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CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241104T152124Z DESCRIPTION:Duke Experimental Film Society & Screen/Society present a rare special screening of:\n\nÀ L'OMBRE DE LA CANAILLE BLEUE ("In the Shadow of the Blue Rascal")\n(Pierre Clementi\, 1986\, 84 min\, France\, French with English subtitles\, DCP)\n\n"Pierre Clémenti's sole feature as a dir ector is a dystopian crime story\, inspired by William S. Burroughs\, set in the underbelly of "Nécrocity." In this fictionalized Paris\, fueled b y heroin and paranoia\, an insurgent group (played by Clémenti's inner ci rcle) tries to keep one step ahead of the grip of state power\, whose mas termind is a villainous military leader played by Clémenti himself ... Dr enched in neon lights and leather\, In the Shadow of the Blue Rascal evok es the New York No Wave scene while giving "the most punk\, the most urba n\, and the most willingly chaotic portrait of Paris in the late 1970s" ( Philippe Azoury)." - MoMA\n\n"In Necrocity\, 300 kilos of heroin are miss ing\, the police jump to action. Here\, the state is merely a means to ef ficiently impose cruel police brutality and arbitrary violence\, and an u nderground of club-goers indulge in drugs\, parties\, and sex. A murderer is on the loose in this dystopian future city\, and crime is about to ri se to a fever pitch." - Clinton Street Theater\n\n"A harsh icy descent in to the depths of hell." - Close-Up Film Centre\n\nCourtesy of the Cinémat hèque française and Balthazar Clementi. DTSTAMP:20241127T152934Z DTSTART;TZID=America/New_York:20241203T190000 LAST-MODIFIED:20241127T152934Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"À l'ombre de la canaille bleue" (Pierre Clementi\ , 1986) | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0192-f7c4396c-000042a0demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/lombre-de-la-c anaille-bleue-pierre-clementi-1986-duke-experimental-film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_JHFC_Ce nterforFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandScience s_Literature,":Center for French and Francophone Studies\,Literature X-BEDEWORK-IMAGE-X1:198 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1818 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:alttext X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/in the shadow of the blue rascal_202411040 32124PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/in the shadow of the blue rascal_202 41104032124PM-thumb.png X-BEDEWORK-SPEAKER:Introduced by Prof. Benjamin Crais (Fordham University) X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20241021T213216Z DESCRIPTION:ANORA\n(Sean Baker\, 2024\, 139 min\, USA\, English\, DCP)\n\n In a thrilling\, star-making performance\, Mikey Madison plays Ani\, a to ugh-as-nails exotic dancer from Brighton Beach suddenly thrust into the l ap of luxury when she's whisked away on a whirlwind romance with Ivan (Ma rk Eydelshteyn)\, an obscenely wealthy young customer at her strip club. However\, Ivan turns out to be the spoiled scion of Russian oligarchs\, a nd Ani's wild ride is anything but your average rags-to-riches story. Bak er always takes a good-natured\, sociological approach to his subject mat ter and milieu\, and here he has created an authentic 21st-century screwb all comedy that tackles sex\, love\, class\, and money with matter-of-fac t directness.\n\n-- Winner of the Palme d'Or at the 2024 Cannes Film Fest ival\n\n"...a pure shot of frenetic pleasure\, a New York odyssey that is the most immersive and accomplished comic adventure yet from American or iginal Sean Baker." - Film at Lincoln Center\n\n"In focusing on a broad s wath of sex workers and their hardscrabble realities [...] Baker has made the case\, in movie after movie\, that there is no tougher\, more resour ceful\, and more cruelly stigmatized labor force under the sun." - Justin Chang\, The New Yorker DTSTAMP:20241127T152945Z DTSTART;TZID=America/New_York:20241205T190000 LAST-MODIFIED:20241127T152945Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Anora" (Sean Baker\, 2024) UID:CAL-8a00048d-91324965-0192-b0febafb-00001023demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/anora-sean-bak er-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:51 X-BEDEWORK-IMAGE-X2:1040 X-BEDEWORK-IMAGE-Y2:744.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:1040 X-BEDEWORK-IMAGE-CROP-HEIGHT:693.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:A woman bathed in blue\, purple\, and pink light dances in a club in a red sequined dress in a still from Sean Baker'\ ;s Anora. X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/anora 1_20241021093216PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/anora 1_20241021093216PM-thumb.png X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T210536Z DESCRIPTION:HOW TO MAKE MILLIONS BEFORE GRANDMA DIES\n(Pat Boonnitipat\, 2 024\, 125 min\, Thailand\, Thai w/ English subtitles\, DCP)\n\n-- Introdu ced by Prof. Ara Wilson (Gender\, Sexuality & Feminist Studies/Cultural A nthropology)\n\nM\, a university dropout low on money and luck\, voluntee rs to take care of his terminally ill grandmother\, in the hope of pocket ing an inheritance. This deeply affecting portrait offers an honest look at a family grappling with clashing values and dynamics as they face the impending loss of their matriarch.\n\n"[T]he movie's sunny\, gracious por trait of family life will still likely have you thinking of your own fami ly long before the credits roll." - rogerebert.com\n\n"[HOW TO MAKE MILLI ONS] is designed to play on the heartstrings\; but when a film is plucked with such dexterity\, warmth\, and tenderness it is a sweet symphony fil ling the soul instead of jangling noise hoping for a reaction." - Nadine Whitney\, Alliance of Women Film Journalists DTSTAMP:20250114T211006Z DTSTART;TZID=America/New_York:20250116T190000 LAST-MODIFIED:20250114T211006Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"How to Make Millions Before Grandma Dies" (Pat Bo onnitipat\, 2024) UID:CAL-8a000483-92c3adf6-0194-66a2de14-00003ae4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/how-make-milli ons-grandma-dies-pat-boonnitipat-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:43 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:847 X-BEDEWORK-IMAGE-Y2:536 X-BEDEWORK-IMAGE-CROP-WIDTH:804 X-BEDEWORK-IMAGE-CROP-HEIGHT:536 X-BEDEWORK-IMAGE-ALT-TEXT:still from how to make millions before grandma d ies X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/howtomakemillionsbeforegrandmadies_111486_ 20250114090537PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/howtomakemillionsbeforegrandmadies_1 11486_20250114090537PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T210934Z DESCRIPTION:GOOD ONE\n(India Donaldson\, 2024\, 90 min\, USA\, English\, D CP)\n\n"A seemingly small incident has monumental implications in the ext raordinary feature debut of India Donaldson\, a film of expertly harnesse d naturalism and restrained emotional intensity. Seventeen-year-old high school senior Sam (a revelatory Lily Collias) has agreed to join her fath er Chris (James Le Gros) and his longtime buddy Matt (Danny McCarthy) on a camping trip in the Catskills\, though she'd rather be hanging with her friends for the weekend. Affable and wise\, Sam at first seems to enjoy the intergenerational bonding experience with the two divorced dads\, yet the men's own festering\, middle-aged resentments begin to change the em otional tenor of the trip-until something happens that alters Sam's perce ption of the men and her place in their orbit. Amidst the lush beauty and contemplative forest atmosphere in upstate New York\, GOOD ONE asks prov ocative questions about the dynamics of family\, friendship\, and what it means to engage in or avoid conflict." - Film at Lincoln Center\n\n"GOOD ONE is a quiet movie\, not because it has little to say but because it w ants you to listen\, to pay as much attention to what's left unsaid as to its meticulously crafted dialogue\, and to the way silence can be a powe r as well as a punishment." - Slate\n\n"Subtly dark\, humorous\, and wise \, GOOD ONE leans into its wilderness backdrop in all of its liberating ( and\, sometimes\, paradoxically claustrophobic) properties." - Harper's B azaar DTSTAMP:20250114T211018Z DTSTART;TZID=America/New_York:20250117T190000 LAST-MODIFIED:20250114T211018Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Good One" (India Donaldson\, 2024) UID:CAL-8a000483-92c3adf6-0194-66a67d77-00003ae5demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/good-one-india -donaldson-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:21 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:949.5 X-BEDEWORK-IMAGE-Y2:619 X-BEDEWORK-IMAGE-CROP-WIDTH:928.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:619 X-BEDEWORK-IMAGE-ALT-TEXT:A girl with shoulder length brown hair peers thr ough the branches of a tree in a still from the film Good One. X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/good.one_20250114090934PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/good.one_20250114090934PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T211400Z DESCRIPTION:**CANCELED DUE TO WEATHER**\n(we will try to reschedule this e vent - updates will be posted on this calendar)\n\n==\n-- Presented by Du ke Experimental Film Society and Screen/Society\n-- Introduced by Jonas K ilga (Program in Literature)\n\nA program of shorts by Rainer Kohlberger\ , an Austrian born visual artist living in Berlin. His work is primarily based on algorithmically generated graphics that are exposed in live perf ormances\, experimental films and installations. \n\nProgram: \nnot even nothing can be free of ghosts (2016\, 11min) \nit has to be lived once a nd dreamed twice (2019\, 28 min) \nkeep that dream burning (2017\, 8 min ) \nThere must be some kind of way out of here (2020\, 13 min) DTSTAMP:20250122T172841Z DTSTART;TZID=America/New_York:20250122T190000 LAST-MODIFIED:20250122T172841Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CANCELLED SUMMARY:Screen/Society--Rainer Kohlberger | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0194-66aa8f01-00003ba8demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/rainer-kohlber ger-duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:943.5 X-BEDEWORK-IMAGE-Y2:629 X-BEDEWORK-IMAGE-CROP-WIDTH:943.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:629 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from There must be some kind of way out of here by Rainer Kohlberger X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/somewhere-out_still1_20250114091401PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/somewhere-out_still1_20250114091401P M-thumb.png X-BEDEWORK-SPEAKER:**CANCELED DUE TO WEATHER** (we will try to reschedule) END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T211735Z DESCRIPTION:ONCE UPON A TIME IN CHINA\n(Tsui Hark\, 1991\, 135 min\, Hong Kong\, Cantonese w/ English subtitles\, DCP)\n\n-- Introduction by Prof. Eileen Cheng-yin Chow (Asian & Middle Eastern Studies)\n\nOne of the pinn acles of Hong Kong cinema's 1990s golden age\, Tsui Hark's riotously ente rtaining epic was a blockbuster hit that cemented Jet Li's status as the greatest martial-arts superstar of his generation. Li displays his stunni ng\, fast-and-fluid fighting style as the legendary martial-arts teacher and doctor Wong Fei-hung\, who\, with a band of disciples\, battles a hos t of nefarious forces-foreign and local-who are threatening Chinese sover eignty as British and American imperialists encroach upon the Mainland. O NCE UPON A TIME IN CHINA's breathtaking blend of kung fu\, comedy\, roman ce\, and melodrama climaxes in a whirlwind guns-vs-fists finale that is a lso a thrilling affirmation of Chinese cultural identity.