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BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20221003T143610Z
DESCRIPTION:Mark Antliff is Mary Grace Wilson Distinguished Professor Emer
 itus in Duke University's Department of Art\, Art History & Visual Studie
 s. His work has been supported by many awards\, including a Guggenheim Fe
 llowship\, the Institute for Advanced Study in Princeton\, the National H
 umanities Center\, the Stanford Humanities Center\, and the Paul Mellon C
 entre/London. He is the author of multiple books\, including Inventing Be
 rgson: Cultural Politics and the Parisian Avant-Garde\, Avant-Garde Fasci
 sm: The Mobilization of Myth\, Art\, and Culture in France\, 1909-1939\, 
 and\, most recently\, Sculptors Against the State: Anarchism and the Angl
 o-European Avant-Garde. His latest scholarly project is entitled Radical 
 Pacifism and Aesthetics in the Crucible of War: 1936-1950.\n\nSponsored b
 y the Department of Art\, Art History & Visual Studies
DURATION:PT1H30M
DTSTAMP:20221003T143610Z
DTSTART;TZID=America/New_York:20221020T170000
LAST-MODIFIED:20221003T143610Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Anarchist Nominalism:  Bergson\, Art and Ideology”
UID:CAL-8a0183a7-83184018-0183-9e469c52-000074b1demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Mark Antliff (Mary Grace Wilson Distinguished Professor
  Emeritus of Art\, Art History & Visual Studies Department of Art\, Art H
 istory & Visual Studies Duke University)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1242
X-BEDEWORK-IMAGE-Y2:828
X-BEDEWORK-IMAGE-CROP-WIDTH:1242
X-BEDEWORK-IMAGE-CROP-HEIGHT:828
X-BEDEWORK-IMAGE-ALT-TEXT:Antliff Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Antliff_20221
 003023610PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Antliff
 _20221003023610PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20221013T164724Z
DESCRIPTION:Leah Sobsey's multidisciplinary photographic practice reaches 
 into the fields of science\, design\, installation\, and textile. Her pho
 to-based work explores the natural world through archives and taxonomies 
 with an experimental and materials-based approach to the medium of photog
 raphy. Often partnering with scientists\, she uses a historical\, scienti
 fic\, and artistic lens\, to understand the connection to plant and anima
 l loss as one indication of the larger climatological perils we face as a
  species. She is interested in creating dialog between art and science an
 d has spent the last decade-plus photographing specimens from National Pa
 rk and university museum collections across the country to understand cli
 mate change and species loss. Sobsey works in 19th-century photographic p
 rocesses combined with digital technology with a specialty in plant-based
  printing techniques. \n\nSobsey shows nationally and internationally in 
 galleries\, public spaces\, and museums\; her current exhibition document
 ing species loss through Henry David Thoreau's herbarium\, In Search of T
 horeau's Flowers is open through November 2023 at The Harvard Museum of N
 atural History. Her work is held in private and public collections across
  the country. She received her BA from Guilford College and MFA from the 
 San Francisco Art Institute.\n\nThis talk will take place in Room A266 Ba
 y 10 on the second floor of Smith Warehouse. Free and open to the public.
 
DURATION:PT1H30M
DTSTAMP:20221017T165204Z
DTSTART;TZID=America/New_York:20221025T170000
LAST-MODIFIED:20221017T165204Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Collections”
UID:CAL-8a0183a7-83184018-0183-d23e59d6-00004e31demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Leah Sobsey (Associate Professor of Photography Curator
  and Director of the Gatewood Gallery  University of North Carolina\, Gre
 ensboro)
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Speaker Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\;amp\;amp\
 ;amp\;amp\; Visual Studies (agrp_ArtsandSciences_ArtArtHistoryandVisualSt
 udies)
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1242
X-BEDEWORK-IMAGE-Y2:828
X-BEDEWORK-IMAGE-CROP-WIDTH:1242
X-BEDEWORK-IMAGE-CROP-HEIGHT:828
X-BEDEWORK-IMAGE-ALT-TEXT:Sobsey Poster
X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Sobsey_20221017045204
 PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Sobsey_20221017
 045204PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20221025T201323Z
DESCRIPTION:This lecture will focus on the cross-disciplinary work of the 
 artist and musician Kim Gordon. Focusing upon Gordon's early critical wri
 tings (which Joseph edited in 2014) and hybrid artistic practice with suc
 h collaborators as Vikky Alexander and Dan Graham\, the talk will elucida
 te Gordon's subtle engagements with the legacies of modernist design\, ap
 propriationist practice\, and postmodern discourse\, as well as her perce
 ptive deployments of punk rock icons and pop-cultural fandom.\n\nBranden 
 W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art
  at Columbia University in New York and a founding editor of the quarterl
 y academic journal Grey Room. He is the author of five books-including Ra
 ndom Order: Robert Rauschenberg and the Neo-Avant-Garde (2003)\; Beyond t
 he Dream Syndicate: Tony Conrad and the Arts after Cage (2008)\; and Expe
 rimentations: John Cage in Music\, Art\, and Architecture (2016)-and edit
 or of three\, including Kim Gordon: Is It My Body? (2014) and Carolee Sch
 neemann: Uncollected Texts (2018). In addition\, he has written widely on
  a variety of figures within the fields of art\, music\, and cinema\, inc
 luding Seth Price\, Andy Warhol\, Lee Lozano\, Jutta Koether\, Mike Kelle
 y\, Hilma af Klint\, and Angela Bulloch. He is a 2019 Guggenheim Fellow a
 nd was also awarded a Paul Mellon Visiting Senior Fellowship from the Cen
 ter for Advanced Study in the Visual Arts at the National Gallery of Art 
 in 2019.  Currently\, he is at work on a large\, historical exhibition of
  artists who have produced 'zines for the Brooklyn Museum.\n\nThis talk w
 ill take place in room A266 Bay 10 on the second floor of Smith Warehouse
 . Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20221025T201706Z
DTSTART;TZID=America/New_York:20221103T163000
LAST-MODIFIED:20221025T201706Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Art and Dirt: Kim Gordon’s Aesthetics of Impurity”
UID:CAL-8a0183a7-83184018-0184-10c73dc4-00002123demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-SPEAKER:Branden W. Joseph (Frank Gallipoli Professor of Modern 
 and Contemporary Art at Columbia University)
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Art History Speaker Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1242
X-BEDEWORK-IMAGE-Y2:828
X-BEDEWORK-IMAGE-CROP-WIDTH:1242
X-BEDEWORK-IMAGE-CROP-HEIGHT:828
X-BEDEWORK-IMAGE-ALT-TEXT:Joseph Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Joseph_202210
 25081323PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Joseph_
 20221025081323PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20221109T190539Z
DESCRIPTION:Richard "Ricky" Armendariz (b. 1969\, El Paso\, Texas) was rai
 sed on the U.S.-Mexico border\, a region that heavily influenced his arti
 stic\, aesthetic\, and conceptual ideas.  Images that have cultural\, bio
 graphical\, and art historical references are carved and burned into the 
 surface of the paintings\, drawings\, and wood blocks.  He received his B
 FA from The University of Texas at San Antonio (1995)\, and his MFA from 
 the University of Colorado at Boulder (1999).  Armendariz is currently a 
 professor at The University of Texas at San Antonio.  \n\nIn 2008\, he re
 ceived the Artpace Supplemental Travel Grant for travel to Mexico City\, 
 Mexico\; in 2013 was an artist in residence at Kunstlerhaus Bethanien\, B
 erlin Germany\; and in 2018 Anderson Ranch in Snowmass Village\, CO.  In 
 2017 he was the first artist in residence at the DoSeum in San Antonio\, 
 TX.   He has exhibited at the Denver Art Museum\, The Dallas Contemporary
 \, The Blue Star Art Center in San Antonio\, and Mexic-Arte Museum in Aus
 tin.  International exhibitions include: Liminal Space\, DMZ Museum\, Sou
 th Korea (2018)\, Common Wounds\, Bethlehem and Tel Aviv (2005)\, and "Ne
 w Prints" Kunstlerhaus Bethanien \, Berlin Germany (2013)\, Texas Contemp
 orary Art"\, Lalit Kala Academy\, National Academy of Art\, New Delhi\, I
 ndia(2015).  He is in the permanent collections of the San Antonio Museum
  of Art\; McNay Art Museum\; Denver Art Museum\; Davis Museum\, Wellesley
  College\, MA\; the Bush International Airport Houston Art Collection\; a
 nd The Cheech Marin Collection\, The Cheech Marin Center for Chicano Art 
 & Culture\, Riverside\, CA.\n\n\nhttps://www.andersonranch.org/events/vis
 iting-artist-ricky-armendariz/\n\nhttps://glasstire.com/2022/03/07/five-m
 inute-tours-richard-ricky-amendariz-at-nicole-longnecker-gallery-houston/
 \n\nTalk will take place in Room A266 Bay 10 on the second floor of Smith
  Warehouse. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20221109T190539Z
DTSTART;TZID=America/New_York:20221115T170000
LAST-MODIFIED:20221109T190539Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:AAHVS Visiting Artist Talk with Richard “Ricky” Armendariz
UID:CAL-8a0183a7-83184018-0184-5dc8a069-0000003fdemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Richard “Ricky” Armendariz (Professor\, University of T
 exas at San Antonio)
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1242
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X-BEDEWORK-IMAGE-CROP-HEIGHT:828
X-BEDEWORK-IMAGE-ALT-TEXT:Armendariz Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Armendariz_2022110907
 0539PM.jpg
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 1109070539PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Other
CATEGORIES:Utilities
CATEGORIES:Reception
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20230227T184210Z
DESCRIPTION:This event is for current and interested students in the Depar
 tment of Art\, Art History & Visual Studies. Chair Paul Jaskot will discu
 ss the department with refreshments to follow. Event will take place in R
 oom A266 Bay 10 on the second floor of Smith Warehouse from 3:30-5:30pm.
DURATION:PT2H
DTSTAMP:20230227T184210Z
DTSTART;TZID=America/New_York:20230202T153000
LAST-MODIFIED:20230227T184210Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Art\, Art History & Visual Studies Majors and Minors Open House
UID:CAL-8a0290b4-860465b2-0186-942ea70f-0000274fdemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/
 Other/Reception
X-BEDEWORK-SPEAKER:Paul Jaskot\, AAHVS Department Chair
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X-BEDEWORK-IMAGE-CROP-HEIGHT:605.3333333333334
X-BEDEWORK-IMAGE-ALT-TEXT:Open House Flyer
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230227064210PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230227064210PM
 -thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Other
CATEGORIES:Utilities
CATEGORIES:Reception
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20230227T191433Z
DESCRIPTION:This event is for current and interested students in the Depar
 tment of Art\, Art History & Visual Studies. Chair Paul Jaskot will discu
 ss the department with refreshments to follow. The event will take place 
 in Room A266 Bay 10 on the second floor of Smith Warehouse.
