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CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:A practical introduction to the manipulation of the characteri stics of light\, in order to modify\, recreate\, or invent light of any k ind. We consider angle\, intensity\, color\, softness\, and falloff as in teracting but separately manipulable parameters. We look at the implicati ons and opportunities in the additive nature of light\, and the manipulat ions involved in achieving common goals of lighting\, such as the control of exposure\, contrast\, and modeling. Lastly\, we make a run at the app lication of these parameters and controls for naturalistic\, motivated\, heightened\, abstract\, and stylized work. DURATION:PT2H DTSTAMP:20240105T134715Z DTSTART;TZID=America/New_York:20240212T150000 LAST-MODIFIED:20240105T134715Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Cinema Lighting Techique UID:CAL-8a018ccf-8b87f80e-018c-d9dde255-0000329ddemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting setup with Hitchcock'\;s hand X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/2024 Spring Lighting Technique thumbnail_2 0240105014555PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2024 Spring Lighting Technique thumb nail_20240105014555PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are taught the deployment and manipulation of C stand s\, baby stands\, combo stands\, apple boxes\, sandbags\, rags\, flags\, bounce\, black foil\, gels\, scrims\, pacmen\, C47's\, grip clips\, Carde llinis\, lollipops\, and the whole menagerie of lighting instruments. Stu dents learn to safely route power\, properly wrap cables\, safely secure stands and their loads against gravity\, uneven ground\, and wind. At the end of this session\, students should be able to work with the heavy equ ipment of film lighting without injuring themselves\, damaging locations or equipment\, tripping breakers\, or setting off sprinkler systems. DURATION:PT2H DTSTAMP:20240105T135059Z DTSTART;TZID=America/New_York:20240218T130000 LAST-MODIFIED:20240105T135059Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Film Lighting Fixtures and Gripping UID:CAL-8a018ccf-8b87f80e-018c-d9e2cedc-000034e0demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:-0.3333333333333144 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting a scene from Nope. X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/2024 Spring Fixtures and Gripping thumbnai l_20240105015059PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2024 Spring Fixtures and Gripping th umbnail_20240105015059PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are taught the deployment and manipulation of C stand s\, baby stands\, combo stands\, apple boxes\, sandbags\, rags\, flags\, bounce\, black foil\, gels\, scrims\, pacmen\, C47's\, grip clips\, Carde llinis\, lollipops\, and the whole menagerie of lighting instruments. Stu dents learn to safely route power\, properly wrap cables\, safely secure stands and their loads against gravity\, uneven ground\, and wind. At the end of this session\, students should be able to work with the heavy equ ipment of film lighting without injuring themselves\, damaging locations or equipment\, tripping breakers\, or setting off sprinkler systems. DURATION:PT2H DTSTAMP:20240105T135158Z DTSTART;TZID=America/New_York:20240219T150000 LAST-MODIFIED:20240105T135158Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Film Lighting Fixtures and Gripping UID:CAL-8a018ccf-8b87f80e-018c-d9e517fc-00003601demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting a scene from Nope. X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/2024 Spring Fixtures and Gripping thumbnai l_20240105015059PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2024 Spring Fixtures and Gripping th umbnail_20240105015059PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop provides a maximalist\, comprehensive overview o f the post-production process. It identifies the tasks to be completed an d the skills required from wrap to delivery\, and suggests practices aime d at accelerating the completion of a project and protecting the particip ant's mental health. We start with the information which might flow into post-production\, including sound and camera media\, script\, notes\, sla te information and camera and and sound recorder metadata. We cover some of the post work which can be done concurrently with production (e.g. "da ilies")\, such as backups\, proxies\, sound syncing\, application of LUTs or color tables\, and pulling selects. Students are walked through the p icture editing process from stringout to picture lock\, with the differen ces implied for various forms of scripted and unscripted work. We look at sound post work from dialog editing through sound design and final mix\, music editing and working with composers\, color grading and VFX. We fin ish with finishing\, marriage of picture and sound\, inclusion of graphic al elements\, and the complications of delivery for various environments\ , standards\, and platforms. At each stage the relevant skills are demons trated in the software tools available to students. The common roles and collaborators are introduced\, including data wrangler\, assistant editor \, editor\, dialog editor\, sound editor\, sound designer\, sound mixer\, foley artist\, VFX artist\, colorist\, and post supervisor-along with so me encouragement for students who will of necessity perform all of these tasks themselves. DURATION:PT2H DTSTAMP:20240105T140258Z DTSTART;TZID=America/New_York:20240225T130000 