduated in 2015. He joined the Folk Memory Project in 2013. Other films include "Mountain Village" (2013)\, and "Legend" (2 015).\n\nIn 2018\, his film\, "Dumb Man\," was shortlisted for the TIDF " Salute! Chinese independent Documentaries." In 2021\, his documentary\, " The Burrows\," was shortlisted for the Envision Competition at IDFA 2021. The film also won the Grand Prize at the TIDF Asian Vision Competition\; 2022 Jury Special Mention.\n\nHu is also affiliated with a network of do cumentary filmmakers contributing to the Memory Project\, a portion of wh ich is housed at the Duke University library.\n\n**This event is sponsore d by AMES Presents with support from APSI\, Duke Cinematic Arts\, the Asi an Digital Media Research Cluster\, and the Sino-Sensorial Research Clust er** DURATION:PT2H30M DTSTAMP:20250213T211820Z DTSTART;TZID=America/New_York:20250303T190000 LAST-MODIFIED:20250213T211820Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Film Screening: “Resurrection” (Hu Sanshou\, 2024) + Q&A w/ direct or UID:CAL-8a000483-92c3adf6-0195-012d4e41-000008dcdemobedework@mysite.edu URL:https://asianpacific.duke.edu/event/film-screening-resurrection-hu-san shou-2024-qa-w-director/ X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=China focus:/user/public-use r/Topic of Event Focused on a Country or Continent (if applicable)/China focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti on:/user/public-user/Topics/Civic Engagement_Social Action X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Law:/user/public-user/Topics /Law X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Politics:/user/public-user/T opics/Politics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Social Sciences:/user/public -user/Topics/Social Sciences X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Technology:/user/public-user /Topics/Technology X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien ces_FilmVideoDigitalProgram,":Asian & Middle Eastern Studies (AMES)\,Cine matic Arts X-BEDEWORK-SPEAKER:Hu Sanshou (director) X-BEDEWORK-IMAGE-X1:336 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3576 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:People gathered around an exhumed casket under a protective tarp. Background view of the village countryside\, seen throu gh the branches of trees. X-BEDEWORK-SUBMITTEDBY:rmk33 for Asian Pacific Studies Institute (APSI) (a grp_ArtsandSciences_AsianPacificStudiesInstitute) X-BEDEWORK-IMAGE:/public/Images/Resurrection_still5_20250213091820PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Resurrection_still5_20250213091820PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Sustainability CATEGORIES:Israel focus CATEGORIES:Middle East focus CATEGORIES:Politics CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a08708a-3336bd69-0133-925217ab-00007269:Bazemore\, Serena CREATED:20250205T230438Z DESCRIPTION:Israeli Documentary Series presents: "The Water Front"\nLocati on: The Rubenstein Arts Center (The Ruby) Film Theater\n \nThe Israeli Do cumentary Series presents "The Water Front\," directed by Alon Levi (Isra el\, 2024\, 65 minutes\, Hebrew with English subtitles). \n \nSynopsis : In the sweltering heat of northern Israel's Beit Shean Valley\, a group of young activists leads a protest with a simple goal: demanding kibbutz Nir David to allow access to the river that flows through the kibbutz\, as the law permits but its members deny. The director of The Waterfront j oins them as their protest evolves and intensifies\, raising questions ab out social inequalities\, accumulation by dispossession\, and the rule of law that extends far beyond the valley's borders. DURATION:PT2H DTSTAMP:20250205T230438Z DTSTART;TZID=America/New_York:20250304T190000 LAST-MODIFIED:20250205T230438Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Israeli Documentary Series presents: “The Water Front” UID:CAL-8a000483-92c3adf6-0194-d85bc152-00007b7ddemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Israel focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Israe l focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Sustainability:/user/public- user/Topics/Sustainability X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Politics:/user/public-user/T opics/Politics X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,":Asian & Middle Eastern Studies (A MES) X-BEDEWORK-DUKE-SERIES:Israeli Documentary Series X-BEDEWORK-IMAGE-X1:180 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1800 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:The Water Front X-BEDEWORK-SUBMITTEDBY:se59 for Center for Jewish Studies (agrp_CenterforJ ewishStudies) X-BEDEWORK-IMAGE:/public/Images/2_20250205110439PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2_20250205110439PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T220638Z DESCRIPTION:Film Screening presented by Duke Experimental Film Society & S creen/Society:\n\n*CORPUS CALLOSUM\n(Michael Snow\, 2002\, 92 min\, Canad a\, English\, 16mm)\n\n*CORPUS CALLOSUM\, the film (or tape\, or projecte d light work)\, is constructed of\, de-picts\, creates\, examines\, prese nts\, consists of\, and is\, 'betweens'. Between beginning and ending\, b etween 'natural' and 'artificial'\, between fiction and fact\, between he aring and seeing\, between 1956 and 2002. It's a tragi-comedy of the cine matic variables. *CORPUS CALLOSUM juxtaposes or counterpoints a realism o f normal metamorphosis (two extreme examples: pregnancy\, explosions) in believable\, 'real' interior spaces with 'impossible' shape changes (some made possible with digital animation). First the camera\, then we in the audience\, observe the observations of the 'real' people depicted in the obviously staged situations. What we see and what they 'see' is involved in shifting modes of belief. There seem to be (though there is no narrat ive) a Hero and Heroine. However\, from scene to scene they are different people costumed identically or altered electronically. The sound - elect ronic like the picture - is also a continuous metamorphosis and as the fi lm's 'nervous system'\, is as important to the film as the picture. Or: t he sound and the picture are two hemispheres joined by the artist. *CORPU S CALLOSUM is resolutely 'artificial'\, it not only wants to convince\, b ut also to be a perceived pictorial and musical phenomenon.\n\n\n"Part ol d-fashioned Renaissance man\, part hardcore avant-gardist\, the Canadian painter-photographer-filmmaker-musician Michael Snow gives full vent to h is genius in this exhilarating perceptual vaudeville\, titled for the 'ce ntral region' of tissue that acts as a conduit between the brain's two he mispheres.... *CORPUS CALLOSUM is a bonanza of wacky sight gags\, outland ish color schemes\, and corny visual puns that can be appreciated equally as an abstract Frank Tashlin comedy and as a playful recapitulation of t he artist's career. From the opening reverse zoom through the series of 3 60-degree pans to the final line animation created by Snow in 1956\, this 92-minute feature is a self-curated retrospective\, but with a twist." - J. Hoberman DTSTAMP:20250228T050333Z DTSTART;TZID=America/New_York:20250305T190000 LAST-MODIFIED:20250228T050333Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Corpus Callosum" (Michael Snow\, 2002) | Duke Exp erimental Film Society UID:CAL-8a000483-92c3adf6-0195-4aeb9475-000034ecdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/corpus-callosu m-michael-snow-2002-duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1719 X-BEDEWORK-IMAGE-Y2:1146 X-BEDEWORK-IMAGE-CROP-WIDTH:1719 X-BEDEWORK-IMAGE-CROP-HEIGHT:1146 X-BEDEWORK-IMAGE-ALT-TEXT:A sitcom-style family sits on a couch calmly gaz ing at a TV while an explosion goes off behind them\, in a still from *CO RPUS CALLOSUM X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-DUKE-SERIES:Experimental Film Society X-BEDEWORK-IMAGE:/public/Images/CorpusCallosum_20250228050202AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/CorpusCallosum_20250228050202AM-thum b.png END:VEVENT END:VCALENDAR