DURATION:PT2H
DTSTAMP:20230227T191433Z
DTSTART;TZID=America/New_York:20230202T153000
LAST-MODIFIED:20230227T191433Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Art\, Art History & Visual Studies Majors and Minors Open House
UID:CAL-8a0290b4-860465b2-0186-944c4dad-00002c15demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/
 Other/Reception
X-BEDEWORK-SPEAKER:Paul Jaskot\, AAHVS Dept Chair
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X-BEDEWORK-IMAGE-ALT-TEXT:Open House Flyer
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Other
CATEGORIES:Utilities
CATEGORIES:Reception
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20230228T183618Z
DESCRIPTION:This event is for current and interested students in the Depar
 tment of Art\, Art History & Visual Studies. AAHVS Department Chair Paul 
 Jaskot will discuss the department with refreshments to follow. The event
  will take place in room A266 Bay 10 on the second floor of Smith Warehou
 se.
DURATION:PT2H
DTSTAMP:20230228T183656Z
DTSTART;TZID=America/New_York:20230302T153000
LAST-MODIFIED:20230228T183656Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Art\, Art History & Visual Studies Majors and Minors Open House
UID:CAL-8a0290b4-860465b2-0186-994fa5bc-00005c0bdemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/
 Other/Reception
X-BEDEWORK-SPEAKER:Paul Jaskot\, AAHVS Dept Chair
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X-BEDEWORK-IMAGE-ALT-TEXT:Open House Flyer
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230228063618PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230228063618PM
 -thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20230901T175418Z
DESCRIPTION:This lecture considers the work of the eighteenth-century natu
 ralist Maria Sibylla Merian\, who travelled to Suriname to study butterfl
 ies and moths. Merian focused on insects to comprehend the human\, and pa
 rticularly reproduction. Yet during her time in Suriname\, her work engag
 es with the crisis of reproduction\, privacy\, domesticity\, and kinship 
 within the economy of the plantation. This lecture considers the impossib
 le-to-figure yet present interiors of the Dutch plantation in Merian's wo
 rk\, which make palpable the fragility of mythologies around privacy in m
 odern constructions of self\, and the complicated legacy of privacy withi
 n histories of reproductive rights.\n\nThis lecture is free and open to t
 he public.
DURATION:PT1H30M
DTSTAMP:20230908T164100Z
DTSTART;TZID=America/New_York:20230913T170000
LAST-MODIFIED:20230908T164100Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Maria Sibylla Merian and the Crisis of the Plantation Domestic Int
 erior
UID:CAL-8a02906b-8a0a73d8-018a-51e1ad0d-00005b73demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Caroline Fowler (Starr Director\, Research and Academic
  Program (RAP)\, The Clark Institute Lecturer in Art History\, Williams C
 ollege)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
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X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1242
X-BEDEWORK-IMAGE-Y2:828
X-BEDEWORK-IMAGE-CROP-WIDTH:1242
X-BEDEWORK-IMAGE-CROP-HEIGHT:828
X-BEDEWORK-IMAGE-ALT-TEXT:Fowler Poster
X-BEDEWORK-IMAGE:/public/Images/2023AAHVS_LectureSeries_fall_Fowler_202309
 08044100PM.jpg
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 20230908044100PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20231027T191839Z
DESCRIPTION:Following a decade and a half of establishing their internatio
 nal artistic and musical solo careers\, Marlena Novak and Jay Alan Yim fo
 unded localStyle in 2000 as a platform for collaboration\, addressing iss
 ues of climate change and extractivism and expanding to focus on non-huma
 n others via themes such as the mating behavior of non-binary marine flat
 worms\, the sonification of electric fish\, speculative blackbird grammar
 \, the illusory logic underlying human taxonomic systems\, and the crisis
  facing coral reefs\, whom they consider the voice of the Anthropocene. T
 heir intermedia works-a practice that includes experimental 3D animation\
 , 3D printing\, processed video\, digital sound\, interactive installatio
 ns\, live performance with electronics\, audience participation\, and sit
 e-specific sculpture-have been presented in museums\, galleries\, alterna
 tive venues\, and festivals in more than fifty cities worldwide from Abu 
 Dhabi to Warsaw. Collectively they have received grants\, awards\, and co
 mmissions from the Arts Council of Great Britain\, National Endowment for
  the Arts\, Guggenheim Foundation\, Kennedy Center\, New York State Counc
 il on the Arts\, DCASE\, and others. \n \nThis talk is free and open to t
 he public.
DURATION:PT1H30M
DTSTAMP:20231108T150100Z
DTSTART;TZID=America/New_York:20231109T173000
LAST-MODIFIED:20231108T150100Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Sparking Stewardship”
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-SPEAKER:Marlena Novak and Jay Alan Yim  “localStyle”
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\;amp\;amp\
 ;amp\;amp\;amp\;amp\;amp\;amp\;amp\; Visual Studies (agrp_ArtsandSciences
 _ArtArtHistoryandVisualStudies)
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X-BEDEWORK-IMAGE-CROP-WIDTH:1242
X-BEDEWORK-IMAGE-CROP-HEIGHT:828
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20240223T175205Z
DESCRIPTION:(Reception to follow at the Rubenstein Arts Center)\n \nThe te
 rm "synaptic" is fundamentally anchored in the field of neuroscience\, wh
 ere it delineates the junctures through which nerve impulses traverse fro
 m one neuron to another. This process is instrumental in constructing the
  intricate web of communications that form the basis of our cognitive fun
 ctions\, including thought\, memory\, and emotion. Within the realm of "s
 ynaptic sculpture\," this neuroscientific principle is leveraged to eluci
 date the profound impact of art on human sensation\, perception\, emotion
 \, and behavior. Yoldas' presentation will delve into a selection of her 
 artworks created from 2017 onwards and will culminate in a discussion of 
 her latest focus on photobioreactor design.\n \nDr. Pinar Yoldas (Duke Ph
 .D. '16) is an infradisciplinary architect /Designer/Artist/researcher. H
 er work engages biological sciences and digital technologies with a focus
  on environmental justice and feminist techno-science. Yoldas is a 2015 J
 ohn Simon Guggenheim Fellow\, a 2016 FEAT Award winner\, and a 2018 Hellm
 an Fellow. \n \nSponsored by the Department of Art\, Art History & Visual
  Studies Visiting Artist Series. Co-sponsored by Information Science + St
 udies\, Computational Media\, Arts & Cultures (CMAC)\, Program in Literat
 ure\, and the S-1 Speculative Sensation Lab at Duke University.
DURATION:PT1H
DTSTAMP:20240223T175205Z
DTSTART;TZID=America/New_York:20240229T161500
LAST-MODIFIED:20240223T175205Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Synaptic Sculpture”
UID:CAL-8a0292fd-8d13410f-018d-d7188bd5-00003ec4demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
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 iaArtsCultures,/principals/users/agrp__ArtsandSciences_ISIS,/principals/u
 sers/agrp__ArtsandSciences_Literature,":Computational Media\, Arts & Cult
 ures\,Information Science + Studies (ISS)\,Literature
X-BEDEWORK-SPEAKER:Pinar Yoldas\, Associate Professor of Visual Arts\, Uni
 versity of California San Diego
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1242
X-BEDEWORK-IMAGE-Y2:828
X-BEDEWORK-IMAGE-CROP-WIDTH:1242
X-BEDEWORK-IMAGE-CROP-HEIGHT:828
X-BEDEWORK-IMAGE-ALT-TEXT:Yoldas Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Yoldas_20240223055205
 PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Yoldas_20240223
 055205PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20240408T171806Z
DESCRIPTION:Miler Lagos was born in 1973 in Bogota\, where he lives and wo
 rks\, he studied fine arts at the Universidad Nacional de Colombia and Me
 chanical Engineering at the Universidad de America\, both in Bogota. His 
 work seems to focus on the conflict between the original and its copy\, h
 e explores how nature is affected by cultural production\, and his choice
  of material or subject matter frequently in both notions of tradition\, 
 and local environment of specific political concerns.
DURATION:PT1H30M
DTSTAMP:20240408T171806Z
DTSTART;TZID=America/New_York:20240411T170000
LAST-MODIFIED:20240408T171806Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:¨On the path of the messenger¨
UID:CAL-8a0292fd-8d13410f-018e-beb7989e-000015fbdemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_arts_Th
 eRuby,":Duke Arts
X-BEDEWORK-SPEAKER:Miler Lagos
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Centennial
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:University Events
CATEGORIES:Utilities
CATEGORIES:Conference/Symposium
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20240402T193318Z
DESCRIPTION:This symposium seeks to present a critical discussion by some 
 of our alumni about art and visual culture in their life/at Duke/in the w
 orld. What was the art world they came into\, i.e. before Duke or as they
  were turning to the arts at Duke? What was the art world for them at Duk
 e? After Duke\, what changed in their art world and/or their participatio
 n in the arts?\n\nAs part of these reflections\, we asked the speakers to
  focus on critical themes related to questions of justice and equity\, an
 d to discuss experiences/work/histories related to bias and the arts\, en
 vironment and resources\, art and the Anthropocene\, digital accessibilit
 y and divides\, globalization and de-colonization\, patriarchy\, and clas
 s inequality.\n\n\n2:00 PM	 	Opening Remarks \nSoohyun Yoon\, Instructor 
 (Art History Ph.D.\, '23)\n\n			Introduction \nPaul B. Jaskot\, Professor
  and Chair\n\n\n2:15-3:45 		Panel I - Possibilities and Priorities in Con
 temporary Visual Culture\nModerator: Stephen Hayes\, Esbenshade Assistant
  Professor of the Practice\n\nShifting Priorities in a Contested Europe: 
 Contemporary Art in the Former Yugoslav Space and its Diasporas\nJasmina 
 Tumbas (Art History Ph.D.\, '13\; University at Buffalo)\n\nMy Art Histor
 y\nBishop Ortega (Master of Fine Arts in Experimental & Documentary Arts\
 , '20\; independent artist)\nAdvocating for Artful Photography in Editori
 al and Advertising. \nMaya Robinson (Visual & Media Studies B.A.\, '11\; 
 Apple)\n\nMachine Learning and Deep Remixability\nQuran Karriem (Computat
 ional Media\, Arts & Cultures Ph.D.\, '23\; Samuel DuBois Cook Center on 
 Social Equity at Duke University)\n\n3:45-4:05		Discussion \nRespondent: 
 Shambhavi Kaul\, Associate Professor of the Practice\n\n\n4:05-4:25		Coff
 ee Break \n\n\n4:25-5:25		Panel II - Environment\, Community\, and Art \n
 Moderator: John J. Taormina\, Curator of Visual Resources \n\nIntersectio
 ns-Art History and Interdisciplinarity in the Classroom\nElizabeth Baltes
  (Art History Ph.D.\, '16\; Coastal Carolina University) \n\nMuddy Boots 
 \nCharles Sparkman (Art History B.A.\, '09\; Quinn Evans)\n\nPresente: Fi
 nding Community in the Art World\nSusanna V. Temkin (Art History B.A.\, '
 07\; El Museo del Barrio)\n\n5:25¬-5:45		Discussion \nRespondent: Mark Ol
 son\, Associate Professor of the Practice\n\n5:45-5:50		Closing Remarks \
 nSoohyun Yoon\, Instructor (Art History Ph.D.\, '23)\n\n5:50-			Reception
 
DURATION:PT4H
DTSTAMP:20240403T182530Z
DTSTART;TZID=America/New_York:20240412T140000
LAST-MODIFIED:20240403T182530Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:100 Years of History\, Practice\, and Theory: Celebrating Art\, Ar
 t History\, and Visual Studies at Duke University
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Conference_Symposium:/user/p
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Centennial:/user/public-user
 /University Events/Centennial
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_CompMed
 iaArtsCultures,/principals/users/agrp_JHFC_FranklinHumanitiesInstitute,/p
 rincipals/users/agrp_MFAEDA,/principals/users/agrp__ArtsandSciences_Trini
 tyCollege,":Computational Media\, Arts &amp\; Cultures\,Franklin Humaniti
 es Institute (FHI)\,Master of Fine Arts in Experimental &amp\; Documentar
 y Arts (MFAEDA)\,Trinity College
X-BEDEWORK-SPEAKER:Jasmina Tumbas (Art History Ph.D.\, ’13\; University at
  Buffalo)\, Bishop Ortega (Master of Fine Arts in Experimental & Document
 ary Arts\, ’20\; independent artist)\, Maya Robinson (Visual & Media Stud
 ies B.A.\, ’11\; Apple)\, Quran Karriem (Computational Media\, Arts & Cul
 tures Ph.D.\, ’23\; Samuel DuBois Cook Center on Social Equity at Duke Un
 iversity)\, Elizabeth Baltes (Art History Ph.D.\, ’16\; Coastal Carolina 
 University)\, Charles Sparkman (Art History B.A.\, ’09\; Quinn Evans)\, S
 usanna V. Temkin (Art History B.A.\, ’07\; El Museo del Barrio)
X-BEDEWORK-DUKE-SERIES:Department of Art\, Art History & Visual Studies  A
 lumni Centennial Symposium
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20240828T171113Z
DESCRIPTION:Łukasz Stanek has authored Henri Lefebvre on Space: Architectu
 re\, Urban Research\, and the Production of Theory (Minnesota\, 2011) and
  Architecture in Global Socialism: Eastern Europe\, West Africa\, and the
  Middle East in the Cold War (Princeton\, 2020). Stanek taught at the ETH
  Zurich\, the University of Manchester\, and held guest appointments at H
 arvard University and the University of Ghana at Legon. He co-curated the
  exhibition The Gift: Stories of Generosity and Violence in Architecture 
 at the Architekturmuseum der TUM in Munich (2024). \n\nLecture is free an
 d open to the public.
