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CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20190108T213051Z DESCRIPTION:Prof. Curley will discuss the ways that global Pop art intertw ined with the Cold War\, particularly exploring how artists from around t he world - from both sides of the conflict\, as well as from non-aligned nations - engaged with common objects and mass media materials. \n\nJohn J. Curley is Associate Professor of Art History in the Department of Art at Wake Forest University\, where he teaches classes on modern and contem porary art history\, as well as photographic history. He has published wi dely on American and European postwar art and photography. He is the auth or of A Conspiracy of Images: Andy Warhol\, Gerhard Richter\, and the art of the Cold War (Yale University Press\, 2013) and Global Art and the Co ld War which is out in January (Laurence King).\n\nTalk is free and open to the public. Reception to follow. DURATION:PT1H DTSTAMP:20190111T175349Z DTSTART;TZID=America/New_York:20190122T163000 LAST-MODIFIED:20190111T175349Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:AAHVS Visiting Speaker Series Talk: "Global Pop Art and the Cold W ar" UID:CAL-2c918084-681ce1b4-0168-2f600fbe-000011e0demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:John J. Curley (Associate Professor of Art History\, Wa ke Forest University) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Speaker Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\; Visual S tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:14 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1256 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Curley Poster X-BEDEWORK-IMAGE:/public/Images/Curley_20190111125349PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Curley_20190111125349PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20190129T183111Z DESCRIPTION:The 2019 AAHVS Graduate Student Symposium will take place on F riday\, February 22nd in Room A266 (Collision Space)\, Bay 10 on the seco nd floor of Smith Warehouse. \n\nPapers and presentations will take place from 2:30-4:30pm. Kelly C. Tang will present the paper "The Fantastic Th eater of Chinese Art in the Twentieth-Century." Felipe Alvarez de Toledo will present the paper "Beyond Murillo: New Data-Driven Research on the P ainting Market in Early Modern Seville." Amanda Lazarus will present the paper "Present but not Accounted For: Panathenaia\, Death\, and the Image of the Maiden in Classical Athens." \n\nThe keynote address "Architectur al Networks\, Painted and Lived" will be presented by Elisabeth Narkin (P ostdoctoral Fellow\, Rice University\, Humanities Research Center) from 5 :00pm-6:30pm. \n\nAttendance is free and open to the public. Paid visitor parking lots are located on Maxwell Ave. Sponsored by the Duke Universit y Department of Art\, Art History & Visual Studies. DURATION:PT4H DTSTAMP:20190131T190713Z DTSTART;TZID=America/New_York:20190222T143000 LAST-MODIFIED:20190131T190713Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:2019 AAHVS Graduate Student Symposium UID:CAL-2c918083-68982e51-0168-9ae120c8-00005b91demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Elisabeth Narkin\, Kelly C. Tang\, Felipe Alvarez de To ledo\, Amanda Lazarus X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\;amp\;amp\ ;amp\;amp\;amp\;amp\; Visual Studies (agrp_ArtsandSciences_ArtArtHistorya ndVisualStudies) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:818 X-BEDEWORK-IMAGE-Y2:545.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:818 X-BEDEWORK-IMAGE-CROP-HEIGHT:545.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:GSS Poster X-BEDEWORK-IMAGE:/public/Images/SYMPOSIUM_2019_20190131020713PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/SYMPOSIUM_2019_20190131020713PM-thum b.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20190109T203017Z DESCRIPTION:The AAHVS Visiting Speaker Series presents a talk titled "Crit iquing the Center/Periphery Narrative: The Cosmopolitan Avant-Garde in Po rtugal during World War I" by Joana Cunha Leal (Assistant Professor of Ar t History in the Department of Art History and Director of the Art Histor y Institute at the Universidade NOVA de Lisboa\, Portugal) on Tuesday\, M arch 19th at 5:30pm in Room A266 Bay 10 on the second floor of Smith Ware house. Free and open to the public. Reception to follow. DURATION:PT1H30M DTSTAMP:20190304T213831Z DTSTART;TZID=America/New_York:20190319T173000 LAST-MODIFIED:20190304T213831Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:AAHVS Visiting Speaker Series Talk: "Critiquing the Center/Periphe ry Narrative: The Cosmopolitan Avant-Garde in Portugal during World War I " UID:CAL-2c918084-681ce1b4-0168-344efb4a-000063f9demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Joana Cunha Leal (Assistant Professor of Art History\, Department of Art History\, Director of the Art History Institute\, Unive rsidade NOVA de Lisboa\, Portugal) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Speaker Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Leal Poster X-BEDEWORK-IMAGE:/public/Images/Leal_20190304043831PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Leal_20190304043831PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Reception CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20190402T135617Z DESCRIPTION:**Note new start time of 5:00 PM**\n\nMA Thesis Showcase and R eception for Spring 2019 Graduates: \n\nRob Arcand: "Stack Music: Spotify and the Platformization of the Digital Music Commodity"\nNina Feng: "Con temporary Japanese Art Auction Market 2008-2017"\nAngelina Liu: "The Alif e Bestiary: An AR Object Recognition Project on the Archivolt of Alife"\n Kira Xie: "Reimagining Model Minority: An Inquiry into the Post-1965 Chin ese Immigration in the United States"\n\nRoom A266 (The Collision Space) in Bay 10 on the second floor of Smith Warehouse.\n\nStudents will give b rief project presentations followed by a Q&A and then a reception to cele brate. Everyone is invited to attend. DURATION:PT1H30M DTSTAMP:20190423T180050Z DTSTART;TZID=America/New_York:20190423T170000 LAST-MODIFIED:20190423T180050Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Spring 2019 MA Thesis Showcase and Reception UID:CAL-2c918085-69c7a467-0169-de5614ef-0000649fdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/ Other/Reception X-BEDEWORK-SPEAKER:Rob Arcand\, Nina Feng\, Angelina Liu\, Kira Xie X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\; Visual S tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:20 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1262 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:MA Thesis Poster X-BEDEWORK-IMAGE:/public/Images/Thesis_2019SpringGrad_20190402124605PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Thesis_2019SpringGrad_20190402124605 PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:University Events CATEGORIES:Utilities CATEGORIES:Commencement CATEGORIES:Exhibit CATEGORIES:Ongoing CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20190423T175307Z DESCRIPTION:The 2019 End of Year Student Exhibition will be presented in S mith Warehouse (Bays 9-12\, second floor)\, Rubenstein Arts Center (Agora Gallery and second floor gallery)\, and Cucciolo Osteria (601 W. Main St .\, Suite C\, Durham). Free and open to the public. DTEND;TZID=America/New_York:20190512T210000 DTSTAMP:20190502T162022Z DTSTART;TZID=America/New_York:20190503T180000 LAST-MODIFIED:20190502T162022Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:2019 AAHVS End of Year Student Exhibition - ongoing - UID:CAL-2c918085-6a433e75-016a-4b547a9a-000019f4demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Exhibit:/user/public-user/Ar ts/Exhibit X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp__Artsan dSciences_ISIS,/principals/users/agrp_ArtsandSciences_FilmVideoDigitalPro gram,":Information Science + Studies (ISS)\,Program in Arts of the Moving Image (AMI) X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Commencement:/user/public-us er/University Events/Commencement X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Ongoing:/user/public-user/Ut ilities/Ongoing X-BEDEWORK-IMAGE-X1:18 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1260 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Exhibition Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\;amp\;amp\ ;amp\;amp\; Visual Studies (agrp_ArtsandSciences_ArtArtHistoryandVisualSt udies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_StudentShow2019_20190423031551PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_StudentShow2019_20190423031551 PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Reception CATEGORIES:Open House CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20191111T194710Z DESCRIPTION:Please join us for the Computational Media\, Arts & Cultures ( CMAC) Open House on Friday\, November 15th from 4:00-6:00pm in Bays 10 & 11 on the second floor of Smith Warehouse.\nTake a tour and learn more ab out everything our labs have to offer. Drinks and heavy hors d'oeuvres wi ll be served. Free and open to the public. Enter Smith Warehouse on the s outh side entrances at Bays 6\, 10 or 12 and take stairs or elevator to t he second floor. DURATION:PT2H DTSTAMP:20191111T200854Z DTSTART;TZID=America/New_York:20191115T160000 LAST-MODIFIED:20191111T200854Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Computational Media\, Arts & Cultures Open House UID:CAL-2c918084-6e34d358-016e-5c017ad0-00000a9bdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Open House:/user/public-user /Other/Open House X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/ Other/Reception X-BEDEWORK-SUBMITTEDBY:massu001 for Computational Media\, Arts &\;amp\; Cultures (agrp_CompMediaArtsCultures) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:86 X-BEDEWORK-IMAGE-X2:829 X-BEDEWORK-IMAGE-Y2:638.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:829 X-BEDEWORK-IMAGE-CROP-HEIGHT:552.