LAST-MODIFIED:20240105T140258Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Modern Post-Production Film Workflow UID:CAL-8a018ccf-8b87f80e-018c-d9ec2691-000038a4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:-0.3333333333333144 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Eisenstein post-production charts X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/2024 Spring Post-Production thumbnail_2024 0105020258PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2024 Spring Post-Production thumbnai l_20240105020258PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop provides a maximalist\, comprehensive overview o f the post-production process. It identifies the tasks to be completed an d the skills required from wrap to delivery\, and suggests practices aime d at accelerating the completion of a project and protecting the particip ant's mental health. We start with the information which might flow into post-production\, including sound and camera media\, script\, notes\, sla te information and camera and and sound recorder metadata. We cover some of the post work which can be done concurrently with production (e.g. "da ilies")\, such as backups\, proxies\, sound syncing\, application of LUTs or color tables\, and pulling selects. Students are walked through the p icture editing process from stringout to picture lock\, with the differen ces implied for various forms of scripted and unscripted work. We look at sound post work from dialog editing through sound design and final mix\, music editing and working with composers\, color grading and VFX. We fin ish with finishing\, marriage of picture and sound\, inclusion of graphic al elements\, and the complications of delivery for various environments\ , standards\, and platforms. At each stage the relevant skills are demons trated in the software tools available to students. The common roles and collaborators are introduced\, including data wrangler\, assistant editor \, editor\, dialog editor\, sound editor\, sound designer\, sound mixer\, foley artist\, VFX artist\, colorist\, and post supervisor-along with so me encouragement for students who will of necessity perform all of these tasks themselves. DURATION:PT2H DTSTAMP:20240105T140410Z DTSTART;TZID=America/New_York:20240226T150000 LAST-MODIFIED:20240105T140410Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Modern Post-Production Film Workflow UID:CAL-8a018ccf-8b87f80e-018c-d9f041fb-00003acbdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Eisenstein post-production charts X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/2024 Spring Post-Production thumbnail_2024 0105020258PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2024 Spring Post-Production thumbnai l_20240105020258PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop covers the unique tasks of recording sound for m oving pictures\, especially those which separate it from other forms of s ound recording. Students learn the implications of microphone pattern and selection. A variety of body miking techniques\, accessories and expenda bles are demonstrated. Special consideration is given to wireless systems . Boom handling and technique are covered in detail. Students learn recor der and mixer setup\, gain structuring\, and proper monitoring. Overmodul ation\, proximity effects\, off-mic quality\, and phasing are demonstrate d\, with headphones. Students are taught slating\, scratch track\, and ot her production practices\, in the interest of facilitating syncing\, fole ying\, automatic dialog recording\, and other post-production tasks. DURATION:PT2H DTSTAMP:20240105T140125Z DTSTART;TZID=America/New_York:20240304T150000 LAST-MODIFIED:20240105T140125Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Location Sound Recording for Film UID:CAL-8a018ccf-8b87f80e-018c-d9e6e9e2-00003662demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Location Sound Recording X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/2024 Spring Location Sound Recording thumb nail_20240105015601PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/2024 Spring Location Sound Recording thumbnail_20240105015601PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:We begin by examining cameras\, from phone to IMAX\, as a set of connected systems: power\, image taking\, interface\, mount\, processo r\, display\, storage\, lens system\, accessories\, and physical attachme nt points. Students are then shown the manipulation of images with the co mmon controls of cameras. We explore the interaction between gain and noi se\, aperture and depth of field\, focal length and depth of field\, stab ility\, and compression\, shutter speed and motion blur. We introduce the division of labor of a multi-person camera crew\, and how to perform the se roles solo. We close with best practices for the care and feeding of c amera equipment and handling of media in the field. The session is camera -agnostic\; but guides for specific cameras are provided\, and questions about specific camera systems\, lenses\, and accessories are typically ha ndled in the Q&A afterwards. DURATION:PT2H DTSTAMP:20250111T212156Z DTSTART;TZID=America/New_York:20250119T103000 LAST-MODIFIED:20250111T212156Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: The Cinema Camera UID:CAL-8a018ccf-8b87f80e-018c-d9cbd8a9-000030b5demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Agnes Varda at the camera X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Morrison with Camera Bump_small_2025011109 2156PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Morrison with Camera Bump_small_2025 