DURATION:PT1H30M
DTSTAMP:20240904T141652Z
DTSTART;TZID=America/New_York:20240912T170000
LAST-MODIFIED:20240904T141652Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Architecture in Global Socialism: Eastern Europe\, West Africa\, 
 and the Middle East in the Cold War”
UID:CAL-8a00048d-91324965-0191-99f850a1-00007785demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Łukasz Stanek (Professor of Architectural History\, Alf
 red Taubman College of Architecture and Urban Planning at the University 
 of Michigan\, Ann Arbor\, MI)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
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X-BEDEWORK-IMAGE-CROP-WIDTH:955.5
X-BEDEWORK-IMAGE-CROP-HEIGHT:637
X-BEDEWORK-IMAGE-ALT-TEXT:Stanek Poster
X-BEDEWORK-IMAGE:/public/Images/2024AAHVS_LectureSeries_fall_Stanek2_20240
 904021653PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/2024AAHVS_LectureSeries_fall_Stanek2
 _20240904021653PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20240913T172551Z
DESCRIPTION:Following an autobiographical trajectory\, the talk examines a
  cumulative body of work which challenges the bounds of a medium deeply r
 ooted in tradition through the visual study and application of queer theo
 ry. Queer camp sensibilities\, DIY Mid-Century inspired aesthetics\, and 
 optimism appropriated from Space Age era propaganda are investigated as c
 onduits for cultivating authenticity in the labor of futuring. \n \nJusti
 n Quaid Grubb is from Bloomington\, IN. He earned his BFA in Ceramics fro
 m the Herron School of Art and Design at Indiana University Indianapolis 
 in 2019 and in 2021 he earned an MFA in Ceramics from the Rhode Island Sc
 hool of Design. From 2021-23 Grubb worked as Ceramics Faculty and Lab Coo
 rdinator at the University of West Florida. Currently\, he is an Assistan
 t Professor of Studio Art at Stetson University in DeLand\, FL. Since rel
 ocating to Florida in 2021\, Grubb has exhibited across the south from Do
 than\, AL to Tampa\, FL\, with solo exhibitions at Good Children Gallery 
 in New Orleans\, LA and TAG (The Art Gallery) at the University of West F
 lorida in Pensacola.
DURATION:PT1H30M
DTSTAMP:20240916T172516Z
DTSTART;TZID=America/New_York:20240926T173000
LAST-MODIFIED:20240916T172516Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:"GLORY BE THE QUEERS"
UID:CAL-8a00048d-91324965-0191-ec6b7812-00002cf8demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Justin Quaid Grubb (Assistant Professor of Studio Art a
 t Stetson University)
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1242
X-BEDEWORK-IMAGE-Y2:828
X-BEDEWORK-IMAGE-CROP-WIDTH:1242
X-BEDEWORK-IMAGE-CROP-HEIGHT:828
X-BEDEWORK-IMAGE-ALT-TEXT:Grubb Poster
X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Grubb_20240916052516P
 M.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Grubb_202409160
 52516PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20241004T135118Z
DESCRIPTION:AAHVS Visiting Artist Talk with Richard Thompson (Associate Pr
 ofessor\, New Jersey Institute of Technology) titled "Chaos and Pathos: D
 igital Clowns and the future of animated visual storytelling in the age o
 f AI"on Wednesday\, October 9th at 5:00pm in Rm A266 Bay 10 on the second
  floor of Smith Warehouse. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20241004T135118Z
DTSTART;TZID=America/New_York:20241009T170000
LAST-MODIFIED:20241004T135118Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:"Chaos and Pathos: Digital Clowns and the future of animated visua
 l storytelling in the age of AI"
UID:CAL-8a00048d-91324965-0192-57cc96d8-00000802demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Richard Thompson (Associate Professor\, New Jersey Inst
 itute of Technology)
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Speaker Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1280
X-BEDEWORK-IMAGE-Y2:853.3333333333334
X-BEDEWORK-IMAGE-CROP-WIDTH:1280
X-BEDEWORK-IMAGE-CROP-HEIGHT:853.3333333333334
X-BEDEWORK-IMAGE-ALT-TEXT:Thompson Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/AAHVS Artist Talk THOMPSON event[31]_20241
 004015007PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS Artist Talk THOMPSON event[31]
 _20241004015007PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20241016T171221Z
DESCRIPTION:"This lecture examines an important painting by Otto Dix\, one
  of the most famous and infamous German painters of the Weimar Republic. 
 Dix's painting\, The Seven Mortal Sins\, has long been regarded as a "pai
 nting of resistance\," responding unequivocally and courageously to Nazi 
 brutality in general and to Dix's rapid marginalization in the aftermath 
 of the Nazi takeover of German governments at all levels in early 1933. B
 uilding on the close examination of the painting and its preliminary stud
 ies and on the careful analysis of the poem by Friedrich Nietzsche that s
 eems to serve as the picture's interpretive key\, this talk will propose 
 a different\, more nuanced interpretation of the nature and limits of the
  painting as a critical image. It will seek to offer a more precisely his
 toricized account of the way in which Dix's work as an artist was determi
 ned by historical events and conditions in the first unsettled months of 
 Hitler's dictatorship."\n\nTalk will be held in room A266 Bay 10 on the s
 econd floor of Smith Warehouse. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20241016T171221Z
DTSTART;TZID=America/New_York:20241028T170000
LAST-MODIFIED:20241016T171221Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Repression and Revision in Otto Dix’s Seven Mortal Sins”
UID:CAL-8a00048d-91324965-0192-9650f9d4-00003466demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:James van Dyke (Associate Professor of Art History\, Un
 iversity of Missouri)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:van Dyke Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Art History Lecture Series van Dyke_202410
 16051221PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/Art History Lecture Series van Dyke_
 20241016051221PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20241023T193614Z
DESCRIPTION:The cotton-growing regions of the USSR-the former Russian colo
 nies in the Caucasus and Central Asia-were forever changed between 1920 a
 nd the late 1930s. Land reform and mass labor mobilization produced new w
 ays of working and new structures of collective belonging\, while the fir
 st generation of Soviet-educated people found novel ways of expressing th
 eir sense of self. In this talk I explore how such changes were visualize
 d in propaganda posters made in Uzbekistan. In particular\, I argue that 
 depictions of textiles and textile labor-picking cotton\, weaving\,\nsewi
 ng-were a central thread running through the visual propaganda of the per
 iod and that textiles-on-paper were crucial to imagining a new kind of so
 cialist collectivity. I also address depictions of dress. Clothing was ra
 dically\npoliticized in this Muslim-majority region in 1927 when the stat
 e launched a campaign against women veiling their faces in public. I trac
 e how garments were variously visually coded as "ethnic" or "modern" or "
 backward\," thereby\nproducing a visual vocabulary of national identity w
 orn on the body.\n\nMollie Arbuthnot is a postdoctoral fellow at the Davi
 s Center for Russian and Eurasian Studies at Harvard University. She was 
 previously a junior research fellow at the University of Cambridge and ho
 lds a PhD from Manchester University. She's currently working on her firs
 t book\, Red East: Posters and Propaganda in Soviet Uzbekistan.\n\nTalk i
 s free and open to the public. \n\nCo-sponsored by the Department of Art\
 , Art History & Visual Studies\, the Department of Slavic and Eurasian St
 udies and the Franklin Humanities Institute.
DURATION:PT1H30M
DTSTAMP:20241028T194744Z
DTSTART;TZID=America/New_York:20241106T170000
LAST-MODIFIED:20241028T194744Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Threads that Bind: Textiles\, Labour\, and National Identity in S
 oviet Propaganda Posters”
UID:CAL-8a00048d-91324965-0192-bae136c7-00003fdddemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_JHFC_Fr
 anklinHumanitiesInstitute,/principals/users/agrp__ArtsandSciences_SlavicE
 urasianStudies,":Franklin Humanities Institute (FHI)\,Slavic and Eurasian
  Studies
X-BEDEWORK-SPEAKER:Mollie Arbuthnot\, PhD (Postdoctoral Fellow\, Davis Cen
 ter for Russian and Eurasian Studies at Harvard University)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series
X-BEDEWORK-IMAGE-X1:45
X-BEDEWORK-IMAGE-Y1:22
X-BEDEWORK-IMAGE-X2:1886
X-BEDEWORK-IMAGE-Y2:1249.3333333333333
X-BEDEWORK-IMAGE-CROP-WIDTH:1841
X-BEDEWORK-IMAGE-CROP-HEIGHT:1227.3333333333333
X-BEDEWORK-IMAGE-ALT-TEXT:Arbuthnot Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\;amp\;amp\
 ;amp\; Visual Studies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies
 )
X-BEDEWORK-IMAGE:/public/Images/Art History Lecture Series Arbuthnot(1)_20
 241028074744PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/Art History Lecture Series Arbuthnot
 (1)_20241028074744PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250117T141724Z
DESCRIPTION:In April 1986\, archaeologists discovered seven "maps" on four
  wooden boards from a tomb at the site of Fangmatan in the modern-day cit
 y of Tianshui\, Gansu province. While it is possible to derive the loose 
 geographical contours of the region depicted in the drawings\, they do no
 t fulfill the cartographic requirements often ascribed to normative maps.
