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BEGIN:VEVENT

CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20230925T171310Z
DESCRIPTION:The Department of Theater Studies is pleased to host a reading
  of a new play by José Rivera\, an artist in residence working with stude
 nts as part of its New Works Lab series. José Rivera is an award-winning 
 playwright and the first Puerto Rican screenwriter to receive an Oscar no
 mination. \n\nHe has won two Obie Awards for playwriting for "Marisol" an
 d "References to Salvador Dali Make Me Hot\," both produced at The Public
  Theater in New York. His plays "The Promise\," "Each Day Dies with Sleep
 \," "Cloud Techtonics\," "The Street of the Sun\," "Sueño\," "Sonnets for
  an Old Century\," "School of the Americas\," "Brainpeople\," "Giants Hav
 e Us in Their Book\," and "The House of Ramon Iglesia" have been produced
  in theaters across the country and around the world.
DURATION:PT1H30M
DTSTAMP:20230925T171310Z
DTSTART;TZID=America/New_York:20230929T173000
LAST-MODIFIED:20230925T171310Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Lunar Rhapsody
UID:CAL-8a03932d-8a96243a-018a-cd54a3e8-00002768demobedework@mysite.edu
URL:https://theaterstudies.duke.edu/lunar-rhapsody
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Theater:/user/public-user/Ar
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X-BEDEWORK-SPEAKER:José Rivera
X-BEDEWORK-DUKE-SERIES:New Works Lab
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas\, Director of Theater
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X-BEDEWORK-IMAGE-X2:444
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X-BEDEWORK-IMAGE-ALT-TEXT:black and white drawing of a couple holding hand
 s under the night sky
X-BEDEWORK-SUBMITTEDBY:knh4 for Theater Studies (agrp__ArtsandSciences_The
 aterStudies)
X-BEDEWORK-IMAGE:/public/Images/IMAGE_Lunar.Rhapsody_Rivera_jpeg_202309250
 51310PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/IMAGE_Lunar.Rhapsody_Rivera_jpeg_202
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240216T010000Z
CATEGORIES:Visual and Creative Arts
CATEGORIES:Diversity/Inclusion
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
X-BEDEWORK-COST:$10
CREATED:20240201T194433Z
DESCRIPTION:Join us for a thrilling workshow about the ways institutions a
 nd the people within them misinterpret\, undermine\, and partially implem
 ent Diversity\, Equity\, and Inclusion. Part DEI workshop\, part performa
 nce\, and totally funny-but-in-a-frustrating-kind-of-way\, the show asks 
 you\, the audience\, to participate in discussions and activities and the
 n to watch as the topics and tools are twisted by theoretically well-inte
 ntioned community members and leaders to suit their own interpretations. 
 Hopefully\, the show will help us to figure out how and why DEI work some
 times leads to us Discovering Everyone's Issues.
DURATION:PT2H
DTSTAMP:20240215T195457Z
DTSTART;TZID=America/New_York:20240215T200000
LAST-MODIFIED:20240215T195457Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:DEI: Discovering Everyone’s Issues
UID:CAL-8a0292fd-8d13410f-018d-6633975e-00006f2cdemobedework@mysite.edu
URL:https://tickets.duke.edu/Online/default.asp?BOparam::WScontent::loadAr
 ticle::permalink=DEI24&BOparam::WScontent::loadArticle::context_id=
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Theater:/user/public-user/Ar
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Diversity/Inclusion:/user/pu
 blic-user/Topics/Diversity_Inclusion
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SPEAKER:Tom Zhang (Director)
X-BEDEWORK-IMAGE-X1:20
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X-BEDEWORK-IMAGE-ALT-TEXT:DEI
X-BEDEWORK-SUBMITTEDBY:wjg24 for Theater Studies (agrp__ArtsandSciences_Th
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240217T010000Z
CATEGORIES:Visual and Creative Arts
CATEGORIES:Diversity/Inclusion
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
X-BEDEWORK-COST:$10
CREATED:20240201T194433Z
DESCRIPTION:Join us for a thrilling workshow about the ways institutions a
 nd the people within them misinterpret\, undermine\, and partially implem
 ent Diversity\, Equity\, and Inclusion. Part DEI workshop\, part performa
 nce\, and totally funny-but-in-a-frustrating-kind-of-way\, the show asks 
 you\, the audience\, to participate in discussions and activities and the
 n to watch as the topics and tools are twisted by theoretically well-inte
 ntioned community members and leaders to suit their own interpretations. 
 Hopefully\, the show will help us to figure out how and why DEI work some
 times leads to us Discovering Everyone's Issues.