\n\n"Tsui Hark i s the John Ford of Chinese cinema\, and ONCE UPON A TIME IN CHINA is his Stagecoach. Not only does it redefine a genre on the cusp of its rebirth (in this case the period martial arts film\, which had lain dormant throu gh the late 80s much as the Western had been relegated to cheap serials t hrough the 1930s)\, but it expresses a total historical vision entirely t hrough archetypes\, which are by turns deepened and confounded." - Sean G ilman DTSTAMP:20250114T211809Z DTSTART;TZID=America/New_York:20250123T190000 LAST-MODIFIED:20250114T211809Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Once Upon a Time in China" (Tsui Hark\, 1991) UID:CAL-8a000483-92c3adf6-0194-66add473-00003c0ademobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/once-upon-time -china-tsui-hark-1991-0 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:250 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1600 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:Jet Li in Once Upon a Time in China X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/once upon a time 1_20250114091735PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/once upon a time 1_20250114091735PM- thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T212127Z DESCRIPTION:TWILIGHT OF THE WARRIORS: WALLED IN\n(Soi Cheang\, 126 min\, H ong Kong\, Cantonese w/ English subtitles\, DCP)\n\n"A runaway hit in Hon g Kong\, where it became the second-highest grossing domestic picture of all time\, Cheang's inspired mash-up of martial arts movie and neo-noir c rime thriller takes a headlong dive into the cramped\, lawless Kowloon Wa lled City-a decommissioned 19th-century military fort\, since demolished\ , here recreated by a miracle of mangy production design-in the dirty\, d esperate old days of the crime-plagued 1980s. New in town\, illegal immig rant Raymond Lam finds himself smack in the middle of an all-out war betw een local vigilantes\, led by Louis Koo\, and triad capos\, including an blinged-up Sammo Hung and sidekick Philip Ng\, their savage decapitation- and defenestration-filled clashes choreographed for maximum bone-crunchi ng impact by Kenji Tanigaki." - Metrograph\n\n"Unbound by physics or any sense of psychological realism\, TWILIGHT OF THE WARRIORS: WALLED IN is a lso probably the best comic book adaptation you'll see this year\, featur ing a murderer's row of Hong Kong stars like Louis Koo\, Aaron Kwok and S ammo Hung\, and featuring the sort of intricate maximalist production des ign that puts most other blockbusters to shame." - Simon Abrams\, rogereb ert.com DTSTAMP:20250114T212127Z DTSTART;TZID=America/New_York:20250124T190000 LAST-MODIFIED:20250114T212127Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Twilight of the Warriors: Walled In" (Soi Cheang\ , 2024) UID:CAL-8a000483-92c3adf6-0194-66b15fda-00003c6fdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/twilight-warri ors-walled-soi-cheang-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:2048 X-BEDEWORK-IMAGE-Y2:1365.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:2048 X-BEDEWORK-IMAGE-CROP-HEIGHT:1365.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Still from Twilight of the Warriors: Walled In X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/twilight of the warriors_20250114092127PM. jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/twilight of the warriors_20250114092 127PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T211400Z DESCRIPTION:**RESCHEDULED SCREENING**\n(This event was originally planned to take place on January 22nd\, but had to be rescheduled due to weather. )\n\n==\n\n-- Presented by Duke Experimental Film Society and Screen/Soci ety\n-- Introduced by Jonas Kilga (Program in Literature)\n\nA program of shorts by Rainer Kohlberger\, an Austrian born visual artist living in B erlin. His work is primarily based on algorithmically generated graphics that are exposed in live performances\, experimental films and installati ons. \n\nProgram: \nnot even nothing can be free of ghosts (2016\, 11min) \nit has to be lived once and dreamed twice (2019\, 28 min) \nkeep tha t dream burning (2017\, 8 min) \nThere must be some kind of way out of he re (2020\, 13 min) DTSTAMP:20250124T180150Z DTSTART;TZID=America/New_York:20250129T190000 LAST-MODIFIED:20250124T180150Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--Rainer Kohlberger | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0194-997a3597-00002057demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/rainer-kohlber ger-duke-experimental-film-society-rescheduled X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:943.5 X-BEDEWORK-IMAGE-Y2:629 X-BEDEWORK-IMAGE-CROP-WIDTH:943.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:629 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from There must be some kind of way out of here by Rainer Kohlberger X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/somewhere-out_still1_20250114091401PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/somewhere-out_still1_20250114091401P M-thumb.png X-BEDEWORK-SPEAKER:**RESCHEDULED SCREENING** END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T212614Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nANATOMY OF A FALL\n(Justine Triet\, 2023\, 151 min\, Fran ce\, French w/ English subtitles and English\, DCP)\n\n-- Winner of the P alme d'Or at the 2023 Cannes Film Festival\n\nJustine Triet's drama is a riveting procedural and a delicate inquiry into the impossibility of an u ltimate truth in human relationships. When the husband of famous novelist Sandra Voyter (played by Toni Erdmann's Sandra Hüller) is found dead on the ground outside their chalet in the French Alps\, authorities suspect that she might have been responsible\, as the impact and position of his body suggest a push rather than a fall. Triet's fiercely intelligent\, em otionally devastating film dissects the ways we create subjective narrati ves for ourselves and others and questions the insufficiency of language to describe the essential mysteries each of us possesses. At its core is the brilliant Hüller\, whose Sandra is articulate\, open\, and utterly in scrutable.\n\n"An intricately layered\, surgically controlled drama that operates as both a courtroom thriller and an investigation of the mysteri ous recesses of domestic life." - The Hollywood Reporter\n\n"[A] Hitchcoc kian thriller for today." - New Statesman DTSTAMP:20250121T213232Z DTSTART;TZID=America/New_York:20250130T190000 LAST-MODIFIED:20250121T213232Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Anatomy of a Fall" (Justine Triet\, 2023) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66b5c1c1-00003cd3demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/anatomy-fall-j ustine-triet-2023-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\; Visual Studies\,Center for F rench and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:250 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3490 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from Anatomy of a Fall X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Anatomy Of A Fall - Still 2_20250114092614 PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/Anatomy Of A Fall - Still 2_20250114 092614PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Anne-Gaëlle Saliot (Romance St udies) and Barbara Halla (Romance Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Diversity/Inclusion CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T213317Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nORLANDO\, MY POLITICAL BIOGRAPHY\n(Paul B. Preciado\, 202 3\, 103 min\, France\, French w/ English subtitles\, DCP)\n\n-- Introduce d by Prof. Eric Disbro (Romance Studies)\n\n"Come\, come! I'm sick to dea th of this particular self. I want another." Taking Virginia Woolf's nove l "Orlando: A Biography" as its starting point\, academic virtuoso turned filmmaker Paul B. Preciado has fashioned the documentary\, ORLANDO\, MY POLITICAL BIOGRAPHY\, as a personal essay\, historical analysis\, and soc ial manifesto which premiered and took home four prizes at the 2023 Berli n Film Festival. For almost a century\, Woolf's eponymous hero/heroine ha s inspired readers for their gender fluidity across physical and spiritua l metamorphoses over a 300-year lifetime. Preciado casts a diverse cross- section of more than twenty trans and non-binary individuals in the role of Orlando as they perform interpretations of scenes from the novel\, wea ving into Woolf's narrative their own stories of identity and transition. Not content to simply update a seminal work\, Preciado interrogates the relevance of Orlando in the continuing struggle against anti-trans ideolo gies and in the fight for global trans rights. Fleet and visually inventi ve\, Preciado's film is a robust polemical inquiry into contemporary tran s personhood and political disenfranchisement that points the way toward a possible utopia.\n\n"[S]parklingly intelligent\, Godard-puckish and mov ing\, capable of deadpan wit and the most intimate swirl of ideas and emo tions." - Los Angeles Times\n\n"ORLANDO\, MY POLITICAL BIOGRAPHY is a div e into the collective trans consciousness\, a discussion between Orlandos across time and place\, an attempt to discover new ways to understand an d express ourselves." - Little White Lies DTSTAMP:20250121T213340Z DTSTART;TZID=America/New_York:20250131T190000 LAST-MODIFIED:20250121T213340Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Orlando\, My Political Biography" (Paul B. Precia do\, 2023) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66bc36b0-00003df7demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/orlando-my-pol itical-biography-paul-b-preciado-2023-2025-french-film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Diversity/Inclusion:/user/pu blic-user/Topics/Diversity_Inclusion X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\; Visual Studies\,Center for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:77 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1427 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:Still image from Orlando\, My Political Biograph y X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Orlando1_20250114093318PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Orlando1_20250114093318PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Eric Disbro (Romance Studies) and Maya Kronfeld (Literature) END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T213742Z DESCRIPTION:THE ANIMAL KINGDOM (LE RÈGNE ANIMAL)\n(Thomas Cailley\, 2023\, 128 min\, France/Belgium\, French w/English subtitles\, DCP)\n\nWith his long-awaited follow-up to LOVE AT FIRST FIGHT (2014)\, Thomas Cailley\, who most recently won Best Director at the 29th Lumière Awards in France\ , envisions a mysterious infection that selectively mutates the bodies of ordinary people into animal hybrids at unpredictable speeds. Nominated f or 12 César Awards including Best Director and Best Film\, this chilling scenario\, conjured with vivid specificity and immediacy via dazzling\, i mpeccably deployed special effects\, serves as a relentlessly compelling backdrop to the central performances of Romain Duris (THE THREE MUSKETEER S)\, Paul Kircher (the breakout star of Christophe Honoré's WINTER BOY)\, and Adèle Exarchopoulos (BLUE IS THE WARMEST COLOR\, PASSAGES\, PLANET B ). Together\, the trio of actors breathe life into this darkly imaginativ e exploration of a human ecosystem undergoing inexplicable-but potentiall y liberating-transformation.\n\n"A light but meaty piece of magical-reali sm that threads the needle between Cronenbergian body horror and Miyazaki -like fantasy to create a modern parable that evokes any number of identi fiable emergencies - deforestation\, the AIDS epidemic\, the global migra tion crisis and its attendant xenophobia\, etc. - in the service of a sto ry that refuses to be reduced into a clear metaphor for any one of them." - David Ehrlich\, IndieWire DTSTAMP:20250201T052719Z DTSTART;TZID=America/New_York:20250201T160000 LAST-MODIFIED:20250201T052719Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Animal Kingdom" (Thomas Cailley\, 2023) | 202 5 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66c03ea6-00003ebademobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/animal-kingdom -thomas-cailley-2023-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\;amp\; Visual Studies\,Ce nter for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1024 X-BEDEWORK-IMAGE-Y2:682.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:1024 X-BEDEWORK-IMAGE-CROP-HEIGHT:682.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:A boy stands in a forest surrounded by ferns in a still image from The Animal Kingdom X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/animal kingdom 4_20250114093742PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/animal kingdom 4_20250114093742PM-th umb.png X-BEDEWORK-SPEAKER:Q&A to follow with Mathilde Savard-Corbeil (Romance Stu dies) & Abby Shepherd (Romance Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T214119Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nTHE NIGHT OF THE 12TH\n(Dominic Moll\, 2022\, 115 min\, F rance\, French w/ English subtitles\, DCP)\n\n-- Q&A to follow with Prof. Anne-Gaëlle Saliot (Romance Studies) and Mathilde Savard-Corbeil (Romanc e Studies)\n\nEvery police precinct has a case that defies explanation an d evades solution. Recently promoted Captain Yohan Vivès (Bastien Bouillo n) faces such an elusive mystery when he investigates the gruesome murder of a young woman named Clara in the French town of Grenoble. It is clear that the attack was premeditated\, and the violent nature of the crime s uggests revenge. All the evidence points towards a scorned ex-lover\, but which one? Vivés' team methodically digs through the details of Clara's life\, uncovering her secrets while striving to weed out the killer.\n\n- - Winner of 6 César Awards in 2023\, including Best Film\, Best Direction \, and Best Adaptation\n\n"[THE NIGHT OF THE 12TH] assumes the perspectiv e of the police without exempting them from its damning canvas\; their co ol investigative professionalism (and\, in a sense\, the film's) register s as its own kind of complicity in a wretched\, man's-world status quo." - Sight & Sound\n\n"Somewhere beneath its enthralling depiction of obsess ive police work is a cry from the heart against a broken system." - Time Out DTSTAMP:20250204T220902Z DTSTART;TZID=America/New_York:20250206T190000 LAST-MODIFIED:20250204T220902Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Night of the 12th" (Dominic Moll\, 2022) | 20 25 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66c38e1d-00003ebbdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/night-12th-dom inic-moll-2022-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\;amp\; Visual Studies\,Ce nter for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:133 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1794 X-BEDEWORK-IMAGE-Y2:1107.