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CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20230405T132200Z DESCRIPTION:Recent climate protests entailing the defacement of paintings share with ecocriticism an investment in an essentially liberal\, pedagog ical\, and moral covenant\, one that urges witnesses to undergo an indivi dual process of reflection in order to acquire or affirm values and prior ities friendlier to the environment. The sabotage of energy infrastructur es violates this covenant\; blowing up a pipeline may be said to have met its goals by reducing and slowing the supply of oil\, regardless of what the public learned from sabotage's mediatization. Drawing on psychoanaly tic accounts of aesthetic education\, I argue that sabotage introduces ab surdity into a category\, action\, that the climate movement otherwise in sists is self-identical. Sabotage does this by subtracting the world wher ein putatively future-bound actions\, including having and raising a chil d\, mean what they do. I test out this claim in a reading of Nell Zink's novel The Wallcreeper and Benedikt Erlingsson's film Woman at War (Kona f er í stríð)\, two absurdist comedies that formally amplify the semiotic c risis induced by sabotage and\, in so doing\, enable us to contemplate th e necessary dislocation of politics from sense. \n \nSponsored by the Dep artment of Art\, Art History & Visual Studies DURATION:PT1H30M DTSTAMP:20230405T132200Z DTSTART;TZID=America/New_York:20230419T123000 LAST-MODIFIED:20230405T132200Z LOCATION;X-BEDEWORK-UID=8a0870ee-4fb9f721-014f-cc9822c0-00007499:Smith War ehouse - Bay 9\, Room A290 STATUS:CONFIRMED SUMMARY:"Just Sabotage" UID:CAL-8a0182b3-870a191e-0187-5194d56f-00006f7bdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Jean-Thomas Tremblay (Assistant Professor Department of Humanities\, York University) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Tremblay Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/2023AAHVS_SpeakerSeries_spring_Tremblay_20 230405012200PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2023AAHVS_SpeakerSeries_spring_Tremb lay_20230405012200PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20230926T202800Z DESCRIPTION:The AAHVS Visiting Artist Series presents an artist talk with Rashaun Rucker (Gilbert Fellow\, Cranbrook Academy of Art) on Tuesday\, O ctober 3rd at 5:30PM in room A290 Bay 9 on the second floor of Smith Ware house. Free and open to the public.\n\nRashaun Rucker (b. 1978\, Winston- Salem\, NC) is a product of North Carolina Central University and Marygr ove College. He makes photographs\, prints\, and drawings and has won mor e than 40 national and state awards for his work. In 2008 Ruckerbecame th e first African American to be named Michigan Press Photographer of the Y ear. He also won a national Emmy Award in 2008 for documentary photograph y on the pit bull culture in Detroit. Rucker was a Maynard Fellow at Harv ard in 2009 and a Hearst visiting professional in the journalism departme nt at UNC-Chapel Hill in 2013. In 2014 Rucker was awarded an artist resid ency at the Red Bull House of Art. In 2016 Rucker was honored as a Modern Man by Black Enterprise magazine. In 2017 Rucker created the original ar twork for the critically acclaimed Detroit Free Press documentary\, 12th and Clairmount. \n\nHis work was recently featured in HBO's celebrated se ries Random Acts of Flyness and the movie Native Son. In 2019 Rucker was the first awardee of Red Bull Arts Detroit grant and was named a Kresge A rts Fellow for his drawing practice. In 2020 Rucker was named a Sustainab le Arts Foundation awardee. In 2021 Rucker was awarded a prestigious Inte rnational Studies and Curatorial Program (ISCP) residency and a Mellon re sidency at the University of Michigan Institute of Humanities. In 2022 Ru cker was selected as the Elevating Diverse Voices Resident at Good Hart A rt Residency. Rucker's diverse work is held in permanent collections at S mithsonian NMAAHC\, University of Michigan Museum of Art\, University of Texas at Austin\, Wake Forest University\, and numerous private and publi c collections. Rucker is currently a Gilbert Fellow at Cranbrook Academy of Art pursuing a MFA in Print Media.