  Rather than measuring the drawings' formal attributes against a set of a
 nachronistic cartographic standards\, this talk reconstructs their produc
 tion processes to derive their functions. One of these functions is indee
 d mapping but done according to a different set of expectations catered t
 o the dead. The drawings do not narrowly represent a pre-existing place a
 bove ground but rather make an entire world in the afterlife that is mode
 led after the natural laws in the land of the living.\n\nSponsored by the
  Department of Art\, Art History & Visual Studies.\nCo-sponsors: History\
 , Asian & Middle Eastern Studies\, APSI\, Religion\, and the John Hope Fr
 anklin Humanities Institute.\n\nTalk will be held in room A266 Bay 10 on 
 the second floor of Smith Warehouse. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20250117T182242Z
DTSTART;TZID=America/New_York:20250123T163000
LAST-MODIFIED:20250117T182242Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Worldmaking for the Afterlife: Fangmatan and the Art of Early Chi
 nese Maps”
UID:CAL-8a000483-92c3adf6-0194-74a0387b-000019d3demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand
 Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien
 ces_AsianPacificStudiesInstitute,/principals/users/agrp_JHFC_FranklinHuma
 nitiesInstitute,/principals/users/agrp__ArtsandSciences_History,/principa
 ls/users/agrp__ArtsandSciences_Religion,":Asian & Middle Eastern Studies 
 (AMES)\,Asian Pacific Studies Institute (APSI)\,Franklin Humanities Insti
 tute (FHI)\,History\,Religious Studies
X-BEDEWORK-SPEAKER:Michelle H. Wang (Associate Professor of Art and Humani
 ties at Reed College)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Wang Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\; Visual S
 tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/2501_Wang_Art History Lecture Series_20250
 117021724PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/2501_Wang_Art History Lecture Series
 _20250117021724PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250121T193812Z
DESCRIPTION:Durham-based international fiber artist Deborah Kruger will sc
 reen her documentary and then share a portfolio of her latest artwork tha
 t are currently on view at the Block Gallery in Raleigh\, NC. The artist 
 welcomes questions about her artwork and career. This talk is free and op
 en to the public.\n \nWallpaper design and patterning have influenced Kru
 ger's work since her training in textile design at the Fashion Institute 
 of Technology in New York City. She has taught\, lectured and exhibited h
 er artwork in museums\, galleries and universities throughout the US\, Me
 xico\, Europe\, Asia and Australia since the 1980s.\n \nHer art practice 
 balances making objects of beauty that convey layered meaning about human
 -induced climate change\, habitat fragmentation\, bird migration\, specie
 s extinction and loss of indigenous languages.\n \nSponsored by the Depar
 tment of Art\, Art History & Visual Studies Visiting Artist Series
DURATION:PT1H30M
DTSTAMP:20250121T193812Z
DTSTART;TZID=America/New_York:20250128T170000
LAST-MODIFIED:20250121T193812Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Environmental Art”
UID:CAL-8a000483-92c3adf6-0194-8a5f5e6c-00005976demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Deborah Kruger
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1545
X-BEDEWORK-IMAGE-Y2:1030
X-BEDEWORK-IMAGE-CROP-WIDTH:1545
X-BEDEWORK-IMAGE-CROP-HEIGHT:1030
X-BEDEWORK-IMAGE-ALT-TEXT:Kruger Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Kruger_ Artist Talk Series_20250121073813P
 M.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/Kruger_ Artist Talk Series_202501210
 73813PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250204T152434Z
DESCRIPTION:In the 1970s\, photojournalism faced irrelevancy and potential
  extinction. Competition from television news\, changes in magazine publi
 shing\, public fatigue with war pictures\, and a growing interest in phot
 ographs as a collectible artform all threatened news pictures' markets an
 d credibility. In the midst of these crises\, the photojournalist turned 
 curator Cornell Capa (1918-2008) decided to reinvent photojournalism's pa
 st to ensure its future. This talk examines the multiple media platforms 
 through which Capa preserved the work of living and deceased photographer
 s\, and how his work in the 1970s paved the way for his creation of the I
 nternational Center of Photography (ICP): New York's first museum\, archi
 ve\, and educational forum devoted exclusively to photography. \n \nA his
 torian of photography\, the press\, and mass visual culture\, Nadya Bair 
 is assistant professor of Art History at Hamilton College in Clinton\, NY
 . Bair's first monograph\, The Decisive Network: Magnum Photos and the Po
 stwar Image Market (University of California Press\, 2020)\, won the 2021
  PROSE Award for Media and Cultural Studies. Bair's articles have appeare
 d in the journals American Art\, History of Photography\, Fotogeschichte\
 , and edited volumes including Facing Black Star (MIT Press\, 2023) and L
 ife Magazine and the Power of Photography (Yale\, 2020). Bair's current b
 ook project\, Reinventing Documentary\, on New York's International Cente
 r of Photography and its founder Cornell Capa\, was awarded a National En
 dowment for the Humanities (NEH) Fellowship for 2023-2024. \n\nThis talk 
 will take place in room A266 Bay 10 on the second floor of Smith Warehous
 e. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20250204T152434Z
DTSTART;TZID=America/New_York:20250206T173000
LAST-MODIFIED:20250204T152434Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Reinventing Documentary: Cornell Capa and the International Cente
 r of Photography (ICP)”
UID:CAL-8a000483-92c3adf6-0194-d1902fbf-00003070demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Nadya Bair (Assistant Professor of Art History at Hamil
 ton College)
X-BEDEWORK-DUKE-SERIES:Spring 2025 Photo/Media History Lectures
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Bair Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/BAIR PhotoMedia History Lectures_202502040
 32434PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/BAIR PhotoMedia History Lectures_202
 50204032434PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250212T185939Z
DESCRIPTION:Early modern Europe and its colonial holdings ran on paper. It
  was indispensable as a support for letters\, orders\, trials\, and recei
 pts\, in addition to drawings and prints. Yet\, when backlit\, many paper
 s reveal hidden content: watermarks\, which flicker in and out of legibil
 ity. When considered seriously as emblems with iconographic and textual p
 rograms\, watermarks transform the blank pages they are indivisible from 
 into images. And as images-often with religious components\, such as cros
 ses or monstrances-they garnered the attention of individuals charged wit
 h monitoring the proper usage of such symbols: the functionaries of the H
 oly Office of the Inquisition. In this talk\, I will use the inquisitors'
  debates on the merits of censoring papers with religious watermarks to r
 eflect on the tensions and correspondences between ancient sacred symbols
  and modern commodities in a global colonial system.\n\nAdam Jasienski re
 ceived his PhD at Harvard University in 2016\, and serves as Associate Pr
 ofessor of Art History at Southern Methodist University. His first book\,
  Praying to Portraits: Audience\, Identity\, and the Inquisition\, was pu
 blished by Penn State University Press in 2023 and was awarded the Ronald
  H. Bainton and Eleanor Tufts prizes.
DURATION:PT1H30M
DTSTAMP:20250212T190112Z
DTSTART;TZID=America/New_York:20250218T163000
LAST-MODIFIED:20250212T190112Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Papermakers and Paperusers: Support as Image in the Early Modern 
 Spanish Atlantic”
UID:CAL-8a000483-92c3adf6-0194-fb87f874-00003116demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Adam Jasienski (Associate Professor of Art History at S
 outhern Methodist University)
X-BEDEWORK-DUKE-SERIES:Early Modern Europe/Atlantic World Lectures
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Jasienski Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\; Visual S
 tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Jasienski_Early Modern EuropeAtlantic Worl
 d Lectures_20250212070112PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/Jasienski_Early Modern EuropeAtlanti
 c World Lectures_20250212070112PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250213T174603Z
DESCRIPTION:This presentation examines artworks implicated in eighteenth-c
 entury anticolonial insurgencies in colonial South America that survive o
 nly as textual description or in fragmentary form\, due to their ephemera
 lity or from having been destroyed\, repurposed\, or otherwise lost to hi
 story. How can we meaningfully incorporate objects that are absent from t
 he art historical record into the canon of early modern art history? Is i
 t possible to engage in art historical inquiry from a space of invisibili
 ty and absence? I introduce new possibilities for approaching elisions in
  the art historical record through the framework of surrogacy. By placing
  these lost artworks into a broader ecosystem of related images drawn fro
 m different geographical and historical contexts\, I offer new possibilit
 ies for understanding radical creative practices of Andean artists whose 
 work does not survive in its original material form today. In so doing\, 
 I consider the implications of this framework for a more hemispheric and 
 inclusive vision of art history.   \n \nAnanda Cohen-Aponte is Associate 
 Professor of History of Art at Cornell University who works on the visual
  culture of colonial Latin America and the early modern Atlantic World. S
 he is author of Heaven\, Hell\, and Everything in Between: Murals of the 
 Colonial Andes\, published by the University of Texas Press in 2016 and c
 o-editor of Pintura colonial cusqueña: el esplendor del arte en los Andes
 \, published by Haynanka Ediciones in 2015. Her essays appear in a range 
 of journals and edited volumes\, including Colonial Latin American Review
 \, The Americas\, Allpanchis\, RES: Anthropology and Aesthetics\, and Lat
 in American and Latinx Visual Culture\, among others. Her new book projec
 t explores the role of the visual arts in fomenting an insurgent imaginar
 y in late 18th-century Peru and Bolivia.