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:CMAC Poster X-BEDEWORK-IMAGE:/public/Images/CMAC_2019Fall_OpenHouse_20191111030854PM.j pg X-BEDEWORK-THUMB-IMAGE:/public/Images/CMAC_2019Fall_OpenHouse_201911110308 54PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Conference/Symposium CATEGORIES:Reception CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20191022T204423Z DESCRIPTION:Arpeggio is an annual graduate-student organized interdiscipli nary conference of AAHVS department. This year\, with the overarching the me of "Spaces of Translation\," Arpeggio invites scholars and students to explore the relationship between the original and reinterpreted\, the au thors and translators\, and the artists and art historians from diverse r egions such as China\, France\, Mexico\, and the United States. Three spe akers - Amara Solari (Penn State University Professor\, Pre-Columbian and Colonial Latin American Art)\, Kristel Smentek (MIT Professor\, Eighteen th-century European art and Asian-European Cultural Interaction)\, Dario Robleto (Contemporary artist based in Houston\, TX interested in the inte rsection between art and science) - will give valuable talks and a panel discussion will follow.\n\nArpeggio will take place at 2:00pm on Friday\, November 22 in the Collision Space\, Smith Warehouse\, Bay 10\, A266. Th e event begins at 2:00pm with Dr. Amara Solari's presentation of her pape r "The Translatable Sacristy: Maya Blue and the Reception of Triune Theol ogy in 16th C. Yucatan\," followed at 2:55pm with Dr. Kristel Smentek's p resentation of her paper "China in the Studio in 18th C. France\," and co ncludes at 4:05pm with Dario Robleto's presentation of his paper "Small C rafts on Sisyphean Seas." A panel discussion will start at 5:00pm with a reception to immediately follow. Arpeggio is free and open to the public. DURATION:PT4H DTSTAMP:20191023T142219Z DTSTART;TZID=America/New_York:20191122T140000 LAST-MODIFIED:20191023T142219Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Spaces of Translation UID:CAL-2c918085-6de22ea0-016d-f536abd2-00000f01demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Conference_Symposium:/user/p ublic-user/Lectures_Conferences/Conference_Symposium X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/ Other/Reception X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien ces_AsianPacificStudiesInstitute,/principals/users/agrp_ArtsandSciences_C ulturalAnthropology,/principals/users/agrp_JHFC_DUCIS,/principals/users/a grp_JHFC_FranklinHumanitiesInstitute,/principals/users/agrp_MALS,/princip als/users/agrp__ArtsandSciences_ISIS,/principals/users/agrp_JHFC_Internat ionalComparativeStudies,/principals/users/agrp_Libraries,/principals/user s/agrp_NasherMuseumofArt,/principals/users/agrp__ArtsandSciences_RomanceS tudies,/principals/users/agrp_ProvostsOffice_ViceProvostfortheArts,":Asia n &\; Middle Eastern Studies (AMES)\,Asian Pacific Studies Institute ( APSI)\,Cultural Anthropology\,Duke University Center for International an d Global Studies\,Franklin Humanities Institute (FHI)\,Graduate Liberal S tudies\,Information Science + Studies (ISS)\,International Comparative St udies (ICS)\,Libraries\,Nasher Museum of Art\,Romance Studies\,Vice Provo st for the Arts X-BEDEWORK-SPEAKER:Amara Solari (Penn State)\, Kristel Smentek (MIT)\, Dar io Robleto (Houston\, TX) X-BEDEWORK-DUKE-SERIES:Arpeggio X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:36 X-BEDEWORK-IMAGE-X2:1280 X-BEDEWORK-IMAGE-Y2:889.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:1280 X-BEDEWORK-IMAGE-CROP-HEIGHT:853.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:Arpeggio Postcard X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Postcard_Arpeggio_2019a_20191022044423PM.j pg X-BEDEWORK-THUMB-IMAGE:/public/Images/Postcard_Arpeggio_2019a_201910220444 23PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20191108T205030Z DESCRIPTION:Please join us for our Fall 2019 MA Thesis Presentations in Di gital Art History and Computational Media. \n\nPresenting Students:\nCait lin Burke: "The Architecture of Facebook and the Public Sphere" \nAlan Ca rrillo: "Modeling Ambiguity: An Analysis of the Paris Temple"\nLuke LeGra nd: "The Living Web"\nChristine Liu: "Mapping and Visualizing Testimonies of Spaces of Confinement: A Digital Analysis of the Kraków Ghetto"\n\nRo om A266 Bay 10 on the second floor of Smith Warehouse.\n\nFree and open t o the public. Reception to follow. DURATION:PT2H DTSTAMP:20191108T205939Z DTSTART;TZID=America/New_York:20191125T170000 LAST-MODIFIED:20191108T205939Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Fall 2019 MA Thesis Presentations (Digital Art History & Computati onal Media) UID:CAL-2c918084-6e34d358-016e-4cc85ed3-00006272demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_CompMed iaArtsCultures,":Computational Media\, Arts &\; Cultures X-BEDEWORK-SPEAKER:Caitlin Burke\, Alan Carrillo\, Luke LeGrand\, Christin e Liu X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:35 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1277 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:MA Thesis Poster X-BEDEWORK-IMAGE:/public/Images/Thesis_2019FallGrad_20191108035939PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Thesis_2019FallGrad_20191108035939PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Exhibit CATEGORIES:Reception CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20191125T210034Z DESCRIPTION:Please join us for the 2019 End-of-Semester Student Exhibition on Friday\, December 6th from 5:00pm-7:00pm in Bays 9-12 on the second f loor of Smith Warehouse. Free and open to the public. Refreshments Served . DURATION:PT1H DTSTAMP:20191125T210034Z DTSTART;TZID=America/New_York:20191206T170000 LAST-MODIFIED:20191125T210034Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:2019 End-of-Semester Student Exhibition UID:CAL-2c918084-6e8730de-016e-a45db30b-00000b06demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Exhibit:/user/public-user/Ar ts/Exhibit X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/ Other/Reception X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp__Artsan dSciences_ISIS,/principals/users/agrp_ArtsandSciences_FilmVideoDigitalPro gram,":Information Science + Studies (ISS)\,Program in Arts of the Moving Image (AMI) X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20200127T195111Z DESCRIPTION:Clement Valla is a New York based artist whose work considers how humans and computers are increasingly entangled in making\, seeing an d reading pictures.\n\nHe has had recent solo exhibitions at PC Galleries in Providence\, XPO Gallery in Paris and Transfer Gallery in Brooklyn. H is work has also been exhibited at ZKM\, Karlsruhe\, Germany\; Draiflesse n Collection\, Mettingen\, Germany\; Stedelijk Museum\, Breda\, Netherlan ds\; Bitforms Gallery\, New York\; Musée Cognacq-Jay\, Paris\, France\; H aus der Photographie\, Hamburg\, Germany\; Museum of the Moving Image\, N ew York\; KIM Contemporary Art Center\, Riga\, Latvia\; Contemporary Art Museum\, Raleigh\; and The Indianapolis Museum of Art\, Indianapolis\;\n\ nHis work has been cited in The Guardian\, Wall Street Journal\, TIME Mag azine\, El Pais\, Huffington Post\, Rhizome\, Domus\, Wired\, The Brookly n Rail\, Liberation\, and on BBC television. Valla received a BA in Archi tecture from Columbia University and an MFA from the Rhode Island School of Design in Digital+Media. He is currently an associate professor at the Rhode Island School of Design.\n\nCMAC Rendezvous will take place at 4:3 0PM on Tuesday\, February 11 in Room A266 Bay 10 on the second floor of S mith Warehouse. Free and open to the public. Light refreshments will be s erved. DURATION:PT1H30M DTSTAMP:20200127T195111Z DTSTART;TZID=America/New_York:20200211T163000 LAST-MODIFIED:20200127T195111Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:CMAC Rendezvous Artist Lecture with Clement Valla UID:CAL-2c918085-6fcfd493-016f-e88ed31f-000076b0demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Clement Valla X-BEDEWORK-DUKE-SERIES:CMAC Rendezvous X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Valla Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Computational Media\, Arts & Cultures (agrp_CompMediaArtsCultures) X-BEDEWORK-IMAGE:/public/Images/Rendezvous2020_Valla_20200127025111PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Rendezvous2020_Valla_20200127025111P M-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20200213T183341Z DESCRIPTION:Ryan Holmberg is a freelance arts and comics historian\, and i s currently Visiting Lecturer at UNC Chapel Hill. He has taught at Univer sity of Chicago\, Duke University\, and the University of Tokyo\, among o ther schools. As a freelance art historian and critic\, he is a frequent contributor to The Comics Journal\, Artforum International\, and Art in A merica. As an editor and translator of manga\, he has worked with Breakdo wn Press\, Drawn & Quarterly\, Retrofit Comics\, New York Review Comics\, and PictureBox on over two dozen different books. His edition of Tezuka Osamu's The Mysterious Underground Men (PictureBox) won the 2014 Eisner A ward for Best U.S. Edition of International Material: Asia. He is also th e author of Garo Manga: The First Decade\, 1953-1973 (Center for Book Art s\, 2010) and No Nukes for Dinner: How One Cartoonist and His Country Lea rned to Distrust the Atom (forthcoming).\n\nThis talk supports the instal lation of the same name behind the Rubinstein Arts Center at Duke Univers ity\, a mixed mini historical survey curated by Ryan Holmberg and experim ental installation designed by Bill Fick and the students of his Advanced Printmaking: Print Installation class.