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CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
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DESCRIPTION:<p><b><a href="https://fhi.duke.edu/engagement/tgifhi/">tgiFHI
 </a></b> is a weekly series that gives Duke faculty in the humanities\, i
 nterpretive social sciences and arts the opportunity to present their cur
 rent research to their departmental and interdepartmental colleagues\, st
 udents\, and other interlocutors in their fields.</P>\n\n<p>tgiFHI events
  take place from 9:30-11:00 a.m. on Friday mornings in the Ahmadieh Famil
 y Lecture Hall (C105\, Bay 4\, Smith Warehouse) with breakfast at 9 am.</
 p>\n\n<p><b>More info coming soon!</b> Subscribe to the <a href="https://
 duke.is/fhi-newsletter">FHI News & Events Mailing List</a> to get weekly 
 event previews from the Franklin Humanities Institute and our affiliated 
 Labs\, Initiatives\, and Centers.</p>
DURATION:PT2H
DTSTAMP:20251103T154727Z
DTSTART;TZID=America/New_York:20250905T090000
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STATUS:CONFIRMED
SUMMARY:tgiFHI
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RDATE:20251024T130000Z
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RDATE:20251107T140000Z
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EXDATE:20250905T130000Z
END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20250926T090000
CATEGORIES:Africa focus
CATEGORIES:Humanities
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Research
CATEGORIES:Main
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CREATED:20250715T161613Z
DESCRIPTION:<p><a href="https://fhi.duke.edu/signature-series/tgifhi/">tgi
 FHI</a> is a weekly series that gives Duke faculty in the humanities\, in
 terpretive social sciences and arts the opportunity to present their curr
 ent research to their departmental and interdepartmental colleagues\, stu
 dents\, and other interlocutors in their fields.</P>\n\n<p> On Friday\, S
 eptember 26\, 2025 we will be hosting Khwezi Mkhize\, Assistant Professor
  of African & African American Studies.</p>\n\n<P><i>Pan-African(ist) Cap
 e Town</i></P>\n\n<p>At the turn of the twentieth century the South Afric
 an city of Cape\nTown was\, in turn\, a node in the vast network of the B
 ritish empire and an urban center fostering the desires and politics of P
 an-Africanism. Aside from the older historical diasporas gathered by the 
 Dutch imperialism and slavery fin de siè·cle Pan-Africanism gathered the 
 African diaspora - in London in 1900 - and then dispersed it to various s
 ites of origin and new. This presentation traces how the Pan-African Conf
 erence directed some of its attendees to Cape Town and the various articu
 lations of Pan-Africanism that arose from "the practice of diaspora"\nin 
 an entrepôt of the British empire.</p>\n\n<p>Khwezi Mkhize is Assistant P
 rofessor in the Department of African and African\nAmerican Studies at Du
 ke University and co-Director of the Franklin Humanities Institute's Blac
 k Archival Imagination Lab. Prior to joining Duke he taught at the Univer
 sity of Cape Town and the University of Witwatersrand in South Africa. He
  is co-editor of <i>Foundational African Writers: Peter Abrahams\, Noni J
 abavu\, Sibusiso Nyembezi and Es'kia Mphahlele</i>\, published in 2022\, 
 and <i>Black Archival Imagination</i>\, to be published by Duke Universit
 y Press.</p>\n\n<p>tgiFHI events take place from 9:30-11:00 a.m. on Frida
 y mornings in the Ahmadieh Family Lecture Hall (C105\, Bay 4\, Smith Ware
 house) with breakfast at 9 am. RSVP for the date <a href="https://duke.is
 /tgiFHI-25">here</a>!</p>
DURATION:PT2H
DTSTAMP:20250912T162156Z
DTSTART;TZID=America/New_York:20250926T090000
LAST-MODIFIED:20250912T162156Z
LOCATION;X-BEDEWORK-UID=18832e99-2be309ed-012b-e5b90ab4-000001a0:Smith War
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STATUS:CONFIRMED
SUMMARY:tgiFHI | Khwezi Mkhize\, "Pan-African(ist) Cape Town"
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20251003T090000