DURATION:PT1H30M
DTSTAMP:20250219T202451Z
DTSTART;TZID=America/New_York:20250220T163000
LAST-MODIFIED:20250219T202451Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CANCELLED
SUMMARY:“Presencing Absence: Visual Cultures of Insurgency in the Andes an
 d the Atlantic World”
UID:CAL-8a000483-92c3adf6-0195-006af2ca-000074cademobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Ananda Cohen-Aponte (Associate Professor\, History of A
 rt and Visual Studies at Cornell University)
X-BEDEWORK-DUKE-SERIES:Early Modern Europe/Atlantic World Lectures
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Cohen-Aponte Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Cohen-Aponte_Early Modern EuropeAtlantic W
 orld Lectures_20250213054603PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/Cohen-Aponte_Early Modern EuropeAtla
 ntic World Lectures_20250213054603PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250221T181114Z
DESCRIPTION:This talk explores the concept of "photo-theologies" and the r
 ole of technology in broader debates about the camera's capacity to recor
 d and visualize the human body in Islamic lands. Through several key case
  studies\, I investigate and at times challenge often-quoted prohibitions
  and anxieties around printmaking and photography in the Muslim world. I 
 begin my examination with a printed manual of photography from nineteenth
 -century Iran\, which intertwines the novel technology of the Daguerreoty
 pe with a Shiʿite theological discourse on resurrection\, providing a poi
 gnant counterexample to Weberian disenchantment. I then turn to investiga
 ting fears around photographic images through a discussion of photomechan
 ical reproduction and circulation in Islamic lands\, specifically in the 
 shape of the portable picture postcard in the early twentieth century. Fi
 nally\, the talk scrutinizes fatwas (Islamic legal rulings) related to ph
 otography and their interconnection with longstanding photographic debate
 s\, enabling us to examine questions such as the purported truth-value an
 d evidentiary force of photography from an Islamic legal perspective. Thr
 ough these three foci\, it becomes apparent that many of the themes discu
 ssed at the advent of photography\, in both Islamic and non-Islamic lands
 \, are also echoed in contemporary Muslim discourses about the legality o
 f analogue as well as digital photography and AI-generated photorealistic
  images. An examination of image making\, figural imagery\, and the ontol
 ogy of the photographic image through the lens of "photo-theology" enable
 s an engagement with both picture logics and religious concepts\, thus al
 lowing a rethinking of key debates.\n \nMira Xenia Schwerda (PhD\, Harvar
 d University\, 2020) is a historian of photography and print culture. She
  is a co-editor of the journal Art in Translation. Her book manuscript-in
 -progress\, tentatively titled "Between Art and Propaganda: Photographing
  Revolution in Modern Iran (1905-1911)\," focuses on the art and visual c
 ulture of Iran's Constitutional Revolution. She has been awarded several 
 grants and fellowships for her research\, including the Getty/ACLS Postdo
 ctoral Fellowship and the Smithsonian Predoctoral Fellowship\, and has pu
 blished her research in peer-reviewed journals\, edited volumes\, and exh
 ibition catalogues. Dr. Schwerda also worked at the Harvard Art Museums\,
  where she curated the photography section of the 2016-17 exhibition Tech
 nologies of the Image: Art in 19th-Century Iran.
DURATION:PT1H30M
DTSTAMP:20250221T181114Z
DTSTART;TZID=America/New_York:20250224T173000
LAST-MODIFIED:20250221T181114Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Islamic Photo-Theologies: Thinking Through Image Making and the H
 uman Figure from the Camera to AI”
UID:CAL-8a000483-92c3adf6-0195-29b4e3da-00001e0cdemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Mira Xenia Schwerda (Visiting Assistant Professor in th
 e History of Art at Carleton College)
X-BEDEWORK-DUKE-SERIES:Photo/Media History Lectures
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Schwerda Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/SCHWERDA PhotoMedia History Lectures_20250
 221061115PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/SCHWERDA PhotoMedia History Lectures
 _20250221061115PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250221T195715Z
DESCRIPTION:This talk examines how photographs of North Korea create meani
 ng as they circulate across contemporary visual culture. While digital pl
 atforms promise increased access through endless reproduction\, analysis 
 of various photographic representations-from viral memes to documentary p
 hotography to artistic interventions-reveals how circulation often reinfo
 rces existing narratives. By examining South Korean artists' works that a
 cknowledge photography's limitations and mediated nature\, this research 
 addresses fundamental questions about photographic meaning in our media e
 nvironment.\n \nBoyoung Chang is an assistant professor of East Asian Stu
 dies at the University of Alberta. Her research focuses on the production
  and circulation of photography created in and about modern and contempor
 ary Korea. She has published work on the visuality of both North and Sout
 h Korea and is currently working on a book project analyzing how Korean p
 hotography since the 1990s has embodied the nation's transformation\, rep
 resented by democratization and globalization.
DURATION:PT1H30M
DTSTAMP:20250221T195715Z
DTSTART;TZID=America/New_York:20250227T173000
LAST-MODIFIED:20250221T195715Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Circulation and Mediation: Photography and the Making of North Kor
 ea in Contemporary “Visual Culture”
UID:CAL-8a000483-92c3adf6-0195-2a15f266-000022fddemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Boyoung Chang (Professor of East Asian Studies at the U
 niversity of Alberta)
X-BEDEWORK-DUKE-SERIES:Photo/Media History Lectures
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Chang Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Chang flyer_20250221075715PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/Chang flyer_20250221075715PM-thumb.p
 ng
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250226T173846Z
DESCRIPTION:This talk examines the visual cultures of mining in Central Eu
 rope and Potosí during the decades around 1600 to address an urgent conun
 drum for early modern art history and art history writ large: how to inte
 grate methods of global art history and ecologically-oriented art history
 . Using approaches from both global and ecocritical art history\, I scrut
 inize images of mining machines and mining landscapes made by European an
 d Andean artists\, including woodcuts from Georgius Agricola's On the Art
  of Metals (1556) treatise and drawings from Felípe Guamán Poma de Ayala'
 s Fist New Chronicle (c. 1615) manuscript. My study reveals a bilateral c
 irculation of artistic techniques for picturing resource landscapes and m
 ining technologies between Peru and the German-speaking lands during a pi
 votal moment for European colonial resource extraction and Andean resista
 nce to that project. Through my analysis\, I expose key challenges and op
 portunities for combining global and ecocritical methods of early modern 
 art history. I also model how early modernists and art historians writ la
 rge can better integrate global and ecocritical perspectives to ensure th
 at our discipline effectively confronts the challenges of globalization a
 nd the ongoing ecological crisis.\n \nElizabeth J. Petcu's research and t
 eaching examine the intersections of visual and scientific inquiry in the
  artistic and architectural culture of the early modern world. Methodolog
 ically\, her work interrogates how investigative practices and beliefs co
 ncerning nature are formed and mediated through images. Petcu is an exper
 t in the art and architectural culture of northern Europe and colonial La
 tin America and their entanglements with the natural sciences. Petcu's bo
 ok\, The Architectural Image and Early Modern Science: Wendel Dietterlin 
 and the Rise of Empirical Investigation (Cambridge University Press\, 202
 4)\, probes the most important architectural treatise of the German Renai
 ssance\, the Architectura (1593-1598) of Straßburg artist Wendel Dietterl
 in the Elder (c. 1550-1599) to establish how architectural images became 
 platforms for modern science. Petcu's second book\, Albrecht Dürer\, Meas
 urement\, and Uncertainty\, examines how Nuremberg artist Albrecht Dürer
  (1475-1528) transformed measurement in art from a tool for picturing kno
 wledge into an instrument for probing uncertainty.
DURATION:PT1H30M
DTSTAMP:20250226T173846Z
DTSTART;TZID=America/New_York:20250303T163000
LAST-MODIFIED:20250226T173846Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:"Mining Images\, Planetary Networks: Central Europe\, Potosí\, and
  the Imperatives of Global-Ecocritical Art History"
UID:CAL-8a000483-92c3adf6-0195-4356f6e9-00001381demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Elizabeth J. Petcu (Senior Lecturer in Architectural Hi
 story at Edinburgh College of Art\, University of Edinburgh)
X-BEDEWORK-DUKE-SERIES:Early Modern Europe/Atlantic World Lectures
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Petcu Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Petcu flyer_20250226053847PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/Petcu flyer_20250226053847PM-thumb.p
 ng
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250227T210605Z
DESCRIPTION:This presentation examines artworks implicated in eighteenth-c
 entury anticolonial insurgencies in colonial South America that survive o
 nly as textual description or in fragmentary form\, due to their ephemera
 lity or from having been destroyed\, repurposed\, or otherwise lost to hi
 story. How can we meaningfully incorporate objects that are absent from t
 he art historical record into the canon of early modern art history? Is i
 t possible to engage in art historical inquiry from a space of invisibili
 ty and absence? I introduce new possibilities for approaching elisions in
  the art historical record through the framework of surrogacy. By placing
  these lost artworks into a broader ecosystem of related images drawn fro
 m different geographical and historical contexts\, I offer new possibilit
 ies for understanding radical creative practices of Andean artists whose 
 work does not survive in its original material form today. In so doing\, 
 I consider the implications of this framework for a more hemispheric and 
 inclusive vision of art history.   \n \nAnanda Cohen-Aponte is Associate 
 Professor of History of Art at Cornell University who works on the visual
  culture of colonial Latin America and the early modern Atlantic World. S
 he is author of Heaven\, Hell\, and Everything in Between: Murals of the 
 Colonial Andes\, published by the University of Texas Press in 2016 and c
 o-editor of Pintura colonial cusqueña: el esplendor del arte en los Andes
 \, published by Haynanka Ediciones in 2015. Her essays appear in a range 
 of journals and edited volumes\, including Colonial Latin American Review
 \, The Americas\, Allpanchis\, RES: Anthropology and Aesthetics\, and Lat
 in American and Latinx Visual Culture\, among others. Her new book projec
 t explores the role of the visual arts in fomenting an insurgent imaginar
 y in late 18th-century Peru and Bolivia.
DURATION:PT1H30M
DTSTAMP:20250227T210605Z
DTSTART;TZID=America/New_York:20250306T163000
LAST-MODIFIED:20250227T210605Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Presencing Absence: Visual Cultures of Insurgency in the Andes an
 d the Atlantic World”
UID:CAL-8a000483-92c3adf6-0195-493b2011-00003189demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:nanda Cohen-Aponte (Associate Professor\, History of Ar
 t and Visual Studies at Cornell University)
X-BEDEWORK-DUKE-SERIES:Early Modern Europe/Atlantic World Lectures
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:ACA Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Cohen-Aponte flyer_20250227090606PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/Cohen-Aponte flyer_20250227090606PM-
 thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250303T202013Z
DESCRIPTION:How do words make the past appear? In what way does the histor
 ian summon bygone events? What is this kind of remembering\, and for whom
  do we recall the dead? In this meditation on the past\, art historian Al
 exander Nemerov delves into what it means to recall a significant event-P
 earl Harbor-and how descriptions of images can summon it back to life.\n\
 nAlexander Nemerov is the author of many books on American art\, most rec
 ently The Forest: A Fable of America in the 1830s\, praised by the noveli
 st Annie Proulx as "one of the richest books ever to come my way-deeply b
 eautiful\, achingly painful and astonishingly tender"\; and Fierce Poise:
  Helen Frankenthaler and 1950s New York\, named by Vogue one of its best 
 books of 2021 and a finalist for the National Book Critics Circle Award i
 n Biography. The novelist Ali Smith praised Summoning Pearl Harbor (David
  Zwirner\, 2017)\, the book on which tonight's lecture is based\, as a "l
 iberating meditation." \n\nThis talk will be held in room A266 Bay 10 on 
 the second floor of Smith Warehouse. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20250303T212952Z
DTSTART;TZID=America/New_York:20250324T170000
LAST-MODIFIED:20250303T212952Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Summoning Pearl Harbor”
UID:CAL-8a000483-92c3adf6-0195-5daa9084-00006b2ddemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Alexander Nemerov (Carl and Marilynn Thoma Provostial P
 rofessor in the Arts and Humanities at Stanford University)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1941
X-BEDEWORK-IMAGE-Y2:1294
X-BEDEWORK-IMAGE-CROP-WIDTH:1941
X-BEDEWORK-IMAGE-CROP-HEIGHT:1294
X-BEDEWORK-IMAGE-ALT-TEXT:Nemerov Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\; Visual S
 tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/NEMEROV Art History Lecture Series-REV_202
 50303092952PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/NEMEROV Art History Lecture Series-R
 EV_20250303092952PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250408T172538Z
DESCRIPTION:This talk emerges out of a chapter to be published in the mult
 i-author volume titled Missing  Bodies' Embodied Histories: Extraordinary
  Lives of Ordinary Women in Postwar Japan. The chapter examines global-fa
 cing arts activism as undertaken by women artists in Japan on behalf of c
 ommunities of workers\, women\, the Korean diaspora\, and displaced and i
 ncarcerated Palestinian refugees.\n\nStephanie M. Hohlios (she/her) is As
 sistant Professor of Art History at Flagler College\, St. Augustine\, Flo
 rida. She is a scholar of modern and contemporary art in Japan and the wo
 rld. Her research considers the intersection of labor\, gender\, and arti
 stic expression. Her recent publications include an article titled "Viper
 s and Workers Cross the Korea Strait: Mobile Theater at the Chikuhō Botay
 ama\," which appears in a special thematic issue of Review of Japanese Cu
 lture and Society titled "Empires in Motion\, Cultures of Crossing: Creat
 ive Production in Japan's Colonial\, Postcolonial\, and Diasporic Spaces\
 ," edited by John Szostak (2024). As a researcher for the Deborah Remingt
 on Charitable Trust\, she also published an essay related to the artist's
  time abroad in Japan in the 1950s in the monograph Deborah Remington (Ri
 zzoli\, 2024). Her first book project Coal Visualities: Labor\, Gender\, 
 and Regional Consciousness in Chikuhō examines the role of the arts in a 
 former coal mining community in Japan from the late nineteenth to early t
 wenty-first centuries. It foregrounds the tensions inherent to articulati
 ons of ethnicity (namely\, ethnic Korean and Chinese identity under Japan
 ese empire)\, gender\, and class within the concentric frames of region a
 nd nation.