\n\nFree and open to the public. P aid visitor parking lots are located on Maxwell Ave. DURATION:PT1H DTSTAMP:20200213T183341Z DTSTART;TZID=America/New_York:20200219T180000 LAST-MODIFIED:20200213T183341Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Manga 4.5: Building Comics with Tatami Mats and Stones UID:CAL-2c918085-7018ea1e-0170-3fd3f9b9-00005344demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Provost sOffice_ViceProvostfortheArts,":Vice Provost for the Arts X-BEDEWORK-SPEAKER:Ryan Holmberg\, PhD (Visiting Lecturer\, UNC-CH) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Holmberg Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_VisitingArtists2020_Holmberg_2020021 3013341PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_VisitingArtists2020_Holmberg_2 0200213013341PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Conference/Symposium CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20200211T142333Z DESCRIPTION:Duke University Dept. of Art\, Art History & Visual Studies\n2 020 Graduate Student Symposium\nFriday\, February 21\nRoom A266 (Collisio n Space)\, Bay 10\nSmith Warehouse\n\n2:30pm - 6:00pm\nPapers and Present ations\nIris Gilad: "Under the Carpet: History and Trauma through Ai Weiw ei's Soft Ground at the Haus der Kunst"\nThea Ballad: "Open Secrets: Voic es and Opacity in Felicia Atkinson's The Flower and the Vessel"\nFeaturin g: Lightning talks from Duke Art\, Law & Markets Initiative\, S-1 Specula tive Sensation Lab\, Emergence Lab\, PhD Lab in Digital Knowledge and Wir ed! Lab for Digital Art History & Visual Culture\nKeynote Address by Jame s J. Bloom (Visiting Associate Professor of Art History\, Hamilton Colleg e: "Notes from the Field: Observations on the Northern Renaissance\, Art History and the Academy"\n\nReception to follow. Attendance is free and o pen to the public. Paid visitor parking lots are located on Maxwell Avenu e. DURATION:PT3H30M DTSTAMP:20200211T142805Z DTSTART;TZID=America/New_York:20200221T143000 LAST-MODIFIED:20200211T142805Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:AAHVS 2020 Graduate Student Symposium UID:CAL-2c918085-7018ea1e-0170-34a2438b-00003c70demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Conference_Symposium:/user/p ublic-user/Lectures_Conferences/Conference_Symposium X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:818 X-BEDEWORK-IMAGE-Y2:545.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:818 X-BEDEWORK-IMAGE-CROP-HEIGHT:545.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:GSS Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\; Visual S tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/SYMPOSIUM_2020_20200211092334AM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/SYMPOSIUM_2020_20200211092334AM-thum b.png X-BEDEWORK-SPEAKER:James J. Bloom (Visiting Associate Professor of Art His tory\, Hamilton College)\, Iris Gilad (Duke University PhD Student)\, The a Ballard (Duke University PhD Student) END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20200128T184142Z DESCRIPTION:Julia K. McHugh\, Ph.D.\, presents a talk titled "A Tale of Tw o Tapestries in the Colonial Andes." Dr. McHugh is the Trent A. Carmichae l Curator of Academic Initiatives at the Nasher Museum of Art at Duke Uni versity. In this position\, she develops exhibitions and interdisciplinar y collaborations with Duke faculty\, students\, and staff at the Nasher M useum of Art. She also serves as Adjunct Assistant Professor of Art Histo ry and directs the Museum Theory and Practice concentration. McHugh speci alizes in ancient and colonial Latin American art and earned her Ph.D. in Art History from the University of California\, Los Angeles. \n\nLunch s erved. Event free and open to the public. DURATION:PT1H DTSTAMP:20200204T135410Z DTSTART;TZID=America/New_York:20200227T120000 LAST-MODIFIED:20200204T135410Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:A Tale of Two Tapestries in the Colonial Andes UID:CAL-2c918085-6fcfd493-016f-ed7593f5-00002af6demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Julia K. McHugh (Trent A. Carmichael Curator of Academi c Initiatives at the Nasher Museum of Art at Duke University) X-BEDEWORK-DUKE-SERIES:Intermezzo X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1898 X-BEDEWORK-IMAGE-Y2:1265.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:1898 X-BEDEWORK-IMAGE-CROP-HEIGHT:1265.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Intermezzo Image X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Intermezzo Image_20200128014142PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Intermezzo Image_20200128014142PM-th umb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20200225T173424Z DESCRIPTION:Anne-Sophie V.E. Radermecker\, Ph.D.\, presents a talk titled "What's in Anonymity? The Economics of Indeterminate Works of Art." Works of art and cultural objects of uncertain or unknown authorship constitut e a significant part of cultural heritage\, and are regularly traded in t he art market. However\, as compared to works for which the artist's name is clearly identifiable\, they tend to be rarely considered for themselv es\, or chiefly for attribution purposes. Based on a selection of represe ntative categories of indeterminate works of art\, my postdoctoral resear ch project aims at examining\, from both a transversal and cross-discipli nary perspectives\, how these goods are produced\, labeled\, displayed\, marketed\, and consumed. In this presentation\, I will introduce the econ omics of indeterminate works of art\, by focusing on the market reception of anonymous old master paintings. The study of the critical and market reception of these goods offers the opportunity to better understand how anonymity is perceived and valued in the art world\, past and present\, a nd to detect specific patterns in art consumption that are likely to diff er from one cultural context to another.\n\nLunch served. Event free and open to the public. DURATION:PT1H DTSTAMP:20200225T173800Z DTSTART;TZID=America/New_York:20200303T120000 LAST-MODIFIED:20200225T173800Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:What's in Anonymity? The Economics of Indeterminate Works of Art UID:CAL-2c918085-706b4fb3-0170-7d6a0668-0000755edemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Anne-Sophie V.E. Radermecker (Belgian American Educatio nal Foundation B.A.E.F. Fellow Duke University\, DALMI and Research colla borator Université libre de Bruxelles) X-BEDEWORK-DUKE-SERIES:Intermezzo X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:580 X-BEDEWORK-IMAGE-Y2:386.6666666666667 X-BEDEWORK-IMAGE-CROP-WIDTH:580 X-BEDEWORK-IMAGE-CROP-HEIGHT:386.6666666666667 X-BEDEWORK-IMAGE-ALT-TEXT:Intermezzo Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\; Visual S tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Intermezzo_20200225123425PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Intermezzo_20200225123425PM-thumb.pn g END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20220406T185830Z DESCRIPTION:The AAHVS Visiting Artist Series presents a talk by Bob Goldst ein (James L. Peacock III Distinguished Professor\, UNC-Chapel Hill) titl ed "Printmaking for Art and Science" on Tuesday\, April 12th at 5:00pm in Room A266 Bay 10 on the second floor of Smith Warehouse. Masks are requi red for this in-person event. \n\nArtist Statement:\n\nI entered the art world via science. I'm a working scientist and Biology professor at UNC C hapel Hill. I learned printmaking methods for making "gig posters for sci entists" to announce several seminars each year at UNC and beyond. This e xperience led to co-developing a cross-disciplinary Studio Art and Biolog y course with printmaking artist Beth Grabowski. The course sparked my in terest in making art. I will present my path to art\, and some work that has built upon this unusual path. My artwork often involves subtle levity in the face of serious or dire situations. Humor has a long history of h elping people rethink entrenched ideas\, by circumventing naturally defen sive responses to more direct forms of confrontation. And humor can somet imes make real\, human connections across broad divides. DURATION:PT1H DTSTAMP:20220407T143240Z DTSTART;TZID=America/New_York:20220412T170000 LAST-MODIFIED:20220407T143240Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Printmaking for Art and Science UID:CAL-8a009144-7fb64372-0180-003e163d-000016e1demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Bob Goldstein (James L. Peacock III Distinguished Profe ssor\, UNC-Chapel Hill) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1164 X-BEDEWORK-IMAGE-Y2:776 X-BEDEWORK-IMAGE-CROP-WIDTH:1164 X-BEDEWORK-IMAGE-CROP-HEIGHT:776 X-BEDEWORK-IMAGE-ALT-TEXT:Goldstein Poster X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Goldstein_20220407023 240PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Goldstein_20220 407023240PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20221003T143610Z DESCRIPTION:Mark Antliff is Mary Grace Wilson Distinguished Professor Emer itus in Duke University's Department of Art\, Art History & Visual Studie s. His work has been supported by many awards\, including a Guggenheim Fe llowship\, the Institute for Advanced Study in Princeton\, the National H umanities Center\, the Stanford Humanities Center\, and the Paul Mellon C entre/London. He is the author of multiple books\, including Inventing Be rgson: Cultural Politics and the Parisian Avant-Garde\, Avant-Garde Fasci sm: The Mobilization of Myth\, Art\, and Culture in France\, 1909-1939\, and\, most recently\, Sculptors Against the State: Anarchism and the Angl o-European Avant-Garde. His latest scholarly project is entitled Radical Pacifism and Aesthetics in the Crucible of War: 1936-1950.\n\nSponsored b y the Department of Art\, Art History & Visual Studies DURATION:PT1H30M DTSTAMP:20221003T143610Z DTSTART;TZID=America/New_York:20221020T170000 LAST-MODIFIED:20221003T143610Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Anarchist Nominalism: Bergson\, Art and Ideology” UID:CAL-8a0183a7-83184018-0183-9e469c52-000074b1demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Mark Antliff (Mary Grace Wilson Distinguished Professor Emeritus of Art\, Art History & Visual Studies Department of Art\, Art H istory & Visual Studies Duke University) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Antliff Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Antliff_20221 003023610PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Antliff _20221003023610PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20221013T164724Z DESCRIPTION:Leah Sobsey's multidisciplinary photographic practice reaches into the fields of science\, design\, installation\, and textile. Her pho to-based work explores the natural world through archives and taxonomies with an experimental and materials-based approach to the medium of photog raphy. Often partnering with scientists\, she uses a historical\, scienti fic\, and artistic lens\, to understand the connection to plant and anima l loss as one indication of the larger climatological perils we face as a species. She is interested in creating dialog between art and science an d has spent the last decade-plus photographing specimens from National Pa rk and university museum collections across the country to understand cli mate change and species loss. Sobsey works in 19th-century photographic p rocesses combined with digital technology with a specialty in plant-based printing techniques. \n\nSobsey shows nationally and internationally in galleries\, public spaces\, and museums\; her current exhibition document ing species loss through Henry David Thoreau's herbarium\, In Search of T horeau's Flowers is open through November 2023 at The Harvard Museum of N atural History. Her work is held in private and public collections across the country. She received her BA from Guilford College and MFA from the San Francisco Art Institute.