0111092156PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:We begin by examining cameras\, from phone to IMAX\, as a set of connected systems: power\, image taking\, interface\, mount\, processo r\, display\, storage\, lens system\, accessories\, and physical attachme nt points. Students are then shown the manipulation of images with the co mmon controls of cameras. We explore the interaction between gain and noi se\, aperture and depth of field\, focal length and depth of field\, stab ility\, and compression\, shutter speed and motion blur. We introduce the division of labor of a multi-person camera crew\, and how to perform the se roles solo. We close with best practices for the care and feeding of c amera equipment and handling of media in the field. The session is camera -agnostic\; but guides for specific cameras are provided\, and questions about specific camera systems\, lenses\, and accessories are typically ha ndled in the Q&A afterwards. DURATION:PT2H DTSTAMP:20250111T212326Z DTSTART;TZID=America/New_York:20250119T140000 LAST-MODIFIED:20250111T212326Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: The Cinema Camera UID:CAL-8a000483-92c3adf6-0194-57401ac9-000013b1demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Agnes Varda at the camera X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Morrison with Camera Bump_small_2025011109 2156PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Morrison with Camera Bump_small_2025 0111092156PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are shown the surprisingly rich feature set of a mode rn tripod\, and we quickly move through locked-off shots\, fluid head mov es\, full and portable dolly moves\, jib shots\, gimbals\, ad hoc rigs\, and hand-held operating. Qualities of movement such as stability\, feathe ring\, and continuous framing are demonstrated. We cover marking and othe r techniques which enable continuous focus for complex shots. We look at the complications introduced in lighting\, production design\, and sound when camera movement is introduced. DURATION:PT2H DTSTAMP:20250111T212701Z DTSTART;TZID=America/New_York:20250126T103000 LAST-MODIFIED:20250111T212701Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Camera Movement UID:CAL-8a000483-92c3adf6-0194-57436281-00001534demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Rouny-round dolly shot X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Spartacus big jib_20250111085002PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Spartacus big jib_20250111085002PM-t humb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are shown the surprisingly rich feature set of a mode rn tripod\, and we quickly move through locked-off shots\, fluid head mov es\, full and portable dolly moves\, jib shots\, gimbals\, ad hoc rigs\, and hand-held operating. Qualities of movement such as stability\, feathe ring\, and continuous framing are demonstrated. We cover marking and othe r techniques which enable continuous focus for complex shots. We look at the complications introduced in lighting\, production design\, and sound when camera movement is introduced. DURATION:PT2H DTSTAMP:20250111T212846Z DTSTART;TZID=America/New_York:20250126T140000 LAST-MODIFIED:20250111T212846Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Camera Movement UID:CAL-8a000483-92c3adf6-0194-572188e5-00000c84demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Rouny-round dolly shot X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Spartacus big jib_20250111085002PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Spartacus big jib_20250111085002PM-t humb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:A practical introduction to the manipulation of the characteri stics of light\, in order to modify\, recreate\, or invent light of any k ind. We consider angle\, intensity\, color\, softness\, and falloff as in teracting but separately manipulable parameters. We look at the implicati ons and opportunities in the additive nature of light\, and the manipulat ions involved in achieving common goals of lighting\, such as the control of exposure\, contrast\, and modeling. Lastly\, we make a run at the app lication of these parameters and controls for naturalistic\, motivated\, heightened\, abstract\, and stylized work. DURATION:PT2H DTSTAMP:20250111T213053Z DTSTART;TZID=America/New_York:20250202T103000 LAST-MODIFIED:20250111T213053Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Cinema Lighting I UID:CAL-8a000483-92c3adf6-0194-5746efac-00001839demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting setup with Hitchcock&\;amp\;amp\;amp \;amp\;#39\;s hand X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/AC-June-2023-Cover light_20250111085753PM. jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AC-June-2023-Cover light_20250111085 753PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:A practical introduction to the manipulation of the characteri stics of light\, in order to modify\, recreate\, or invent light of any k ind. We consider angle\, intensity\, color\, softness\, and falloff as in teracting but separately manipulable parameters. We look at the implicati ons and opportunities in the additive nature of light\, and the manipulat ions involved in achieving common goals of lighting\, such as the control of exposure\, contrast\, and modeling. Lastly\, we make a run at the app lication of these parameters and controls for naturalistic\, motivated\, heightened\, abstract\, and stylized work. DURATION:PT2H DTSTAMP:20250111T212942Z DTSTART;TZID=America/New_York:20250202T140000 