DURATION:PT1H30M
DTSTAMP:20250408T172538Z
DTSTART;TZID=America/New_York:20250417T160000
LAST-MODIFIED:20250408T172538Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:"Stratified Modernity: Labor and the Regional Environment  in Cont
 emporary Japanese Art "
UID:CAL-8a000483-92c3adf6-0196-166fab8e-00002803demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand
 Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien
 ces_AsianPacificStudiesInstitute,":Asian & Middle Eastern Studies (AMES)\
 ,Asian Pacific Studies Institute (APSI)
X-BEDEWORK-SPEAKER:Dr. Stephanie M. Hohlios (Assistant Professor of Art Hi
 story at Flagler College)
X-BEDEWORK-DUKE-SERIES:AAHVS Space and Architecture Reading Group
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:970.5
X-BEDEWORK-IMAGE-Y2:647
X-BEDEWORK-IMAGE-CROP-WIDTH:970.5
X-BEDEWORK-IMAGE-CROP-HEIGHT:647
X-BEDEWORK-IMAGE-ALT-TEXT:Hohlios Poster
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/HOHLIOS LectureWorkshop_20250408052539PM.j
 pg
X-BEDEWORK-THUMB-IMAGE:/public/Images/HOHLIOS LectureWorkshop_202504080525
 39PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250415T175159Z
DESCRIPTION:Come celebrate the launch of the museum retrospective catalogu
 e Pedro Lasch: Between the Lines\, distributed by D.A.P. in the USA and T
 emblores Publications in Latin America and Europe. Thoroughly illustrated
 \, the catalogue brings together thirty years of the artist's work\, with
  essays by critics and exhibition curator Lucía Sanromán\, as well as int
 roductions by Mexico's minister of culture and the director of the Nation
 al Institute for Fine Arts (INBAL). The exhibition at Laboratorio Arte Al
 ameda's striking colonial venue turned contemporary art museum included o
 ver one hundred artworks\, was highly attended and widely reviewed in int
 ernational press\, including ArtForum\, e-flux Criticism\, El Universal\,
  and Reforma\, as well as national TV segments across Mexico.\n \nWe will
  also celebrate Lasch's winning of a national competition from Zocalo Pub
 lic Square and Stanford University's Institute for Advancing Just Societi
 es\, leading to a new monumental 'Black Mirror' commission that will be p
 ermanently installed in California and unveiled May 2nd at the Asheville 
 Art Museum during an event with notable respondents including the New Yor
 k Times' Kwame Anthony Appiah.\n \nLasch will discuss his new book with P
 aul Jaskot\, Professor of Art\, Art History & Visual Studies. As part of 
 the works exhibited and addressed in the catalogue\, our conversation wil
 l include Lasch's FHI Social Practice Lab and Mellon Foundation ART of th
 e MOOC series and its newly released course on 'Colors\, Bodies\, Power'.
  Local collaborators for this project may also be present for the convers
 ation.
DURATION:PT1H30M
DTSTAMP:20250415T175732Z
DTSTART;TZID=America/New_York:20250422T113000
LAST-MODIFIED:20250415T175732Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Book Talk: Between the Lines\, with Duke Professor Pedro Lasch
UID:CAL-8a000483-92c3adf6-0196-3a944cc2-00003f08demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Pedro Lasch
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:-0.3333333333333144
X-BEDEWORK-IMAGE-X2:530
X-BEDEWORK-IMAGE-Y2:353
X-BEDEWORK-IMAGE-CROP-WIDTH:530
X-BEDEWORK-IMAGE-CROP-HEIGHT:353.3333333333333
X-BEDEWORK-IMAGE-ALT-TEXT:Lasch Poster
X-BEDEWORK-IMAGE:/public/Images/PedroLasch_BookLaunch_CalendarImage_202504
 15055732PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/PedroLasch_BookLaunch_CalendarImage_
 20250415055732PM-thumb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250922T170257Z
DESCRIPTION:As it changed hands between US-based whalers\, China trade mer
 chants\, and Indigenous Fijians\, whale bone became a kind of archive-one
  on which whalemen logged their voyages and through which Indigenous peop
 le marked important social and political events. To call ivory an archive
  is not to say that temporality meant the same thing for everyone who enc
 ountered it. Timekeeping was a contested issue\, particularly as imperial
  powers worked to standardize time zones and date lines-a project motivat
 ed by maritime navigation and its clock-based technologies\, which native
  people across Oceania resisted. Temporality was thus a matter of both co
 lonial control and of native sovereignty. By examining Western and Indige
 nous ideas of time as well as the non-human time of whales\, this essay s
 hows how whale ivory can help us understand maritime encounters between c
 ultures and across species. \n \nMaggie Cao is a scholar of eighteenth an
 d nineteenth-century American art in a global context. She studies the hi
 story of globalization with particular interest in intersections of art w
 ith histories of technology\, natural science\, and economics. Her first 
 book\, The End of Landscape in Nineteenth-Century America (University of 
 California Press\, 2018) examines the dissolution of landscape painting a
 s a major cultural project in the late nineteenth-century United States a
 nd argues that landscape is the genre through which American artists most
  urgently sought to come to terms with modernity. Cao has also written on
  media theory\, material culture\, and ecocriticism. Among her publicatio
 ns are essays on the print culture of the earliest worldwide financial bu
 bbles and the materiality of export art made in eighteenth-century China.
  Her new book Painting US Empire: Nineteenth-Century Art and its Legacies
  (Chicago University Press\, 2025) is the first synthetic treatment of ni
 neteenth-century art and empire in the global context.
DURATION:PT1H30M
DTSTAMP:20250924T132724Z
DTSTART;TZID=America/New_York:20250925T163000
LAST-MODIFIED:20250924T132724Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Ivory Archives and Temporalities at Sea”
UID:CAL-8a00ec8b-979413b9-0199-7260ec02-00002fe0demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Maggie Cao (David G. Frey Associate Professor at the Un
 iversity of North Carolina\, Chapel Hill)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series
X-BEDEWORK-IMAGE-X1:75
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1389
X-BEDEWORK-IMAGE-Y2:876
X-BEDEWORK-IMAGE-CROP-WIDTH:1314
X-BEDEWORK-IMAGE-CROP-HEIGHT:876
X-BEDEWORK-IMAGE-ALT-TEXT:cao image
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Cao Image_20250922050257PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/Cao Image_20250922050257PM-thumb.png
 
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20251013T125606Z
DESCRIPTION:Urban development\, systematic looting\, and the commodificati
 on of antiquities have played central\, but seldom acknowledged roles in 
 shaping modern conceptions of the pre-Hispanic past in Mexico. This is no
 where more apparent than in Valle de Bravo\, Estado de México\, now a pop
 ular retreat located 140 km west of Mexico City. The remains of a vast\, 
 but largely unknown ceremonial center dating from between 600 and 900 CE 
 now sit beneath Valle de Bravo's Colonial town center and an artificial l
 ake. This study draws on archival research\, art-historical analysis\, an
 d synthesis of unpublished documents to reunite missing monuments\, resit
 uate Valle de Bravo within the broader history of ancient Mesoamerica\, a
 nd reconstruct an artistic tradition that has nearly been erased by looti
 ng and modern development. It addresses issues of broader interest includ
 ing the destruction and preservation of global cultural heritage\, and th
 e role of development and the art market in shaping scholarly discourse.\
 n\nThe talk will take place in Room A266 Bay 10 on the second floor of Sm
 ith Warehouse. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20251013T125725Z
DTSTART;TZID=America/New_York:20251016T163000
LAST-MODIFIED:20251013T125725Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Valle de Bravo: Looting\, the Art Market\, and the Destruction of 
 a Mesoamerican City
UID:CAL-8a00ec8b-979413b9-0199-dda476e4-0000690edemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Andrew Turner (Assistant Professor of Mesoamerican and 
 Andean Art Provenance at the University of North Carolina\, Chapel Hll)
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20251013T130122Z
DESCRIPTION:"The Afterlife of Angels" is inspired by the remarkable surviv
 al of one idiosyncratic little modernist drawing and the posthumously pub
 lished writings of the German-Jewish intellectual who owned\, cherished a
 nd\, with one powerfully prescient passage\, transfigured the image into 
 an enduring emblem of historical witness for the postwar period.\n\nThis 
 talk will take place in Room A266 Bay 10 on the second floor of Smith War
 ehouse. Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20251013T130122Z
DTSTART;TZID=America/New_York:20251027T043000
LAST-MODIFIED:20251013T130122Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Wrestling with the Angel: On Art and its Afterlife
UID:CAL-8a00ec8b-979413b9-0199-dda9481e-000069d1demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Lisa Saltzman (Professor of History of Art on the Emily
  Rauh Pulitzer '55 Professorship at Bryn Mawr College)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Sustainability
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20251014T144444Z
DESCRIPTION:In light of current environmental crises\, the emerging field 
 of Biological Human-Computer Interaction (Bio-HCI) focuses on building de
 eper relationships between humans\, computers\, and biological systems. T
 he resulting bio-digital technologies are unique in that they integrate b
 iomaterials-materials grown and derived from biological sources that biod
 egrade naturally in the environment-as functional design elements. I will
  discuss several biomaterials that I often work with\, including: microbi
 al dyes derived from my microbiome that I implement as personalized\, res
 ponsive\, living interfaces\; symbiotic cultures of bacteria and yeast (s
 coby) grown from kombucha that I utilized for biodegradable electronics a
 nd wearables\; and 3D printable bio-pastes made primarily from local eggs
 hell waste that I developed for digital fabrication. I not only use these
  biomaterial examples as seeds that highlight where Bio-HCI research can 
 grow in the future but also present my broader vision for designing regen
 erative futures\; radically sustainable futures in which ecological\, soc
 iocultural\, and technological systems deeply entangle to foster planetar
 y regeneration and flourishment. \n\nFiona Bell is an Assistant Professor
  of Human-Centered Computing at the University of Maryland\, Baltimore Co
 unty\, directing the Entangled Ecologies Lab. With a Postdoctoral fellows
 hip in Computer Science from the University of New Mexico\, a PhD in Crea
 tive Technology and Design from the ATLAS Institute at the University of 
 Colorado Boulder\, and a BS in Mechanical Engineering from Santa Clara Un
 iversity\, her research intersects human-computer interaction\, materials
  science\, and biodesign. Drawing on these disciplines\, she is at the fo
 refront of the emerging field of Biological Human-Computer Interaction (B
 io-HCI)\, where she develops novel biomaterials that integrate with digit
 al technologies to create sustainable and responsive bio-digital interfac
 es. By bridging the biological and digital worlds\, she strives to build 
 regenerative futures for planetary flourishing. \n\nThe talk will be held
  in Room A266 Bay 10 on the second floor of Smith Warehouse. Free and ope
 n to the public. \n\nFollowing the lecture\, audience members are encoura
 ged to visit the opening reception of "Disobedient Subjects: Bombay 1930 
 - 31" at the Duke Center for Documentary Studies at 1317 W. Pettigrew St.