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:1661 X-BEDEWORK-IMAGE-CROP-HEIGHT:1107.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Two men stand on a street illuminated by street lamps in a still image from The Night of the 12th X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/18night-of-the-12th-review-hjqp-superJumbo _20250114094119PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/18night-of-the-12th-review-hjqp-supe rJumbo_20250114094119PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Anne-Gaëlle Saliot (Romance St udies) and Mathilde Savard-Corbeil (Romance Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Africa focus CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T214500Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nBANEL & ADAMA\n(Ramata-Toulaye Sy\, 2023\, 87 min\, Franc e/Senegal\, Mali\, Pulaar w/English subtitles\, DCP) \n\n-- Q&A to follo w with Prof. Samba Camara (African\, African American\, and Diaspora Stud ies\, UNC-CH)\n\nIn a rural village in Senegal\, Banel (Khady Mane) is ha ppily married to Adama (Mamadou Diallo)\, the younger brother of her dece ased first husband. Though their love is passionate\, the relationship is tested by pressures from the community\, which expects Banel to assume t raditionally feminine domestic responsibilities\, while her husband is me ant to inherit the role of village chief from his late brother. Both youn g adults resist the mandate to fill these assigned duties\, incurring dis approval from those around them-and possibly triggering supernatural repe rcussions. In her Palme d'Or nominated feature debut\, Senegalese-French writer-director Ramata-Toulaye Sy conjures lyrical imagery reminiscent of Terrence Malick's DAYS OF HEAVEN\, placing two memorable young lovers ag ainst a landscape as beautiful as it is inscrutable.\n\n"A dreamlike debu t... a lyrical\, languid fable." - Jessica Kiang\, Variety\n\n"A promisin g debut for Sy\, who combines an eye for arrestingly apocalyptic images.. .with skillful work with her non-professional cast...[including] a remark able performance from [lead actress Khady] Mane\, who conveys the mutinou s\, deluded anger in a young woman who would bend the world around her to her will if she could." - Wendy Ide\, Screen Daily DTSTAMP:20250204T220925Z DTSTART;TZID=America/New_York:20250207T190000 LAST-MODIFIED:20250204T220925Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Banel & Adama" (Ramata-Toulaye Sy\, 2023) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66c6f4c9-00003ebcdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/banel-adama-ra mata-toulaye-sy-2023-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Africa focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Afric a focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\; Visual Studies\,Center for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:142 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3382 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:A woman wearing a yellow tunic smiles in a field of grass in a still image from Banel &\;amp\;amp\; Adama X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/1_20250114094501PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/1_20250114094501PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Samba Camara (African\, Africa n American\, and Diaspora Studies\, UNC-CH) END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T214925Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nNO FEAR\, NO DIE\n(Claire Denis\, 1990\, 97 min\, France\ , French w/ English subtitles\, DCP)\n\n-- Q&A to follow with Prof. Ranja na Khanna (English/Gender\, Sexuality & Feminist Studies/Literature) and Prof. Cybelle McFadden (French and Francophone Studies\, UNCG)\n\nClaire Denis's rarely screened second feature is a radically physical cinematic journey into the shadowy (under)world of illegal cockfighting. Isaach De Bankole and Alex Descas star as Dah and Jocelyn\, two immigrants (from Be nin and French Antilles\, respectively) living on the outskirts of Paris who earn money from cockfights. The escalating violence of the bouts-at t he encouragement of the white owner of the restaurant (Jean-Claude Brialy ) in whose basement the fights are held-takes its toll on the pair\, and Jocelyn dreams of a life outside the brutal environment of feathered pugi lism. Drawing inspiration from the writings of Frantz Fanon\, the ruggedl y unsentimental and psychologically evocative NO FEAR\, NO DIE is a force ful examination of the lives of immigrants in France and of the psychic t oll of the violence imposed by colonizers upon the colonized.\n\n"Denis's first masterwork." - Richard Brody\n\n"[A] clear-eyed portrait of a worl d of violence and exploitation." - Slant Magazine DTSTAMP:20250204T220951Z DTSTART;TZID=America/New_York:20250208T190000 LAST-MODIFIED:20250204T220951Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"No Fear\, No Die" (Claire Denis\, 1990) | 2025 Fr ench Film Festival UID:CAL-8a000483-92c3adf6-0194-66cafb76-00003f1edemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/no-fear-no-die -claire-denis-1990-2025-french-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_JHFC_Center forFrenchandFrancophoneStudies,/principals/users/agrp__ArtsandSciences_Ro manceStudies,":Art\, Art History &\;amp\;amp\; Visual Studies\,Center for French and Francophone Studies\,Romance Studies X-BEDEWORK-IMAGE-X1:274 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3514 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:Two men hold a chicken in a still image from No Fear\, No Die X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/NOFEARNODIE_20250114094925PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/NOFEARNODIE_20250114094925PM-thumb.p ng X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Ranjana Khanna (English/Gender \, Sexuality & Feminist Studies/Literature) and Prof. Cybelle McFadden (F rench and Francophone Studies\, UNCG) END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T220638Z DESCRIPTION:-- Presented by Duke Experimental Film Society and Screen/Soci ety\n\n"Lyrical and uncompromising\, the films of Jocelyne Saab (1948-201 9) are at once landmark works of Lebanese cinema and masterpieces of the essay film form. The poetic voiceovers of her movies recall Chris Marker\ , and her fragmented\, diaristic images are reminiscent of Jonas Mekas. B ut Saab's poetic vision\, and her intimate interactions with the displace d\, the exiled\, and the voiceless\, mark her films as uniquely her own. Trained as a radio and television journalist\, Saab turned her attention to nonfiction films in the wake of the Lebanese Civil War. Her epic\, imp ressionistic trilogy of documentaries about Beirut that followed captures a city at once wounded\, mournful\, and bristling with life and energy\, chronicling a moment at which "a kind of bitter poetry has replaced the carelessness of the past." - Film at Lincoln Center\n\nProgram: \n"Beirut \, Never Again" (Beyrouth Jamais Plus) (1976\, 35min) \n"Beirut\, My Cit y" (Beyrouth Ma Ville) (1982\, 38 min) DTSTAMP:20250128T220638Z DTSTART;TZID=America/New_York:20250212T190000 LAST-MODIFIED:20250128T220638Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--Jocelyne Saab | Duke Experimental Film Society UID:CAL-8a000483-92c3adf6-0194-aef3c463-00001db4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/jocelyne-saab- duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:42 X-BEDEWORK-IMAGE-X2:1432 X-BEDEWORK-IMAGE-Y2:996.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:1432 X-BEDEWORK-IMAGE-CROP-HEIGHT:954.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:A collapsed building in a still from Jocelyne Sa ab's Beirut Trilogy X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/saab.beyrouth_20250128100638PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/saab.beyrouth_20250128100638PM-thumb .png END:VEVENT BEGIN:VEVENT CATEGORIES:Caribbean focus CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250114T215720Z DESCRIPTION:Screening as part of the 2025 French Film Festival\nJan 30 - F eb 13\, 2025\n\nTHE BALLAD OF SUZANNE CÉSAIRE\n(Madeleine Hunt-Ehrlich\, 2024\, 75 min\, USA\, English and French w/English subtitles\, DCP)\n\n-- Q&A to follow with Prof. Franklin Cason\, Jr. (Art\, Art History & Visua l Studies)\n\n"We are making a film about an artist who didn't want to be remembered\," says Zita Hanrot\, the actress playing an actress grapplin g with the legacy of the real-life figure she's supposed to be playing: t he Martinique writer Suzanne Césaire. Overshadowed by her husband\, the p oet and politician Aimé Césaire\, Suzanne was a feminist activist as well as a member of the Négritude movement in Paris in the 1930s. For her bol d project of reclamation\, filmmaker Madeleine Hunt-Ehrlich has taken a m etacinematic and mesmerizing approach\, using voice-over and direct addre ss to evoke her writing\, as well as meditative\, immersive 16mm images o f forests in Martinique to burrow to the complex truths about a woman\, a rtist\, and mother forgotten to history. Uniting Hunt-Ehrlich's elegant n arrative and visual strands is the presence of Hanrot\, herself a new mot her going through her own reckoning.\n\n"Hunt-Ehlich's lovely\, questing\ , curious art film cannot singlehandedly redress Césaire's omission from the annals. But it does suggest that if posterity has forgotten her\, it' s only with its conscious mind\, where THE BALLAD OF SUZANNE CÉSAIRE is p iped in from the collective unconscious. Perhaps\, when history sleeps on those who shaped it\, this is what it dreams." - Jessica Kiang\, Variety DTSTAMP:20250205T210644Z DTSTART;TZID=America/New_York:20250213T190000 LAST-MODIFIED:20250205T210644Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Ballad of Suzanne Césaire" (Madeleine Hunt-Eh rlich\, 2024) | 2025 French Film Festival UID:CAL-8a000483-92c3adf6-0194-66d23a37-00003fe1demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/ballad-suzanne -cesaire-madeleine-hunt-ehrlich-2024-2025-french-film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Caribbean focus:/user/public -user/Topic of Event Focused on a Country or Continent (if applicable)/Ca ribbean focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AfricanandAfricanAmericanStudies,/principals/users/agrp_ArtsandS ciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_ArtsandScien ces,/principals/users/agrp_Black Archival Imagination Lab,/principals/use rs/agrp_JHFC_CenterforFrenchandFrancophoneStudies,/principals/users/agrp_ _ArtsandSciences_RomanceStudies,":African and African American Studies (A AAS)\,Art\, Art History & Visual Studies\,Arts & Sciences (A&S)\,Black Ar chival Imagination Lab\,Center for French and Francophone Studies\,Romanc e Studies X-BEDEWORK-IMAGE-X1:74 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1424 X-BEDEWORK-IMAGE-Y2:900 X-BEDEWORK-IMAGE-CROP-WIDTH:1350 X-BEDEWORK-IMAGE-CROP-HEIGHT:900 X-BEDEWORK-IMAGE-ALT-TEXT:A man and woman examine a note in a still from T he Ballad of Suzanne Césaire X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/ballad-of-suzanne_20250114095720PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/ballad-of-suzanne_20250114095720PM-t humb.png X-BEDEWORK-SPEAKER:Q&A to follow with Prof. Franklin Cason\, Jr. (Art\, Ar t History & Visual Studies) END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T221134Z DESCRIPTION:IN THE MOOD FOR LOVE\n(Wong Kar-wai\, 2000\, 98 min\, Hong Kon g\, Cantonese\, Shanghainese\, French\, and Spanish w/English subtitles\, DCP) \n\n-- The event features a pre-screening introduction and post-scr eening Q&A by Professor Giorgio Biancorosso (Music\, University of Hong K ong\; 2024-25 Luce East Asia Fellow in Musicology\, National Humanities C enter)\, who will present a talk on "Remixing Wong Kar-wai: Music\, Brico lage\, and the Aesthetics of Oblivion" on February 20th at 3:00PM.\n\nHon g Kong\, 1962: Chow Mo-Wan (Tony Leung) and Su Li-Zhen (Maggie Cheung) mo ve into neighboring apartments on the same day. Their encounters are form al and polite - until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant\ , IN THE MOOD FOR LOVE is a masterful evocation of romantic yearning and its fleeting moments. With its aching soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping Bing\, this film h as been a major stylistic influence on the past decade of cinema\, and is a milestone in Wong's redoubtable career.