CATEGORIES:Humanities
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Religious/Spiritual
CATEGORIES:Research
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20250715T161613Z
DESCRIPTION:<p><a href="https://fhi.duke.edu/signature-series/tgifhi/">tgi
 FHI</a> is a weekly series that gives Duke faculty in the humanities\, in
 terpretive social sciences and arts the opportunity to present their curr
 ent research to their departmental and interdepartmental colleagues\, stu
 dents\, and other interlocutors in their fields.</P>\n\n<p>On Friday\, Oc
 tober 3\, 2025 we will be hosting Jennifer Knust\, Professor and Chair of
  Religious Studies.</p>\n\n<p><i>The New Testament Apparatus as a War Mac
 hine</i></p>\n\n<p>The apparatus to a critical edition of the Greek New T
 estament orders a vast material history within an array placed below a te
 xt that either prints a desired referent in the upper register or gesture
 s toward that referent\, conceptually. Relegating manuscripts to the role
  of data and extracting their variants\, textual criticism masters past c
 orruption while promising an ever-advancing present that never quite arri
 ves. The apparatus therefore testifies not only to textual difference but
  also to resource hoarding and the progress-at-any-cost epistemologies of
  modernity. Focusing on the International Greek New Testament Project's "
 new Tischendorf" - a project in which Duke University played a central ro
 le - this talk tracks the direct involvement of government\, corporate\, 
 and intelligence entrepreneurs in "saving the New Testament" or\, more ac
 curately\, advancing the Cold War interests of\, among others\, the Libra
 ry of Congress\, the United States' State Department\, Gulf Oil\, and ins
 titutions like the Society of Biblical Literature and Exegesis.</p>\n\n<p
 >Jennifer Knust is a scholar of religion who specializes in early Christi
 an history and the religions of the ancient Mediterranean. Author of <i>T
 o Cast the First Stone: The Transmission of a Gospel Story</i> (with Tomm
 y Wasserman\, Princeton 2018)\, <i>Unprotected Texts: The Bible's Surpris
 ing Contradictions about Sex and Desire</i> (HarperONE 2011)\, and <i>Aba
 ndoned to Lust: Sexual Slander and Ancient Christianity</i> (Columbia 200
 5)\, her numerous articles\, book chapters\, and edited books address the
  materiality of texts\, the intersections of late ancient religious pract
 ice\, and the ethics of interpretation.</p>\n\n<p>tgiFHI events take plac
 e from 9:30-11:00 a.m. on Friday mornings in the Ahmadieh Family Lecture 
 Hall (C105\, Bay 4\, Smith Warehouse) with breakfast at 9 am. RSVP for th
 e date <a href="https://duke.is/tgiFHI-25">here</a>!</p>
DURATION:PT2H
DTSTAMP:20250912T162236Z
DTSTART;TZID=America/New_York:20251003T090000
LAST-MODIFIED:20250912T162236Z
LOCATION;X-BEDEWORK-UID=18832e99-2be309ed-012b-e5b90ab4-000001a0:Smith War
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STATUS:CONFIRMED
SUMMARY:tgiFHI | Jennifer Knust\, "The New Testament Apparatus as a War Ma
 chine"
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20251024T090000
CATEGORIES:Artificial Intelligence
CATEGORIES:Humanities
CATEGORIES:Arts
CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Concert/Music
CATEGORIES:Lecture/Talk
CATEGORIES:Theater
CATEGORIES:Research
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20250715T161613Z
DESCRIPTION:<p>Please join us for the next speaker in the tgiFHI series\, 
 John Supko.</P>\n<p>This talk proposes a rediscovery of certain aspects o
 f modernism--its elevation of complexity\, ambiguity\, contradiction\, fo
 rmal experimentation\, and the art-science nexus--as an antidote for a cu
 lture increasingly intoxicated by speed\, convenience\, and quantificatio
 n. While not caused by AI\, this condition is epitomized and exacerbated 
 by AI's widespread\, uncritical adoption. The irony is painful: we have n
 ever had more powerful\, accessible computational tools\, yet we use them
  to litter the internet with forgettable mediocrity. If we want a world i