\n\nThis talk will take place in Room A266 Ba y 10 on the second floor of Smith Warehouse. Free and open to the public. DURATION:PT1H30M DTSTAMP:20221017T165204Z DTSTART;TZID=America/New_York:20221025T170000 LAST-MODIFIED:20221017T165204Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Collections” UID:CAL-8a0183a7-83184018-0183-d23e59d6-00004e31demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Leah Sobsey (Associate Professor of Photography Curator and Director of the Gatewood Gallery University of North Carolina\, Gre ensboro) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Speaker Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\;amp\;amp\ ;amp\;amp\; Visual Studies (agrp_ArtsandSciences_ArtArtHistoryandVisualSt udies) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Sobsey Poster X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Sobsey_20221017045204 PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Sobsey_20221017 045204PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20221025T201323Z DESCRIPTION:This lecture will focus on the cross-disciplinary work of the artist and musician Kim Gordon. Focusing upon Gordon's early critical wri tings (which Joseph edited in 2014) and hybrid artistic practice with suc h collaborators as Vikky Alexander and Dan Graham\, the talk will elucida te Gordon's subtle engagements with the legacies of modernist design\, ap propriationist practice\, and postmodern discourse\, as well as her perce ptive deployments of punk rock icons and pop-cultural fandom.\n\nBranden W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art at Columbia University in New York and a founding editor of the quarterl y academic journal Grey Room. He is the author of five books-including Ra ndom Order: Robert Rauschenberg and the Neo-Avant-Garde (2003)\; Beyond t he Dream Syndicate: Tony Conrad and the Arts after Cage (2008)\; and Expe rimentations: John Cage in Music\, Art\, and Architecture (2016)-and edit or of three\, including Kim Gordon: Is It My Body? (2014) and Carolee Sch neemann: Uncollected Texts (2018). In addition\, he has written widely on a variety of figures within the fields of art\, music\, and cinema\, inc luding Seth Price\, Andy Warhol\, Lee Lozano\, Jutta Koether\, Mike Kelle y\, Hilma af Klint\, and Angela Bulloch. He is a 2019 Guggenheim Fellow a nd was also awarded a Paul Mellon Visiting Senior Fellowship from the Cen ter for Advanced Study in the Visual Arts at the National Gallery of Art in 2019. Currently\, he is at work on a large\, historical exhibition of artists who have produced 'zines for the Brooklyn Museum.\n\nThis talk w ill take place in room A266 Bay 10 on the second floor of Smith Warehouse . Free and open to the public. DURATION:PT1H30M DTSTAMP:20221025T201706Z DTSTART;TZID=America/New_York:20221103T163000 LAST-MODIFIED:20221025T201706Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Art and Dirt: Kim Gordon’s Aesthetics of Impurity” UID:CAL-8a0183a7-83184018-0184-10c73dc4-00002123demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-SPEAKER:Branden W. Joseph (Frank Gallipoli Professor of Modern and Contemporary Art at Columbia University) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Art History Speaker Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Joseph Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Joseph_202210 25081323PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2022AAHVS_SpeakerSeries_fall_Joseph_ 20221025081323PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20221109T190539Z DESCRIPTION:Richard "Ricky" Armendariz (b. 1969\, El Paso\, Texas) was rai sed on the U.S.-Mexico border\, a region that heavily influenced his arti stic\, aesthetic\, and conceptual ideas. Images that have cultural\, bio graphical\, and art historical references are carved and burned into the surface of the paintings\, drawings\, and wood blocks. He received his B FA from The University of Texas at San Antonio (1995)\, and his MFA from the University of Colorado at Boulder (1999). Armendariz is currently a professor at The University of Texas at San Antonio. \n\nIn 2008\, he re ceived the Artpace Supplemental Travel Grant for travel to Mexico City\, Mexico\; in 2013 was an artist in residence at Kunstlerhaus Bethanien\, B erlin Germany\; and in 2018 Anderson Ranch in Snowmass Village\, CO. In 2017 he was the first artist in residence at the DoSeum in San Antonio\, TX. He has exhibited at the Denver Art Museum\, The Dallas Contemporary \, The Blue Star Art Center in San Antonio\, and Mexic-Arte Museum in Aus tin. International exhibitions include: Liminal Space\, DMZ Museum\, Sou th Korea (2018)\, Common Wounds\, Bethlehem and Tel Aviv (2005)\, and "Ne w Prints" Kunstlerhaus Bethanien \, Berlin Germany (2013)\, Texas Contemp orary Art"\, Lalit Kala Academy\, National Academy of Art\, New Delhi\, I ndia(2015). He is in the permanent collections of the San Antonio Museum of Art\; McNay Art Museum\; Denver Art Museum\; Davis Museum\, Wellesley College\, MA\; the Bush International Airport Houston Art Collection\; a nd The Cheech Marin Collection\, The Cheech Marin Center for Chicano Art & Culture\, Riverside\, CA.\n\n\nhttps://www.andersonranch.org/events/vis iting-artist-ricky-armendariz/\n\nhttps://glasstire.com/2022/03/07/five-m inute-tours-richard-ricky-amendariz-at-nicole-longnecker-gallery-houston/ \n\nTalk will take place in Room A266 Bay 10 on the second floor of Smith Warehouse. Free and open to the public. DURATION:PT1H30M DTSTAMP:20221109T190539Z DTSTART;TZID=America/New_York:20221115T170000 LAST-MODIFIED:20221109T190539Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:AAHVS Visiting Artist Talk with Richard “Ricky” Armendariz UID:CAL-8a0183a7-83184018-0184-5dc8a069-0000003fdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Richard “Ricky” Armendariz (Professor\, University of T exas at San Antonio) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Armendariz Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Armendariz_2022110907 0539PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2022_Armendariz_2022 1109070539PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Reception CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20230227T184210Z DESCRIPTION:This event is for current and interested students in the Depar tment of Art\, Art History & Visual Studies. Chair Paul Jaskot will discu ss the department with refreshments to follow. Event will take place in R oom A266 Bay 10 on the second floor of Smith Warehouse from 3:30-5:30pm. DURATION:PT2H DTSTAMP:20230227T184210Z DTSTART;TZID=America/New_York:20230202T153000 LAST-MODIFIED:20230227T184210Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Art\, Art History & Visual Studies Majors and Minors Open House UID:CAL-8a0290b4-860465b2-0186-942ea70f-0000274fdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/ Other/Reception X-BEDEWORK-SPEAKER:Paul Jaskot\, AAHVS Department Chair X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:908 X-BEDEWORK-IMAGE-Y2:605.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:908 X-BEDEWORK-IMAGE-CROP-HEIGHT:605.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:Open House Flyer X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230227064210PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230227064210PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Reception CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20230227T191433Z DESCRIPTION:This event is for current and interested students in the Depar tment of Art\, Art History & Visual Studies. Chair Paul Jaskot will discu ss the department with refreshments to follow. The event will take place in Room A266 Bay 10 on the second floor of Smith Warehouse. DURATION:PT2H DTSTAMP:20230227T191433Z DTSTART;TZID=America/New_York:20230202T153000 LAST-MODIFIED:20230227T191433Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Art\, Art History & Visual Studies Majors and Minors Open House UID:CAL-8a0290b4-860465b2-0186-944c4dad-00002c15demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/ Other/Reception X-BEDEWORK-SPEAKER:Paul Jaskot\, AAHVS Dept Chair X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:908 X-BEDEWORK-IMAGE-Y2:605.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:908 X-BEDEWORK-IMAGE-CROP-HEIGHT:605.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:Open House Flyer X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230227071433PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230227071433PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Other CATEGORIES:Utilities CATEGORIES:Reception CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20230228T183618Z DESCRIPTION:This event is for current and interested students in the Depar tment of Art\, Art History & Visual Studies. AAHVS Department Chair Paul Jaskot will discuss the department with refreshments to follow. The event will take place in room A266 Bay 10 on the second floor of Smith Warehou se. DURATION:PT2H DTSTAMP:20230228T183656Z DTSTART;TZID=America/New_York:20230302T153000 LAST-MODIFIED:20230228T183656Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Art\, Art History & Visual Studies Majors and Minors Open House UID:CAL-8a0290b4-860465b2-0186-994fa5bc-00005c0bdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Reception:/user/public-user/ Other/Reception X-BEDEWORK-SPEAKER:Paul Jaskot\, AAHVS Dept Chair X-BEDEWORK-IMAGE-X1:4 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:908 X-BEDEWORK-IMAGE-Y2:602.6666666666666 X-BEDEWORK-IMAGE-CROP-WIDTH:904 X-BEDEWORK-IMAGE-CROP-HEIGHT:602.6666666666666 X-BEDEWORK-IMAGE-ALT-TEXT:Open House Flyer X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230228063618PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_OpenHouse2023_20230228063618PM -thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20230901T175418Z DESCRIPTION:This lecture considers the work of the eighteenth-century natu ralist Maria Sibylla Merian\, who travelled to Suriname to study butterfl ies and moths. Merian focused on insects to comprehend the human\, and pa rticularly reproduction. Yet during her time in Suriname\, her work engag es with the crisis of reproduction\, privacy\, domesticity\, and kinship within the economy of the plantation. This lecture considers the impossib le-to-figure yet present interiors of the Dutch plantation in Merian's wo rk\, which make palpable the fragility of mythologies around privacy in m odern constructions of self\, and the complicated legacy of privacy withi n histories of reproductive rights.