DURATION:PT2H
DTSTAMP:20240215T195617Z
DTSTART;TZID=America/New_York:20240216T200000
LAST-MODIFIED:20240215T195617Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:DEI: Discovering Everyone’s Issues
UID:CAL-8a0292fd-8d13410f-018d-6633975e-00006f2cdemobedework@mysite.edu
URL:https://tickets.duke.edu/Online/default.asp?BOparam::WScontent::loadAr
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Theater:/user/public-user/Ar
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Diversity/Inclusion:/user/pu
 blic-user/Topics/Diversity_Inclusion
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SPEAKER:Tom Zhang (Director)
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X-BEDEWORK-IMAGE-ALT-TEXT:DEI
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X-BEDEWORK-IMAGE:/public/Images/deisquare Large_20240201074433PM.jpeg
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 mb.png
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240218T010000Z
CATEGORIES:Visual and Creative Arts
CATEGORIES:Diversity/Inclusion
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
X-BEDEWORK-COST:$10
CREATED:20240201T194433Z
DESCRIPTION:Join us for a thrilling workshow about the ways institutions a
 nd the people within them misinterpret\, undermine\, and partially implem
 ent Diversity\, Equity\, and Inclusion. Part DEI workshop\, part performa
 nce\, and totally funny-but-in-a-frustrating-kind-of-way\, the show asks 
 you\, the audience\, to participate in discussions and activities and the
 n to watch as the topics and tools are twisted by theoretically well-inte
 ntioned community members and leaders to suit their own interpretations. 
 Hopefully\, the show will help us to figure out how and why DEI work some
 times leads to us Discovering Everyone's Issues.
DURATION:PT2H
DTSTAMP:20240215T195643Z
DTSTART;TZID=America/New_York:20240217T200000
LAST-MODIFIED:20240215T195643Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:DEI: Discovering Everyone’s Issues
UID:CAL-8a0292fd-8d13410f-018d-6633975e-00006f2cdemobedework@mysite.edu
URL:https://tickets.duke.edu/Online/default.asp?BOparam::WScontent::loadAr
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Theater:/user/public-user/Ar
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Diversity/Inclusion:/user/pu
 blic-user/Topics/Diversity_Inclusion
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SPEAKER:Tom Zhang (Director)
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X-BEDEWORK-IMAGE:/public/Images/deisquare Large_20240201074433PM.jpeg
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 mb.png
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240301T010000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
X-BEDEWORK-COST:$10
CREATED:20240201T195322Z
DESCRIPTION:Conceived and directed by Johann Montozzi-Wood \n \nCo-devised
  & performed with Robb Beharry\, Jessica Flemming\, Anthony Hudson\; \nmu
 sical collaborations with Michelle Jamail\, Louis Landry\, Phil Davidson\
 , and David Landes\n \nGrandfathered In is an interdisciplinary research 
 and performance project in which Johann Montozzi-Wood investigates two gr
 eat-grandfathers from different sides of his biracial family: Dunker\, a 
 German immigrant who came to the new world in 1723 to escape religious pe
 rsecution\, and Fuel\, a formerly enslaved Civil War veteran born on a No
 rth Carolina plantation who co-founded an all-Black colony in Kansas. Joh
 ann's genealogical research includes the National Archive's Civil War Pen
 sion Records\, Plantation and Enslavement Documents of Stokes County\, No
 rth Carolina\, and Dunker's preserved Letter of Manumission and travel jo
 urnal. \n \nGrandfathered In is a meditation on ancestral grief and heali
 ng\, queer joy\, migration\, and hope against the backdrop of a fallen ci
 ty. The company of interdisciplinary collaborators present a concert of d
 evised musical fragments and scenes set in the near future. They follow D
 aija (they/them)\, the fictional great-grandchild of Dunker and Fuel\, wh
 o struggles to move on with their life after the paralyzing loss of a bel
 oved caregiver. Through the magic of a queer incognito goddess in the for
 m of mysterious heron\, Daija is transported to a world of dream and conf
 ronted with ancestor beings on a psychic journey at the crossroads of the
  soul. \n \nThis work-in-progress presentation showcases the DNA of the l
 onger piece being developed - a poetic dramaturgy through song\, costume\
 , character\, aerial\, and multimedia performance.
DURATION:PT1H30M
DTSTAMP:20240201T195643Z
DTSTART;TZID=America/New_York:20240229T200000
LAST-MODIFIED:20240201T195643Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Grandfathered In: A Concert of Scenes and Songs
UID:CAL-8a0292fd-8d13410f-018d-663babfd-00006f8ddemobedework@mysite.edu
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Theater:/user/public-user/Ar
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X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240302T010000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
X-BEDEWORK-COST:$10
CREATED:20240201T195322Z
DESCRIPTION:Conceived and directed by Johann Montozzi-Wood \n \nCo-devised
  & performed with Robb Beharry\, Jessica Flemming\, Anthony Hudson\; \nmu
 sical collaborations with Michelle Jamail\, Louis Landry\, Phil Davidson\
 , and David Landes\n \nGrandfathered In is an interdisciplinary research 
 and performance project in which Johann Montozzi-Wood investigates two gr
 eat-grandfathers from different sides of his biracial family: Dunker\, a 
 German immigrant who came to the new world in 1723 to escape religious pe
 rsecution\, and Fuel\, a formerly enslaved Civil War veteran born on a No
 rth Carolina plantation who co-founded an all-Black colony in Kansas. Joh
 ann's genealogical research includes the National Archive's Civil War Pen
 sion Records\, Plantation and Enslavement Documents of Stokes County\, No
 rth Carolina\, and Dunker's preserved Letter of Manumission and travel jo
 urnal. \n \nGrandfathered In is a meditation on ancestral grief and heali
 ng\, queer joy\, migration\, and hope against the backdrop of a fallen ci
 ty. The company of interdisciplinary collaborators present a concert of d
 evised musical fragments and scenes set in the near future. They follow D
 aija (they/them)\, the fictional great-grandchild of Dunker and Fuel\, wh
 o struggles to move on with their life after the paralyzing loss of a bel
 oved caregiver. Through the magic of a queer incognito goddess in the for
 m of mysterious heron\, Daija is transported to a world of dream and conf
 ronted with ancestor beings on a psychic journey at the crossroads of the
  soul. \n \nThis work-in-progress presentation showcases the DNA of the l
 onger piece being developed - a poetic dramaturgy through song\, costume\
 , character\, aerial\, and multimedia performance.