 
DURATION:PT1H30M
DTSTAMP:20251014T165702Z
DTSTART;TZID=America/New_York:20251030T163000
LAST-MODIFIED:20251014T165702Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:"Designing Regenerative Bio-Digital Futures"
UID:CAL-8a00ec8b-979413b9-0199-e32e45b1-00001604demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Sustainability:/user/public-
 user/Topics/Sustainability
X-BEDEWORK-SPEAKER:Fiona Bell (Assistant Professor of Human-Centered Compu
 ting at the University of Maryland)
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Speaker Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\;amp\; Vis
 ual Studies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1600
X-BEDEWORK-IMAGE-Y2:1066.6666666666667
X-BEDEWORK-IMAGE-CROP-WIDTH:1600
X-BEDEWORK-IMAGE-CROP-HEIGHT:1066.6666666666667
X-BEDEWORK-IMAGE-ALT-TEXT:Bell Headshot
X-BEDEWORK-IMAGE:/public/Images/fiona_headshot_20251014045703PM.png
X-BEDEWORK-THUMB-IMAGE:/public/Images/fiona_headshot_20251014045703PM-thum
 b.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20251104T211322Z
DESCRIPTION:Art\, architecture\, and archaeology played a new nation-build
 ing role-among the several modernizing reforms initiated by Reza Shah Pah
 lavi (r. 1925-1941)\, ruler of Iran-\, including his mandate that Islamic
  architecture now be made available to non-Muslims. While the story of th
 is "first start" of academic inquiry by non-Iranian architectural histori
 ans continues to take on a sharper focus in recent scholarship\, there is
  one figure who remains neglected and virtually forgotten\, the American 
 Myron Bement Smith (1897-1970). Alienated from his American contemporarie
 s\, Smith sought alliance with André Godard\, founding Director of the Ar
 chaeological Services of Iran and Director of the Iran Bastan Museum\, Te
 hran\, and conducted several years of fieldwork and produced\, throughout
  the 1930s\, a steady stream of monographic studies on Islamic-period mon
 uments. \n\nSmith's return to the United States in 1938 was followed by a
  protracted period of scant opportunity. Though he completed the Ph.D. at
  Johns Hopkins University in 1947\, his study of the vault in Iranian Isl
 amic Architecture-that might have secured his recognition then\, and now-
 was unpublished at his death and remains so. How might our understanding 
 of the history of the study of Iranian Islamic architecture be different 
 by defining Smith's approach to architecture as an object and field of st
 udy\, and in triangulated relation to those approaches adopted by his pee
 rs? The lecture draws from a vast archive gifted by Smith's widow\, Katha
 rine Dennis Smith\, to the Anthropological Archives of the National Museu
 m of Natural History\, Smithsonian Institution\, in 1972.\n\nThe talk wil
 l take place in Room A266 Bay 10 on the second floor of Smith Warehouse. 
 Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20251104T211322Z
DTSTART;TZID=America/New_York:20251113T163000
LAST-MODIFIED:20251104T211322Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Iranian Islamic Architecture Through the Eyes of Myron Bement Smi
 th”
UID:CAL-8a00ec8b-979413b9-019a-50b7a065-00006557demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:David J. Roxburgh (Prince Alwaleed Bin Talal Professor 
 of Islamic Art History at Harvard University)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series
X-BEDEWORK-IMAGE-X1:0
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1280
X-BEDEWORK-IMAGE-Y2:853.3333333333334
X-BEDEWORK-IMAGE-CROP-WIDTH:1280
X-BEDEWORK-IMAGE-CROP-HEIGHT:853.3333333333334
X-BEDEWORK-IMAGE-ALT-TEXT:Roxburgh Photo
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag
 rp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Roxburgh Photo 3_20251104091322PM.jpeg
X-BEDEWORK-THUMB-IMAGE:/public/Images/Roxburgh Photo 3_20251104091322PM-th
 umb.png
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Ethics
CATEGORIES:Humanities
CATEGORIES:Natural Sciences
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Research
CATEGORIES:Technology
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20251114T194133Z
DESCRIPTION:This talk surveys Dr. WhiteFeather Hunter's artistic research 
 investigating biofabrication as a feminist craft practice. Drawing on fra
 meworks from feminist technoscience\, her work reimagines tissue engineer
 ing\, 3D bioprinting\, and microbial dyeing as critical\, embodied acts o
 f making. Projects such as <em>Sentient Clit: The Pussification of Biotec
 h</em> and <em>IMARA: Interstitial Machine for Aggregate Reparative Anato
 mies</em> reframe the laboratory as a site of care\, resistance\, and mat
 erial storytelling. Through these works and others\, Hunter explores the 
 intersections of reproductive politics\, interspecies symbiosis\, and spe
 culative worldbuilding\, questioning the human as a fixed category and de
 stabilizing social codes that underpin biotechnological systems. Her rese
 arch-creation practice challenges extractive narratives of science by for
 egrounding bodily autonomy\, repair\, and relationality as guiding princi
 ples shaping the biopolitics of making with vital agents.\n\n<a href="htt
 ps://www.whitefeatherhunter.ca/" target="_blank">Dr. WhiteFeather Hunter<
 /a> is an internationally recognized Canadian artist-researcher working a
 t the intersections of feminist technoscience\, bioart\, and craft. She h
 olds a PhD in Biological Art from SymbioticA\, University of Western Aust
 ralia\, and is currently a SSHRC Postdoctoral Research Fellow in the Scho
 ol of Interactive Arts & Technology at Simon Fraser University.  She exhi
 bits and lectures internationally\, contributing to dialogues on art\, bi
 otechnology\, and material feminism.\n\nThis talk will take place in room
  A266 Bay 10 on the second floor of Smith Warehouse. Free and open to the
  public.
DURATION:PT1H30M
DTSTAMP:20251119T163230Z
DTSTART;TZID=America/New_York:20251202T163000
LAST-MODIFIED:20251119T163230Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:"Biofabrication as Feminist Craft: Weaving Life at the Cellular Sc
 ale”
UID:CAL-8a00ec9e-9a83ce7f-019a-83e32760-00000150demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
 er/public-user/Arts/Visual and Creative Arts
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user
 /Topics/Humanities
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Technology:/user/public-user
 /Topics/Technology
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Research:/user/public-user/T
 opics/Research
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Natural Sciences:/user/publi
 c-user/Topics/Natural Sciences
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ethics:/user/public-user/Top
 ics/Ethics
X-BEDEWORK-SPEAKER:Dr. WhiteFeather Hunter
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Speaker Series
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Utilities
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20251107T151922Z
DESCRIPTION:The mandate to govern Egypt has long been contingent upon the 
 critical responsibility of gauging and controlling the seasonal inundatio
 n of the River Nile\, upon which Egypt's prosperity depends. This include
 d the oversight of sophisticated infrastructure\, such as gauges to measu
 re flood waters known as Nilometers\, canal and dike maintenance\, and ov
 erall management of agricultural land. Coexisting alongside these pragmat
 ic measures\, intricate rituals and ceremonies were enacted throughout th
 e year to offer supplications for an ample flood or celebrate its fulfill
 ment. These ritualistic and ceremonial efforts focused mostly upon the ni
 nth century Abbasid Nilometer at al-Rawda Island across from al-Fustat (m
 edieval Cairo) with city wide ceremonies extending beyond the island thro
 ughout the year and across confessional divides. In this sense the pragma
 tic\, scientific\, quantifiable\, and observable formed one facet of the 
 coin while the symbolic\, spiritual\, and esoteric\, formed the other. Th
 is is why the Nilometer\, while principally a measuring device\, received
  decorative treatment similar to other early Islamic sacred sites\, inclu
 ding an inscription band along the sides of its well that include Quranic
  verses extolling the beneficence of God through rainfall. This talk will
  consider these facets symbiotically by situating the Nilometer as a sacr
 ed precinct and de facto shrine to nature\, unveiling its agility at the 
 intersection of the cosmological\, urban\, ritualistic\, and material.\n 
 \nHeba Mostafa is Associate Professor of Islamic art and architecture at 
 the Department of Art History\, University of Toronto\, St George Campus.
  She received her doctorate from Cambridge University's Department of Arc
 hitecture in 2012. Her research focuses on the formation of Islamic archi
 tecture as well as Islam's interface with late antiquity\, Christianity a
 nd Judaism through commemorative architecture\, pilgrimage and ritual pra
 ctice\, with a particular focus on Jerusalem and Cairo. She is the author
  of Architecture of Anxiety: Body Politics and the Formation of Islamic A
 rchitecture\, published by Brill.\n\nThe talk will take place in room A26
 6 Bay 10 on the second floor of Smith Warehouse. Free and open to the pub
 lic.
DURATION:PT1H30M
DTSTAMP:20251107T152030Z
DTSTART;TZID=America/New_York:20251204T163000
LAST-MODIFIED:20251107T152030Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Sanctity Elusive and Manifest: The Nilometer at al-Rawda Island a
 nd its Cosmological Entanglements”
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X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand
 Sciences_CenterforLateAncientStudies,":Center for Late Ancient Studies
X-BEDEWORK-SPEAKER:Heba Mostafa (Associate Professor\, Islamic Art and Arc
 hitecture\, Department of Art History at the University of Toronto\, St. 