\n\nThis lecture is free and open to t he public. DURATION:PT1H30M DTSTAMP:20230908T164100Z DTSTART;TZID=America/New_York:20230913T170000 LAST-MODIFIED:20230908T164100Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Maria Sibylla Merian and the Crisis of the Plantation Domestic Int erior UID:CAL-8a02906b-8a0a73d8-018a-51e1ad0d-00005b73demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Caroline Fowler (Starr Director\, Research and Academic Program (RAP)\, The Clark Institute Lecturer in Art History\, Williams C ollege) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Fowler Poster X-BEDEWORK-IMAGE:/public/Images/2023AAHVS_LectureSeries_fall_Fowler_202309 08044100PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2023AAHVS_LectureSeries_fall_Fowler_ 20230908044100PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20231027T191839Z DESCRIPTION:Following a decade and a half of establishing their internatio nal artistic and musical solo careers\, Marlena Novak and Jay Alan Yim fo unded localStyle in 2000 as a platform for collaboration\, addressing iss ues of climate change and extractivism and expanding to focus on non-huma n others via themes such as the mating behavior of non-binary marine flat worms\, the sonification of electric fish\, speculative blackbird grammar \, the illusory logic underlying human taxonomic systems\, and the crisis facing coral reefs\, whom they consider the voice of the Anthropocene. T heir intermedia works-a practice that includes experimental 3D animation\ , 3D printing\, processed video\, digital sound\, interactive installatio ns\, live performance with electronics\, audience participation\, and sit e-specific sculpture-have been presented in museums\, galleries\, alterna tive venues\, and festivals in more than fifty cities worldwide from Abu Dhabi to Warsaw. Collectively they have received grants\, awards\, and co mmissions from the Arts Council of Great Britain\, National Endowment for the Arts\, Guggenheim Foundation\, Kennedy Center\, New York State Counc il on the Arts\, DCASE\, and others. \n \nThis talk is free and open to t he public. DURATION:PT1H30M DTSTAMP:20231108T150100Z DTSTART;TZID=America/New_York:20231109T173000 LAST-MODIFIED:20231108T150100Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Sparking Stewardship” UID:CAL-8a018d0d-8b5366bc-018b-72930768-0000159bdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-SPEAKER:Marlena Novak and Jay Alan Yim “localStyle” X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\;amp\;amp\ ;amp\;amp\;amp\;amp\;amp\;amp\;amp\; Visual Studies (agrp_ArtsandSciences _ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:18 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1260 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Novak-Yim Poster X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2023_NovakYim_202311080301 00PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2023_NovakYim_202311 08030100PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20240223T175205Z DESCRIPTION:(Reception to follow at the Rubenstein Arts Center)\n \nThe te rm "synaptic" is fundamentally anchored in the field of neuroscience\, wh ere it delineates the junctures through which nerve impulses traverse fro m one neuron to another. This process is instrumental in constructing the intricate web of communications that form the basis of our cognitive fun ctions\, including thought\, memory\, and emotion. Within the realm of "s ynaptic sculpture\," this neuroscientific principle is leveraged to eluci date the profound impact of art on human sensation\, perception\, emotion \, and behavior. Yoldas' presentation will delve into a selection of her artworks created from 2017 onwards and will culminate in a discussion of her latest focus on photobioreactor design.\n \nDr. Pinar Yoldas (Duke Ph .D. '16) is an infradisciplinary architect /Designer/Artist/researcher. H er work engages biological sciences and digital technologies with a focus on environmental justice and feminist techno-science. Yoldas is a 2015 J ohn Simon Guggenheim Fellow\, a 2016 FEAT Award winner\, and a 2018 Hellm an Fellow. \n \nSponsored by the Department of Art\, Art History & Visual Studies Visiting Artist Series. Co-sponsored by Information Science + St udies\, Computational Media\, Arts & Cultures (CMAC)\, Program in Literat ure\, and the S-1 Speculative Sensation Lab at Duke University. DURATION:PT1H DTSTAMP:20240223T175205Z DTSTART;TZID=America/New_York:20240229T161500 LAST-MODIFIED:20240223T175205Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Synaptic Sculpture” UID:CAL-8a0292fd-8d13410f-018d-d7188bd5-00003ec4demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_CompMed iaArtsCultures,/principals/users/agrp__ArtsandSciences_ISIS,/principals/u sers/agrp__ArtsandSciences_Literature,":Computational Media\, Arts & Cult ures\,Information Science + Studies (ISS)\,Literature X-BEDEWORK-SPEAKER:Pinar Yoldas\, Associate Professor of Visual Arts\, Uni versity of California San Diego X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Yoldas Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Yoldas_20240223055205 PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Yoldas_20240223 055205PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20240408T171806Z DESCRIPTION:Miler Lagos was born in 1973 in Bogota\, where he lives and wo rks\, he studied fine arts at the Universidad Nacional de Colombia and Me chanical Engineering at the Universidad de America\, both in Bogota. His work seems to focus on the conflict between the original and its copy\, h e explores how nature is affected by cultural production\, and his choice of material or subject matter frequently in both notions of tradition\, and local environment of specific political concerns. DURATION:PT1H30M DTSTAMP:20240408T171806Z DTSTART;TZID=America/New_York:20240411T170000 LAST-MODIFIED:20240408T171806Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:¨On the path of the messenger¨ UID:CAL-8a0292fd-8d13410f-018e-beb7989e-000015fbdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_arts_Th eRuby,":Duke Arts X-BEDEWORK-SPEAKER:Miler Lagos X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Centennial CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:University Events CATEGORIES:Utilities CATEGORIES:Conference/Symposium CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20240402T193318Z DESCRIPTION:This symposium seeks to present a critical discussion by some of our alumni about art and visual culture in their life/at Duke/in the w orld. What was the art world they came into\, i.e. before Duke or as they were turning to the arts at Duke? What was the art world for them at Duk e? After Duke\, what changed in their art world and/or their participatio n in the arts?\n\nAs part of these reflections\, we asked the speakers to focus on critical themes related to questions of justice and equity\, an d to discuss experiences/work/histories related to bias and the arts\, en vironment and resources\, art and the Anthropocene\, digital accessibilit y and divides\, globalization and de-colonization\, patriarchy\, and clas s inequality.\n\n\n2:00 PM Opening Remarks \nSoohyun Yoon\, Instructor (Art History Ph.D.\, '23)\n\n Introduction \nPaul B. Jaskot\, Professor and Chair\n\n\n2:15-3:45 Panel I - Possibilities and Priorities in Con temporary Visual Culture\nModerator: Stephen Hayes\, Esbenshade Assistant Professor of the Practice\n\nShifting Priorities in a Contested Europe: Contemporary Art in the Former Yugoslav Space and its Diasporas\nJasmina Tumbas (Art History Ph.D.\, '13\; University at Buffalo)\n\nMy Art Histor y\nBishop Ortega (Master of Fine Arts in Experimental & Documentary Arts\ , '20\; independent artist)\nAdvocating for Artful Photography in Editori al and Advertising. \nMaya Robinson (Visual & Media Studies B.A.\, '11\; Apple)\n\nMachine Learning and Deep Remixability\nQuran Karriem (Computat ional Media\, Arts & Cultures Ph.D.\, '23\; Samuel DuBois Cook Center on Social Equity at Duke University)\n\n3:45-4:05 Discussion \nRespondent: Shambhavi Kaul\, Associate Professor of the Practice\n\n\n4:05-4:25 Coff ee Break \n\n\n4:25-5:25 Panel II - Environment\, Community\, and Art \n Moderator: John J. Taormina\, Curator of Visual Resources \n\nIntersectio ns-Art History and Interdisciplinarity in the Classroom\nElizabeth Baltes (Art History Ph.D.\, '16\; Coastal Carolina University) \n\nMuddy Boots \nCharles Sparkman (Art History B.A.\, '09\; Quinn Evans)\n\nPresente: Fi nding Community in the Art World\nSusanna V. Temkin (Art History B.A.\, ' 07\; El Museo del Barrio)\n\n5:25¬-5:45 Discussion \nRespondent: Mark Ol son\, Associate Professor of the Practice\n\n5:45-5:50 Closing Remarks \ nSoohyun Yoon\, Instructor (Art History Ph.D.\, '23)\n\n5:50- Reception DURATION:PT4H DTSTAMP:20240403T182530Z DTSTART;TZID=America/New_York:20240412T140000 LAST-MODIFIED:20240403T182530Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:100 Years of History\, Practice\, and Theory: Celebrating Art\, Ar t History\, and Visual Studies at Duke University UID:CAL-8a0292fd-8d13410f-018e-a04d372e-0000480ademobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Conference_Symposium:/user/p ublic-user/Lectures_Conferences/Conference_Symposium X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Centennial:/user/public-user /University Events/Centennial X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_CompMed iaArtsCultures,/principals/users/agrp_JHFC_FranklinHumanitiesInstitute,/p rincipals/users/agrp_MFAEDA,/principals/users/agrp__ArtsandSciences_Trini tyCollege,":Computational Media\, Arts &\; Cultures\,Franklin Humaniti es Institute (FHI)\,Master of Fine Arts in Experimental &\; Documentar y Arts (MFAEDA)\,Trinity College X-BEDEWORK-SPEAKER:Jasmina Tumbas (Art History Ph.D.