\n\n-- Ranked 5th in Sight & So und's Greatest Films of All Time critics' poll (2022)\n\n"Wong's porous\, often headily non-verbal filmmaking trusts us to feel the lovers' ennui and melancholy - and further\, to identify it within ourselves - via its sheer accumulation of sounds\, images and sense memories: be it the damp wraiths of steam swirling from an opened noodle container\, the warm\, vi nyl-roughened croon of Nat King Cole on the soundtrack or the impossible lobby-card beauty of Tony Leung and Maggie Cheung\, both preserved here i n their ravishing prime\, and somehow convincing as ordinary mortals made movie-star beautiful by love." - Guy Lodge\, BFI DTSTAMP:20250204T220810Z DTSTART;TZID=America/New_York:20250214T190000 LAST-MODIFIED:20250204T220810Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"In the Mood for Love" (Wong Kar-wai\, 2000) UID:CAL-8a000483-92c3adf6-0194-aef849c0-00001db5demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/mood-love-wong -kar-wai-2000 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianPacificStudiesInstitute,":Asian Pacific Studies Institute ( APSI) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1620 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:A woman (Maggie Cheung) is framed in close-up wi th an out of focus man (Tony Leung) gazing at her from the right side of the frame. X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/in the mood for love 1_20250128101134PM.jp g X-BEDEWORK-THUMB-IMAGE:/public/Images/in the mood for love 1_2025012810113 4PM-thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Giorgio Biancorosso\, Professor of M usic at the University of Hong Kong and author of "Remixing Wong Kar-wai: Music\, Bricolage\, and the Aesthetics of Oblivion" END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Global CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250204T200413Z DESCRIPTION:**CANCELED DUE TO WINTER WEATHER**\n(We are hoping to reschedu le next week - watch this space for updates!)\n\n==\nRIGHTS! CAMERA! ACTI ON! film series presents:\n\nNO OTHER LAND\n(Basel Adra\, Hamdan Ballal\, Yuval Abraham\, Rachel Szor\, 2024 95 min\, Palestine\, Arabic\, English \, and Hebrew w/English subtitles\, DCP)\n\n==\nRegistration required for this event: https://tickets.duke.edu/Online/article/nootherland |Sorry - all available tickets have been claimed as of 2/14/25!|\n\nParking Info: Free visitor parking is available in the Campus Drive lot\, located at t he corner of Campus Drive and Anderson Street\, directly across the stree t from the Arts Center.\n==\n\nThis eye-opening\, vérité-style documentar y\, made by a Palestinian-Israeli collective of four directors over the c ourse of five years\, provides a harrowing account of the systematic onsl aught of destruction experienced by Masafer Yatta\, a group of Palestinia n villages in the southern West Bank\, at the hands of the Israeli milita ry. Headed by Palestinian activist Basel Adra and Israeli journalist Yuva l Abraham (also two of the film's directors)\, the collective commits its elf to filming and protesting the demolitions of homes and schools and th e resulting displacement of their inhabitants\, which were carried out to make way for Israeli military training ground. In addition to the indeli ble footage of destruction and expulsion captured by its undaunted witnes ses\, NO OTHER LAND serves as a moving portrait of friendship between Adr a and Abraham\, who form a philosophical and political alliance despite t he drastic differences in their abilities to exist freely in this world.\ n\n-- 2025 Academy Award nominee for Best Documentary Feature\n-- Winner of the Panorama Audience Award for Best Documentary Film at the 2024 Berl in International Film Festival\n\n"NO OTHER LAND\, while maintaining a ti ght focus on the fate of one village and on the bond between two men on e ither side of the Israel-Palestine divide\, also situates these intimate stories within a wider context of history\, world politics\, and media re presentations\, elements that Adra sums up in one word: "power." - Richar d Brody\, The New Yorker DTSTAMP:20250220T152742Z DTSTART;TZID=America/New_York:20250220T190000 LAST-MODIFIED:20250220T152742Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CANCELLED SUMMARY:Screen/Society--"No Other Land" (B. Adra\, H. Ballal\, Y. Abraham\ , R. Szor\, 2024) {**Canceled - to be rescheduled} UID:CAL-8a000483-92c3adf6-0194-d29036fa-00004f1fdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/no-other-land- b-adra-h-ballal-y-abraham-r-szor-2024-registration-required X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Global:/user/public-user/Top ic of Event Focused on a Country or Continent (if applicable)/Global X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_DHRCatFHI,/p rincipals/users/agrp_MiddleEastStudiesCenter,/principals/users/agrp_JHFC_ FranklinHumanitiesInstitute,/principals/users/agrp_ProvostsOffice,/princi pals/users/agrp_StudentAffairs,":Asian &\;amp\;amp\;amp\;amp\;amp\; Mi ddle Eastern Studies (AMES)\,Duke Human Rights Center at the Franklin Hum anities Institute (DHRC@FHI)\,Duke University Middle East Studies Center\ ,Franklin Humanities Institute (FHI)\,Provost&\;amp\;amp\;amp\;amp\;#3 9\;s Office\,Student Affairs X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1650 X-BEDEWORK-IMAGE-Y2:1100 X-BEDEWORK-IMAGE-CROP-WIDTH:1650 X-BEDEWORK-IMAGE-CROP-HEIGHT:1100 X-BEDEWORK-IMAGE-ALT-TEXT:sdf X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502040804 13PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502 04080413PM-thumb.png X-BEDEWORK-SPEAKER:Panel Discussion to follow with Palestinian filmmaker/D uke instructor Hareth Yousef and Prof. Rebecca Stein (Cultural Anthropolo gy) END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T221652Z DESCRIPTION:THE SEED OF THE SACRED FIG\n(Mohammad Rasoulof\, 2024\, 166 mi n\, Germany/Iran/France\, Farsi w/English subtitles\, DCP)\n\nA target of Iran's hardline conservative government for his films' criticism of the state\, director Mohammad Rasoulof fled his home country to avoid an eigh t-year prison sentence\, though he hadn't finished editing his latest fil m yet. His searing drama THE SEED OF THE SACRED FIG is every bit as urgen t and gripping as its real-life backstory would portend: Investigating ju dge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes\, he suspects his wife and daughters\, imposing draconian m easures that strain family ties as societal rules crumble. Both paranoia thriller and domestic drama\, THE SEED OF THE SACRED FIG is above all an epic of anti-patriarchal political conviction.\n\n- Winner of the Prix Sp écial and FIPRESCI prize at the 2024 Cannes Film Festival\n\n"Rasoulof cr afts an extraordinarily gripping allegory about the corrupting costs of p ower and the suppression of women under a religious patriarchy that crush es the very people it claims to protect." - Ryan Lattanzio\, IndieWire\n\ n"THE SEED OF THE SACRED FIG asks us to enter a family's story\, but also to acknowledge that we are part of it. We're extras in the background\, no matter how far away we are. For Rasoulof\, the world he's created is f ar from theoretical. The consequences have been\, too." - Alissa Wilkinso n\, The New York Times DTSTAMP:20250219T225643Z DTSTART;TZID=America/New_York:20250221T190000 LAST-MODIFIED:20250219T225643Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Seed of the Sacred Fig" (Mohammad Rasoulof\, 2024) UID:CAL-8a000483-92c3adf6-0194-aefd22dc-00001e17demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/seed-sacred-fi g-mohammad-rasoulof-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:2560 X-BEDEWORK-IMAGE-Y2:1706.6666666666667 X-BEDEWORK-IMAGE-CROP-WIDTH:2560 X-BEDEWORK-IMAGE-CROP-HEIGHT:1706.6666666666667 X-BEDEWORK-IMAGE-ALT-TEXT:Three women in muted pink clothing stand in a ro w in a still from The Seed of the Sacred Fig X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/the seed of the sacred fig_20250128101652P M.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/the seed of the sacred fig_202501281 01652PM-thumb.png X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Graduat eStudentsAssociationofIranians,":Graduate Students Association of Iranian s at Duke END:VEVENT BEGIN:VEVENT CATEGORIES:Climate CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank CREATED:20250128T222224Z DESCRIPTION:FLOW\n(Gints Zilbalodis\, 2024\, 85 min\, Latvia/Belgium/Franc e\, No dialogue\, DCP)\n\nA wondrous journey through realms natural and m ystical\, FLOW follows a courageous cat after his home is devastated by a great flood. Teaming up with a capybara\, a lemur\, a bird\, and a dog t o navigate a boat in search of dry land\, they must rely on trust\, coura ge\, and wits to survive the perils of a newly aquatic planet. Rendered on the free and open-source software Blender and containing no dialogue\, FLOW had its world premiere at the Un Certain Regard section of the 2024 Cannes Film Festival\, where it received critical acclaim. \n\n-- Nomina ted for Best International Feature Film and Best Animated Feature at the 97th Academy Awards\n\n"Zilbalodis' film [is] a rich visual blend of adve nture tale and ecological parable that will enchant and enthrall viewers no matter what their age or animal preference." - Jason Anderson\, TIFF\n \n"As we confront our imminent climate crisis and the many other cataclys ms that plague our reality\, we'll only have each other to make it throug h. FLOW boasts a hopeful outlook\; it suggests these storms won't be perm anent and that the deer will freely run through the forest again. Life\, in all its splendor and blameless tragedy\, will\, indeed\, flow." - Carl os Aguilar\, RogerEbert.com DTSTAMP:20250128T222224Z DTSTART;TZID=America/New_York:20250222T160000 LAST-MODIFIED:20250128T222224Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Flow" (Gints Zilbalodis\, 2024) UID:CAL-8a000483-92c3adf6-0194-af02352c-00001edademobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Climate:/user/public-user/To pics/Climate X-BEDEWORK-IMAGE-X1:756 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3828 X-BEDEWORK-IMAGE-Y2:2048 X-BEDEWORK-IMAGE-CROP-WIDTH:3072 X-BEDEWORK-IMAGE-CROP-HEIGHT:2048 X-BEDEWORK-IMAGE-ALT-TEXT:A gray black animated cat sits in a boat in a st ill from Flow X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/flow2_20250128102224PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/flow2_20250128102224PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Climate CATEGORIES:Sustainability CATEGORIES:Asia focus CATEGORIES:Ethics CATEGORIES:Civic Engagement/Social Action CATEGORIES:Humanities CATEGORIES:Natural Sciences CATEGORIES:Social Sciences CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Research CATEGORIES:Charity/Fundraising CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0290b4-860465b2-0186-debfba9d-00003c8d:Asian Paci fic Studies Institute (APSI) CREATED:20250206T221119Z DESCRIPTION:**Directed by MinCheol Wang\, 2022\, 120 min\, South Korea\, i n Korean w/English subtitles**\n\nAbout the film:\nKim Jeong-ho\, head ve terinarian in Cheongju Zoo\, dreams of turning his zoo into the nation's first animal sanctuary. The zoo hires animal welfare activist Choi Tae-ky u in hopes of establishing a bear sanctuary for rescued farm bears. Meanw hile\, employees at neighboring Chungnam Wildlife Rescue Center support t he idea of sanctuary as they unwillingly euthanize rescued animals that a re unable to return to the wild. The film poignantly highlights the moral dilemmas and relentless efforts to provide animals with a second chance at life.\n\nDirector's Statement:\n"I witnessed so many animals died as I made a documentary about zoos. Yet\, for several reasons\, I couldn't in clude all of their stories. So I wanted to make a story about the death o f the animals. I saw many animals. I also saw many people working for tho se animals. And I saw the death of many animals. However\, there are stil l many deaths that are not included in the film. I hope all those deaths change the lives of the living animals."\n\nAbout the Director:\nMincheol Wang was born in 1975 in Seoul\, Korea. He is a cinematographer and dire ctor\, known for "Garden\, zoological" (2019)\, "Sanctuary" (2022) and "M ondscheinsonate" [Moonlight Sonata] (2009). {information from IMDB}\n\nA wards:\n2022 Busan International Film Festival\n2022 Seoul Animal Film Fe stival\n50th Seoul Independent Film Festival (2024) DURATION:PT2H10M DTSTAMP:20250221T194147Z DTSTART;TZID=America/New_York:20250226T183000 LAST-MODIFIED:20250221T194147Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Film Screening: “Sanctuary” (MinCheol Wang\, 2022) UID:CAL-8a000483-92c3adf6-0194-dd514b0a-00002893demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Climate:/user/public-user/To pics/Climate X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti on:/user/public-user/Topics/Civic Engagement_Social Action X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Charity_Fundraising:/user/pu blic-user/Topics/Charity_Fundraising X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Natural Sciences:/user/publi c-user/Topics/Natural Sciences X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Research:/user/public-user/T opics/Research X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Social Sciences:/user/public -user/Topics/Social Sciences X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Sustainability:/user/public- user/Topics/Sustainability X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user /Topics/Humanities X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1059 X-BEDEWORK-IMAGE-Y2:706 X-BEDEWORK-IMAGE-CROP-WIDTH:1059 X-BEDEWORK-IMAGE-CROP-HEIGHT:706 X-BEDEWORK-IMAGE-ALT-TEXT:Photos of veterinarians taking care of animals\; photos of animals in a sanctuary\; text: “Sanctuary” (director\, year\, language\; screening date\, time\, location\, coordinator) X-BEDEWORK-SUBMITTEDBY:rmk33 for Asian Pacific Studies Institute (APSI) (a grp_ArtsandSciences_AsianPacificStudiesInstitute) X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,":Asian &\;amp\;amp\;amp\;amp\;a mp\; Middle Eastern Studies (AMES) X-BEDEWORK-IMAGE:/public/Images/250226_Sanctuary_cal_20250221074147PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/250226_Sanctuary_cal_20250221074147P M-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Asia focus CATEGORIES:United States Focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Dance Performance CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250211T202419Z DESCRIPTION:WITHIN THESE WALLS\n(Lenora Lee & Tatsu Aoki\, 2024\, 76 min\, USA\, English\, Digital)\n\nIn association with Lenora Lee Dance\, Lenor a Lee Productions\, Innocent Eyes and Lenses Films\, and Asian Improv aRt s\, Asian Improv aRts Midwest\, powered by Asian Improv Nation. [Photo cr edit: Yi-Ting (Gama) Hsu photo by Hoa Huynh & Tien Nguyen]\n\nInspired by experiences of those detained\, interrogated and processed at the U.S. I mmigration Station\, Angel Island State Park in San Francisco Bay\, WITHI N THESE WALLS is a film in which dance\, memory\, music\, and poetry serv e as a meditation on healing\, resilience\, and compassion. This U.S. Imm igration Station is an International Site of Conscience\, site of remembr ance transformed and animated as part of a community-wide commemoration o f the 1882 Chinese Exclusion Act\, speaking to the power of individuals a nd communities to transcend.