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CATEGORIES:Lectures/Conferences
CATEGORIES:Utilities
CATEGORIES:Lecture/Talk
CATEGORIES:Main
CONTACT;X-BEDEWORK-UID=8a0870ee-4fa5a06e-014f-b3909cd1-00007542:Massung\, 
 David
CREATED:20250922T170257Z
DESCRIPTION:As it changed hands between US-based whalers\, China trade mer
 chants\, and Indigenous Fijians\, whale bone became a kind of archive-one
  on which whalemen logged their voyages and through which Indigenous peop
 le marked important social and political events. To call ivory an archive
  is not to say that temporality meant the same thing for everyone who enc
 ountered it. Timekeeping was a contested issue\, particularly as imperial
  powers worked to standardize time zones and date lines-a project motivat
 ed by maritime navigation and its clock-based technologies\, which native
  people across Oceania resisted. Temporality was thus a matter of both co
 lonial control and of native sovereignty. By examining Western and Indige
 nous ideas of time as well as the non-human time of whales\, this essay s
 hows how whale ivory can help us understand maritime encounters between c
 ultures and across species. \n \nMaggie Cao is a scholar of eighteenth an
 d nineteenth-century American art in a global context. She studies the hi
 story of globalization with particular interest in intersections of art w
 ith histories of technology\, natural science\, and economics. Her first 
 book\, The End of Landscape in Nineteenth-Century America (University of 
 California Press\, 2018) examines the dissolution of landscape painting a
 s a major cultural project in the late nineteenth-century United States a
 nd argues that landscape is the genre through which American artists most
  urgently sought to come to terms with modernity. Cao has also written on
  media theory\, material culture\, and ecocriticism. Among her publicatio
 ns are essays on the print culture of the earliest worldwide financial bu
 bbles and the materiality of export art made in eighteenth-century China.
  Her new book Painting US Empire: Nineteenth-Century Art and its Legacies
  (Chicago University Press\, 2025) is the first synthetic treatment of ni
 neteenth-century art and empire in the global context.
DURATION:PT1H30M
DTSTAMP:20250924T132724Z
DTSTART;TZID=America/New_York:20250925T163000
LAST-MODIFIED:20250924T132724Z
LOCATION;X-BEDEWORK-UID=8a0870ef-417019a3-0141-7371f3cc-00004101:Smith War
 ehouse - Bay 10\, 2nd Floor
STATUS:CONFIRMED
SUMMARY:“Ivory Archives and Temporalities at Sea”
UID:CAL-8a00ec8b-979413b9-0199-7260ec02-00002fe0demobedework@mysite.edu
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Main:/user/public-user/Utili
 ties/Main
X-BEDEWORK-ALIAS;X-BEDEWORK-PARAM-DISPLAYNAME=Lecture_Talk:/user/public-us
 er/Lectures_Conferences/Lecture_Talk
X-BEDEWORK-SPEAKER:Maggie Cao (David G. Frey Associate Professor at the Un
 iversity of North Carolina\, Chapel Hill)
X-BEDEWORK-DUKE-SERIES:AAHVS Art History Speaker Series
X-BEDEWORK-IMAGE-X1:75
X-BEDEWORK-IMAGE-Y1:0
X-BEDEWORK-IMAGE-X2:1389
X-BEDEWORK-IMAGE-Y2:876
X-BEDEWORK-IMAGE-CROP-WIDTH:1314
X-BEDEWORK-IMAGE-CROP-HEIGHT:876
X-BEDEWORK-IMAGE-ALT-TEXT:cao image
X-BEDEWORK-SUBMITTEDBY:massu001 for Art\, Art History &amp\; Visual Studie
 s (agrp_ArtsandSciences_ArtArtHistoryandVisualStudies)
X-BEDEWORK-IMAGE:/public/Images/Cao Image_20250922050257PM.jpg
X-BEDEWORK-THUMB-IMAGE:/public/Images/Cao Image_20250922050257PM-thumb.png
 
END:VEVENT
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