\n\nSponsored by the Visiting Artist Series of the Department of Art\, Art History & Visual Studies DURATION:PT1H30M DTSTAMP:20230926T204505Z DTSTART;TZID=America/New_York:20231003T173000 LAST-MODIFIED:20230926T204505Z LOCATION;X-BEDEWORK-UID=8a0870ee-4fb9f721-014f-cc9822c0-00007499:Smith War ehouse - Bay 9\, Room A290 STATUS:CONFIRMED SUMMARY:Artist Talk with Rashaun Rucker UID:CAL-8a03932d-8a96243a-018a-d32d6170-000071f9demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Rashaun Rucker (Gilbert Fellow\, Cranbrook Academy of A rt) X-BEDEWORK-DUKE-SERIES:AAHVS Visiting Artist Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Rucker poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\; Visual S tudies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2023_Rucker_20230926082800 PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2023_Rucker_20230926 082800PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Visual and Creative Arts CATEGORIES:Arts CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20231020T184423Z DESCRIPTION:Saxophonist\, clarinetist\, and composer Mike McGinnis is a mu sical explorer unbound by stylistic barriers\; unwaveringly individual\, curious\, and open-minded. He has released six critically acclaimed album s as a leader during his twenty-three years on the NYC jazz scene. As m usical director of the Davalois Fearon Dance Company\, he has performed h is compositions at the Joyce Theater\, Metropolitan Museum\, Harlem Stage \, Rubin Museum. For ten consecutive years\, he has been listed in the C larinet "Rising Star" category by the DownBeat Magazine International Cri tics Poll. McGinnis' penchant for exploration has led him to work with a dizzying array of artists - from jazz innovators Anthony Braxton\, Alic e and Ravi Coltrane\, Hank Roberts\, Ben Goldberg\, Peter Apfelbaum\, Ber nie Worrell\, Gerald Cleaver\, Steve Coleman\, and Lonnie Plaxico to indi e rock mainstays Yo La Tengo and Afro-Baroque Stew & the Negro Problem. H e has performed on Broadway in the Tony-winning show Fela! and on film in Academy Award Winning director's Ang Lee's Taking Woodstock. He current ly teaches inter-disciplinary improvisation at The New School and jazz im provisation at the Brooklyn Conservatory where he is the director of the jazz department. \n\nThis talk is free and open to the public. DURATION:PT1H30M DTSTAMP:20231020T184423Z DTSTART;TZID=America/New_York:20231023T170000 LAST-MODIFIED:20231020T184423Z LOCATION;X-BEDEWORK-UID=8a0870ee-4fb9f721-014f-cc9822c0-00007499:Smith War ehouse - Bay 9\, Room A290 STATUS:CONFIRMED SUMMARY:Improvisation Practices and Explorations UID:CAL-8a0382b5-8b29fde3-018b-4e672399-00006cb2demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Visual and Creative Arts:/us er/public-user/Arts/Visual and Creative Arts X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Mike McGinnis (Director\, Jazz Department at the Brookl yn Conservatory) X-BEDEWORK-DUKE-SERIES:Duke University Arts Practice Faculty Network X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:McGinnis Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History & Visual Studies (ag rp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/AAHVS_ArtistTalk2023_McGinnis_202310200644 23PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/AAHVS_ArtistTalk2023_McGinnis_202310 20064423PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20231006T131445Z DESCRIPTION:Drawn from López-Durán's book\, Eugenics in the Garden: Transa tlantic Architecture and the Crafting of Modernity\, this talk uncovers t he global trajectory of Le Corbusier's embrace of eugenics' ideology as a viable doctrine for the remaking of man\, wherein the built environment would be put to work. Examining his alignment with eugenics-from his form ulation of universal type-needs\, to his Modulor and its normative human body-this talk reveals how architecture was made complicit in a genetical ly-inspired program that mirrored eugenics' attempts to "improve" the hum an race.