\n\nLenora Lee has been a dancer\, choreograp her\, producer and artistic director for the past 27 years. For the last 17 years she\, along with her company Lenora Lee Dance (LLD)\, has pushed the envelope of intimate and large-scale multimedia\, immersive dance pe rformance connecting various styles of movement/dance\, film\, text\, res earch and music to culture\, history\, and human rights issues. Lenora's works are set in both public and private spaces\, inspired by individual stories as well as community strength. From the proscenium\, to underwate r\, to an historic cargo ship\, to the immigration station on Angel Islan d\, her pieces are site-responsive\, immersive\, and interactive\, callin g audiences into deep engagement with the work and environment. Lenora's work has grown to encompass the creation\, presentation and screening of films\, museum and gallery installations\, civic engagement\, and educati onal programming signifying the power of art as a movement for change.\n\ nTatsu Aoki is a prolific artist\, a filmmaker\, composer\, musician\, ed ucator\, and a consummate bassist and shamisen lute player. Based in Chic ago\, Aoki works in a wide range of musical genres\, ranging from traditi onal Japanese music\, jazz\, experimental\, and creative music and produc ing experimental films. DTSTAMP:20250218T192418Z DTSTART;TZID=America/New_York:20250227T190000 LAST-MODIFIED:20250218T192418Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Within These Walls" (Lenora Lee & Tatsu Aoki\, 20 24) + Q&A w/the filmmakers UID:CAL-8a000483-92c3adf6-0194-f6af235d-00007aeademobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/within-these-w alls-lenora-lee-tatsu-aoki-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Dance Performance:/user/publ ic-user/Arts/Dance Performance X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=United States Focus:/user/pu blic-user/Topic of Event Focused on a Country or Continent (if applicable )/United States Focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_AsianAm ericanStudies,/principals/users/agrp_ArtsandSciences_AsianPacificStudiesI nstitute,/principals/users/agrp_ArtsandSciences_DanceProgram,/principals/ users/agrp_JHFC_FranklinHumanitiesInstitute,":Asian American and Diaspora Studies\,Asian Pacific Studies Institute (APSI)\,Dance Program\,Franklin Humanities Institute (FHI) X-BEDEWORK-IMAGE-X1:110 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1730 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:A woman stands with her hands above her head aga inst a two-tone wall in a still from Within These Walls X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/within these walls_20250211082420PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/within these walls_20250211082420PM- thumb.png X-BEDEWORK-SPEAKER:Q&A to follow with Lenora Lee (producer\, choreography director) and Tatsu Aoki (director)\; moderated by Prof. Jingqiu Guan (Du ke University Dance Program) END:VEVENT BEGIN:VEVENT CATEGORIES:Middle East focus CATEGORIES:Global CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250204T200413Z DESCRIPTION:**RESCHEDULED SCREENING**\n(This event was originally planned to take place on February 20th\, but had to be rescheduled due to weather . Note the earlier 4pm start time.)\n\n==\nRIGHTS! CAMERA! ACTION! film s eries presents:\n\nNO OTHER LAND\n(B. Adra\, H. Ballal\, Y. Abraham\, R. Szor\, 2024\, 95min\, Palestine\, DCP)\n\n==\nRegistration required - see :\nhttps://tickets.duke.edu/online/article/nootherland\n\nAny tickets hel d for the original screening\, which was canceled due to severe weather l ast week\, will be valid for this new date & time. For any ticket-holder who is able attend\, no action is needed on your part. Seating will open at 3:30pm.\n\nIf you are holding a ticket but can no longer attend\, plea se release your ticket by sending an email to tickets@duke.edu.\n\nReleas ed tickets will be made available to claim on the registration page (see link above) at 11:00am on Wed Feb 26\, while supplies last.\n\nParking In fo: Free visitor parking is available in the Campus Drive lot\, located a t the corner of Campus Drive & Anderson Street\, directly across the stre et from the Arts Center.\n==\n\nThis eye-opening\, vérité-style documenta ry\, made by a Palestinian-Israeli collective of four directors over the course of five years\, provides a harrowing account of the systematic ons laught of destruction experienced by Masafer Yatta\, a group of Palestini an villages in the southern West Bank\, at the hands of the Israeli milit ary. Headed by Palestinian activist Basel Adra and Israeli journalist Yuv al Abraham (also two of the film's directors)\, the collective commits it self to filming and protesting the demolitions of homes and schools and t he resulting displacement of their inhabitants\, which were carried out t o make way for Israeli military training ground. In addition to the indel ible footage of destruction and expulsion captured by its undaunted witne sses\, NO OTHER LAND serves as a moving portrait of friendship between Ad ra and Abraham\, who form a philosophical and political alliance despite the drastic differences in their abilities to exist freely in this world. \n\n-- 2025 Academy Award nominee for Best Documentary Feature\n\n"NO OTH ER LAND\, while maintaining a tight focus on the fate of one village and on the bond between two men on either side of the Israel-Palestine divide \, also situates these intimate stories within a wider context of history \, world politics\, and media representations\, elements that Adra sums u p in one word: 'power'." - Richard Brody\, THE NEW YORKER DTSTAMP:20250225T165510Z DTSTART;TZID=America/New_York:20250228T160000 LAST-MODIFIED:20250225T165510Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"No Other Land" (B. Adra\, H. Ballal\, Y. Abraham\ , R. Szor\, 2024) {*RESCHEDULED*} UID:CAL-8a000483-92c3adf6-0195-3e08abb5-00006493demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/no-other-land- b-adra-h-ballal-y-abraham-r-szor-2024-rescheduled X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Global:/user/public-user/Top ic of Event Focused on a Country or Continent (if applicable)/Global X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1650 X-BEDEWORK-IMAGE-Y2:1100 X-BEDEWORK-IMAGE-CROP-WIDTH:1650 X-BEDEWORK-IMAGE-CROP-HEIGHT:1100 X-BEDEWORK-IMAGE-ALT-TEXT:sdf X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502040804 13PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/No Other Land_Still_01.jpg(1)_202502 04080413PM-thumb.png X-BEDEWORK-SPEAKER:Panel Discussion to follow with Palestinian filmmaker/D uke instructor Hareth Yousef and Prof. Rebecca Stein (Cultural Anthropolo gy) X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_DHRCatFHI,/p rincipals/users/agrp_MiddleEastStudiesCenter,/principals/users/agrp_JHFC_ FranklinHumanitiesInstitute,/principals/users/agrp_ProvostsOffice,/princi pals/users/agrp_StudentAffairs,":Asian &\;amp\;amp\;amp\;amp\;amp\;amp \;amp\; Middle Eastern Studies (AMES)\,Duke Human Rights Center at the Fr anklin Humanities Institute (DHRC@FHI)\,Duke University Middle East Studi es Center\,Franklin Humanities Institute (FHI)\,Provost&\;amp\;amp\;am p\;amp\;amp\;amp\;#39\;s Office\,Student Affairs END:VEVENT BEGIN:VEVENT CATEGORIES:Israel focus CATEGORIES:Middle East focus CATEGORIES:Human Rights CATEGORIES:Civic Engagement/Social Action CATEGORIES:Humanities CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Panel/Seminar/Colloquium CATEGORIES:Main CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None X-BEDEWORK-COST:Free with registration (goes live at 11 am on Wednesday\, February 26) CREATED:20250212T192102Z DESCRIPTION:POSTPONED TO FEBRUARY 28--ALL ISSUED TICKETS WILL BE HONORED\n \nIf you can no longer attend\, please write tickets@duke.edu to release your ticket.\n\nBasel Adra\, a Palestinian activist from Masafer Yatta in the West Bank\, has been fighting the mass expulsion by Israel's occupat ion since childhood. He documents the slow-motion eradication of the vill ages in his home region\, where soldiers deployed by the Israeli governme nt are gradually demolishing houses and driving out their residents. Even tually\, he meets Yuval\, an Israeli journalist\, who supports him in his efforts. An unlikely alliance develops. However\, the relationship betwe en the two is strained by the enormous inequality between them: Basel liv es under military occupation\, while Yuval lives without restrictions. \n \nA Palestinian-Israeli collective made this Academy Award-nominated film \, an act of creative resistance on the path to greater justice. \n\nTher e will be a post-screening panel with Palestinian filmmaker Hareth Yousef and Prof. Rebecca Stein. \n\nThe screening is free but registration is r equired. The link is under MORE EVENT INFORMATION and will be live after 11 am on Wednesday\, February 26). DURATION:PT2H30M DTSTAMP:20250225T162112Z DTSTART;TZID=America/New_York:20250228T160000 LAST-MODIFIED:20250225T162112Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:"No Other Land" documentary film UID:CAL-8a000483-92c3adf6-0194-fb9b8ca3-00003572demobedework@mysite.edu URL:https://tickets.duke.edu/online/article/nootherland X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Panel_Seminar_Colloquium:/us er/public-user/Lectures_Conferences/Panel_Seminar_Colloquium X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Israel focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Israe l focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user /Topics/Humanities X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti on:/user/public-user/Topics/Civic Engagement_Social Action X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=rights@duke.edu:Robin Ki rk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien ces_FilmVideoDigitalProgram,/principals/users/agrp_DHRC,/principals/users /agrp_MiddleEastStudiesCenter,/principals/users/agrp_JHFC_FranklinHumanit iesInstitute,/principals/users/agrp_ProvostsOffice,/principals/users/agrp _StudentAffairs_Staff,":Asian &\;amp\; Middle Eastern Studies (AMES)\, Cinematic Arts\,Duke Human Rights Coalition (DHRC)\,Duke University Middl e East Studies Center\,Franklin Humanities Institute (FHI)\,Provost&\; #39\;s Office\,Student Affairs Staff X-BEDEWORK-SPEAKER:Hareth Yousef and Rebecca Stein X-BEDEWORK-DUKE-SERIES:Rights! Camera! Action! human rights film series X-BEDEWORK-IMAGE-X1:198 X-BEDEWORK-IMAGE-Y1:122 X-BEDEWORK-IMAGE-X2:728 X-BEDEWORK-IMAGE-Y2:475.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Man in field X-BEDEWORK-SUBMITTEDBY:rights for Duke Human Rights Center at the Franklin Humanities Institute (DHRC@FHI) (agrp_DHRCatFHI) X-BEDEWORK-IMAGE:/public/Images/Still from film_20250212072532PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/Still from film_20250212072532PM-thu mb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Law CATEGORIES:China focus CATEGORIES:Asia focus CATEGORIES:Ethics CATEGORIES:Human Rights CATEGORIES:Civic Engagement/Social Action CATEGORIES:Politics CATEGORIES:Social Sciences CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Technology CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0290b4-860465b2-0186-debfba9d-00003c8d:Asian Paci fic Studies Institute (APSI) CREATED:20250213T211820Z DESCRIPTION:Directed by Hu Sanshou\, 2024\, 115 min\, China\, in Chinese d ialects w/ Chinese & English subtitles\n\nFollowing the screening\, stay for Q&A with director Hu Sanshou\, moderated by Professor Guo-Juin Hong ( AMES).\n\nAbout the film:\nIn 2022\, a new highway project was about to c ut across my hometown\, serving as a symbol of modernization itself. The deceased resting beneath were facing displacement. I documented the unear thing of graves and interviewed villagers about their memories of the dea d.