DURATION:PT1H30M
DTSTAMP:20240201T195643Z
DTSTART;TZID=America/New_York:20240301T200000
LAST-MODIFIED:20240201T195643Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Grandfathered In: A Concert of Scenes and Songs
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240303T010000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
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DESCRIPTION:Conceived and directed by Johann Montozzi-Wood \n \nCo-devised
  & performed with Robb Beharry\, Jessica Flemming\, Anthony Hudson\; \nmu
 sical collaborations with Michelle Jamail\, Louis Landry\, Phil Davidson\
 , and David Landes\n \nGrandfathered In is an interdisciplinary research 
 and performance project in which Johann Montozzi-Wood investigates two gr
 eat-grandfathers from different sides of his biracial family: Dunker\, a 
 German immigrant who came to the new world in 1723 to escape religious pe
 rsecution\, and Fuel\, a formerly enslaved Civil War veteran born on a No
 rth Carolina plantation who co-founded an all-Black colony in Kansas. Joh
 ann's genealogical research includes the National Archive's Civil War Pen
 sion Records\, Plantation and Enslavement Documents of Stokes County\, No
 rth Carolina\, and Dunker's preserved Letter of Manumission and travel jo
 urnal. \n \nGrandfathered In is a meditation on ancestral grief and heali
 ng\, queer joy\, migration\, and hope against the backdrop of a fallen ci
 ty. The company of interdisciplinary collaborators present a concert of d
 evised musical fragments and scenes set in the near future. They follow D
 aija (they/them)\, the fictional great-grandchild of Dunker and Fuel\, wh
 o struggles to move on with their life after the paralyzing loss of a bel
 oved caregiver. Through the magic of a queer incognito goddess in the for
 m of mysterious heron\, Daija is transported to a world of dream and conf
 ronted with ancestor beings on a psychic journey at the crossroads of the
  soul. \n \nThis work-in-progress presentation showcases the DNA of the l
 onger piece being developed - a poetic dramaturgy through song\, costume\
 , character\, aerial\, and multimedia performance.
DURATION:PT1H30M
DTSTAMP:20240201T195643Z
DTSTART;TZID=America/New_York:20240302T200000
LAST-MODIFIED:20240201T195643Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Grandfathered In: A Concert of Scenes and Songs
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240405T000000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20240201T203549Z
DESCRIPTION:A story of how our experiences of love\, loss\, and time shape
  our memories and reality.\n\nPerhaps known to some through the Broadway 
 musical of Hadestown\, the mythical love story of Orpheus and Eurydice be
 gins (in some versions) after Orpheus bests the Sirens with his musical s
 kills\, saving Jason's Argonauts from their snare. Orpheus marries his be
 loved Eurydice\, but she dies soon after their wedding. Not content simpl
 y to eulogize Eurydice in song\, Orpheus journeys to the underworld and u
 ses music to muzzle Cerberus\, charm Charon\, and compel Hades\, the God 
 of the Underworld\, to release Eurydice back to the living. On one condit
 ion. Orpheus must walk ahead of Eurydice and not look back until they arr
 ive\, trusting that she is following him. Whether in happiness at their p
 roximity to the upper world or in fear that he has been tricked by Hades 
 and she isn't there\, just as they near the threshold Orpheus turns back.
  Eurydice disappears\, lost to him forever.\n\nIn Sarah Ruhl's version ma
 ny of the elements of the story remain the same\; however\, Eurydice is n
 ow the main character. Wooed by the beautiful musician\, Orpheus\, Eurydi
 ce meets a "nasty interesting man" on her wedding day\, falls down a stai
 rwell and dies. Upon arrival in the underworld\, she meets her Father\, w
 ho had died before her\, but she does not remember him. While Orpheus sea
 rches for a path to her\, her Father attempts to (re)teach Eurydice the m
 eaning of things\, especially his love for her. Arriving in the underworl
 d\, Orpheus convinces the "nasty interesting man\," who takes on the guis
 e of a child (but all are actually Hades) to allow Eurydice to return wit
 h him but the condition not to look back remains. On their journey\, Eury
 dice\, having built a new version of life with her Father\, calls out Orp
 heus' name. He looks back to answer and they are parted again. She return
 s to the Underworld and to her Father\, who has dipped himself in the riv
 er of forgetfulness after she left and does not recognize her. Learning t
 his\, she also dips herself in the river\, just as Orpheus arrives. Again
 . And Orpheus\, too\, finds he does not remember.\n\nTickets will go on s
 ale Feb 20.