LAST-MODIFIED:20250111T212942Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Cinema Lighting I UID:CAL-8a018ccf-8b87f80e-018c-d9e16537-0000347edemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting setup with Hitchcock&\;amp\;amp\;amp \;#39\;s hand X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/AC-June-2023-Cover light_20250111085753PM. jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AC-June-2023-Cover light_20250111085 753PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are taught the deployment and manipulation of C stand s\, baby stands\, combo stands\, apple boxes\, sandbags\, rags\, flags\, bounce\, black foil\, gels\, scrims\, pacmen\, C47's\, grip clips\, Carde llinis\, lollipops\, and the whole menagerie of lighting instruments. Stu dents learn to safely route power\, properly wrap cables\, safely secure stands and their loads against gravity\, uneven ground\, and wind. At the end of this session\, students should be able to work with the heavy equ ipment of film lighting without injuring themselves\, damaging locations or equipment\, tripping breakers\, or setting off sprinkler systems. DURATION:PT2H DTSTAMP:20250111T213444Z DTSTART;TZID=America/New_York:20250209T103000 LAST-MODIFIED:20250111T213444Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Cinema Lighting II UID:CAL-8a000483-92c3adf6-0194-574a7373-00001a7ddemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting a scene from Nope. X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/True grit courtroom_20250111090141PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/True grit courtroom_20250111090141PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are taught the deployment and manipulation of C stand s\, baby stands\, combo stands\, apple boxes\, sandbags\, rags\, flags\, bounce\, black foil\, gels\, scrims\, pacmen\, C47's\, grip clips\, Carde llinis\, lollipops\, and the whole menagerie of lighting instruments. Stu dents learn to safely route power\, properly wrap cables\, safely secure stands and their loads against gravity\, uneven ground\, and wind. At the end of this session\, students should be able to work with the heavy equ ipment of film lighting without injuring themselves\, damaging locations or equipment\, tripping breakers\, or setting off sprinkler systems. DURATION:PT2H DTSTAMP:20250111T213323Z DTSTART;TZID=America/New_York:20250209T140000 LAST-MODIFIED:20250111T213323Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Cinema Lighting II UID:CAL-8a000483-92c3adf6-0194-572c3148-00000f29demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting a scene from Nope. X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/True grit courtroom_20250111090141PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/True grit courtroom_20250111090141PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop covers the unique tasks of recording sound for m oving pictures\, especially those which separate it from other forms of s ound recording. Students learn the implications of microphone pattern and selection. A variety of body miking techniques\, accessories and expenda bles are demonstrated. Special consideration is given to wireless systems . Boom handling and technique are covered in detail. Students learn recor der and mixer setup\, gain structuring\, and proper monitoring. Overmodul ation\, proximity effects\, off-mic quality\, and phasing are demonstrate d\, with headphones. Students are taught slating\, scratch track\, and ot her production practices\, in the interest of facilitating syncing\, fole ying\, automatic dialog recording\, and other post-production tasks. DURATION:PT2H DTSTAMP:20250111T220129Z DTSTART;TZID=America/New_York:20250216T103000 LAST-MODIFIED:20250111T220129Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Location Sound Recording for Film UID:CAL-8a018ccf-8b87f80e-018c-d9e9b9bc-000037e3demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Location Sound Recording X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Dickson Sound Experiment_20250111091149PM. jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Dickson Sound Experiment_20250111091 149PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop steps through the tasks and skills of sound desi gn for moving pictures\, including dialog editing\, foleying\, and mixing . DURATION:PT2H DTSTAMP:20250111T220109Z DTSTART;TZID=America/New_York:20250216T140000 LAST-MODIFIED:20250111T220109Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Film Sound Design UID:CAL-8a000483-92c3adf6-0194-57505c2e-00001c00demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:530 X-BEDEWORK-IMAGE-Y2:353.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Location Sound Recording X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Listening device_20250111094111PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Listening device_20250111094111PM-th umb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop provides a maximalist\, comprehensive overview o f the post-production process. It identifies the tasks to be completed an d the skills required from wrap to delivery\, and suggests practices aime d at accelerating the completion of a project and protecting the particip ant's mental health. We start with the information which might flow into post-production\, including sound and camera media\, script\, notes\, sla te information and camera and and sound recorder metadata. We cover some of the post work which can be done concurrently with production (e.g. "da ilies")\, such as backups\, proxies\, sound syncing\, application of LUTs or color tables\, and