\, ’13\; University at Buffalo)\, Bishop Ortega (Master of Fine Arts in Experimental & Document ary Arts\, ’20\; independent artist)\, Maya Robinson (Visual & Media Stud ies B.A.\, ’11\; Apple)\, Quran Karriem (Computational Media\, Arts & Cul tures Ph.D.\, ’23\; Samuel DuBois Cook Center on Social Equity at Duke Un iversity)\, Elizabeth Baltes (Art History Ph.D.\, ’16\; Coastal Carolina University)\, Charles Sparkman (Art History B.A.\, ’09\; Quinn Evans)\, S usanna V. Temkin (Art History B.A.\, ’07\; El Museo del Barrio) X-BEDEWORK-DUKE-SERIES:Department of Art\, Art History & Visual Studies A lumni Centennial Symposium X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20240828T171113Z DESCRIPTION:Łukasz Stanek has authored Henri Lefebvre on Space: Architectu re\, Urban Research\, and the Production of Theory (Minnesota\, 2011) and Architecture in Global Socialism: Eastern Europe\, West Africa\, and the Middle East in the Cold War (Princeton\, 2020). Stanek taught at the ETH Zurich\, the University of Manchester\, and held guest appointments at H arvard University and the University of Ghana at Legon. He co-curated the exhibition The Gift: Stories of Generosity and Violence in Architecture at the Architekturmuseum der TUM in Munich (2024). \n\nLecture is free an d open to the public. DURATION:PT1H30M DTSTAMP:20240904T141652Z DTSTART;TZID=America/New_York:20240912T170000 LAST-MODIFIED:20240904T141652Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Architecture in Global Socialism: Eastern Europe\, West Africa\, and the Middle East in the Cold War” UID:CAL-8a00048d-91324965-0191-99f850a1-00007785demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Łukasz Stanek (Professor of Architectural History\, Alf red Taubman College of Architecture and Urban Planning at the University of Michigan\, Ann Arbor\, MI) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:955.5 X-BEDEWORK-IMAGE-Y2:637 X-BEDEWORK-IMAGE-CROP-WIDTH:955.5 X-BEDEWORK-IMAGE-CROP-HEIGHT:637 X-BEDEWORK-IMAGE-ALT-TEXT:Stanek Poster X-BEDEWORK-IMAGE:/public/Images/2024AAHVS_LectureSeries_fall_Stanek2_20240 904021653PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2024AAHVS_LectureSeries_fall_Stanek2 _20240904021653PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20240913T172551Z DESCRIPTION:Following an autobiographical trajectory\, the talk examines a cumulative body of work which challenges the bounds of a medium deeply r ooted in tradition through the visual study and application of queer theo ry. Queer camp sensibilities\, DIY Mid-Century inspired aesthetics\, and optimism appropriated from Space Age era propaganda are investigated as c onduits for cultivating authenticity in the labor of futuring. \n \nJusti n Quaid Grubb is from Bloomington\, IN. He earned his BFA in Ceramics fro m the Herron School of Art and Design at Indiana University Indianapolis in 2019 and in 2021 he earned an MFA in Ceramics from the Rhode Island Sc hool of Design. From 2021-23 Grubb worked as Ceramics Faculty and Lab Coo rdinator at the University of West Florida. Currently\, he is an Assistan t Professor of Studio Art at Stetson University in DeLand\, FL. Since rel ocating to Florida in 2021\, Grubb has exhibited across the south from Do than\, AL to Tampa\, FL\, with solo exhibitions at Good Children Gallery in New Orleans\, LA and TAG (The Art Gallery) at the University of West F lorida in Pensacola. DURATION:PT1H30M DTSTAMP:20240916T172516Z DTSTART;TZID=America/New_York:20240926T173000 LAST-MODIFIED:20240916T172516Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:"GLORY BE THE QUEERS" UID:CAL-8a00048d-91324965-0191-ec6b7812-00002cf8demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Justin Quaid Grubb (Assistant Professor of Studio Art a t Stetson University) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Grubb Poster X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Grubb_20240916052516P M.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2024_Grubb_202409160 52516PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20241004T135118Z DESCRIPTION:AAHVS Visiting Artist Talk with Richard Thompson (Associate Pr ofessor\, New Jersey Institute of Technology) titled "Chaos and Pathos: D igital Clowns and the future of animated visual storytelling in the age o f AI"on Wednesday\, October 9th at 5:00pm in Rm A266 Bay 10 on the second floor of Smith Warehouse. Free and open to the public. DURATION:PT1H30M DTSTAMP:20241004T135118Z DTSTART;TZID=America/New_York:20241009T170000 LAST-MODIFIED:20241004T135118Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:"Chaos and Pathos: Digital Clowns and the future of animated visua l storytelling in the age of AI" UID:CAL-8a00048d-91324965-0192-57cc96d8-00000802demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Richard Thompson (Associate Professor\, New Jersey Inst itute of Technology) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Speaker Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1280 X-BEDEWORK-IMAGE-Y2:853.3333333333334 X-BEDEWORK-IMAGE-CROP-WIDTH:1280 X-BEDEWORK-IMAGE-CROP-HEIGHT:853.3333333333334 X-BEDEWORK-IMAGE-ALT-TEXT:Thompson Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS Artist Talk THOMPSON event[31]_20241 004015007PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS Artist Talk THOMPSON event[31] _20241004015007PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20241016T171221Z DESCRIPTION:"This lecture examines an important painting by Otto Dix\, one of the most famous and infamous German painters of the Weimar Republic. Dix's painting\, The Seven Mortal Sins\, has long been regarded as a "pai nting of resistance\," responding unequivocally and courageously to Nazi brutality in general and to Dix's rapid marginalization in the aftermath of the Nazi takeover of German governments at all levels in early 1933. B uilding on the close examination of the painting and its preliminary stud ies and on the careful analysis of the poem by Friedrich Nietzsche that s eems to serve as the picture's interpretive key\, this talk will propose a different\, more nuanced interpretation of the nature and limits of the painting as a critical image. It will seek to offer a more precisely his toricized account of the way in which Dix's work as an artist was determi ned by historical events and conditions in the first unsettled months of Hitler's dictatorship."\n\nTalk will be held in room A266 Bay 10 on the s econd floor of Smith Warehouse. Free and open to the public. DURATION:PT1H30M DTSTAMP:20241016T171221Z DTSTART;TZID=America/New_York:20241028T170000 LAST-MODIFIED:20241016T171221Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Repression and Revision in Otto Dix’s Seven Mortal Sins” UID:CAL-8a00048d-91324965-0192-9650f9d4-00003466demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:James van Dyke (Associate Professor of Art History\, Un iversity of Missouri) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:van Dyke Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Art History Lecture Series van Dyke_202410 16051221PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Art History Lecture Series van Dyke_ 20241016051221PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20241023T193614Z DESCRIPTION:The cotton-growing regions of the USSR-the former Russian colo nies in the Caucasus and Central Asia-were forever changed between 1920 a nd the late 1930s. Land reform and mass labor mobilization produced new w ays of working and new structures of collective belonging\, while the fir st generation of Soviet-educated people found novel ways of expressing th eir sense of self. In this talk I explore how such changes were visualize d in propaganda posters made in Uzbekistan. In particular\, I argue that depictions of textiles and textile labor-picking cotton\, weaving\,\nsewi ng-were a central thread running through the visual propaganda of the per iod and that textiles-on-paper were crucial to imagining a new kind of so cialist collectivity. I also address depictions of dress. Clothing was ra dically\npoliticized in this Muslim-majority region in 1927 when the stat e launched a campaign against women veiling their faces in public. I trac e how garments were variously visually coded as "ethnic" or "modern" or " backward\," thereby\nproducing a visual vocabulary of national identity w orn on the body.\n\nMollie Arbuthnot is a postdoctoral fellow at the Davi s Center for Russian and Eurasian Studies at Harvard University. She was previously a junior research fellow at the University of Cambridge and ho lds a PhD from Manchester University. She's currently working on her firs t book\, Red East: Posters and Propaganda in Soviet Uzbekistan.\n\nTalk i s free and open to the public. \n\nCo-sponsored by the Department of Art\ , Art History & Visual Studies\, the Department of Slavic and Eurasian St udies and the Franklin Humanities Institute. DURATION:PT1H30M DTSTAMP:20241028T194744Z DTSTART;TZID=America/New_York:20241106T170000 LAST-MODIFIED:20241028T194744Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Threads that Bind: Textiles\, Labour\, and National Identity in S oviet Propaganda Posters” UID:CAL-8a00048d-91324965-0192-bae136c7-00003fdddemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_JHFC_Fr anklinHumanitiesInstitute,/principals/users/agrp__ArtsandSciences_SlavicE urasianStudies,":Franklin Humanities Institute (FHI)\,Slavic and Eurasian Studies X-BEDEWORK-SPEAKER:Mollie Arbuthnot\, PhD (Postdoctoral Fellow\, Davis Cen ter for Russian and Eurasian Studies at Harvard University) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series X-BEDEWORK-IMAGE-X1:45 X-BEDEWORK-IMAGE-Y1:22 X-BEDEWORK-IMAGE-X2:1886 X-BEDEWORK-IMAGE-Y2:1249.3333333333333 X-BEDEWORK-IMAGE-CROP-WIDTH:1841 X-BEDEWORK-IMAGE-CROP-HEIGHT:1227.3333333333333 X-BEDEWORK-IMAGE-ALT-TEXT:Arbuthnot Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\;amp\;amp\ ;amp\; Visual Studies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies ) X-BEDEWORK-IMAGE:/public/Images/Art History Lecture Series Arbuthnot(1)_20 241028074744PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Art History Lecture Series Arbuthnot (1)_20241028074744PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250117T141724Z DESCRIPTION:In April 1986\, archaeologists discovered seven "maps" on four wooden boards from a tomb at the site of Fangmatan in the modern-day cit y of Tianshui\, Gansu province. While it is possible to derive the loose geographical contours of the region depicted in the drawings\, they do no t fulfill the cartographic requirements often ascribed to normative maps. Rather than measuring the drawings' formal attributes against a set of a nachronistic cartographic standards\, this talk reconstructs their produc tion processes to derive their functions. One of these functions is indee d mapping but done according to a different set of expectations catered t o the dead. The drawings do not narrowly represent a pre-existing place a bove ground but rather make an entire world in the afterlife that is mode led after the natural laws in the land of the living.