DURATION:PT3H
DTSTAMP:20240219T202837Z
DTSTART;TZID=America/New_York:20240404T200000
LAST-MODIFIED:20240219T202837Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Eurydice
UID:CAL-8a0292fd-8d13410f-018d-666285da-000077f7demobedework@mysite.edu
URL:https://tickets.duke.edu/
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Theater:/user/public-user/Ar
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X-BEDEWORK-SPEAKER:Sarah Ruhl (Writer)\, Jules Odendahl-James (Director)
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SUBMITTEDBY:wjg24 for Theater Studies (agrp__ArtsandSciences_Th
 eaterStudies)
RDATE:20240407T180000Z
RDATE:20240414T000000Z
RDATE:20240413T000000Z
RDATE:20240412T000000Z
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240406T000000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20240201T203549Z
DESCRIPTION:A story of how our experiences of love\, loss\, and time shape
  our memories and reality.\n\nPerhaps known to some through the Broadway 
 musical of Hadestown\, the mythical love story of Orpheus and Eurydice be
 gins (in some versions) after Orpheus bests the Sirens with his musical s
 kills\, saving Jason's Argonauts from their snare. Orpheus marries his be
 loved Eurydice\, but she dies soon after their wedding. Not content simpl
 y to eulogize Eurydice in song\, Orpheus journeys to the underworld and u
 ses music to muzzle Cerberus\, charm Charon\, and compel Hades\, the God 
 of the Underworld\, to release Eurydice back to the living. On one condit
 ion. Orpheus must walk ahead of Eurydice and not look back until they arr
 ive\, trusting that she is following him. Whether in happiness at their p
 roximity to the upper world or in fear that he has been tricked by Hades 
 and she isn't there\, just as they near the threshold Orpheus turns back.
  Eurydice disappears\, lost to him forever.\n\nIn Sarah Ruhl's version ma
 ny of the elements of the story remain the same\; however\, Eurydice is n
 ow the main character. Wooed by the beautiful musician\, Orpheus\, Eurydi
 ce meets a "nasty interesting man" on her wedding day\, falls down a stai
 rwell and dies. Upon arrival in the underworld\, she meets her Father\, w
 ho had died before her\, but she does not remember him. While Orpheus sea
 rches for a path to her\, her Father attempts to (re)teach Eurydice the m
 eaning of things\, especially his love for her. Arriving in the underworl
 d\, Orpheus convinces the "nasty interesting man\," who takes on the guis
 e of a child (but all are actually Hades) to allow Eurydice to return wit
 h him but the condition not to look back remains. On their journey\, Eury
 dice\, having built a new version of life with her Father\, calls out Orp
 heus' name. He looks back to answer and they are parted again. She return
 s to the Underworld and to her Father\, who has dipped himself in the riv
 er of forgetfulness after she left and does not recognize her. Learning t
 his\, she also dips herself in the river\, just as Orpheus arrives. Again
 . And Orpheus\, too\, finds he does not remember.\n\nTickets will go on s
 ale Feb 20.
DURATION:PT3H
DTSTAMP:20240219T202837Z
DTSTART;TZID=America/New_York:20240405T200000
LAST-MODIFIED:20240219T202837Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Eurydice
UID:CAL-8a0292fd-8d13410f-018d-666285da-000077f7demobedework@mysite.edu
URL:https://tickets.duke.edu/
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 Thomas Quintas
X-BEDEWORK-SUBMITTEDBY:wjg24 for Theater Studies (agrp__ArtsandSciences_Th
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RDATE:20240407T180000Z
RDATE:20240414T000000Z
RDATE:20240413T000000Z
RDATE:20240412T000000Z
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240406T200000
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20240201T203549Z
DESCRIPTION:A story of how our experiences of love\, loss\, and time shape
  our memories and reality.\n\nPerhaps known to some through the Broadway 
 musical of Hadestown\, the mythical love story of Orpheus and Eurydice be
 gins (in some versions) after Orpheus bests the Sirens with his musical s
 kills\, saving Jason's Argonauts from their snare. Orpheus marries his be
 loved Eurydice\, but she dies soon after their wedding. Not content simpl
 y to eulogize Eurydice in song\, Orpheus journeys to the underworld and u
 ses music to muzzle Cerberus\, charm Charon\, and compel Hades\, the God 
 of the Underworld\, to release Eurydice back to the living. On one condit
 ion. Orpheus must walk ahead of Eurydice and not look back until they arr
 ive\, trusting that she is following him. Whether in happiness at their p
 roximity to the upper world or in fear that he has been tricked by Hades 
 and she isn't there\, just as they near the threshold Orpheus turns back.
  Eurydice disappears\, lost to him forever.\n\nIn Sarah Ruhl's version ma
 ny of the elements of the story remain the same\; however\, Eurydice is n
 ow the main character. Wooed by the beautiful musician\, Orpheus\, Eurydi
 ce meets a "nasty interesting man" on her wedding day\, falls down a stai
 rwell and dies. Upon arrival in the underworld\, she meets her Father\, w
 ho had died before her\, but she does not remember him. While Orpheus sea
 rches for a path to her\, her Father attempts to (re)teach Eurydice the m
 eaning of things\, especially his love for her. Arriving in the underworl
 d\, Orpheus convinces the "nasty interesting man\," who takes on the guis
 e of a child (but all are actually Hades) to allow Eurydice to return wit
 h him but the condition not to look back remains. On their journey\, Eury
 dice\, having built a new version of life with her Father\, calls out Orp
 heus' name. He looks back to answer and they are parted again. She return
 s to the Underworld and to her Father\, who has dipped himself in the riv
 er of forgetfulness after she left and does not recognize her. Learning t
 his\, she also dips herself in the river\, just as Orpheus arrives. Again
 . And Orpheus\, too\, finds he does not remember.\n\nTickets will go on s
 ale Feb 20.