\n\nThis talk is free and open to the public. Reception to follow . DURATION:PT1H30M DTSTAMP:20231006T131713Z DTSTART;TZID=America/New_York:20231024T163000 LAST-MODIFIED:20231006T131713Z LOCATION;X-BEDEWORK-UID=8a0870ee-4fb9f721-014f-cc9822c0-00007499:Smith War ehouse - Bay 9\, Room A290 STATUS:CONFIRMED SUMMARY:The Clinical Agenda of Modernism: Le Corbusier\, Race and Normativ ity UID:CAL-8a03932d-8a96243a-018b-05205167-00002f7fdemobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Fabiola Lopez-Duran\, Ph.D. (Associate Professor of Art and Architectural History\, Rice University) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Lopez-Duran Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\; Visual Studie s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/2023AAHVS_LectureSeries_fall_Lopez-Duran_2 0231006011445PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2023AAHVS_LectureSeries_fall_Lopez-D uran_20231006011445PM-thumb.png END:VEVENT BEGIN:VEVENT CATEGORIES:Lectures/Conferences CATEGORIES:Utilities CATEGORIES:Lecture/Talk CATEGORIES:Main CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, David CREATED:20240110T205335Z DESCRIPTION:Christina E. Crawford shines a light on the intense transnatio nal exchange of architectural and urban knowledge between the US and USSR in the period between the two world wars. In research drawn from recent books Spatial Revolution: Architecture and Planning in the Early Soviet U nion (Cornell University Press\, 2022) and Detroit-Moscow-Detroit: An Arc hitecture for Industrialization\, 1917-1945 (MIT Press\, 2023)\, and her new research on Atlanta's New Deal public housing\, Crawford draws Americ an and Soviet architectural production together through the interdependen t programs of industry and housing. While the two nations remained ideolo gically opposed\, factories and multiunit housing constructed in Detroit and Kharkiv\, Atlanta and Moscow were strikingly similar\, owing to commo n concerns of economy\, efficiency\, and standardization in architecture. This lecture employs nodal history\, a method that engages in scalar osc illation between single sites-in this case Kharkiv and Atlanta-and larger territories in which those sites are allied and materially connected. Cl ose collaboration between the US and USSR\, occluded in the textual recor d during the Cold War\, remains nonetheless legible in the built record o f the Interwar period. \n\nChristina E. Crawford is an architectural and urban historian\, and a trained architect. Her research focuses on the tr ansnational exchange of ideas about housing and urban form in the twentie th century. Crawford's research and publications have been supported by t he American Council of Learned Societies\, the Getty Foundation\, the Gra ham Foundation\, and the College Art Association\, among other institutio ns. She received her PhD and MArch from Harvard University\, and her BA f rom Yale University.\n\nSponsored by the Department of Art\, Art History & Visual Studies and cosponsored by Our Urban Future. DURATION:PT1H30M DTSTAMP:20240116T193738Z DTSTART;TZID=America/New_York:20240129T160000 LAST-MODIFIED:20240116T193738Z LOCATION;X-BEDEWORK-UID=8a0870ee-4fb9f721-014f-cc9822c0-00007499:Smith War ehouse - Bay 9\, Room A290 STATUS:CONFIRMED SUMMARY:“Entanglements in American-Soviet Architecture and Urbanism” UID:CAL-8a018ccf-8b87f80e-018c-f526e456-00000ec9demobedework@mysite.edu X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili ties/Main X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us er/Lectures_Conferences/Lecture_Talk X-BEDEWORK-SPEAKER:Christina E. Crawford (Masse-Martin NEH Professor of Ar t History Associate Professor of Architectural History Emory University) X-BEDEWORK-DUKE-SERIES:AAHVS Art History Lecture Series X-BEDEWORK-IMAGE-X1:0 X-BEDEWORK-IMAGE-Y1:0 X-BEDEWORK-IMAGE-X2:1242 X-BEDEWORK-IMAGE-Y2:828 X-BEDEWORK-IMAGE-CROP-WIDTH:1242 X-BEDEWORK-IMAGE-CROP-HEIGHT:828 X-BEDEWORK-IMAGE-ALT-TEXT:Crawford Poster X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &\;amp\;amp\; Vis ual Studies (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies) X-BEDEWORK-IMAGE:/public/Images/2024AAHVS_LectureSeries_spring_Crawford_20 240116073738PM.jpg X-BEDEWORK-THUMB-IMAGE:/public/Images/2024AAHVS_LectureSeries_spring_Crawf ord_20240116073738PM-thumb.png END:VEVENT END:VCALENDAR