\n\nSponsored by the Department of Art\, Art History & Visual Studies.\nCo-sponsors: History\ , Asian & Middle Eastern Studies\, APSI\, Religion\, and the John Hope Fr anklin Humanities Institute.\n\nTalk will be held in room A266 Bay 10 on the second floor of Smith Warehouse. Free and open to the public. DURATION:PT1H30M DTSTAMP:20250117T182242Z DTSTART;TZID=America/New_York:20250123T163000 LAST-MODIFIED:20250117T182242Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Worldmaking for the Afterlife: Fangmatan and the Art of Early Chi nese Maps” UID:CAL-8a000483-92c3adf6-0194-74a0387b-000019d3demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-CS;X-BEDEWORK-PARAM-DESCRIPTION="/principals/users/agrp_Artsand Sciences_AsianandMiddleEasternStudies,/principals/users/agrp_ArtsandScien ces_AsianPacificStudiesInstitute,/principals/users/agrp_JHFC_FranklinHuma nitiesInstitute,/principals/users/agrp__ArtsandSciences_History,/principa ls/users/agrp__ArtsandSciences_Religion,":Asian & Middle Eastern Studies (AMES)\,Asian Pacific Studies Institute (APSI)\,Franklin Humanities Insti tute (FHI)\,History\,Religious Studies X-BEDEWORK-SPEAKER:Michelle H. Wang (Associate Professor of Art and Humani ties at Reed College) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:Wang Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\; Visual S tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/2501_Wang_Art History Lecture Series_20250 117021724PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2501_Wang_Art History Lecture Series _20250117021724PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250121T193812Z DESCRIPTION:Durham-based international fiber artist Deborah Kruger will sc reen her documentary and then share a portfolio of her latest artwork tha t are currently on view at the Block Gallery in Raleigh\, NC. The artist welcomes questions about her artwork and career. This talk is free and op en to the public.\n \nWallpaper design and patterning have influenced Kru ger's work since her training in textile design at the Fashion Institute of Technology in New York City. She has taught\, lectured and exhibited h er artwork in museums\, galleries and universities throughout the US\, Me xico\, Europe\, Asia and Australia since the 1980s.\n \nHer art practice balances making objects of beauty that convey layered meaning about human -induced climate change\, habitat fragmentation\, bird migration\, specie s extinction and loss of indigenous languages.\n \nSponsored by the Depar tment of Art\, Art History & Visual Studies Visiting Artist Series DURATION:PT1H30M DTSTAMP:20250121T193812Z DTSTART;TZID=America/New_York:20250128T170000 LAST-MODIFIED:20250121T193812Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Environmental Art” UID:CAL-8a000483-92c3adf6-0194-8a5f5e6c-00005976demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Deborah Kruger X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1545 X-BEDEWORK-IMAGE-Y2:1030 X-BEDEWORK-IMAGE-CROP-WIDTH:1545 X-BEDEWORK-IMAGE-CROP-HEIGHT:1030 X-BEDEWORK-IMAGE-ALT-TEXT:Kruger Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Kruger_ Artist Talk Series_20250121073813P M.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Kruger_ Artist Talk Series_202501210 73813PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250204T152434Z DESCRIPTION:In the 1970s\, photojournalism faced irrelevancy and potential extinction. Competition from television news\, changes in magazine publi shing\, public fatigue with war pictures\, and a growing interest in phot ographs as a collectible artform all threatened news pictures' markets an d credibility. In the midst of these crises\, the photojournalist turned curator Cornell Capa (1918-2008) decided to reinvent photojournalism's pa st to ensure its future. This talk examines the multiple media platforms through which Capa preserved the work of living and deceased photographer s\, and how his work in the 1970s paved the way for his creation of the I nternational Center of Photography (ICP): New York's first museum\, archi ve\, and educational forum devoted exclusively to photography. \n \nA his torian of photography\, the press\, and mass visual culture\, Nadya Bair is assistant professor of Art History at Hamilton College in Clinton\, NY . Bair's first monograph\, The Decisive Network: Magnum Photos and the Po stwar Image Market (University of California Press\, 2020)\, won the 2021 PROSE Award for Media and Cultural Studies. Bair's articles have appeare d in the journals American Art\, History of Photography\, Fotogeschichte\ , and edited volumes including Facing Black Star (MIT Press\, 2023) and L ife Magazine and the Power of Photography (Yale\, 2020). Bair's current b ook project\, Reinventing Documentary\, on New York's International Cente r of Photography and its founder Cornell Capa\, was awarded a National En dowment for the Humanities (NEH) Fellowship for 2023-2024. \n\nThis talk will take place in room A266 Bay 10 on the second floor of Smith Warehous e. Free and open to the public. DURATION:PT1H30M DTSTAMP:20250204T152434Z DTSTART;TZID=America/New_York:20250206T173000 LAST-MODIFIED:20250204T152434Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Reinventing Documentary: Cornell Capa and the International Cente r of Photography (ICP)” UID:CAL-8a000483-92c3adf6-0194-d1902fbf-00003070demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Nadya Bair (Assistant Professor of Art History at Hamil ton College) X-BEDEWORK-DUKE-SERIES:Spring 2025 Photo/Media History Lectures X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:Bair Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/BAIR PhotoMedia History Lectures_202502040 32434PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/BAIR PhotoMedia History Lectures_202 50204032434PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250212T185939Z DESCRIPTION:Early modern Europe and its colonial holdings ran on paper. It was indispensable as a support for letters\, orders\, trials\, and recei pts\, in addition to drawings and prints. Yet\, when backlit\, many paper s reveal hidden content: watermarks\, which flicker in and out of legibil ity. When considered seriously as emblems with iconographic and textual p rograms\, watermarks transform the blank pages they are indivisible from into images. And as images-often with religious components\, such as cros ses or monstrances-they garnered the attention of individuals charged wit h monitoring the proper usage of such symbols: the functionaries of the H oly Office of the Inquisition. In this talk\, I will use the inquisitors' debates on the merits of censoring papers with religious watermarks to r eflect on the tensions and correspondences between ancient sacred symbols and modern commodities in a global colonial system.\n\nAdam Jasienski re ceived his PhD at Harvard University in 2016\, and serves as Associate Pr ofessor of Art History at Southern Methodist University. His first book\, Praying to Portraits: Audience\, Identity\, and the Inquisition\, was pu blished by Penn State University Press in 2023 and was awarded the Ronald H. Bainton and Eleanor Tufts prizes. DURATION:PT1H30M DTSTAMP:20250212T190112Z DTSTART;TZID=America/New_York:20250218T163000 LAST-MODIFIED:20250212T190112Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Papermakers and Paperusers: Support as Image in the Early Modern Spanish Atlantic” UID:CAL-8a000483-92c3adf6-0194-fb87f874-00003116demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Adam Jasienski (Associate Professor of Art History at S outhern Methodist University) X-BEDEWORK-DUKE-SERIES:Early Modern Europe/Atlantic World Lectures X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:Jasienski Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\; Visual S tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Jasienski_Early Modern EuropeAtlantic Worl d Lectures_20250212070112PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/Jasienski_Early Modern EuropeAtlanti c World Lectures_20250212070112PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250213T174603Z DESCRIPTION:This presentation examines artworks implicated in eighteenth-c entury anticolonial insurgencies in colonial South America that survive o nly as textual description or in fragmentary form\, due to their ephemera lity or from having been destroyed\, repurposed\, or otherwise lost to hi story. How can we meaningfully incorporate objects that are absent from t he art historical record into the canon of early modern art history? Is i t possible to engage in art historical inquiry from a space of invisibili ty and absence? I introduce new possibilities for approaching elisions in the art historical record through the framework of surrogacy. By placing these lost artworks into a broader ecosystem of related images drawn fro m different geographical and historical contexts\, I offer new possibilit ies for understanding radical creative practices of Andean artists whose work does not survive in its original material form today. In so doing\, I consider the implications of this framework for a more hemispheric and inclusive vision of art history. \n \nAnanda Cohen-Aponte is Associate Professor of History of Art at Cornell University