DURATION:PT3H
DTSTAMP:20240219T202837Z
DTSTART;TZID=America/New_York:20240406T200000
LAST-MODIFIED:20240219T202837Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Eurydice
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 Thomas Quintas
X-BEDEWORK-SPEAKER:Sarah Ruhl (Writer)\, Jules Odendahl-James (Director)
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X-BEDEWORK-IMAGE:/public/Images/Eurydice_20240219082837PM.jpeg
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240407T180000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20240201T203549Z
DESCRIPTION:A story of how our experiences of love\, loss\, and time shape
  our memories and reality.\n\nPerhaps known to some through the Broadway 
 musical of Hadestown\, the mythical love story of Orpheus and Eurydice be
 gins (in some versions) after Orpheus bests the Sirens with his musical s
 kills\, saving Jason's Argonauts from their snare. Orpheus marries his be
 loved Eurydice\, but she dies soon after their wedding. Not content simpl
 y to eulogize Eurydice in song\, Orpheus journeys to the underworld and u
 ses music to muzzle Cerberus\, charm Charon\, and compel Hades\, the God 
 of the Underworld\, to release Eurydice back to the living. On one condit
 ion. Orpheus must walk ahead of Eurydice and not look back until they arr
 ive\, trusting that she is following him. Whether in happiness at their p
 roximity to the upper world or in fear that he has been tricked by Hades 
 and she isn't there\, just as they near the threshold Orpheus turns back.
  Eurydice disappears\, lost to him forever.\n\nIn Sarah Ruhl's version ma
 ny of the elements of the story remain the same\; however\, Eurydice is n
 ow the main character. Wooed by the beautiful musician\, Orpheus\, Eurydi
 ce meets a "nasty interesting man" on her wedding day\, falls down a stai
 rwell and dies. Upon arrival in the underworld\, she meets her Father\, w
 ho had died before her\, but she does not remember him. While Orpheus sea
 rches for a path to her\, her Father attempts to (re)teach Eurydice the m
 eaning of things\, especially his love for her. Arriving in the underworl
 d\, Orpheus convinces the "nasty interesting man\," who takes on the guis
 e of a child (but all are actually Hades) to allow Eurydice to return wit
 h him but the condition not to look back remains. On their journey\, Eury
 dice\, having built a new version of life with her Father\, calls out Orp
 heus' name. He looks back to answer and they are parted again. She return
 s to the Underworld and to her Father\, who has dipped himself in the riv
 er of forgetfulness after she left and does not recognize her. Learning t
 his\, she also dips herself in the river\, just as Orpheus arrives. Again
 . And Orpheus\, too\, finds he does not remember.\n\nTickets will go on s
 ale Feb 20.
DURATION:PT3H
DTSTAMP:20240219T202837Z
DTSTART;TZID=America/New_York:20240407T140000
LAST-MODIFIED:20240219T202837Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Eurydice
UID:CAL-8a0292fd-8d13410f-018d-666285da-000077f7demobedework@mysite.edu
URL:https://tickets.duke.edu/
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X-BEDEWORK-SPEAKER:Sarah Ruhl (Writer)\, Jules Odendahl-James (Director)
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SUBMITTEDBY:wjg24 for Theater Studies (agrp__ArtsandSciences_Th
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RDATE:20240407T180000Z
RDATE:20240414T000000Z
RDATE:20240413T000000Z
RDATE:20240412T000000Z
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240412T000000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20240201T203549Z
DESCRIPTION:A story of how our experiences of love\, loss\, and time shape
  our memories and reality.\n\nPerhaps known to some through the Broadway 
 musical of Hadestown\, the mythical love story of Orpheus and Eurydice be
 gins (in some versions) after Orpheus bests the Sirens with his musical s
 kills\, saving Jason's Argonauts from their snare. Orpheus marries his be
 loved Eurydice\, but she dies soon after their wedding. Not content simpl
 y to eulogize Eurydice in song\, Orpheus journeys to the underworld and u
 ses music to muzzle Cerberus\, charm Charon\, and compel Hades\, the God 
 of the Underworld\, to release Eurydice back to the living. On one condit
 ion. Orpheus must walk ahead of Eurydice and not look back until they arr
 ive\, trusting that she is following him. Whether in happiness at their p
 roximity to the upper world or in fear that he has been tricked by Hades 
 and she isn't there\, just as they near the threshold Orpheus turns back.
  Eurydice disappears\, lost to him forever.\n\nIn Sarah Ruhl's version ma
 ny of the elements of the story remain the same\; however\, Eurydice is n
 ow the main character. Wooed by the beautiful musician\, Orpheus\, Eurydi
 ce meets a "nasty interesting man" on her wedding day\, falls down a stai
 rwell and dies. Upon arrival in the underworld\, she meets her Father\, w
 ho had died before her\, but she does not remember him. While Orpheus sea
 rches for a path to her\, her Father attempts to (re)teach Eurydice the m
 eaning of things\, especially his love for her. Arriving in the underworl
 d\, Orpheus convinces the "nasty interesting man\," who takes on the guis
 e of a child (but all are actually Hades) to allow Eurydice to return wit
 h him but the condition not to look back remains. On their journey\, Eury
 dice\, having built a new version of life with her Father\, calls out Orp
 heus' name. He looks back to answer and they are parted again. She return
 s to the Underworld and to her Father\, who has dipped himself in the riv
 er of forgetfulness after she left and does not recognize her. Learning t
 his\, she also dips herself in the river\, just as Orpheus arrives. Again
 . And Orpheus\, too\, finds he does not remember.\n\nTickets will go on s
 ale Feb 20.