\n\nThrough the narratives of villagers\, I pieced together the lives o f the deceased and recreated a picture of the past appearance of our home town. By imagining the circumstances of those who had passed on\, I was a ble to draw a portrait of the deceased. This contemplation of the past le ads to a question: where will our future lead us?\n\nAwards\n-2024 TIDF " Salute! Chinese independent Documentaries" (shortlisted)\n\nDirector's St atement:\n\n"The highway surged into my hometown with relentless momentum \, beyond my power to oppose or obstruct. Thus photography becomes a form of rebellion and silent testimony. With each click of the shutter\, the questions raised by this rapid construction grow more profound and more e lusive. \n\nThe highway hastens the comings and goings of people. I canno t dictate the starting point of my journey through life\, but I can choos e where to return. For me\, returning to my hometown is a life action\, b ecause hometown is an eternal mystery."\n\nAbout the Director:\n\nHu Sans hou was born in Shaanxi province. He studied cinematography at Xi'an Acad emy of Fine Arts and graduated in 2015. He joined the Folk Memory Project in 2013. Other films include "Mountain Village" (2013)\, and "Legend" (2 015).\n\nIn 2018\, his film\, "Dumb Man\," was shortlisted for the TIDF " Salute! Chinese independent Documentaries." In 2021\, his documentary\, " The Burrows\," was shortlisted for the Envision Competition at IDFA 2021. The film also won the Grand Prize at the TIDF Asian Vision Competition\; 2022 Jury Special Mention.\n\nHu is also affiliated with a network of do cumentary filmmakers contributing to the Memory Project\, a portion of wh ich is housed at the Duke University library.\n\n**This event is sponsore d by AMES Presents with support from APSI\, Duke Cinematic Arts\, the Asi an Digital Media Research Cluster\, and the Sino-Sensorial Research Clust er** DURATION:PT2H30M DTSTAMP:20250213T211820Z DTSTART;TZID=America/New_York:20250303T190000 LAST-MODIFIED:20250213T211820Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Film Screening: “Resurrection” (Hu Sanshou\, 2024) + Q&A w/ direct or UID:CAL-8a000483-92c3adf6-0195-012d4e41-000008dcdemobedework@mysite.edu URL:https://asianpacific.duke.edu/event/film-screening-resurrection-hu-san shou-2024-qa-w-director/ X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=China focus:/user/public-use r/Topic of Event Focused on a Country or Continent (if applicable)/China focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti on:/user/public-user/Topics/Civic Engagement_Social Action X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Law:/user/public-user/Topics /Law X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Politics:/user/public-user/T opics/Politics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Social Sciences:/user/public -user/Topics/Social Sciences X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Technology:/user/public-user /Topics/Technology X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien ces_FilmVideoDigitalProgram,":Asian & Middle Eastern Studies (AMES)\,Cine matic Arts X-BEDEWORK-SPEAKER:Hu Sanshou (director) X-BEDEWORK-IMAGE-X1:336 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3576 X-BEDEWORK-IMAGE-Y2:2160 X-BEDEWORK-IMAGE-CROP-WIDTH:3240 X-BEDEWORK-IMAGE-CROP-HEIGHT:2160 X-BEDEWORK-IMAGE-ALT-TEXT:People gathered around an exhumed casket under a protective tarp. Background view of the village countryside\, seen throu gh the branches of trees. X-BEDEWORK-SUBMITTEDBY:rmk33 for Asian Pacific Studies Institute (APSI) (a grp_ArtsandSciences_AsianPacificStudiesInstitute) X-BEDEWORK-IMAGE:/public/Images/Resurrection_still5_20250213091820PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Resurrection_still5_20250213091820PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Sustainability CATEGORIES:Israel focus CATEGORIES:Middle East focus CATEGORIES:Politics CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a08708a-3336bd69-0133-925217ab-00007269:Bazemore\, Serena CREATED:20250205T230438Z DESCRIPTION:Israeli Documentary Series presents: "The Water Front"\nLocati on: The Rubenstein Arts Center (The Ruby) Film Theater\n \nThe Israeli Do cumentary Series presents "The Water Front\," directed by Alon Levi (Isra el\, 2024\, 65 minutes\, Hebrew with English subtitles). \n \nSynopsis : In the sweltering heat of northern Israel's Beit Shean Valley\, a group of young activists leads a protest with a simple goal: demanding kibbutz Nir David to allow access to the river that flows through the kibbutz\, as the law permits but its members deny. The director of The Waterfront j oins them as their protest evolves and intensifies\, raising questions ab out social inequalities\, accumulation by dispossession\, and the rule of law that extends far beyond the valley's borders. DURATION:PT2H DTSTAMP:20250205T230438Z DTSTART;TZID=America/New_York:20250304T190000 LAST-MODIFIED:20250205T230438Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Israeli Documentary Series presents: “The Water Front” UID:CAL-8a000483-92c3adf6-0194-d85bc152-00007b7ddemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Israel focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Israe l focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Sustainability:/user/public- user/Topics/Sustainability X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Politics:/user/public-user/T opics/Politics X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,":Asian & Middle Eastern Studies (A MES) X-BEDEWORK-DUKE-SERIES:Israeli Documentary Series X-BEDEWORK-IMAGE-X1:180 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1800 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:The Water Front X-BEDEWORK-SUBMITTEDBY:se59 for Center for Jewish Studies (agrp_CenterforJ ewishStudies) X-BEDEWORK-IMAGE:/public/Images/2_20250205110439PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2_20250205110439PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250128T220638Z DESCRIPTION:Film Screening presented by Duke Experimental Film Society & S creen/Society:\n\n*CORPUS CALLOSUM\n(Michael Snow\, 2002\, 92 min\, Canad a\, English\, 16mm)\n\n*CORPUS CALLOSUM\, the film (or tape\, or projecte d light work)\, is constructed of\, de-picts\, creates\, examines\, prese nts\, consists of\, and is\, 'betweens'. Between beginning and ending\, b etween 'natural' and 'artificial'\, between fiction and fact\, between he aring and seeing\, between 1956 and 2002. It's a tragi-comedy of the cine matic variables. *CORPUS CALLOSUM juxtaposes or counterpoints a realism o f normal metamorphosis (two extreme examples: pregnancy\, explosions) in believable\, 'real' interior spaces with 'impossible' shape changes (some made possible with digital animation). First the camera\, then we in the audience\, observe the observations of the 'real' people depicted in the obviously staged situations. What we see and what they 'see' is involved in shifting modes of belief. There seem to be (though there is no narrat ive) a Hero and Heroine. However\, from scene to scene they are different people costumed identically or altered electronically. The sound - elect ronic like the picture - is also a continuous metamorphosis and as the fi lm's 'nervous system'\, is as important to the film as the picture. Or: t he sound and the picture are two hemispheres joined by the artist. *CORPU S CALLOSUM is resolutely 'artificial'\, it not only wants to convince\, b ut also to be a perceived pictorial and musical phenomenon.\n\n\n"Part ol d-fashioned Renaissance man\, part hardcore avant-gardist\, the Canadian painter-photographer-filmmaker-musician Michael Snow gives full vent to h is genius in this exhilarating perceptual vaudeville\, titled for the 'ce ntral region' of tissue that acts as a conduit between the brain's two he mispheres.... *CORPUS CALLOSUM is a bonanza of wacky sight gags\, outland ish color schemes\, and corny visual puns that can be appreciated equally as an abstract Frank Tashlin comedy and as a playful recapitulation of t he artist's career. From the opening reverse zoom through the series of 3 60-degree pans to the final line animation created by Snow in 1956\, this 92-minute feature is a self-curated retrospective\, but with a twist." - J. Hoberman DTSTAMP:20250228T050333Z DTSTART;TZID=America/New_York:20250305T190000 LAST-MODIFIED:20250228T050333Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Corpus Callosum" (Michael Snow\, 2002) | Duke Exp erimental Film Society UID:CAL-8a000483-92c3adf6-0195-4aeb9475-000034ecdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/corpus-callosu m-michael-snow-2002-duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1719 X-BEDEWORK-IMAGE-Y2:1146 X-BEDEWORK-IMAGE-CROP-WIDTH:1719 X-BEDEWORK-IMAGE-CROP-HEIGHT:1146 X-BEDEWORK-IMAGE-ALT-TEXT:A sitcom-style family sits on a couch calmly gaz ing at a TV while an explosion goes off behind them\, in a still from *CO RPUS CALLOSUM X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-DUKE-SERIES:Experimental Film Society X-BEDEWORK-IMAGE:/public/Images/CorpusCallosum_20250228050202AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/CorpusCallosum_20250228050202AM-thum b.png END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:United States Focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250211T220831Z DESCRIPTION:NICKEL BOYS\n(RaMell Ross\, 2024\, 140 min\, USA\, English\, D CP)\n\nBased on the Pulitzer Prize winning novel by Colson Whitehead\, Ni ckel Boys chronicles the powerful friendship between two young Black teen agers navigating the harrowing trials of reform school together in Florid a.\n\n--Nominated for Best Picture at the 97th Academy Awards\n\n"A power ful\, evocative story of friendship\, pain\, survival\, and redemption." - Valerie Kalfrin\, Alliance of Women Film Journalists\n\n"As major and m emorable an achievement as any American film this decade." - David Ehrlic h\, IndieWire\n\n"Very occasionally a movie appears that understands the potential of cinema so deeply that it changes the medium for everyone. " - Times (UK)\n\n"A feat of full-bodied immersion\, using a point-of-view camera\, finely tuned sound design\, and cinematic illusion to create a r eality that takes hold of and then never quite leaves its audience's soul s." - Independent (UK) DTSTAMP:20250225T220631Z DTSTART;TZID=America/New_York:20250306T190000 LAST-MODIFIED:20250225T220631Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Nickel Boys" (RaMell Ross\, 2024) UID:CAL-8a000483-92c3adf6-0194-f70e86a0-000002f1demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/nickel-boys-ra mell-ross-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=United States Focus:/user/pu blic-user/Topic of Event Focused on a Country or Continent (if applicable )/United States Focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:76 X-BEDEWORK-IMAGE-X2:2880 X-BEDEWORK-IMAGE-Y2:1996 X-BEDEWORK-IMAGE-CROP-WIDTH:2880 X-BEDEWORK-IMAGE-CROP-HEIGHT:1920 X-BEDEWORK-IMAGE-ALT-TEXT:Two boys look up in a still image from Nickel Bo ys X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/default_20250211100831PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/default_20250211100831PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:United States Focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250311T192239Z DESCRIPTION:THE STRAIGHT STORY\n(David Lynch\, 1999\, 112 min\, USA\, Engl ish\, 35mm)\n\nSpecial 35mm Screening!\n\nA perfectly titled movie\, THE STRAIGHT STORY is as forthright and methodical as its eponymous - and eld erly - protagonist\, Alvin Straight (Richard Farnsworth)\, who journeys a cross the Midwest on a John Deere lawn tractor to visit his estranged bro ther (Harry Dean Stanton). From this true story\, Lynch crafts a splendid \, deeply felt work as overflowing with human eccentricity as any of the director's other masterpieces\, yet fueled by a singular gentility. The c asting of craggy character actor Farnsworth as Alvin Straight provided Da vid Lynch with his most soulful lead performance since John Hurt in THE E LEPHANT MAN\, while the mostly exterior shooting locations unleashed a ma gic-hour lyricism close to that of Terrence Malick. As designed by Jack F isk and lensed by the great Freddie Francis\, this may be Lynch's most pu rely beautiful movie\, and proof\, after a series of wildly polarizing fe atures\, that he could craft a crowd-pleaser - and\, like his protagonist 's trip\, do so on solely his own terms. \n\n"Switching gears radically\, bravely defying conventional wisdom about what it takes to excite movieg oers\, Lynch presents the flip side of BLUE VELVET and turns it into a su premely improbable triumph." - Janet Maslin\, The New York Times\n\n"One of the tenderest\, most plangent spiritual odysseys ever filmed." - Howar d Hampton\, Artforum DTSTAMP:20250314T185950Z DTSTART;TZID=America/New_York:20250320T190000 LAST-MODIFIED:20250314T185950Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"The Straight Story" (David Lynch\, 1999) | 35mm S creening UID:CAL-8a000483-92c3adf6-0195-86a8bd34-00003552demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/straight-story -david-lynch-1999-35mm-screening X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=United States Focus:/user/pu blic-user/Topic of Event Focused on a Country or Continent (if applicable )/United States Focus X-BEDEWORK-IMAGE-X1:146 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1766 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:A man rides a tractor at sunset in silhouette in a still from David Lynch'\;s The Straight Story X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/the straight story_20250311072239PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/the straight story_20250311072239PM- thumb.png X-BEDEWORK-SPEAKER:Introduced by Prof. Rick Warner (Director of Film Studi es\, Dept. of English & Comparative Literature\, UNC Chapel Hill) X-BEDEWORK-DUKE-SERIES:Tribute to David Lynch (1946-2025) END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Utilities CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank CREATED:20250211T221321Z DESCRIPTION:HARD TRUTHS\n(Mike Leigh\, 2024\, 97 min\, UK\, English\, DCP) \n\nLegendary filmmaker Mike Leigh returns with a fierce\, compassionate\ , and often darkly humorous study of family and the thorny ties that bind us. Reunited with Leigh for the first time since multiple Oscar-nominate d Secrets and Lies\, the astonishing Marianne Jean-Baptiste plays Pansy\, a woman wracked by fear\, tormented by afflictions\, and prone to raging tirades against her husband\, son\, and anyone who looks her way. Meanwh ile\, her easygoing younger sister\, played by Michele Austin (Another Ye ar)\, is a single mother with a life as different from Pansy's as their c lashing temperaments - brimming with communal warmth from her salon clien ts and daughters alike. This expansive film from a master dramatist takes us into the intensities of kinship\, duty\, and the most enduring of hum an mysteries: that even through lifetimes of hurt and hardship\, we still find ways to love those we call family.