who works on the visual culture of colonial Latin America and the early modern Atlantic World. S he is author of Heaven\, Hell\, and Everything in Between: Murals of the Colonial Andes\, published by the University of Texas Press in 2016 and c o-editor of Pintura colonial cusqueña: el esplendor del arte en los Andes \, published by Haynanka Ediciones in 2015. Her essays appear in a range of journals and edited volumes\, including Colonial Latin American Review \, The Americas\, Allpanchis\, RES: Anthropology and Aesthetics\, and Lat in American and Latinx Visual Culture\, among others. Her new book projec t explores the role of the visual arts in fomenting an insurgent imaginar y in late 18th-century Peru and Bolivia. DURATION:PT1H30M DTSTAMP:20250219T202451Z DTSTART;TZID=America/New_York:20250220T163000 LAST-MODIFIED:20250219T202451Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CANCELLED SUMMARY:“Presencing Absence: Visual Cultures of Insurgency in the Andes an d the Atlantic World” UID:CAL-8a000483-92c3adf6-0195-006af2ca-000074cademobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Ananda Cohen-Aponte (Associate Professor\, History of A rt and Visual Studies at Cornell University) X-BEDEWORK-DUKE-SERIES:Early Modern Europe/Atlantic World Lectures X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:Cohen-Aponte Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Cohen-Aponte_Early Modern EuropeAtlantic W orld Lectures_20250213054603PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Cohen-Aponte_Early Modern EuropeAtla ntic World Lectures_20250213054603PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250221T181114Z DESCRIPTION:This talk explores the concept of "photo-theologies" and the r ole of technology in broader debates about the camera's capacity to recor d and visualize the human body in Islamic lands. Through several key case studies\, I investigate and at times challenge often-quoted prohibitions and anxieties around printmaking and photography in the Muslim world. I begin my examination with a printed manual of photography from nineteenth -century Iran\, which intertwines the novel technology of the Daguerreoty pe with a Shiʿite theological discourse on resurrection\, providing a poi gnant counterexample to Weberian disenchantment. I then turn to investiga ting fears around photographic images through a discussion of photomechan ical reproduction and circulation in Islamic lands\, specifically in the shape of the portable picture postcard in the early twentieth century. Fi nally\, the talk scrutinizes fatwas (Islamic legal rulings) related to ph otography and their interconnection with longstanding photographic debate s\, enabling us to examine questions such as the purported truth-value an d evidentiary force of photography from an Islamic legal perspective. Thr ough these three foci\, it becomes apparent that many of the themes discu ssed at the advent of photography\, in both Islamic and non-Islamic lands \, are also echoed in contemporary Muslim discourses about the legality o f analogue as well as digital photography and AI-generated photorealistic images. An examination of image making\, figural imagery\, and the ontol ogy of the photographic image through the lens of "photo-theology" enable s an engagement with both picture logics and religious concepts\, thus al lowing a rethinking of key debates.\n \nMira Xenia Schwerda (PhD\, Harvar d University\, 2020) is a historian of photography and print culture. She is a co-editor of the journal Art in Translation. Her book manuscript-in -progress\, tentatively titled "Between Art and Propaganda: Photographing Revolution in Modern Iran (1905-1911)\," focuses on the art and visual c ulture of Iran's Constitutional Revolution. She has been awarded several grants and fellowships for her research\, including the Getty/ACLS Postdo ctoral Fellowship and the Smithsonian Predoctoral Fellowship\, and has pu blished her research in peer-reviewed journals\, edited volumes\, and exh ibition catalogues. Dr. Schwerda also worked at the Harvard Art Museums\, where she curated the photography section of the 2016-17 exhibition Tech nologies of the Image: Art in 19th-Century Iran. DURATION:PT1H30M DTSTAMP:20250221T181114Z DTSTART;TZID=America/New_York:20250224T173000 LAST-MODIFIED:20250221T181114Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:“Islamic Photo-Theologies: Thinking Through Image Making and the H uman Figure from the Camera to AI” UID:CAL-8a000483-92c3adf6-0195-29b4e3da-00001e0cdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Mira Xenia Schwerda (Visiting Assistant Professor in th e History of Art at Carleton College) X-BEDEWORK-DUKE-SERIES:Photo/Media History Lectures X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:Schwerda Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/SCHWERDA PhotoMedia History Lectures_20250 221061115PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/SCHWERDA PhotoMedia History Lectures _20250221061115PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250221T195715Z DESCRIPTION:This talk examines how photographs of North Korea create meani ng as they circulate across contemporary visual culture. While digital pl atforms promise increased access through endless reproduction\, analysis of various photographic representations-from viral memes to documentary p hotography to artistic interventions-reveals how circulation often reinfo rces existing narratives. By examining South Korean artists' works that a cknowledge photography's limitations and mediated nature\, this research addresses fundamental questions about photographic meaning in our media e nvironment.\n \nBoyoung Chang is an assistant professor of East Asian Stu dies at the University of Alberta. Her research focuses on the production and circulation of photography created in and about modern and contempor ary Korea. She has published work on the visuality of both North and Sout h Korea and is currently working on a book project analyzing how Korean p hotography since the 1990s has embodied the nation's transformation\, rep resented by democratization and globalization. DURATION:PT1H30M DTSTAMP:20250221T195715Z DTSTART;TZID=America/New_York:20250227T173000 LAST-MODIFIED:20250221T195715Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:Circulation and Mediation: Photography and the Making of North Kor ea in Contemporary “Visual Culture” UID:CAL-8a000483-92c3adf6-0195-2a15f266-000022fddemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Boyoung Chang (Professor of East Asian Studies at the U niversity of Alberta) X-BEDEWORK-DUKE-SERIES:Photo/Media History Lectures X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:Chang Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Chang flyer_20250221075715PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Chang flyer_20250221075715PM-thumb.p ng END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20250226T173846Z DESCRIPTION:This talk examines the visual cultures of mining in Central Eu rope and Potosí during the decades around 1600 to address an urgent conun drum for early modern art history and art history writ large: how to inte grate methods of global art history and ecologically-oriented art history . Using approaches from both global and ecocritical art history\, I scrut inize images of mining machines and mining landscapes made by European an d Andean artists\, including woodcuts from Georgius Agricola's On the Art of Metals (1556) treatise and drawings from Felípe Guamán Poma de Ayala' s Fist New Chronicle (c. 1615) manuscript. My study reveals a bilateral c irculation of artistic techniques for picturing resource landscapes and m ining technologies between Peru and the German-speaking lands during a pi votal moment for European colonial resource extraction and Andean resista nce to that project. Through my analysis\, I expose key challenges and op portunities for combining global and ecocritical methods of early modern art history. I also model how early modernists and art historians writ la rge can better integrate global and ecocritical perspectives to ensure th at our discipline effectively confronts the challenges of globalization a nd the ongoing ecological crisis.\n \nElizabeth J. Petcu's research and t eaching examine the intersections of visual and scientific inquiry in the artistic and architectural culture of the early modern world. Methodolog ically\, her work interrogates how investigative practices and beliefs co ncerning nature are formed and mediated through images. Petcu is an exper t in the art and architectural culture of northern Europe and colonial La tin America and their entanglements with the natural sciences. Petcu's bo ok\, The Architectural Image and Early Modern Science: Wendel Dietterlin and the Rise of Empirical Investigation (Cambridge University Press\, 202 4)\, probes the most important architectural treatise of the German Renai ssance\, the Architectura (1593-1598) of Straßburg artist Wendel Dietterl in the Elder (c. 1550-1599) to establish how architectural images became platforms for modern science. Petcu's second book\, Albrecht Dürer\, Meas urement\, and Uncertainty\, examines how Nuremberg artist Albrecht Dürer (1475-1528) transformed measurement in art from a tool for picturing kno wledge into an instrument for probing uncertainty. DURATION:PT1H30M DTSTAMP:20250226T173846Z DTSTART;TZID=America/New_York:20250303T163000 LAST-MODIFIED:20250226T173846Z LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War ehouse - Bay 10\, 2nd Floor STATUS:CONFIRMED SUMMARY:"Mining Images\, Planetary Networks: Central Europe\, Potosí\, and the Imperatives of Global-Ecocritical Art History" UID:CAL-8a000483-92c3adf6-0195-4356f6e9-00001381demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Elizabeth J. Petcu (Senior Lecturer in Architectural Hi story at Edinburgh College of Art\, University of Edinburgh) X-BEDEWORK-DUKE-SERIES:Early Modern Europe/Atlantic World Lectures X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1941 X-BEDEWORK-IMAGE-Y2:1294 X-BEDEWORK-IMAGE-CROP-WIDTH:1941 X-BEDEWORK-IMAGE-CROP-HEIGHT:1294 X-BEDEWORK-IMAGE-ALT-TEXT:Petcu Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/Petcu flyer_20250226053847PM.png X-BEDEWORK-THUMB-IMAGE:/public/Images/Petcu flyer_20250226053847PM-thumb.p ng END:VEVENT END:VCALENDAR