 n which matter for reading\, looking\, and listening holds and repays our
  attention\, we will have to consider AI as a tool that only works with e
 xtensive--and iterative--human intervention. But this intervention cannot
  be done at speed\; in fact\, working with AI's vast capacities for seren
 dipitous connection and discovery should only slow us down further. Drawi
 ng on works and ideas from modernist literature\, art\, and music\, I wil
 l share my own approach to composing music with AI\, including software s
 ystems I have designed\, and how I believe revisiting modernism can guide
  our use of technology to discover pleasurable difficulty\, generative am
 biguity\, and a way for artmaking and delectation to exist meaningfully i
 n the future.</p>\n<p>The work of composer John Supko explores intersecti
 ons: chance and intention\; conventional music notation and real-time sco
 re generation\; sound and spoken text\; installation and performance\; hu
 man and computer creativity. He is a recipient of the Fulbright and Georg
 es Lurcy Fellowships\, both for Paris\, France\, where he studied at the 
 Ecole Normale de Musique. His music has won numerous prizes and grants\, 
 been performed across North America\, Europe\, and Australia\, published 
 in collaborative editions with the poet Philippe Denis by Collection Mémo
 ires and by Harpo &\, and released on the New Amsterdam and Cotton Goods 
 labels. His 2014 album <i>s_traits</i> (with Bill Seaman) was named in "B
 est of 2014" recording lists in The NY Times and The Boston Globe. Supko 
 and Seaman's <i>THE_OPER&</i>\, an evening-length multimedia opera\, was 
 premiered by the Lorelei Ensemble at the Duke University Rubenstein Arts 
 Center in 2018. He is currently Associate Professor of Music with a secon
 dary appointment in Theater Studies.<p>\n<p><a href="https://duke.is/tgiF
 HI-25">RSVP here</a></p>
DURATION:PT2H
DTSTAMP:20251015T172147Z
DTSTART;TZID=America/New_York:20251024T090000
LAST-MODIFIED:20251015T172147Z
LOCATION;X-BEDEWORK-UID=18832e99-2be309ed-012b-e5b90ab4-000001a0:Smith War
 ehouse\, Ahmadieh Family Lecture Hall\, Bay 4\, C105
STATUS:CONFIRMED
SUMMARY:tgiFHI | John Supko\, "Maybe Modernism Can Save Us: Reflections on
  Complexity\, Ambiguity\, and Serendipity in the Age of AI"
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RECURRENCE-ID;TZID=America/New_York:20251031T090000
CATEGORIES:Humanities
CATEGORIES:Lectures/Conferences
CATEGORIES:Other
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Research
CATEGORIES:Main
CATEGORIES:Free Food and Beverages
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20250715T161613Z
DESCRIPTION:<p><a href="https://fhi.duke.edu/signature-series/tgifhi/">tgi
 FHI</a> is a weekly series that gives Duke faculty in the humanities\, in
 terpretive social sciences and arts the opportunity to present their curr
 ent research to their departmental and interdepartmental colleagues\, stu
 dents\, and other interlocutors in their fields.</P>\n<p> On Friday\, Oct
 ober 31\, 2025 we will be hosting Jennifer Flaherty\, Assistant Prof. of 
 Slavic Studies & Eurasian Studies.</p>\n<p>This paper offers a rare liter
 ary reading of one of the most important but still understudied works of 
 the democratic populists in Russia\, a socialist movement that preceded R
 ussian Marxism in the 1870s. Focusing on the motif of vision as related t
 o the empirical study of poverty\, the paper situates Vasily Bervi-Flerov
 sky's "Conditions of the Working Class in Russia" in a trend of Enlighten
 ment-Sentimentalist poetics that reaches from the eighteenth century to t
 he early twentieth century. It uses Bervi-Flerovsky's alternations of lit
 erary vignettes and sociological data in his 500-page opus\, the first of
  Russian sociology\, as a case study in which literature helps embody rat
 her than distract from economic realities.</p>\n<p>Jennifer Flaherty is a
 n Assistant Professor in the Department of Slavic and Eurasian Studies at