DURATION:PT3H
DTSTAMP:20240219T202837Z
DTSTART;TZID=America/New_York:20240411T200000
LAST-MODIFIED:20240219T202837Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Eurydice
UID:CAL-8a0292fd-8d13410f-018d-666285da-000077f7demobedework@mysite.edu
URL:https://tickets.duke.edu/
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Theater:/user/public-user/Ar
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X-BEDEWORK-SPEAKER:Sarah Ruhl (Writer)\, Jules Odendahl-James (Director)
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SUBMITTEDBY:wjg24 for Theater Studies (agrp__ArtsandSciences_Th
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RDATE:20240407T180000Z
RDATE:20240414T000000Z
RDATE:20240413T000000Z
RDATE:20240412T000000Z
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240413T000000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20240201T203549Z
DESCRIPTION:A story of how our experiences of love\, loss\, and time shape
  our memories and reality.\n\nPerhaps known to some through the Broadway 
 musical of Hadestown\, the mythical love story of Orpheus and Eurydice be
 gins (in some versions) after Orpheus bests the Sirens with his musical s
 kills\, saving Jason's Argonauts from their snare. Orpheus marries his be
 loved Eurydice\, but she dies soon after their wedding. Not content simpl
 y to eulogize Eurydice in song\, Orpheus journeys to the underworld and u
 ses music to muzzle Cerberus\, charm Charon\, and compel Hades\, the God 
 of the Underworld\, to release Eurydice back to the living. On one condit
 ion. Orpheus must walk ahead of Eurydice and not look back until they arr
 ive\, trusting that she is following him. Whether in happiness at their p
 roximity to the upper world or in fear that he has been tricked by Hades 
 and she isn't there\, just as they near the threshold Orpheus turns back.
  Eurydice disappears\, lost to him forever.\n\nIn Sarah Ruhl's version ma
 ny of the elements of the story remain the same\; however\, Eurydice is n
 ow the main character. Wooed by the beautiful musician\, Orpheus\, Eurydi
 ce meets a "nasty interesting man" on her wedding day\, falls down a stai
 rwell and dies. Upon arrival in the underworld\, she meets her Father\, w
 ho had died before her\, but she does not remember him. While Orpheus sea
 rches for a path to her\, her Father attempts to (re)teach Eurydice the m
 eaning of things\, especially his love for her. Arriving in the underworl
 d\, Orpheus convinces the "nasty interesting man\," who takes on the guis
 e of a child (but all are actually Hades) to allow Eurydice to return wit
 h him but the condition not to look back remains. On their journey\, Eury
 dice\, having built a new version of life with her Father\, calls out Orp
 heus' name. He looks back to answer and they are parted again. She return
 s to the Underworld and to her Father\, who has dipped himself in the riv
 er of forgetfulness after she left and does not recognize her. Learning t
 his\, she also dips herself in the river\, just as Orpheus arrives. Again
 . And Orpheus\, too\, finds he does not remember.\n\nTickets will go on s
 ale Feb 20.
DURATION:PT3H
DTSTAMP:20240219T202837Z
DTSTART;TZID=America/New_York:20240412T200000
LAST-MODIFIED:20240219T202837Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Eurydice
UID:CAL-8a0292fd-8d13410f-018d-666285da-000077f7demobedework@mysite.edu
URL:https://tickets.duke.edu/
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X-BEDEWORK-SPEAKER:Sarah Ruhl (Writer)\, Jules Odendahl-James (Director)
X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SUBMITTEDBY:wjg24 for Theater Studies (agrp__ArtsandSciences_Th
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RDATE:20240407T180000Z
RDATE:20240414T000000Z
RDATE:20240413T000000Z
RDATE:20240412T000000Z
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20240414T000000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20240201T203549Z
DESCRIPTION:A story of how our experiences of love\, loss\, and time shape
  our memories and reality.\n\nPerhaps known to some through the Broadway 
 musical of Hadestown\, the mythical love story of Orpheus and Eurydice be
 gins (in some versions) after Orpheus bests the Sirens with his musical s
 kills\, saving Jason's Argonauts from their snare. Orpheus marries his be
 loved Eurydice\, but she dies soon after their wedding. Not content simpl
 y to eulogize Eurydice in song\, Orpheus journeys to the underworld and u
 ses music to muzzle Cerberus\, charm Charon\, and compel Hades\, the God 
 of the Underworld\, to release Eurydice back to the living. On one condit
 ion. Orpheus must walk ahead of Eurydice and not look back until they arr
 ive\, trusting that she is following him. Whether in happiness at their p
 roximity to the upper world or in fear that he has been tricked by Hades 
 and she isn't there\, just as they near the threshold Orpheus turns back.