pulling selects. Students are walked through the p icture editing process from stringout to picture lock\, with the differen ces implied for various forms of scripted and unscripted work. We look at sound post work from dialog editing through sound design and final mix\, music editing and working with composers\, color grading and VFX. We fin ish with finishing\, marriage of picture and sound\, inclusion of graphic al elements\, and the complications of delivery for various environments\ , standards\, and platforms. At each stage the relevant skills are demons trated in the software tools available to students. The common roles and collaborators are introduced\, including data wrangler\, assistant editor \, editor\, dialog editor\, sound editor\, sound designer\, sound mixer\, foley artist\, VFX artist\, colorist\, and post supervisor-along with so me encouragement for students who will of necessity perform all of these tasks themselves. DURATION:PT2H DTSTAMP:20250111T214520Z DTSTART;TZID=America/New_York:20250223T103000 LAST-MODIFIED:20250111T214520Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Modern Post-Production Film Workflow UID:CAL-8a000483-92c3adf6-0194-57542683-00001d83demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Eisenstein post-production charts X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Scorcese and Minelli at Moviola_2025011109 1507PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Scorcese and Minelli at Moviola_2025 0111091507PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop covers the goals\, constraints\, methods\, and t ools of color grading and related tasks for motion pictures. DURATION:PT2H DTSTAMP:20250111T215757Z DTSTART;TZID=America/New_York:20250223T140000 LAST-MODIFIED:20250111T215757Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Film Color Grading UID:CAL-8a000483-92c3adf6-0194-57387d0f-0000116ddemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:529.5 X-BEDEWORK-IMAGE-Y2:353 X-BEDEWORK-IMAGE-CROP-WIDTH:529.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:353 X-BEDEWORK-IMAGE-ALT-TEXT:Doyle's color grading work from White Noise X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Doyle White Noise_20250111095757PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Doyle White Noise_20250111095757PM-t humb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:We begin by examining cameras\, from phone to IMAX\, as a set of connected systems: power\, image taking\, interface\, mount\, processo r\, display\, storage\, lens system\, accessories\, and physical attachme nt points. Students participate in demonstrations of image manipulation u sing common camera controls\, and work together in crew roles to perform basic camera operations. We explore the interaction between gain and nois e\, aperture and depth of field\, focal length and depth of field\, stabi lity and compression\, shutter speed and motion blur. We introduce the di vision of labor of a multi-person camera crew\, with students occupying t he various positions\, and follow with how to perform these roles solo. W e close with best practices for the care and feeding of camera equipment and handling of media in the field. The session is camera-agnostic\; but details of specific camera systems\, lenses\, and accessories are discuss ed and demonstrated in the Q&A. DURATION:PT2H DTSTAMP:20250903T114300Z DTSTART;TZID=America/New_York:20250907T140000 LAST-MODIFIED:20250903T114300Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: The Cinema Camera UID:CAL-8a00ec8b-979413b9-0199-0f50ebf3-0000342ademobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:25 X-BEDEWORK-IMAGE-X2:1000 X-BEDEWORK-IMAGE-Y2:691.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:1000 X-BEDEWORK-IMAGE-CROP-HEIGHT:666.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:Vera Chytilova at the camera X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/chytilova-vera-001-with-camera_20250903112 305AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/chytilova-vera-001-with-camera_20250 903112305AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:We begin by examining cameras\, from phone to IMAX\, as a set of connected systems: power\, image taking\, interface\, mount\, processo r\, display\, storage\, lens system\, accessories\, and physical attachme nt points. Students participate in demonstrations of image manipulation u sing common camera controls\, and work together in crew roles to perform basic camera operations. We explore the interaction between gain and nois e\, aperture and depth of field\, focal length and depth of field\, stabi lity and compression\, shutter speed and motion blur. We introduce the di vision of labor of a multi-person camera crew\, with students occupying t he various positions\, and follow with how to perform these roles solo. W e close with best practices for the care and feeding of camera equipment and handling of media in the field. The session is camera-agnostic\; but details of specific camera systems\, lenses\, and accessories are discuss ed and demonstrated in the Q&A. DURATION:PT2H DTSTAMP:20250903T114330Z DTSTART;TZID=America/New_York:20250908T180000 LAST-MODIFIED:20250903T114330Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: The Cinema Camera UID:CAL-8a00ec8b-979413b9-0199-0f525477-0000348cdemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:22 X-BEDEWORK-IMAGE-X2:1000 X-BEDEWORK-IMAGE-Y2:688.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:1000 X-BEDEWORK-IMAGE-CROP-HEIGHT:666.