  Duke University. She earned her PhD in Slavic Languages and Literatures 
 at UC Berkeley and has held academic appointments at the College of Willi
 am & Mary\, New York University\, and the University of Bologna. Her work
  focuses on the social and economic forms of Russian literature in the ni
 neteenth century\, including representations of peasants.</p>\n<p>tgiFHI 
 events take place from 9:30-11:00 a.m. on Friday mornings in the Ahmadieh
  Family Lecture Hall (C105\, Bay 4\, Smith Warehouse) with breakfast at 9
  am. RSVP for the date <a href="https://duke.is/tgiFHI-25">here</a>!</p>
DURATION:PT2H
DTSTAMP:20251029T190227Z
DTSTART;TZID=America/New_York:20251031T090000
LAST-MODIFIED:20251029T190227Z
LOCATION;X-BEDEWORK-UID=18832e99-2be309ed-012b-e5b90ab4-000001a0:Smith War
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STATUS:CONFIRMED
SUMMARY:tgiFHI | Jennifer Flaherty\, "'Conditions of the Working Class in 
 Russia’: Towards a Poetics of Praxis"
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END:VEVENT
BEGIN:VEVENT

RECURRENCE-ID;TZID=America/New_York:20251107T090000
CATEGORIES:Humanities
CATEGORIES:Lectures/Conferences
CATEGORIES:Other
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Research
CATEGORIES:Main
CATEGORIES:Free Food and Beverages
CONTACT;X-BEDEWORK-UID=00f1fcdb-0f068baf-010f-068baf83-00000004:None
CREATED:20250715T161613Z
DESCRIPTION:<p><a href="https://fhi.duke.edu/signature-series/tgifhi/">tgi
 FHI</a> is a weekly series that gives Duke faculty in the humanities\, in
 terpretive social sciences and arts the opportunity to present their curr
 ent research to their departmental and interdepartmental colleagues\, stu
 dents\, and other interlocutors in their fields.</P>\n<p>On Friday\, Nove
 mber 7\, 2025 we will be hosting Julianne Werlin\, Associate Professor of
  English\, as the next speaker in the series.</p>\n<p>For Renaissance wri
 ters\, the best reason to compose poetry or to publish books was to cheat
  the grave. Life was brief and uncertain\; death was omnipresent and inev
 itable. Authorship offered the best chance of immortality on earth: if th
 ey wrote well enough\, poets could hope to build themselves a literary mo
 nument "more lasting than bronze\, higher than the pyramids\," in the fam
 ous lines of Horace. It was an aspiration shared by Shakespeare and Spens
 er\, Herrick and Milton. But the Renaissance proved to be the high point 
 for authorial ambitions of literary immortality. Slowly\, authorship ceas
 ed to be the pursuit of immortality.</p>\n<p>Why?</p>\n<p>This talk\, dra
 wn from my current project\, English Renaissance Authors: A Demographic H
 istory\, argues that one answer can be found in changing patterns of mort
 ality. Beginning in the seventeenth century\, it is possible to see the b
 eginnings of the mortality transition\, which would slowly and unevenly c
 hange how men and women live and die across the globe. Drawing on researc
 h on the life courses of over 600 English literary authors\, I suggest th
 at we can see how the timing of their deaths shaped literary culture and 
 notions of authorship in a transitional moment in English literary histor
 y.</p>\n<p>Julianne Werlin is an associate professor in Duke's department
  of English. Her first book\, <i>Writing at the Origin of Capitalism</i>\
 , appeared in 2021\; she is currently at work on a study of 600 English l
 iterary writers\, entitled <i>English Renaissance Authors: A Demographic 
 History</i>.</p>\n<p>RSVP for the date <a href="https://duke.is/tgiFHI-25
 ">here</a>!</p>
DURATION:PT2H
DTSTAMP:20251103T154727Z
DTSTART;TZID=America/New_York:20251107T090000
LAST-MODIFIED:20251103T154727Z
LOCATION;X-BEDEWORK-UID=18832e99-2be309ed-012b-e5b90ab4-000001a0:Smith War
 ehouse\, Ahmadieh Family Lecture Hall\, Bay 4\, C105
STATUS:CONFIRMED
SUMMARY:tgiFHI | Julianne Werlin\, "Death of the Writer\, Life of the Auth
 or:  From Mortality Statistics to Literary Immortality in the English Ren
 aissance"
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END:VEVENT
END:VCALENDAR