  Eurydice disappears\, lost to him forever.\n\nIn Sarah Ruhl's version ma
 ny of the elements of the story remain the same\; however\, Eurydice is n
 ow the main character. Wooed by the beautiful musician\, Orpheus\, Eurydi
 ce meets a "nasty interesting man" on her wedding day\, falls down a stai
 rwell and dies. Upon arrival in the underworld\, she meets her Father\, w
 ho had died before her\, but she does not remember him. While Orpheus sea
 rches for a path to her\, her Father attempts to (re)teach Eurydice the m
 eaning of things\, especially his love for her. Arriving in the underworl
 d\, Orpheus convinces the "nasty interesting man\," who takes on the guis
 e of a child (but all are actually Hades) to allow Eurydice to return wit
 h him but the condition not to look back remains. On their journey\, Eury
 dice\, having built a new version of life with her Father\, calls out Orp
 heus' name. He looks back to answer and they are parted again. She return
 s to the Underworld and to her Father\, who has dipped himself in the riv
 er of forgetfulness after she left and does not recognize her. Learning t
 his\, she also dips herself in the river\, just as Orpheus arrives. Again
 . And Orpheus\, too\, finds he does not remember.\n\nTickets will go on s
 ale Feb 20.
DURATION:PT3H
DTSTAMP:20240219T202837Z
DTSTART;TZID=America/New_York:20240413T200000
LAST-MODIFIED:20240219T202837Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Eurydice
UID:CAL-8a0292fd-8d13410f-018d-666285da-000077f7demobedework@mysite.edu
URL:https://tickets.duke.edu/
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X-BEDEWORK-STUDENT-CONTACT;X-BEDEWORK-PARAM-EMAIL=thomas.quintas@duke.edu:
 Thomas Quintas
X-BEDEWORK-SUBMITTEDBY:wjg24 for Theater Studies (agrp__ArtsandSciences_Th
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RDATE:20240407T180000Z
RDATE:20240414T000000Z
RDATE:20240413T000000Z
RDATE:20240412T000000Z
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20250214T010000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
X-BEDEWORK-COST:$10
CREATED:20250113T144407Z
DESCRIPTION:"GOOD"\n\nAdapted from "The Good Person of Szechuan" by Bertol
 t Brecht\n\nby Theater Studies Artist-in-Residence Rebecca Wahls\n\nRecep
 tion immediately following at The Landing\, Bryan Center\n\nA Woman is vi
 sited by the Gods and told that if she can't prove she's Good in one year
 \, the world will end. No pressure!! As the Woman balances love\, busines
 s ownership\, and civil responsibility\, the mandate to be Good proves im
 possible... on her own. To preserve her Goodness\, she creates an alter e
 go who isn't afraid to get the job done by any means necessary: the Girl 
 Boss.\n\n"GOOD" explores the measures women take to maintain their identi
 ty in a world that consistently proves they will never be enough\, but al
 so strongly advises them against being too much.\n\nBertolt Brecht's "The
  Good Woman of Setzuan" is reimagined for the 21st century in this ensemb
 le-driven play with an original pop score created by Duke Theater Studies
  Artist-in-Residence Rebecca Wahls.\n\nRebecca Wahls is a director\, writ
 er\, and producer of film\, theatre\, and new media. Her first feature fi
 lm\, "Him\," is currently playing festivals across the US and is the winn
 er of the Director's Award for Best Performance (Ensemble) at the Woods H
 ole Film Festival.\n\nWahls has served as Artistic Associate with Acting 
 for Young People since 2015\, where she wrote and directed over 50 plays 
 for children. In 2017\, Wahls founded the non-profit theatre Who What Whe
 re Productions\, where she produced and directed several world premiere p
 lays including "Spills" by Ruthie Rado\, which has gone on to successful 
 runs in NYC and London. Currently she is developing this old haunt\, a ne
 w musical with Maggie Kane\, SMJ\, and Dillon Feldman. It was a part of t
 he 2022 Season at Fort Salem Theater in Salem\, NY and was a part of the 
 2022-2023 Season at Carnegie Mellon University. It has gone on to become 
 a finalist for 2024's Write Out Loud competition\, be selected to appear 
 in the 2023 Musical Theatre Educators' Alliance's New Works Collaboration
  Catalog\, have a 29-hour reading with Tisch New Theatre at NYU\, be feat
 ured in the Latiné Musical Theatre Lab & Prospect Theater Company's New M
 usicals Mixtape Concert at Chelsea Factory\, and be selected as a Finalis
 t for Parlando School of Musical Arts' 2024 New Musical Project.