\n\n-- Marianne Jean-Baptiste Bes t Actress winner at NYFCC (New York Film Critics Circle)\, Los Angeles Fi lm Critics Association (LAFCA) and National Society of Film Critics (NSFC )\, becoming the first woman of color to do so.\n\n"For the past half cen tury\, [Mike Leigh] has been making movies that\, when they're not making you gasp with laughter\, take the wind out of you as quickly as a gut pu nch." - Manohla Dargis\, The New York Times\n\n"'I love you\,' Chantelle tells her. 'I don't understand you\, but I love you.' It's a message that Leigh has been trying to convey to his characters for more than 40 years \, and one that has seldom been so natural to accept for ourselves." - Da vid Ehrlich\, IndieWire DTSTAMP:20250320T185045Z DTSTART;TZID=America/New_York:20250327T190000 LAST-MODIFIED:20250320T185045Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Hard Truths" (Mike Leigh\, 2024) UID:CAL-8a000483-92c3adf6-0194-f712f369-00000355demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:5184 X-BEDEWORK-IMAGE-Y2:3456 X-BEDEWORK-IMAGE-CROP-WIDTH:5184 X-BEDEWORK-IMAGE-CROP-HEIGHT:3456 X-BEDEWORK-IMAGE-ALT-TEXT:A black woman in a green jacket takes a phone ca ll in a still from Hard Truths X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/HARD-TRUTHS-First-Look_20250211101321PM.jp eg X-BEDEWORK-THUMB-IMAGE:/public/Images/HARD-TRUTHS-First-Look_2025021110132 1PM-thumb.png X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:India focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250211T221755Z DESCRIPTION:ALL WE IMAGINE AS LIGHT\n(Payal Kapadia\, 2024\, 118 min\, Fra nce/India/Netherlands/Luxembourg\, Malayalam and Hindi w/English subtitle s\, DCP)\n\nIn a vast\, heaving Mumbai that bustles by day and glimmers b y night\, two nurses - roommates by chance - form a makeshift sisterhood. Proper\, practical Prabha grieves her estranged marriage but holds her t eeming desires (and an eager suitor) at bay\; youthful\, sensuous Anu che rishes secret text messages and steamy trysts with a Muslim boy. Meanwhil e\, a no-nonsense neighbor whose widowhood leaves her struggling to keep her flat recruits the two younger women to her village by the sea\, where all three find unlikely refuge in the clarity of shared wanting\, if not having.\n\n-- Winner of the Grand Prix at the 2024 Cannes Film Festival\ n\n"Cause for celebration...so delicately felt and sensuously textured... with a quiet truthfulness that\, like the glittering lights of the city\, lingers expansively in the memory." - Justin Chang\, The New Yorker\n\n" There is a freshness and emotional clarity in [All We Imagine as Light]\, an enriching humanity and gentleness which coexist with fervent\, languo rous eroticism." - Peter Bradshaw\, The Guardian\n\n"Each shot by Ranabir Das in this gorgeous and absorbing film has been composed to have the sk in-prickling effect of a photograph taken by someone with a deep and atte ntive care for their subject." - Sophie Monks Kaufman\, IndieWire\n\n"It' s a film that feels like a long exhale\, the moment of unburdening after a tight embrace. It's beautiful." - Clarisse Loughrey\, Independent (UK) DTSTAMP:20250305T191453Z DTSTART;TZID=America/New_York:20250328T190000 LAST-MODIFIED:20250305T191453Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"All We Imagine as Light" (Payal Kapadia\, 2024) UID:CAL-8a000483-92c3adf6-0194-f7172204-00000356demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/all-we-imagine -light-payal-kapadia-2024 X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=India focus:/user/public-use r/Topic of Event Focused on a Country or Continent (if applicable)/India focus X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:2560 X-BEDEWORK-IMAGE-Y2:1706.6666666666667 X-BEDEWORK-IMAGE-CROP-WIDTH:2560 X-BEDEWORK-IMAGE-CROP-HEIGHT:1706.6666666666667 X-BEDEWORK-IMAGE-ALT-TEXT:Two women look into an orange bucket in a still from All We Imagine As Light X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Chang-All-We-Imagine-as-Light_202502111017 55PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/Chang-All-We-Imagine-as-Light_202502 11101755PM-thumb.png X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250311T192912Z DESCRIPTION:"Still:Moving"\n\nA program of and about silent film by experi mental filmmaker and curator Tom Whiteside. Before the development of wha t we understand to be basic film language in the mid 1910's\, some films did tell stories but most simply put the world on display in an unprecede nted variety of ways\, radically changing forever our perception of time. Exploring the relationship between the still image and the moving image\ , this program includes the quaint documentary "The Biography of the Moti on Picture Camera" (1947\, dir. Roger Leenhardt) as well as films by Dura nd\, Guy\, Lumière\, Méliès\, Painlevé\, Porter\, and Zecca. Presented in 16mm and video.\n\n*Image - from "Coney Island at Night" (1905\, dir. Ed win S. Porter) DTSTAMP:20250318T060255Z DTSTART;TZID=America/New_York:20250329T160000 LAST-MODIFIED:20250318T060255Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Still:Moving" UID:CAL-8a000483-92c3adf6-0195-86aebd0b-000036d7demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/stillmoving X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-IMAGE-X1:302 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:3497 X-BEDEWORK-IMAGE-Y2:2130 X-BEDEWORK-IMAGE-CROP-WIDTH:3195 X-BEDEWORK-IMAGE-CROP-HEIGHT:2130 X-BEDEWORK-IMAGE-ALT-TEXT:A black and white image of Coney Island at night . X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Coney Island at Night_20250311072912PM.jpe g X-BEDEWORK-THUMB-IMAGE:/public/Images/Coney Island at Night_20250311072912 PM-thumb.png X-BEDEWORK-SPEAKER:Tom Whiteside END:VEVENT BEGIN:VEVENT CATEGORIES:Law CATEGORIES:Israel focus CATEGORIES:Middle East focus CATEGORIES:Ethics CATEGORIES:Human Rights CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a08708a-3336bd69-0133-925217ab-00007269:Bazemore\, Serena CREATED:20250205T230658Z DESCRIPTION:The Israeli Documentary Series presents "Abortion in the Holy Land\," directed by Efran Shalom Danon (Israel\, 2024\, 70 minutes\, Hebr ew with English subtitles). \n\nAbortions in Israel of 2024 are still controlled by the political establishment\, and Women don't have control over their bodies. The Jewish womb is a national-demographic one\, servin g the growth of the Jewish population in the Holy Land. Through personal stories\, surprising archives\, and revealing documents\, the misogynisti c and discriminatory attitude towards women's decisions about their bodie s and future is exposed. DURATION:PT2H DTSTAMP:20250205T230658Z DTSTART;TZID=America/New_York:20250401T190000 LAST-MODIFIED:20250205T230658Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Israeli Documentary Series presents: “Abortion in the Holy Land” UID:CAL-8a000483-92c3adf6-0194-d85de319-00007c40demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Israel focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Israe l focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top ics/Ethics X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Human Rights:/user/public-us er/Topics/Human Rights X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Law:/user/public-user/Topics /Law X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,":Asian & Middle Eastern Studies (A MES) X-BEDEWORK-DUKE-SERIES:Israeli Documentary Series X-BEDEWORK-IMAGE-X1:213 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1833 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:Abortion in the holy land X-BEDEWORK-SUBMITTEDBY:se59 for Center for Jewish Studies (agrp_CenterforJ ewishStudies) X-BEDEWORK-IMAGE:/public/Images/1_20250205110658PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/1_20250205110658PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Panel/Seminar/Colloquium CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a087089-3f14d76c-013f-f2b85761-0000386a:Mott\, Ted CREATED:20250303T180352Z DESCRIPTION:Premieres of thesis films from MFA|EDA Class of 2025 filmmaker s:\n\nBren Vienrich-Felling - Full Moon Over Palcazú\n\nChristopher Verst andig - The Work Behind the Wonder\n\nClara Zhu - in 40\n\nGermán López T irado - Lo que queda\n\n6:00pm\nRubenstein Arts Center Film Theater\n\nFo llowed by filmmaker panel moderated by\nMFA|EDA director Tom Rankin DURATION:PT2H DTSTAMP:20250310T162147Z DTSTART;TZID=America/New_York:20250402T180000 LAST-MODIFIED:20250310T162147Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Thesis Film Premieres UID:CAL-8a000483-92c3adf6-0195-5d2dbb14-000062e7demobedework@mysite.edu URL:https://sites.duke.edu/mfaeda2025/ X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Panel_Seminar_Colloquium:/us er/public-user/Lectures_Conferences/Panel_Seminar_Colloquium X-BEDEWORK-DUKE-SERIES:2025 MFA|EDA Thesis Exhibition X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:209 X-BEDEWORK-IMAGE-X2:1000 X-BEDEWORK-IMAGE-Y2:875.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:1000 X-BEDEWORK-IMAGE-CROP-HEIGHT:666.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:Thesis Film Premieres X-BEDEWORK-SUBMITTEDBY:tm136 for Master of Fine Arts in Experimental &\ ;amp\;amp\;amp\;amp\;amp\;amp\;amp\;amp\; Documentary Arts (MFAEDA) (agrp _MFAEDA) X-BEDEWORK-IMAGE:/public/Images/Screenshot 2025-03-04 at 2.59.27 PM_202503 04080123PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Screenshot 2025-03-04 at 2.59.27 PM_ 20250304080123PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Middle East focus CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250314T191049Z DESCRIPTION:[**Postponed**]\nThis event is no longer taking place this sem ester\, but will be rescheduled--watch for updates in Fall 2025.\n\n\n==\ nEmily Jacir: Artist Talk and Screening\n\nAs poetic as it is political a nd biographical\, Emily Jacir's work investigates silenced histories\, ex change\, translation\, transformation\, and resistance. Jacir has built a complex and compelling oeuvre through a diverse range of media and metho dologies that include unearthing historical material\, performative gestu res\, and in-depth research. She explores personal and collective movemen t through time and space and its implications on the physical and social experience. Drawing on rituals such as dances\, processions\, and games\, the artist charts the ways space\, collectivity\, and memory are claimed .\n\nJacir has been actively involved in education in Palestine since 200 0 and is deeply invested in creating alternative spaces for knowledge pro duction internationally. She has been honored for her work internationall y\, including an honorary doctorate from NCAD in Dublin\, Ireland (2023)\ ; an American Academy of Arts and Letters Prize (2023)\; the Andrew W. Me llon Rome Prize Fellowship at the American Academy in Rome (2015)\; the A lpert Award (2011)\; the Hugo Boss Prize\, Solomon R. Guggenheim Museum\, New York (2008)\; and the Golden Lion\, Venice Biennale (2007). She is t he founder of Dar Yusuf Nasri Jacir for Art and Research in Bethlehem.