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:Vera Chytilova at the camera X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/chytilova-vera-001-with-camera_20250903112 305AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/chytilova-vera-001-with-camera_20250 903112305AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are shown the surprisingly rich feature set of a mode rn tripod\, and we quickly move through locked-off shots\, fluid head mov es\, full and portable dolly moves\, jib shots\, gimbals\, ad hoc rigs\, and hand-held operating. Qualities of movement such as stability\, feathe ring\, and continuous framing are demonstrated. We cover marking and othe r techniques which enable continuous focus for complex shots. We look at the complications introduced in lighting\, production design\, and sound when camera movement is introduced. DURATION:PT2H DTSTAMP:20250914T121359Z DTSTART;TZID=America/New_York:20250914T140000 LAST-MODIFIED:20250914T121359Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Camera Movement UID:CAL-8a00ec8b-979413b9-0199-4820eb3b-00002773demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:68 X-BEDEWORK-IMAGE-Y1:45 X-BEDEWORK-IMAGE-X2:598 X-BEDEWORK-IMAGE-Y2:398.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Crane shot X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Camera Movement_bigger_20250914121359PM.jp g X-BEDEWORK-THUMB-IMAGE:/public/Images/Camera Movement_bigger_2025091412135 9PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are shown the surprisingly rich feature set of a mode rn tripod\, and we quickly move through locked-off shots\, fluid head mov es\, full and portable dolly moves\, jib shots\, gimbals\, ad hoc rigs\, and hand-held operating. Qualities of movement such as stability\, feathe ring\, and continuous framing are demonstrated. We cover marking and othe r techniques which enable continuous focus for complex shots. We look at the complications introduced in lighting\, production design\, and sound when camera movement is introduced. DURATION:PT2H DTSTAMP:20250914T121425Z DTSTART;TZID=America/New_York:20250915T180000 LAST-MODIFIED:20250914T121425Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Camera Movement UID:CAL-8a00ec8b-979413b9-0199-4825e112-000028f7demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:68 X-BEDEWORK-IMAGE-Y1:45 X-BEDEWORK-IMAGE-X2:598 X-BEDEWORK-IMAGE-Y2:398.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:530 X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Crane shot X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Camera Movement_bigger_20250914121359PM.jp g X-BEDEWORK-THUMB-IMAGE:/public/Images/Camera Movement_bigger_2025091412135 9PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:A practical introduction to the manipulation of the characteri stics of light\, in order to modify\, recreate\, or invent light of any k ind. We consider angle\, intensity\, color\, softness\, and falloff as in teracting but separately manipulable parameters. We look at the implicati ons and opportunities in the additive nature of light\, and the manipulat ions involved in achieving common goals of lighting\, such as the control of exposure\, contrast\, and modeling. Lastly\, we make a run at the app lication of these parameters and controls for naturalistic\, motivated\, heightened\, abstract\, and stylized work. DURATION:PT2H DTSTAMP:20250917T142916Z DTSTART;TZID=America/New_York:20250921T140000 LAST-MODIFIED:20250917T142916Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Cinema Lighting I UID:CAL-8a00ec8b-979413b9-0199-5810ce65-0000284ademobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:32 X-BEDEWORK-IMAGE-X2:1071 X-BEDEWORK-IMAGE-Y2:746 X-BEDEWORK-IMAGE-CROP-WIDTH:1071 X-BEDEWORK-IMAGE-CROP-HEIGHT:714 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting setup with Hitchcock&\;amp\;amp\;amp \;amp\;amp\;amp\;#39\;s hand X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Film Lighting - Strategies and Technique_2 0250917022916PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Film Lighting - Strategies and Techn ique_20250917022916PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:A practical introduction to the manipulation of the characteri stics of light\, in order to modify\, recreate\, or invent light of any k ind. We consider angle\, intensity\, color\, softness\, and falloff as in teracting but separately manipulable parameters. We look at the implicati ons and opportunities in the additive nature of light\, and the manipulat ions involved in achieving common goals of lighting\, such as the control of exposure\, contrast\, and modeling. Lastly\, we make a run at the app lication of these parameters and controls for naturalistic\, motivated\, heightened\, abstract\, and stylized work. DURATION:PT2H DTSTAMP:20250917T143050Z DTSTART;TZID=America/New_York:20250922T180000 LAST-MODIFIED:20250917T143050Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Cinema Lighting I UID:CAL-8a00ec8b-979413b9-0199-5815d9ad-0000296edemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:32 X-BEDEWORK-IMAGE-X2:1071 X-BEDEWORK-IMAGE-Y2:746 X-BEDEWORK-IMAGE-CROP-WIDTH:1071 X-BEDEWORK-IMAGE-CROP-HEIGHT:714 X-BEDEWORK-IMAGE-ALT-TEXT:Leo on Shutter Island set X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Film Lighting - Strategies and Technique_2 0250917022916PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Film Lighting - Strategies and Techn ique_20250917022916PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are taught the deployment and manipulation of C stand s\, baby stands\, combo stands\, apple boxes\, sandbags\, rags\, flags\, bounce\, black