 George)
X-BEDEWORK-DUKE-SERIES:Elizabeth A. Clark Center for Late Ancient Studies 
 & AAHVS Art History Lecture
END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20260116T215015Z
DESCRIPTION:A Practical Guide To Skateboarding on Crutches (40 min talk 10
  min Q&A)\nBill Shannon discusses engaging contradictions and finding bal
 ance while in the process of developing and formalizing movement techniqu
 e. Evolution and Ideation\, Invention and Modification\, Lexicon and Cano
 n. \n\n\nWearables\, Wearable Video Art and Live Performance of Sculptura
 l Form  (30 min talk 10 min Q&A)\nBill Shannon shares his 3 decades of ex
 perimentation with wearable sculpture and video art that led to his event
 ual fusion of recent works of wearable video sculpture and interactive vi
 deo sculpture for live performance contexts. The exploration of the video
  works ultimately serves as a platform for the artists to argue the neces
 sity of establishing conceptual framing and design limitations within the
  process of invention. \n\n\nPlease RSVP at https://forms.gle/WD7hzWJMvXi
 To3bE7\n\n\nBill Shannon is an interdisciplinary artist exploring body-ce
 ntric work through dance\, video installation\, and sculpture. A Guggenhe
 im Fellow and Foundation for Contemporary Art Fellow\, Shannon developed 
 a singular movement vocabulary on crutches that fused his childhood play 
 patterns with contemporary street-dance and street-skating cultural and k
 inetic influences. His work has been presented at NY Town Hall\, Sydney O
 pera House and Tate Liverpool Museum among many others. \n\nThis talk wil
 l take place in Room A266 Bay 10 on the second floor of Smith Warehouse. 
 Free and open to the public.
DURATION:PT1H30M
DTSTAMP:20260127T130701Z
DTSTART;TZID=America/New_York:20260127T170000
LAST-MODIFIED:20260127T130701Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CANCELLED
SUMMARY:Bill Shannon presents Interdisciplinary Artist Video Talk in Two P
 arts
UID:CAL-8a00eca5-9af98aae-019b-c8c9a012-00000f68demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
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X-BEDEWORK-SPEAKER:Bill Shannon
X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\;amp\;amp\;amp\
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Business
CATEGORIES:Asia focus
CATEGORIES:Civic Engagement/Social Action
CATEGORIES:Humanities
CATEGORIES:Social Sciences
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Research
CATEGORIES:Technology
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0290b4-860465b2-0186-debfba9d-00003c8d:Asian Paci
 fic Studies Institute (APSI)
CREATED:20260113T175824Z
DESCRIPTION:Why focus on the history of Japanese television commercials? A
 dvertising rapidly incorporates new artistic trends. This seems to be a p
 articularly prominent feature in Japan. However\, research on Japanese te
 levision expression has been severely lacking until now.\n\nResearchers h
 ave focused their efforts on studying websites and social media\, positio
 ning television as an old medium and neglecting it. Yet\, considering the
  current boom in short-form videos\, a historical exploration of televisi
 on commercial expression-which can be seen as the origin of this trend-is
  crucial.\n\nThis lecture\, based on Visiting Professor Yukie Takeuchi's 
 2025 publication "Showa no Kōkoku" (Advertising in the Showa Era)\, focus
 es on a fashion commercial aired in 1967. This commercial was acclaimed a
 t the time for its innovative expression\, marking a turning point in tel
 evision commercial expression. How was this expression able to be created
 ? This lecture traces the evolution of video expression in Japan up to th
 at point\, as well as its social and cultural context. It also examines t
 he influence on subsequent commercial work.\n\nAbout the speaker:\nDr. Yu
 kie Taekuchi is a professor of art and advertising design history in the 
 department of Media\, Journalism\, and Communications at Doshisha Univers
 ity. Her research interests include art history\, social history\, histor
 ical sociology\, design history\, and the history of advertising across m
 ultiple media (print\, television).\n\nShe is a graduate of Kobe Universi
 ty and is a member of several associations\, including the Japan Society 
 for Design\, the Japan Society for Mass Communication\, the Japanese Soci
 ety for Ethnic Arts\, the Japan Advertising Society\, and the Japan Socie
 ty for Industrial Design. Recent books include "Advertising in the Showa 
 Era: Television Commercials Are Coming!" (Seidosha\, 2025) and "Art and S
 ociety: Various Aspects of Creative Activity in the Modern Era" (with Eri
 ka Takashina\; Shinwa-sha\, 2025).\n\nevent location: Room A266\, Bay 10\
 , Smith Warehouse
DURATION:PT1H30M
DTSTAMP:20260113T182532Z
DTSTART;TZID=America/New_York:20260210T113000
LAST-MODIFIED:20260113T182532Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:A Breakthrough in Early Japanese TV Commercials: 1967
UID:CAL-8a00eca5-9af98aae-019b-b882499e-00001c05demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user
 /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo
 cus
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user
 /Topics/Humanities
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Research:/user/public-user/T
 opics/Research
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Social Sciences:/user/public
 -user/Topics/Social Sciences
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti
 on:/user/public-user/Topics/Civic Engagement_Social Action
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Business:/user/public-user/T
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Technology:/user/public-user
 /Topics/Technology
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand
 Sciences_ArtArtHistoryandVisualStudies,":Art\, Art History &amp\;amp\;amp
 \;amp\; Visual Studies
X-BEDEWORK-SPEAKER:Yukie Takeuchi (Art and Advertising Design History\, Do
 shisha University)
X-BEDEWORK-SUBMITTEDBY:rmk33 for Asian Pacific Studies Institute (APSI) (a
 grp_ArtsandSciences_AsianPacificStudiesInstitute)
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X-BEDEWORK-IMAGE-CROP-HEIGHT:1412
X-BEDEWORK-IMAGE-ALT-TEXT:a collage of still images from a 1967 Japanese T
 V commercial showing a mix of people\, objects\, and illustrations\; Japa
 nese katakana text
X-BEDEWORK-IMAGE:/public/Images/260210_Takeuchi_talk-cal_20260113062532PM.
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Asia focus
CATEGORIES:Civic Engagement/Social Action
CATEGORIES:Global
CATEGORIES:Humanities
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Research
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0290b4-860465b2-0186-debfba9d-00003c8d:Asian Paci
 fic Studies Institute (APSI)
CREATED:20260113T200717Z
DESCRIPTION:**the talk will take place in Room A266**\n\nDrawn from Volk's
  recently published In the Shadow of Empire: Art in Occupied Japan\, this
  talk unearths an immensely creative yet almost entirely overlooked body 
 of Japanese art. \n\nIntroducing charismatic but little-known paintings\,
  prints\, and sculpture made during the US occupation (1945-1952)\, it wi
 ll show how the forgotten art of a country in the shadows of American emp
 ire both accommodated and resisted the Cold War global realignment that f
 ollowed on the heels of World War II. \n\nVolk will reveal the transnatio
 nal dimensions of early postwar Japanese artistic practices and show how 
 they hold the potential for rethinking our histories of Japanese and glob
 al postwar art alike.\n\n\nAbout the speaker:\n\nAlicia Volk is a Profess
 or of Japanese Art at the University of Maryland. She is the author of "M
 ade in Japan: The Postwar Creative Print Movement" (2005) and curator of 
 the exhibition of the same name. Her 2010 book\, "In Pursuit of Universal
 ism: Yorozu Tetsugorō and Japanese Modern Art" received the Phillips Book
  Prize. "In the Shadow of Empire: Art in Occupied Japan" (University of C
 hicago Press\, 2025) is her latest book. \n\nVolk has been a Japan Founda
 tion-Ishibashi Foundation Fellow\, a J. Paul Getty Postdoctoral Fellow\, 
 a Robert and Lisa Sainsbury Fellow at the School of African and Asian Stu
 dies of the University of London\, a Fulbright Research Fellow at Waseda 
 University\, and most recently\, a Beineke Visiting Senior Fellow at the 
 Center for Advanced Studies in the Visual Arts at the National Gallery of
  Art.
DURATION:PT1H30M
DTSTAMP:20260113T200717Z
DTSTART;TZID=America/New_York:20260212T160000
LAST-MODIFIED:20260113T200717Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:In the Shadow of Empire: Art in Occupied Japan
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Asia focus:/user/public-user
 /Topic of Event Focused on a Country or Continent (if applicable)/Asia fo
 cus
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Global:/user/public-user/Top
 ic of Event Focused on a Country or Continent (if applicable)/Global
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Civic Engagement/Social Acti
 on:/user/public-user/Topics/Civic Engagement_Social Action
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Humanities:/user/public-user
 /Topics/Humanities
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Research:/user/public-user/T
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X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand
 Sciences_ArtArtHistoryandVisualStudies,":Art\, Art History & Visual Studi
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X-BEDEWORK-SPEAKER:Alicia Volk (Japanese Art\, University of Maryland)
X-BEDEWORK-DUKE-SERIES:APSI Speaker Series
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X-BEDEWORK-IMAGE-CROP-HEIGHT:1000
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 icia Volk ‘In the Shadow of Empire: Art in Occupied Japan’”\; wordmark of
  the Duke Asian/Pacific Studies Institute\; a black-and-white photo of Al
 icia Volk\; background image: an abstract painting in muted tones
X-BEDEWORK-SUBMITTEDBY:rmk33 for Asian Pacific Studies Institute (APSI) (a
 grp_ArtsandSciences_AsianPacificStudiesInstitute)
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END:VEVENT
BEGIN:VEVENT

CATEGORIES:Visual and Creative Arts
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20260227T150137Z
DESCRIPTION:What city will be the next center of advanced art? We've heard
  this question before. But circa 1941\, with Paris occupied\, the answer 
 was undecided-and in Baghdad\, artists\, soldiers\, and former prisoners 
 of war (who were themselves also artists and soldiers)\, grappled with wh
 at seemed to be a civilizational question about terms for keeping the cit
 y and the self open for avant-garde work. Crucially\, with British forces
  occupying Iraq at the same time\, declaring a cause of freedom while sup
 pressing Iraqi political activity\, the immanence of incarceration proved
  a salient factor in creative practice: a theme\, a shape\, a fate. Worki
 ng backwards from the 1953 maquette for a monument to the Unknown Politic
 al Prisoner devised by the great Iraqi modernist Jewad Selim\, the talk d
 elves into problems of form\, freedom\, and futurity arising from occupie
 d Iraq\, 1941 to 1945\, under a threat of enemy alienation that we might 
 recognize as a 20th century condition.\n\nAnneka Lenssen is Associate Pro
 fessor of Global Modern Art at the University of California\, Berkeley. H
 er publications include a monograph on modern painting and politics in Sy
 ria (2020) and a co-edited volume\, Modern Art in the Arab World: Primary
  Documents (2018). This talk is drawn from a current book project.\n\nFre
 e and open to the public.
DURATION:PT1H30M
DTSTAMP:20260305T211853Z
DTSTART;TZID=America/New_York:20260318T163000
LAST-MODIFIED:20260305T211853Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:Thinking with Occupied Iraq\, 1941-1945: On Forms and Freedom
UID:CAL-8a003294-9c52b03d-019c-9f9e99fb-0000379ddemobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us
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X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp__Artsan
 dSciences_History,":History
X-BEDEWORK-SPEAKER:Anneka Lenssen (Associate Professor of Global Modern Ar
 t at the University of California\, Berkeley)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
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END:VEVENT
END:VCALENDAR