\n\ nMade possible with support from the Mellon Foundation. Sponsored by the Artistic Research Initiative. Co-Sponsored by the Provost's Initiative on the Middle East\, the AAHVS Visiting Artist Series. DTSTAMP:20250322T201551Z DTSTART;TZID=America/New_York:20250409T183000 LAST-MODIFIED:20250322T201551Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CANCELLED SUMMARY:{Postponed} Emily Jacir: Artist Talk & Screening [To be reschedule d Fall '25] UID:CAL-8a000483-92c3adf6-0195-9610fc00-000009dedemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/canceled-emily -jacir-artist-talk-screening-be-rescheduled X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Middle East focus:/user/publ ic-user/Topic of Event Focused on a Country or Continent (if applicable)/ Middle East focus X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_JHFC_Fr anklinHumanitiesInstitute,/principals/users/agrp_FHI_SocialPracticeLab,": Franklin Humanities Institute (FHI)\,Social Practice Lab X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured X-BEDEWORK-SPEAKER:Emily Jacir X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:119 X-BEDEWORK-IMAGE-Y1:57 X-BEDEWORK-IMAGE-X2:1099 X-BEDEWORK-IMAGE-Y2:710.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:980 X-BEDEWORK-IMAGE-CROP-HEIGHT:653.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:jacir X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Emily-Jacir-Artist-Talk_20250314071050PM.p ng X-BEDEWORK-THUMB-IMAGE:/public/Images/Emily-Jacir-Artist-Talk_202503140710 50PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Asia focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250314T192338Z DESCRIPTION:FACES OF SEOUL\n(Gina Kim\, 2009\, 93 min\, South Korea and US A\, Korean and English w/English subtitles\, Digital)\n\n-- Virtual Q&A t o follow with director Gina Kim\n\nFACES OF SEOUL is filmmaker Gina Kim's unique documentary\, at once a portrait of an Asian capital and a film e ssay of a transforming Seoul. The film is taken from the intimate perspec tive of both an ex local and expatriate\, whose knowledge of the city is neither contemporary nor irrelevant.\n\nFACES OF SEOUL loops its audience s through the ever-changing modern metropolis\, from the Seodaemun Prison to the blooming cherry blossoms in a verdant park\, from a neighborhood occupied with American soldiers to a parade of Buddhists marching through the streets. In each of these spaces\, Gina Kim explores the city she so fondly remembers\, reconciling the reality of her memories with that whi ch moves right in front of her. By doing so\, FACES OF SEOUL reveals Kore a's capital as a dynamic place where these opposing concepts--language vs . image\, tradition vs. modern\, native knowledge vs. exotic encounters-o verlap and move against one another\, none yielding to a single dominant perspective.\n\n"A beautiful and intimate Tour of Seoul. Compelling Visua l essay of the director's memories and emotions." - Sun-jung Kim\, Curato r\, Co-Artistic Director Gwangju Biennale 2012\n\n"FACES OF SEOUL unearth s multiple layers of the city's archeology\, exposing the turbulent hist ory of modern Korea through the intimate eye of the filmmaker. " - Carter Eckert\, Professor\, Dept of East Asian Languages and Civilizations\, Ha rvard University\n\nLos Angeles-based Gina Kim is a South Korean filmmake r whose award-winning films reimagine cinematic storytelling across diffe rent genres and platforms\, developing a unique transnational perspective centered on female protagonists.\n\n==\nRelated Event on Friday\, April 11 at 3:00pm EDT:\n\nOnline artist talk with Gina Kim\, entitled "Embodie d Cinema of Gina Kim". \n\nDetails: https://asianpacific.duke.edu/event/e mbodied-cinema-gina-kim\n== DTSTAMP:20250408T193343Z DTSTART;TZID=America/New_York:20250410T190000 LAST-MODIFIED:20250408T193343Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Faces of Seoul" (Gina Kim\, 2009) + virtual Q&A w / filmmaker UID:CAL-8a000483-92c3adf6-0195-961cb60f-00000b01demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/faces-seoul-gi na-kim-2009-virtual-qa-w-filmmaker X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo cus X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_ArtArtHistoryandVisualStudies,/principals/users/agrp_ArtsandScie nces_AsianandMiddleEasternStudies,/principals/users/agrp_AsianAmericanStu dies,/principals/users/agrp_ArtsandSciences_AsianPacificStudiesInstitute, ":Art\, Art History &\;amp\; Visual Studies\,Asian &\;amp\; Middle Eastern Studies (AMES)\,Asian American and Diaspora Studies\,Asian Pacifi c Studies Institute (APSI) X-BEDEWORK-SPEAKER:Gina Kim X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:562 X-BEDEWORK-IMAGE-Y1:377 X-BEDEWORK-IMAGE-X2:2430 X-BEDEWORK-IMAGE-Y2:1622.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:1868 X-BEDEWORK-IMAGE-CROP-HEIGHT:1245.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:FACES X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/FacesofSeoul_20250314072338PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/FacesofSeoul_20250314072338PM-thumb. png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Europe focus CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250314T192821Z DESCRIPTION:-- Join us for a rare screening of two films by Jean-Claude Ro usseau presented by Screen/Society and the Duke Experimental Film Society \n\n"Ever since the late eighties French filmmaker Jean-Claude Rousseau h as been a name commonly attached to the most adventurous...type of filmma king. Far from the American\, well-established niches of experimental fil m\, he has been working sparsely in Europe (and Japan) for over thirty ye ars becoming a sort of mythological\, solitary figure for this continent' s avant-garde." - Mubi Notebook\n\n"Jeune femme à sa fenêtre en lisant un e letter"\n(1983\, 45 min\, France\, Super 8mm to DCP) \n\n"Through the w indow\, we cannot distinguish the scene: a street\, a canal\, a view of D elft\, perhaps a port. We are on the inside\, with the light pouring in. The maps on the wall are bigger than the paintings\, yet we do not know w here we are. The woman stands at the window reading a letter. She loses t rack of location as she reads. She could be anywhere\, at any random poin t on the map. Outside. Through the window\, we cannot distinguish the sce ne: a street\, a canal\, a view of Delft\, perhaps a port. We are on the inside..." - Jean-Claude Rousseau\n\n"[F]rom my first film ["Jeune femme à sa fenêtre en lisant une letter"]\, what I looked for was unity\, insid e of the [Super 8] cartridge. As if every cartridge was a brick in the co mposition\, in the construction of a film. This can only be done on Super 8. ... I like to use the word brick. To make a sort of building with the bricks of Super 8 cartridges." - Jean-Claude Rousseau\n\n"Keep in Touch" \n(1987\, 25 min\, France\, 16mm)\n\nSitting at a table\, the filmmaker i s in a room in New York. Various messages on an answering machine are hea rd: whispers punctuated by a "love\, love"\, a voice seeking an appointme nt. The film tells the vacancy\, the time between the meeting and the wai t. DTSTAMP:20250314T192821Z DTSTART;TZID=America/New_York:20250416T190000 LAST-MODIFIED:20250314T192821Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--Jean-Claude Rousseau | Duke Experimental Film Soci ety UID:CAL-8a000483-92c3adf6-0195-962104f0-00000bc4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/jean-claude-ro usseau-duke-experimental-film-society X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Europe focus:/user/public-us er/Topic of Event Focused on a Country or Continent (if applicable)/Europ e focus X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:13 X-BEDEWORK-IMAGE-X2:800 X-BEDEWORK-IMAGE-Y2:546.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:800 X-BEDEWORK-IMAGE-CROP-HEIGHT:533.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:rouse X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/rousseau(1)_20250314072801PM.jpeg X-BEDEWORK-THUMB-IMAGE:/public/Images/rousseau(1)_20250314072801PM-thumb.p ng END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250314T193048Z DESCRIPTION:HATARI!\n(Howard Hawks\, 1962\, 157 min\, USA\, English\, 35mm )\n\nRare IB-Technicolor 35mm print!\n\n"If there's one film that crystal lizes what critics generally mean when they use the term "Hawksian\," it' s HATARI!\, the director's ambling\, good-natured\, character-driven late film about a motley crew of safari wranglers led by Sean Mercer (John Wa yne) who catch and sell exotic wild animals in the African desert. The fi lm focuses on the bonds formed within a group of men-and in this case\, t wo women-doing daunting physical work in a remote region\, and\, in perha ps the most Hawksian trait of all\, it jettisons plot to fixate almost en tirely on the schmoozing and leisure time. Yet in the absence of high sta kes\, HATARI!relishes in gags and good humor\, much of it generated by th e arrival of a beautiful Italian photographer (Elsa Martinelli) who force s Sean to come to terms with his past struggles with women. Long and digr essive\, the film features some of Hawks' most enjoyable scene constructi on and character building." - Harvard Film Archive\n\n"All in all\, one o f those rare films that genuinely constitutes a 'late masterpiece'." - Ti me Out\n\n"This late masterpiece ... transcends every literary value in t he book to become a brilliantly entertaining and insightful work of pure cinema." - Dave Kehr\, Chicago Reader DTSTAMP:20250318T180857Z DTSTART;TZID=America/New_York:20250417T190000 LAST-MODIFIED:20250318T180857Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--"Hatari!" (Howard Hawks\, 1962) | 35mm Screening UID:CAL-8a000483-92c3adf6-0195-962346c2-00000c26demobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/hatari-howard- hawks-1962-35mm-screening X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-DUKE-SERIES:Screen/Society X-BEDEWORK-IMAGE-X1:180 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1192.5 X-BEDEWORK-IMAGE-Y2:675 X-BEDEWORK-IMAGE-CROP-WIDTH:1012.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:675 X-BEDEWORK-IMAGE-ALT-TEXT:HAT X-BEDEWORK-SUBMITTEDBY:jgw24 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/vlcsnap-2020-01-12-15h54m19s068 kopie_0_20 250314073048PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/vlcsnap-2020-01-12-15h54m19s068 kopi e_0_20250314073048PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Featured CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250414T204847Z DESCRIPTION:A screening of final projects by graduating seniors in the Cin ematic Arts major at Duke: \n\nAllie Brown '25 - "Fish Bowl" and "Bad Sus hi"\nAndrew Cao '25 - "Our Tree"\nYixuan Chang '25 - "Lost in the Mirror" \nIzzy Dudlyke '25 - "Éliphas"\nNik Narain '25 - "Rusk: A Comedy Special by Nik Narain"\nKulsoom Rizavi '25 (dir.) & Jacob Whatley '25 (DP) - "A F uneral for Ice"\n\n*Image from Éliphas DTSTAMP:20250415T150304Z DTSTART;TZID=America/New_York:20250418T190000 LAST-MODIFIED:20250415T150304Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--2025 Cinematic Arts Capstone Screening UID:CAL-8a000483-92c3adf6-0196-360fce38-00001e7cdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/2025-cinematic -arts-capstone-screening X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-IMAGE-X1:123 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1743 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:A white woman with blonde hair wearing an apron sits cross-legged in a dark stable in a still from Izzy Dudlyke&\;#39\ ;s short film\, Éliphas X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/capstone 1_20250414084847PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/capstone 1_20250414084847PM-thumb.pn g X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Featured:/user/public-user/U tilities/Featured END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Main CONTACT;X-BEDEWORK-UID=18832edc-1b4f7314-011b-9d0edffd-0000097c:Okazaki\, Hank X-BEDEWORK-COST:Free and Open to the Public CREATED:20250414T205331Z DESCRIPTION:2025 Duke Independent Film Festival\n\nFounded in December of 2014\, the Duke Independent Film Festival (DIFF) is Duke University's fir st and only campus-wide film festival. An annual event\, the film festiva l accepts short film submissions from any undergraduate or graduate stude nt at Duke University. The purpose of DIFF is to seek out the best filmma kers and storytellers on campus\, providing a platform to foster their ta lents and present their work to the public. \n\nThis screening of short s tudent films will be followed by a presentation of DIFF film awards and C inematic Arts faculty jury awards. DTSTAMP:20250414T205331Z DTSTART;TZID=America/New_York:20250419T160000 LAST-MODIFIED:20250414T205331Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-7020aa9b-000042a4:Rubenstei n Arts Center\, Film Theater STATUS:CONFIRMED SUMMARY:Screen/Society--2025 Duke Independent Film Festival UID:CAL-8a000483-92c3adf6-0196-36142482-00001f3fdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/screensociety/screenings/2025-duke-inde pendent-film-festival X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Student s_DukeIndependentFilmFestival,":Duke Independent Film Festival (DIFF) X-BEDEWORK-IMAGE-X1:146 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1766 X-BEDEWORK-IMAGE-Y2:1080 X-BEDEWORK-IMAGE-CROP-WIDTH:1620 X-BEDEWORK-IMAGE-CROP-HEIGHT:1080 X-BEDEWORK-IMAGE-ALT-TEXT:DIFF logo X-BEDEWORK-SUBMITTEDBY:sab141 for Cinematic Arts (agrp_ArtsandSciences_Fil mVideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/diff_20250414085331PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/diff_20250414085331PM-thumb.png END:VEVENT END:VCALENDAR