DTSTAMP:20250123T213558Z
DTSTART;TZID=America/New_York:20250213T200000
LAST-MODIFIED:20250123T213558Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
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STATUS:CONFIRMED
SUMMARY:Artist-in-Residence Rebecca Wahls “GOOD"
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BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20250215T010000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
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DESCRIPTION:"GOOD"\n\nAdapted from "The Good Person of Szechuan" by Bertol
 t Brecht\n\nby Theater Studies Artist-in-Residence Rebecca Wahls\n\nRecep
 tion immediately following at The Landing\, Bryan Center\n\nA Woman is vi
 sited by the Gods and told that if she can't prove she's Good in one year
 \, the world will end. No pressure!! As the Woman balances love\, busines
 s ownership\, and civil responsibility\, the mandate to be Good proves im
 possible... on her own. To preserve her Goodness\, she creates an alter e
 go who isn't afraid to get the job done by any means necessary: the Girl 
 Boss.\n\n"GOOD" explores the measures women take to maintain their identi
 ty in a world that consistently proves they will never be enough\, but al
 so strongly advises them against being too much.\n\nBertolt Brecht's "The
  Good Woman of Setzuan" is reimagined for the 21st century in this ensemb
 le-driven play with an original pop score created by Duke Theater Studies
  Artist-in-Residence Rebecca Wahls.\n\nRebecca Wahls is a director\, writ
 er\, and producer of film\, theatre\, and new media. Her first feature fi
 lm\, "Him\," is currently playing festivals across the US and is the winn
 er of the Director's Award for Best Performance (Ensemble) at the Woods H
 ole Film Festival.\n\nWahls has served as Artistic Associate with Acting 
 for Young People since 2015\, where she wrote and directed over 50 plays 
 for children. In 2017\, Wahls founded the non-profit theatre Who What Whe
 re Productions\, where she produced and directed several world premiere p
 lays including "Spills" by Ruthie Rado\, which has gone on to successful 
 runs in NYC and London. Currently she is developing this old haunt\, a ne
 w musical with Maggie Kane\, SMJ\, and Dillon Feldman. It was a part of t
 he 2022 Season at Fort Salem Theater in Salem\, NY and was a part of the 
 2022-2023 Season at Carnegie Mellon University. It has gone on to become 
 a finalist for 2024's Write Out Loud competition\, be selected to appear 
 in the 2023 Musical Theatre Educators' Alliance's New Works Collaboration
  Catalog\, have a 29-hour reading with Tisch New Theatre at NYU\, be feat
 ured in the Latiné Musical Theatre Lab & Prospect Theater Company's New M
 usicals Mixtape Concert at Chelsea Factory\, and be selected as a Finalis
 t for Parlando School of Musical Arts' 2024 New Musical Project.
DTSTAMP:20250123T182706Z
DTSTART;TZID=America/New_York:20250214T200000
LAST-MODIFIED:20250123T182706Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
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STATUS:CONFIRMED
SUMMARY:Artist-in-Residence Rebecca Wahls “GOOD"
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BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20250216T010000Z
CATEGORIES:Arts
CATEGORIES:Utilities
CATEGORIES:Theater
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
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CREATED:20250113T144407Z
DESCRIPTION:"GOOD"\n\nAdapted from "The Good Person of Szechuan" by Bertol
 t Brecht\n\nby Theater Studies Artist-in-Residence Rebecca Wahls\n\nRecep
 tion immediately following at The Landing\, Bryan Center\n\nA Woman is vi
 sited by the Gods and told that if she can't prove she's Good in one year
 \, the world will end. No pressure!! As the Woman balances love\, busines
 s ownership\, and civil responsibility\, the mandate to be Good proves im
 possible... on her own. To preserve her Goodness\, she creates an alter e
 go who isn't afraid to get the job done by any means necessary: the Girl 
 Boss.\n\n"GOOD" explores the measures women take to maintain their identi
 ty in a world that consistently proves they will never be enough\, but al
 so strongly advises them against being too much.\n\nBertolt Brecht's "The
  Good Woman of Setzuan" is reimagined for the 21st century in this ensemb
 le-driven play with an original pop score created by Duke Theater Studies
  Artist-in-Residence Rebecca Wahls.\n\nRebecca Wahls is a director\, writ
 er\, and producer of film\, theatre\, and new media. Her first feature fi
 lm\, "Him\," is currently playing festivals across the US and is the winn
 er of the Director's Award for Best Performance (Ensemble) at the Woods H
 ole Film Festival.\n\nWahls has served as Artistic Associate with Acting 
 for Young People since 2015\, where she wrote and directed over 50 plays 
 for children. In 2017\, Wahls founded the non-profit theatre Who What Whe
 re Productions\, where she produced and directed several world premiere p
 lays including "Spills" by Ruthie Rado\, which has gone on to successful 
 runs in NYC and London. Currently she is developing this old haunt\, a ne
 w musical with Maggie Kane\, SMJ\, and Dillon Feldman. It was a part of t
 he 2022 Season at Fort Salem Theater in Salem\, NY and was a part of the 
 2022-2023 Season at Carnegie Mellon University. It has gone on to become 
 a finalist for 2024's Write Out Loud competition\, be selected to appear 
 in the 2023 Musical Theatre Educators' Alliance's New Works Collaboration
  Catalog\, have a 29-hour reading with Tisch New Theatre at NYU\, be feat
 ured in the Latiné Musical Theatre Lab & Prospect Theater Company's New M
 usicals Mixtape Concert at Chelsea Factory\, and be selected as a Finalis
 t for Parlando School of Musical Arts' 2024 New Musical Project.
DTSTAMP:20250123T182706Z
DTSTART;TZID=America/New_York:20250215T200000
LAST-MODIFIED:20250123T182706Z
LOCATION;X-BEDEWORK-UID=8a009144-7fb64372-017f-d67c339d-000026f4:Sheafer L
 ab Theater
STATUS:CONFIRMED
SUMMARY:Artist-in-Residence Rebecca Wahls “GOOD"
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END:VEVENT
END:VCALENDAR