foil\, gels\, scrims\, pacmen\, C47's\, grip clips\, Carde llinis\, lollipops\, and the whole menagerie of lighting instruments. Stu dents learn to safely route power\, properly wrap cables\, safely secure stands and their loads against gravity\, uneven ground\, and wind. At the end of this session\, students should be able to work with the heavy equ ipment of film lighting without injuring themselves\, damaging locations or equipment\, tripping breakers\, or setting off sprinkler systems. DURATION:PT2H DTSTAMP:20250925T115805Z DTSTART;TZID=America/New_York:20250928T140000 LAST-MODIFIED:20250925T115805Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Film Lighting Fixtures and Gripping UID:CAL-8a00ec8b-979413b9-0199-80b75fa9-000079e4demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:999 X-BEDEWORK-IMAGE-Y2:666 X-BEDEWORK-IMAGE-CROP-WIDTH:999 X-BEDEWORK-IMAGE-CROP-HEIGHT:666 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting the facets of a diamond. X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Film Lighting - Fixtures and Gripping_2025 0925115805AM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Film Lighting - Fixtures and Grippin g_20250925115805AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:Students are taught the deployment and manipulation of C stand s\, baby stands\, combo stands\, apple boxes\, sandbags\, rags\, flags\, bounce\, black foil\, gels\, scrims\, pacmen\, C47's\, grip clips\, Carde llinis\, lollipops\, and the whole menagerie of lighting instruments. Stu dents learn to safely route power\, properly wrap cables\, safely secure stands and their loads against gravity\, uneven ground\, and wind. At the end of this session\, students should be able to work with the heavy equ ipment of film lighting without injuring themselves\, damaging locations or equipment\, tripping breakers\, or setting off sprinkler systems. DURATION:PT2H DTSTAMP:20250925T120123Z DTSTART;TZID=America/New_York:20250929T180000 LAST-MODIFIED:20250925T120123Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Film Lighting Fixtures and Gripping UID:CAL-8a00ec8b-979413b9-0199-80bfe59f-00007c56demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:999 X-BEDEWORK-IMAGE-Y2:666 X-BEDEWORK-IMAGE-CROP-WIDTH:999 X-BEDEWORK-IMAGE-CROP-HEIGHT:666 X-BEDEWORK-IMAGE-ALT-TEXT:Lighting the facets of a diamond. X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Film Lighting - Fixtures and Gripping_2025 0925115805AM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Film Lighting - Fixtures and Grippin g_20250925115805AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop covers the unique tasks of recording sound for m oving pictures\, especially those which separate it from other forms of s ound recording. Students learn the implications of microphone pattern and selection. A variety of body miking techniques\, accessories and expenda bles are demonstrated. Special consideration is given to wireless systems . Boom handling and technique are covered in detail. Students learn recor der and mixer setup\, gain structuring\, and proper monitoring. Overmodul ation\, proximity effects\, off-mic quality\, and phasing are demonstrate d\, with headphones. Students are taught slating\, scratch track\, and ot her production practices\, in the interest of facilitating syncing\, fole ying\, automatic dialog recording\, and other post-production tasks. DURATION:PT2H DTSTAMP:20251003T115008Z DTSTART;TZID=America/New_York:20251005T140000 LAST-MODIFIED:20251003T115008Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Location Sound Recording for Film UID:CAL-8a00ec8b-979413b9-0199-a9e401b7-000073f2demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:24 X-BEDEWORK-IMAGE-X2:700 X-BEDEWORK-IMAGE-Y2:490.6666666666667 X-BEDEWORK-IMAGE-CROP-WIDTH:700 X-BEDEWORK-IMAGE-CROP-HEIGHT:466.6666666666667 X-BEDEWORK-IMAGE-ALT-TEXT:Location Sound Recording X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Location Sound Recording_20251003115008AM. jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Location Sound Recording_20251003115 008AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop covers the unique tasks of recording sound for m oving pictures\, especially those which separate it from other forms of s ound recording. Students learn the implications of microphone pattern and selection. A variety of body miking techniques\, accessories and expenda bles are demonstrated. Special consideration is given to wireless systems . Boom handling and technique are covered in detail. Students learn recor der and mixer setup\, gain structuring\, and proper monitoring. Overmodul ation\, proximity effects\, off-mic quality\, and phasing are demonstrate d\, with headphones. Students are taught slating\, scratch track\, and ot her production practices\, in the interest of facilitating syncing\, fole ying\, automatic dialog recording\, and other post-production tasks. DURATION:PT2H DTSTAMP:20251003T115145Z DTSTART;TZID=America/New_York:20251006T180000 LAST-MODIFIED:20251003T115145Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Location Sound Recording for Film UID:CAL-8a00ec8b-979413b9-0199-a9e9f417-00007577demobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:24 X-BEDEWORK-IMAGE-X2:700 X-BEDEWORK-IMAGE-Y2:490.6666666666667 X-BEDEWORK-IMAGE-CROP-WIDTH:700 X-BEDEWORK-IMAGE-CROP-HEIGHT:466.6666666666667 X-BEDEWORK-IMAGE-ALT-TEXT:Location Sound Recording X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Location Sound Recording_20251003115008AM. jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Location Sound Recording_20251003115 008AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop provides a maximalist\, comprehensive overview o f the post-production process. It identifies the tasks to be completed an d the skills required from wrap to delivery\, and suggests practices aime d at accelerating the completion of a project and protecting the particip ant's mental health. We start with the information which might flow into post-production\, including sound and camera media\, script\, notes\, sla te information and camera and and sound recorder metadata. We cover some of the post work which can be done concurrently with production (e.g. "da ilies")\, such as backups\, proxies\, sound syncing\, application of LUTs or color tables\, and pulling selects. Students are walked through the p icture editing process from stringout to picture lock\, with the differen ces implied for various forms of scripted and unscripted work. We look at sound post work from dialog editing through sound design and final mix\, music editing and working with composers\, color grading and VFX. We fin ish with finishing\, marriage of picture and sound\, inclusion of graphic al elements\, and the complications of delivery for various environments\ , standards\, and platforms. At each stage the relevant skills are demons trated in the software tools available to students. The common roles and collaborators are introduced\, including data wrangler\, assistant editor \, editor\, dialog editor\, sound editor\, sound designer\, sound mixer\, foley artist\, VFX artist\, colorist\, and post supervisor-along with so me encouragement for students who will of necessity perform all of these tasks themselves. DURATION:PT2H DTSTAMP:20251003T115516Z DTSTART;TZID=America/New_York:20251019T140000 LAST-MODIFIED:20251003T115516Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Modern Post-Production Film Workflow UID:CAL-8a00ec8b-979413b9-0199-a9eb4471-0000763ademobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1274 X-BEDEWORK-IMAGE-Y2:849.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:1274 X-BEDEWORK-IMAGE-CROP-HEIGHT:849.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:Eisenstein post-production charts X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Editng and Post-Production Tools_202510031 15516AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Editng and Post-Production Tools_202 51003115516AM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Movie/Film CATEGORIES:Lecture/Talk CATEGORIES:Workshop/Short Course CATEGORIES:Main CONTACT;X-BEDEWORK-UID=2c918084-740955bc-0174-0e74189c-0000416c:Milligan\, Steve CREATED:20240105T132219Z DESCRIPTION:This workshop provides a maximalist\, comprehensive overview o f the post-production process. It identifies the tasks to be completed an d the skills required from wrap to delivery\, and suggests practices aime d at accelerating the completion of a project and protecting the particip ant's mental health. We start with the information which might flow into post-production\, including sound and camera media\, script\, notes\, sla te information and camera and and sound recorder metadata. We cover some of the post work which can be done concurrently with production (e.g. "da ilies")\, such as backups\, proxies\, sound syncing\, application of LUTs or color tables\, and pulling selects. Students are walked through the p icture editing process from stringout to picture lock\, with the differen ces implied for various forms of scripted and unscripted work. We look at sound post work from dialog editing through sound design and final mix\, music editing and working with composers\, color grading and VFX. We fin ish with finishing\, marriage of picture and sound\, inclusion of graphic al elements\, and the complications of delivery for various environments\ , standards\, and platforms. At each stage the relevant skills are demons trated in the software tools available to students. The common roles and collaborators are introduced\, including data wrangler\, assistant editor \, editor\, dialog editor\, sound editor\, sound designer\, sound mixer\, foley artist\, VFX artist\, colorist\, and post supervisor-along with so me encouragement for students who will of necessity perform all of these tasks themselves. DURATION:PT2H DTSTAMP:20251003T115601Z DTSTART;TZID=America/New_York:20251020T180000 LAST-MODIFIED:20251003T115601Z LOCATION;X-BEDEWORK-UID=2c918086-605dc975-0160-70231505-00004306:Rubenstei n Arts Center\, Studio 232 STATUS:CONFIRMED SUMMARY:Workshop: Modern Post-Production Film Workflow UID:CAL-8a00ec8b-979413b9-0199-a9edda9b-0000775edemobedework@mysite.edu URL:https://cinematicarts.duke.edu/academics/workshops X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Movie_Film:/user/public-user /Arts/Movie_Film X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Workshop_Short_Course:/user/ public-user/Other/Workshop_Short_Course X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Steve Milligan X-BEDEWORK-DUKE-SERIES:Duke Cinematic Arts Filmcraft Workshop Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1274 X-BEDEWORK-IMAGE-Y2:849.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:1274 X-BEDEWORK-IMAGE-CROP-HEIGHT:849.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:Eisenstein post-production charts X-BEDEWORK-SUBMITTEDBY:sam68 for Cinematic Arts (agrp_ArtsandSciences_Film VideoDigitalProgram) X-BEDEWORK-IMAGE:/public/Images/Editng and Post-Production Tools_202510031 15516AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Editng and Post-Production Tools_202 51003115516AM-thumb.png END:VEVENT END:VCALENDAR